Description
Book SynopsisOn its release in 1988,
Grave of the Fireflies riveted audiences with its uncompromising drama. Directed by Isao Takahata at Studio Ghibli and based on an autobiographical story by Akiyuki Nosaka, the story of two Japanese children struggling to survive in the dying days of the Second World War unfolds with a gritty realism unprecedented in animation.
Grave of the Fireflies has since been hailed as a classic of both anime and war cinema. In 2018, USA Today ranked it the greatest animated film of all time. Yet Ghibli’s sombre masterpiece remains little analysed outside Japan, even as its meaning is fiercely contested - Takahata himself lamented that few had grasped his message. In the first book-length study of the film in English, Alex Dudok de Wit explores its themes, visual devices and groundbreaking use of animation, as well as the political context in which it was made. Drawing on untranslated accounts by the film’s crew, he also describes its troubled production, which almost spelt disaster for Takahata and his studio.
Trade ReviewA little jewel of a book, concise, lucid, informative, moving. * The Times *
Alex Dudok de Wit provides a valuable service to Japanese animation studies by writing the first book-length analysis in English of Grave of the Fireflies. Let us hope it will pave the way for similar scholarship to follow on other anime films. * Asia Times *
For readers to now have access to this detailed, well-written and richly illustrated companion guide to the film is without doubt a boon to both future generations of moviegoers and scholars of animation - thought provoking in all the right ways. * The Japan Society *
A thoroughly interesting, enlightening read… Alex Dudok de Wit has done this challenging film a real justice. * Skwigly *
Extremely well researched… Insightful. * Sight & Sound *
Alex Dudok de Wit’s impactful BFI monograph grapples with the Ghibli stunner’s intended socio-political message – and whether it has been washed away by audiences’ tears. Plus tense tales of missed production deadlines. * Total Film *
Table of ContentsAcknowledgments and Author’s Note Introduction: Japanese Suffering, Japanese Guilt The Production: A Monster and a Grave The Film: The Lovers’ Journey The Legacy: A Rethinking of Animation Notes Credits
