Description

Book Synopsis
Capoeira began as a martial art developed by enslaved Afro-Brazilians. Today, the practice incorporates song, dance, acrobatics, and theatrical improvisationand leads many participants into activism. Lauren Miller Griffith's extensive participant observation with multiple capoeira groups informs her ethnography of capoeiristas--both individuals and groups--in the United States. Griffith follows practitioners beyond their physical training into social justice activities that illuminate capoeira's strong connection to resistance and subversion. As both individuals and communities of capoeiristas, participants march against racial discrimination, celebrate Martin Luther King Jr. Day and Juneteenth, organize professional clothing drives for job seekers, and pursue economic and environmental justice in their neighborhoods. For these people, capoeira becomes a type of serious leisure that contributes to personal growth, a sense of belonging, and an overall sense of self, while also imposi

Trade Review
“Griffith provides a rich and convincing account of the often surprising connections between the practices, orientations and ‘affective habitus’ of capoeira and social justice struggles. This compelling argument is based on years of ethnographic observant participation and countless hours of interviews with diverse practitioners. The end result is an engaging, highly readable, thoroughly enjoyable, yet always seriously scholarly account of capoeira and its place and work in culture and society--an account that is as surprising, dynamic, and graceful as capoeira itself.”--Paul Bowman, author of The Invention of Martial Arts: Popular Culture between Asia and America

Table of Contents
Acknowledgments

Introduction

Chapter 1. The Making of a Politicized Art

Chapter 2. Social Justice and Resistance as Analytical Frames

Chapter 3. Becoming a Capoeirista

Chapter 4. Capoeira’s Pedagogies of Resistance

Chapter 5. The Capoeira Community

Chapter 6. Group Actions

Chapter 7. Jogue Pra Lá: Individual Applications

Chapter 8. Challenges to the Social Justice Perspective

Chapter 9. Boa Viagem

Glossary

Notes

References

Index

Graceful Resistance

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    Order before 4pm today for delivery by Mon 29 Jun 2026.

    A Hardback by Lauren Miller Griffith

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      Publisher: University of Illinois Press
      Publication Date: 20/06/2023
      ISBN13: 9780252045066, 978-0252045066
      ISBN10: 0252045068
      Also in:
      Capoeira

      Description

      Book Synopsis
      Capoeira began as a martial art developed by enslaved Afro-Brazilians. Today, the practice incorporates song, dance, acrobatics, and theatrical improvisationand leads many participants into activism. Lauren Miller Griffith's extensive participant observation with multiple capoeira groups informs her ethnography of capoeiristas--both individuals and groups--in the United States. Griffith follows practitioners beyond their physical training into social justice activities that illuminate capoeira's strong connection to resistance and subversion. As both individuals and communities of capoeiristas, participants march against racial discrimination, celebrate Martin Luther King Jr. Day and Juneteenth, organize professional clothing drives for job seekers, and pursue economic and environmental justice in their neighborhoods. For these people, capoeira becomes a type of serious leisure that contributes to personal growth, a sense of belonging, and an overall sense of self, while also imposi

      Trade Review
      “Griffith provides a rich and convincing account of the often surprising connections between the practices, orientations and ‘affective habitus’ of capoeira and social justice struggles. This compelling argument is based on years of ethnographic observant participation and countless hours of interviews with diverse practitioners. The end result is an engaging, highly readable, thoroughly enjoyable, yet always seriously scholarly account of capoeira and its place and work in culture and society--an account that is as surprising, dynamic, and graceful as capoeira itself.”--Paul Bowman, author of The Invention of Martial Arts: Popular Culture between Asia and America

      Table of Contents
      Acknowledgments

      Introduction

      Chapter 1. The Making of a Politicized Art

      Chapter 2. Social Justice and Resistance as Analytical Frames

      Chapter 3. Becoming a Capoeirista

      Chapter 4. Capoeira’s Pedagogies of Resistance

      Chapter 5. The Capoeira Community

      Chapter 6. Group Actions

      Chapter 7. Jogue Pra Lá: Individual Applications

      Chapter 8. Challenges to the Social Justice Perspective

      Chapter 9. Boa Viagem

      Glossary

      Notes

      References

      Index

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