Description

Book Synopsis
A fresh translation of the classical Buddhist poetry of Saigyō, whose aesthetics of nature, love, and sorrow came to epitomize the Japanese poetic tradition.

Saigyō, the Buddhist name of Fujiwara no Norikiyo (1118–1190), is one of Japan’s most famous and beloved poets. He was a recluse monk who spent much of his life wandering and seeking after the Buddhist way. Combining his love of poetry with his spiritual evolution, he produced beautiful, lyrical lines infused with a Buddhist perception of the world.

Gazing at the Moon presents over one hundred of Saigyō’s tanka—traditional 31-syllable poems—newly rendered into English by renowned translator Meredith McKinney. This selection of poems conveys Saigyō’s story of Buddhist awakening, reclusion, seeking, enlightenment, and death, embodying the Japanese aesthetic ideal of mono no aware—to be moved by sorrow in witnessing the ephemeral world.

Gazing at the Moon: Buddhist Poems of Solitude

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    A Paperback / softback by Saigyo Saigyo, Meredith McKinney

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      Publisher: Shambhala Publications Inc
      Publication Date: 07/09/2021
      ISBN13: 9781611809428, 978-1611809428
      ISBN10: 1611809428
      Also in:
      Poetry

      Description

      Book Synopsis
      A fresh translation of the classical Buddhist poetry of Saigyō, whose aesthetics of nature, love, and sorrow came to epitomize the Japanese poetic tradition.

      Saigyō, the Buddhist name of Fujiwara no Norikiyo (1118–1190), is one of Japan’s most famous and beloved poets. He was a recluse monk who spent much of his life wandering and seeking after the Buddhist way. Combining his love of poetry with his spiritual evolution, he produced beautiful, lyrical lines infused with a Buddhist perception of the world.

      Gazing at the Moon presents over one hundred of Saigyō’s tanka—traditional 31-syllable poems—newly rendered into English by renowned translator Meredith McKinney. This selection of poems conveys Saigyō’s story of Buddhist awakening, reclusion, seeking, enlightenment, and death, embodying the Japanese aesthetic ideal of mono no aware—to be moved by sorrow in witnessing the ephemeral world.

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