Description

Book Synopsis
FLOWERS doesn't represent flowers.They are explicitly flowers, as per the title, but flowers reduced to the mere forms, on which spray paint and kid's glue can be dumped.They stand reconfigured, their stems artificially grafted together via Serflex, blu-tack or wires.They are an aggregation of materials, textures and colors, a composite greater than the sum of its parts.These (mostly supermarket) flowers end up being transformed into a pile of stuff to disarm the immediate perception of their very nature.Forms are made difficult to increase the length of perception, to delay the understanding of what is seen.It's a stratagem to create a thin breach, through which can arise a visual pleasure unrelated to any what' of any object. It is a loose approach on a constantly evolving, reconfigured, half intentionally and half accidentally produced image, where instability is designed from the start.All these forms are improvised, transient, and modifiable.The structures always collapse, but ins

FLOWERS

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    RRP £55.00 – you save £5.50 (10%)

    Order before 4pm today for delivery by Mon 8 Jun 2026.

    A Hardback by Arnaud Lajeunie

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      View other formats and editions of FLOWERS by Arnaud Lajeunie

      Publisher: EAR (EDITIONS ANTOINE ROUX)
      Publication Date: 6/14/2024
      ISBN13: 9782959317200, 978-2959317200
      ISBN10: 2959317203
      Also in:
      The Arts

      Description

      Book Synopsis
      FLOWERS doesn't represent flowers.They are explicitly flowers, as per the title, but flowers reduced to the mere forms, on which spray paint and kid's glue can be dumped.They stand reconfigured, their stems artificially grafted together via Serflex, blu-tack or wires.They are an aggregation of materials, textures and colors, a composite greater than the sum of its parts.These (mostly supermarket) flowers end up being transformed into a pile of stuff to disarm the immediate perception of their very nature.Forms are made difficult to increase the length of perception, to delay the understanding of what is seen.It's a stratagem to create a thin breach, through which can arise a visual pleasure unrelated to any what' of any object. It is a loose approach on a constantly evolving, reconfigured, half intentionally and half accidentally produced image, where instability is designed from the start.All these forms are improvised, transient, and modifiable.The structures always collapse, but ins

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