Description

Book Synopsis

FLOWERS doesn't represent flowers.They are explicitly flowers, as per the title, but flowers reduced to the mere forms, on which spray paint and kid's glue can be dumped.They stand reconfigured, their stems artificially grafted together via Serflex, blu-tack or wires.They are an aggregation of materials, textures and colors, a composite greater than the sum of its parts.These (mostly supermarket) flowers end up being transformed into a pile of stuff to disarm the immediate perception of their very nature.Forms are made difficult to increase the length of perception, to delay the understanding of what is seen.It's a stratagem to create a thin breach, through which can arise a visual pleasure unrelated to any what' of any object. It is a loose approach on a constantly evolving, reconfigured, half intentionally and half accidentally produced image, where instability is designed from the start.All these forms are improvised, transient, and modifiable.The structures always collapse, but ins

FLOWERS

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    A Hardback by Arnaud Lajeunie

    £49.50

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    RRP £55.00 – you save £5.50 (10%)

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      Book details

      Publisher EAR (EDITIONS ANTOINE ROUX)
      Published 14 June 2024
      ISBN-13 9782959317200
      978-2959317200
      ISBN-10 2959317203
      Also in:
      The Arts

      Description

      Book Synopsis

      FLOWERS doesn't represent flowers.They are explicitly flowers, as per the title, but flowers reduced to the mere forms, on which spray paint and kid's glue can be dumped.They stand reconfigured, their stems artificially grafted together via Serflex, blu-tack or wires.They are an aggregation of materials, textures and colors, a composite greater than the sum of its parts.These (mostly supermarket) flowers end up being transformed into a pile of stuff to disarm the immediate perception of their very nature.Forms are made difficult to increase the length of perception, to delay the understanding of what is seen.It's a stratagem to create a thin breach, through which can arise a visual pleasure unrelated to any what' of any object. It is a loose approach on a constantly evolving, reconfigured, half intentionally and half accidentally produced image, where instability is designed from the start.All these forms are improvised, transient, and modifiable.The structures always collapse, but ins

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