Description

Book Synopsis

Interdisciplinary essays on Manuela Infante’s award-winning play explore the relationship between critical plant studies and performance art in the Anthropocene

Since its first staging in 2016, Estado Vegetal, Manuela Infante’s riveting piece of experimental performance art, has expanded philosophical thinking into a fully-fledged artistic inquiry of nonanthropocentric being. Through Infante’s polyvocal monologue, acted with impetus by Marcela Salinas, plants are charged with an agency capable of uprooting culturally grounded conceptions of the world in the face of incommensurable trauma and loss.

This first book dedicated to Infante’s plant-focused performance features eight essays by scholars, poets, and artists whose practices draw from research fields as disparate as new materialism, anthropogenic feminism, queer studies, and speculative realism. Including an interview with Infante, the full playscript, and stills from the performance, Estado Vegetal: Performance and Plant-Thinking reveals the roles that plants in art can play in productively reconfiguring human–nonhuman relations within current anthropogenic perspectives.

Infante’s performance is a perfect case study and reference point for anyone interested in exploring the complexities of plant-thinking through alternative and experimental avenues. Furthermore, this book is at once a critical plant studies primer and an artistic problematization of the philosophical questions that have been central to the latest multidisciplinary discussions on plant-being.

Contributors: Maaike Bleeker, Utrecht U; Lucy Cotter, Portland State U; Prudence Gibson, UNSW Sydney; Michael Marder, U of the Basque Country; Dawn Sanders, U of Gothenburg; Catriona Sandilands, York U; Sibila Sotomayor Van Rysseghem, colectivo LASTESIS; Mandy-Suzanne Wong.



Table of Contents

Introduction

Giovanni Aloi

The Right of the Other: Interpretation in Four Acts

Michael Marder

Thinking in the World: Estado Vegetal as Thought-Apparatus

Maaike Bleeker

Theatre as Thinking, Art as Nonknowledge

Lucy Cotter

Vegetal Mythologies: Potted Plants and Storymaking

Giovanni Aloi

Attending to “Plantness” in Estado Vegetal

Dawn Sanders

“I Can’t Move”: Plants and the Politics of Mobility in Estado Vegetal

Catriona Sandilands and Prudence Gibson

Feminist Structures: Polyphonic Networks

Sibila Sotomayor Van Rysseghem

Soledad: After Estado Vegetal

Mandy-Suzanne Wong

In Conversation

Manuela Infante and Giovanni Aloi

Estado Vegetal

Manuela Infante with Marcela Salinas

Acknowledgments

Contributors

Index

Estado Vegetal: Performance and Plant-Thinking

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A Paperback / softback by Giovanni Aloi

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    View other formats and editions of Estado Vegetal: Performance and Plant-Thinking by Giovanni Aloi

    Publisher: University of Minnesota Press
    Publication Date: 07/11/2023
    ISBN13: 9781517913083, 978-1517913083
    ISBN10: 151791308X
    Also in:
    Theatre studies

    Description

    Book Synopsis

    Interdisciplinary essays on Manuela Infante’s award-winning play explore the relationship between critical plant studies and performance art in the Anthropocene

    Since its first staging in 2016, Estado Vegetal, Manuela Infante’s riveting piece of experimental performance art, has expanded philosophical thinking into a fully-fledged artistic inquiry of nonanthropocentric being. Through Infante’s polyvocal monologue, acted with impetus by Marcela Salinas, plants are charged with an agency capable of uprooting culturally grounded conceptions of the world in the face of incommensurable trauma and loss.

    This first book dedicated to Infante’s plant-focused performance features eight essays by scholars, poets, and artists whose practices draw from research fields as disparate as new materialism, anthropogenic feminism, queer studies, and speculative realism. Including an interview with Infante, the full playscript, and stills from the performance, Estado Vegetal: Performance and Plant-Thinking reveals the roles that plants in art can play in productively reconfiguring human–nonhuman relations within current anthropogenic perspectives.

    Infante’s performance is a perfect case study and reference point for anyone interested in exploring the complexities of plant-thinking through alternative and experimental avenues. Furthermore, this book is at once a critical plant studies primer and an artistic problematization of the philosophical questions that have been central to the latest multidisciplinary discussions on plant-being.

    Contributors: Maaike Bleeker, Utrecht U; Lucy Cotter, Portland State U; Prudence Gibson, UNSW Sydney; Michael Marder, U of the Basque Country; Dawn Sanders, U of Gothenburg; Catriona Sandilands, York U; Sibila Sotomayor Van Rysseghem, colectivo LASTESIS; Mandy-Suzanne Wong.



    Table of Contents

    Introduction

    Giovanni Aloi

    The Right of the Other: Interpretation in Four Acts

    Michael Marder

    Thinking in the World: Estado Vegetal as Thought-Apparatus

    Maaike Bleeker

    Theatre as Thinking, Art as Nonknowledge

    Lucy Cotter

    Vegetal Mythologies: Potted Plants and Storymaking

    Giovanni Aloi

    Attending to “Plantness” in Estado Vegetal

    Dawn Sanders

    “I Can’t Move”: Plants and the Politics of Mobility in Estado Vegetal

    Catriona Sandilands and Prudence Gibson

    Feminist Structures: Polyphonic Networks

    Sibila Sotomayor Van Rysseghem

    Soledad: After Estado Vegetal

    Mandy-Suzanne Wong

    In Conversation

    Manuela Infante and Giovanni Aloi

    Estado Vegetal

    Manuela Infante with Marcela Salinas

    Acknowledgments

    Contributors

    Index

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