Description

Book Synopsis
Digital Media: Human-Technology Connection examines what it is like to be alive in today's technologically textured world and showcases specific digital media technologies that make this kind of world possible. So much of human experience occurs through digital media that reflection on the process and proliferation of digital consumption has become necessary. This book takes on that task through an interdisciplinary array of sources including philosophy, media studies, film studies, media ecology, and philosophy of technology. When placed in the interpretive lenses of artifact, instrument, and tool, digital media can be studied in a uniquely different way that pushes the boundaries on production, distribution, and communication and alters the way humans and technology connect with each other and the world. In the first section, Raw Materials, Stacey O'Neal Irwin examines pertinent concepts like digital media, philosophy of technology, phenomenology and postphenomenology . In the second

Trade Review
This small volume has an immodest aim—to analyze 'how digital media change our day-to-day lifeworld experience.' This analysis consists primarily of two components. First is a description of 'postphenomenology,' which is described as phenomenology leavened with pragmatism and close attention to the experiences of using specific technologies. The second is a series of 'cases,' which include descriptions of the use of screens, earbuds, portable music players, digitally altered ('photoshopped') images, aggregate news services, and athletic performance monitoring. Straightforward descriptions of these familiar digital media experiences are juxtaposed with metaphors (e.g., the 'siren's song of today'), oracular statements by phenomenologists, and, most especially, open-ended questions ('Is the technological weave in our contemporary world a heavy covering?' or 'If I cannot hear lifeworld sounds, am I less of a citizen?'). Readers should not expect definitive answers to such questions but instead are encouraged to be mindful of how casual, but pervasive, use of digital media can alter basic experiences and thus who people are. Summing Up: Recommended. Graduate students and professionals. * CHOICE *
Fully in line with her own conceptual perspective, Stacey Irwin weaves an impressive tapestry. Effortlessly mapping the ‘technological texture’ with which digital media overlay our lives nowadays, she not only succeeds in expanding and deepening the field of postphenomenology substantially, she also delivers an essential new contribution to the philosophy of technology as such. Her theoretical survey is crystal-clear, solid and indispensable, but even more of a treat are the empirical cases, in which she playfully though rigorously explores, from a phenomenological angle, many of the digital technologies that characterize contemporary life. Undoubtedly, Digital Media: Human-Technology Connection will become a mainstay of philosophical media research, a book of crucial use to many trying to understand the dynamics of digital media in years to come. -- Yoni Van Den Eede, Free University of Brussels
In this rangy text, Stacey O'Neal Irwin traverses and integrates a wide and diverse terrain. She explores the human-technology connection from a variety of approaches and angles, bringing phenomenological sensibilities and ethnographic thick descriptions to the experience of being digitally mediated. Digital Media well captures the spirit and flavor, the overall texture, of today's digital environments. -- Corey Anton, Grand Valley State University

Table of Contents
Preface Acknowledgements Foreword Section 1: Raw Materials Chapter 1: Exploring the Texture Chapter 2: Describing Digital Media Chapter 3: Digging Section 2: Feeling the Weave Chapter 4: Case: The Screen Chapter 5: Case: Dwelling in digital Sound Chapter 6: Case: Earbud Embodiment Chapter 7: Case: Being-In-The World-With my iPod Chapter 8: Case: Dubstep Chapter 9: Case: The Photoshop Aesthetic Chapter 10: Case: Data mining Chapter 11: Case: Aggregate News Chapter 12: Case: Self Tracking Epilogue

Digital Media

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    £74.70

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    RRP £83.00 – you save £8.30 (10%)

    Order before 4pm today for delivery by Thu 18 Jun 2026.

    A Hardback by Stacey O'Neal Irwin, Don Ihde

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      View other formats and editions of Digital Media by Stacey O'Neal Irwin

      Publisher: Lexington Books
      Publication Date: 4/29/2016 12:00:00 AM
      ISBN13: 9780739186534, 978-0739186534
      ISBN10: 0739186531

      Description

      Book Synopsis
      Digital Media: Human-Technology Connection examines what it is like to be alive in today's technologically textured world and showcases specific digital media technologies that make this kind of world possible. So much of human experience occurs through digital media that reflection on the process and proliferation of digital consumption has become necessary. This book takes on that task through an interdisciplinary array of sources including philosophy, media studies, film studies, media ecology, and philosophy of technology. When placed in the interpretive lenses of artifact, instrument, and tool, digital media can be studied in a uniquely different way that pushes the boundaries on production, distribution, and communication and alters the way humans and technology connect with each other and the world. In the first section, Raw Materials, Stacey O'Neal Irwin examines pertinent concepts like digital media, philosophy of technology, phenomenology and postphenomenology . In the second

      Trade Review
      This small volume has an immodest aim—to analyze 'how digital media change our day-to-day lifeworld experience.' This analysis consists primarily of two components. First is a description of 'postphenomenology,' which is described as phenomenology leavened with pragmatism and close attention to the experiences of using specific technologies. The second is a series of 'cases,' which include descriptions of the use of screens, earbuds, portable music players, digitally altered ('photoshopped') images, aggregate news services, and athletic performance monitoring. Straightforward descriptions of these familiar digital media experiences are juxtaposed with metaphors (e.g., the 'siren's song of today'), oracular statements by phenomenologists, and, most especially, open-ended questions ('Is the technological weave in our contemporary world a heavy covering?' or 'If I cannot hear lifeworld sounds, am I less of a citizen?'). Readers should not expect definitive answers to such questions but instead are encouraged to be mindful of how casual, but pervasive, use of digital media can alter basic experiences and thus who people are. Summing Up: Recommended. Graduate students and professionals. * CHOICE *
      Fully in line with her own conceptual perspective, Stacey Irwin weaves an impressive tapestry. Effortlessly mapping the ‘technological texture’ with which digital media overlay our lives nowadays, she not only succeeds in expanding and deepening the field of postphenomenology substantially, she also delivers an essential new contribution to the philosophy of technology as such. Her theoretical survey is crystal-clear, solid and indispensable, but even more of a treat are the empirical cases, in which she playfully though rigorously explores, from a phenomenological angle, many of the digital technologies that characterize contemporary life. Undoubtedly, Digital Media: Human-Technology Connection will become a mainstay of philosophical media research, a book of crucial use to many trying to understand the dynamics of digital media in years to come. -- Yoni Van Den Eede, Free University of Brussels
      In this rangy text, Stacey O'Neal Irwin traverses and integrates a wide and diverse terrain. She explores the human-technology connection from a variety of approaches and angles, bringing phenomenological sensibilities and ethnographic thick descriptions to the experience of being digitally mediated. Digital Media well captures the spirit and flavor, the overall texture, of today's digital environments. -- Corey Anton, Grand Valley State University

      Table of Contents
      Preface Acknowledgements Foreword Section 1: Raw Materials Chapter 1: Exploring the Texture Chapter 2: Describing Digital Media Chapter 3: Digging Section 2: Feeling the Weave Chapter 4: Case: The Screen Chapter 5: Case: Dwelling in digital Sound Chapter 6: Case: Earbud Embodiment Chapter 7: Case: Being-In-The World-With my iPod Chapter 8: Case: Dubstep Chapter 9: Case: The Photoshop Aesthetic Chapter 10: Case: Data mining Chapter 11: Case: Aggregate News Chapter 12: Case: Self Tracking Epilogue

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