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Book Synopsis
What it means to be global—or to be local—in the context of artistic, curatorial, and theoretical knowledge and practice.

In this volume, an international, interdisciplinary group of writers discuss what it means to be global—or to be local—in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.

It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contribut

Curating After the Global The MIT Press Roadmaps

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A Paperback by Paul O'Neill, Simon Sheikh, Lucy Steeds

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    View other formats and editions of Curating After the Global The MIT Press Roadmaps by Paul O'Neill

    Publisher: MIT Press
    Publication Date: 10/22/2019 12:00:00 AM
    ISBN13: 9780262537902, 978-0262537902
    ISBN10: 0262537907
    Also in:
    Orality / Oral transmission

    Description

    Book Synopsis
    What it means to be global—or to be local—in the context of artistic, curatorial, and theoretical knowledge and practice.

    In this volume, an international, interdisciplinary group of writers discuss what it means to be global—or to be local—in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.

    It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contribut

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