Description

Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
  • Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)
  • Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise
  • Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts
  • Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?”
  • Part of the highly regarded New Directions in Aesthetics series

Cultural Appropriation and the Arts

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Hardback by James O. Young

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Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural... Read more

    Publisher: John Wiley and Sons Ltd
    Publication Date: 27/12/2007
    ISBN13: 9781405176569, 978-1405176569
    ISBN10: 1405176563

    Number of Pages: 184

    Non Fiction , Art & Photography

    Description

    Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
    • Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)
    • Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise
    • Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts
    • Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?”
    • Part of the highly regarded New Directions in Aesthetics series

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