Description
Book SynopsisConvent Autobiography reveals how English Catholic women wrote about themselves, their families, and their lives in a period where it was illegal to practice Catholicism in England. These nuns went into a two-fold kind of exile for their beliefs. They moved abroad and they died to the world, trying to cut ties with family and friends. Yet their convents needed support from outsiders to thrive. The nuns studied here reveal how they navigated this through their letters, printed works, paintings, and prayers. Often times these women wrote anonymously, a common practice for nuns, monks, and devout people of many religious persuasions up until the twentieth century. But anonymity was not just a neutral way of signalling humility or deep religious belief; it could allow people to write about themselves a lot more than they would have while writing under their own name. Exploring how some nuns exploited this to shape their convent''s chronicle around their own points of view, Convent Autobiog
Trade ReviewThis book should be welcomed by those whose own interests lie beyond the spheres of Catholic history and women's writing. The book was undoubtedly framed with a broad readership in mind. Indeed, the author at all times assists in making it as accessible as possible to those unfamiliar with the topic. * Cormac Begadon, Journal of Ecclesiastical History *
Readers will also value the glossary of conventual terms, the painstakingly detailed index and the fulsome bibliography, all of which are in keeping with the rigorous and methodical work offered in this study of conventual texts through the lens of autobiography studies. * Laurence Lux-Sterritt, Journal of Religious History *
One of the most impressive aspects of Van Hyning's findings is her ability to isolate what she refers to as "acts of self-betrayal" (32), or moments where an individual nun inadvertently reveals facts about her own identity. When combined with palaeographic observations, manuscript analysis, and prosopographical data, Van Hyning convincingly identifies individual nuns as authors, often for the first time. * Liam Peter Temple, Church History *
Convent Autobiography is a major contribution to criticism on early modern Catholicism, and it belongs on the bookshelves of scholars interested in autobiography, the convents abroad, cloistered writing, and monastic history. Van Hyning's intrepid detective work and ground-breaking treatment of autobiography will open up valuable new terrain for anyone specializing in history, literary studies, religious studies, and women's studies. * Jaime Goodrich, Wayne State University, British Cathlic History *
