Description
Book SynopsisCOMEDY INCARNATE COMEDY INCARNATE
Buster Keaton, Physical Humor and Bodily Coping
Buster Keaton was an engineer of the comic, a craftsman of gags, a mechanic of humor. While Carroll does not aspire to be as funny as Keaton, he can match (and follow) him in intricate and brilliant analysis, providing a logic of illogic. A book that will change how we think about slapstick and film style.
Tom Gunning, University of Chicago
Comedy Incarnate is a brilliant, inventive and lucid examination of Buster Keaton's The General. Through close textual analysis, Carroll opens up a wide expanse of historical and theoretical territory positioning The General in relation to the writings of Merleau-Ponty, Bergson, and Poulet, as well as to the films of Chaplin, Lloyd, and Langdon.
Lucy Fischer, University of Pittsburgh
Building on Keaton's directorial practice as a sort of civil engineer who engaged a mechanical universe, Carroll
Trade Review
“Buster Keaton was an engineer of the comic, a craftsman of gags, a mechanic of humor. While Carroll does not aspire to be as funny as Keaton, he can match (and follow) him in intricate and brilliant analysis, providing a logic of illogic. A book that will change how slapstick and film style are written about.”
Tom Gunning, University of Chicago
“Comedy Incarnate is a brilliant, inventive and lucid examination of Buster Keaton’s The General. Through close textual analysis, Carroll opens up a wide expanse of historical and theoretical territory – positioning The General in relation to the writings of Merleau-Ponty, Bergson, and Poulet, as well as to the films of Chaplin, Lloyd, and Langdon. Lucy Fischer, University of Pittsburgh
"Building on Keaton's directorial practice as a sort of civil engineer who engaged a mechanical universe, Carroll...investigates how Keaton's emphasis on gags and their intelligibility characterize the film in specific ways. In so doing he opens up an understanding of how Keaton's comedy of body intelligence works, especially in contrast to contemporaries like Charlie Chaplin and Harold Lloyd, and he shows how intelligence--the artist's and the viewer's--informs laughter." CHOICE
Table of ContentsAcknowledgments.
Introduction: The Phenomenological Background.
1. Themes in The General.
2. Style in The General.
3. Keaton, Chaplin, Lloyd, and Langdon.
Summary.
Appendix: Narration in Keaton's The General.
Index
