Description

Book Synopsis
After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works ofkey figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence markeda milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to constructtheir relationship with Rome's imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the cosmic sense of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.

Trade Review
"As always, Hardie’s work is erudite and articulate, displaying the author’s extensive knowledge of both early and late Latin poetic corpora. This recent work advocates for the uniqueness and vitality of late antique Latin poetry against the still-widespread stereotype of the period as one marked by decadence and degeneration. It should be widely appreciated by specialists in Latin poetry, late antiquity, and anyone interested in the complex interactions between ‘classical’ and Christian culture in the later Roman world. It is highly recommended." * The Society of Biblical Literature *

Table of Contents
Preface

Introduction
1. Farewells and Returns: Ausonius and Paulinus of Nola
2. Virgilian Plots: Public Ideologies and Private Journeys
3. Cosmos: Classical and Christian Universes
4. Concord and Discord: Concordia Discors
5. Innovations of Late Antiquity: Novelty and Renouatio
6. Paradox, Mirabilia, Miracles
7. Allegory
8. Mosaics and Intertextuality

References
General Index
Index Locorum

Classicism and Christianity in Late Antique Latin

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A Hardback by Prof. Philip Hardie

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    View other formats and editions of Classicism and Christianity in Late Antique Latin by Prof. Philip Hardie

    Publisher: University of California Press
    Publication Date: 27/08/2019
    ISBN13: 9780520295773, 978-0520295773
    ISBN10: 0520295773

    Description

    Book Synopsis
    After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works ofkey figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence markeda milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to constructtheir relationship with Rome's imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the cosmic sense of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.

    Trade Review
    "As always, Hardie’s work is erudite and articulate, displaying the author’s extensive knowledge of both early and late Latin poetic corpora. This recent work advocates for the uniqueness and vitality of late antique Latin poetry against the still-widespread stereotype of the period as one marked by decadence and degeneration. It should be widely appreciated by specialists in Latin poetry, late antiquity, and anyone interested in the complex interactions between ‘classical’ and Christian culture in the later Roman world. It is highly recommended." * The Society of Biblical Literature *

    Table of Contents
    Preface

    Introduction
    1. Farewells and Returns: Ausonius and Paulinus of Nola
    2. Virgilian Plots: Public Ideologies and Private Journeys
    3. Cosmos: Classical and Christian Universes
    4. Concord and Discord: Concordia Discors
    5. Innovations of Late Antiquity: Novelty and Renouatio
    6. Paradox, Mirabilia, Miracles
    7. Allegory
    8. Mosaics and Intertextuality

    References
    General Index
    Index Locorum

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