Description
Book SynopsisIn Catholicism and American Borders in the Gothic Literary Imagination, Farrell O''Gorman presents the first study of the recurrent role of Catholicism in a Gothic tradition that is essential to the literature of the United States. In this tradition, Catholicism is depicted as threatening to break down borders separating American citizensor some representative Americanfrom a larger world beyond. While earlier studies of Catholicism in the American literary imagination have tended to highlight the faith''s historical association with Europe, O''Gorman stresses how that imagination often responds to a Catholicism associated with Latin America and the Caribbean. On a deeper level, O''Gorman demonstrates how the Gothic tradition he traces here builds on and ultimately transforms the persistent image in modern Anglophone literature of Catholicism as a religion without a country; indeed, a religion inimical to nationhood. O''Gorman focuses on the work of J. Hector St. John de Crève
Trade Review
"Farrell O'Gorman's original scholarship investigates an area that has been almost altogether untouched by critics: the Gothic figuration of Catholicism within American literary culture. In this way, it has a strong resonance with studies like Toni Morrison's Playing in the Dark, in that it treats the Catholic presence (as Morrison does the Africanist presence) as thoroughly constructed by writers in order to serve a variety of purposes related to the establishment of American identity, especially with regard to border crossings." —Christina Bieber Lake, author of The Incarnational Art of Flannery O'Connor
"A unique approach that opens up a fresh direction for American Gothic studies, with strong and original readings of key texts." —Stephen Matterson, Trinity College, Dublin
"This study is the first to explore in detail the importance of Catholicism to American Gothic. That this has not been done before is something of a scandal, and O'Gorman fulfills this need brilliantly. As the examples of Faulkner and Melville show, the Catholic shadow in American literature can be found in works by Protestant or secular writers. O'Gorman of course includes expected Catholic writers who are engaged with the traditions of their faith, such as Flannery O'Connor and the convert Walker Percy; but there are other writers whose Catholicism has seldom been considered relevant: J. Hector St. John de Crèvecoeur, Kate Chopin, and Toni Morrison, among others. In every case O'Gorman's nuanced readings provide unexpected insights." —Charles L. Crow, author of History of the Gothic: American Gothic
“O’Gorman makes the bolder claim that Catholicism looms larger in the American Gothic than has been recognized, and that its presence there must be understood in relation to a desire to maintain well-defined borders, not only between nations, races and individual selves, but also between reason and passion, spirit and matter.” —Flannery O’Connor Review
"Farrell O’Gorman’s new book sets for itself an ambitious goal: It defines and illustrates a new paradigm for reading many major fictional narratives both within and outside the canon of American literature. . . . O’Gorman’s book is a bold, indispensable and revisionary text for the benefit of readers and critics of major and dominant motifs in the unfolding history of American fiction." —America
