Description
Book SynopsisEssays examining representations of disaster in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. Destroying human habitat and taking human lives, disasters, be they natural, man-made, or a combination, threaten large populations, even entire nations and societies. They also disrupt the existing order and cause discontinuity in our sense of self and our perceptions of the world. To restore order, not only must human beings be rescued and affected areas rebuilt, but the reality of the catastrophe must also be transformed into narrative. The essays in this collection examine representations of disaster in literature, film, and mass media in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. Topics include the Lisbon earthquake, the Paris Commune, the Hamburg and Dresden fire-bombings in the Second World War, nuclear disasters in Alexander Kluge's films, the filmic aesthetics of catastrophe, Yoko Tawada's lectures on the Fukushima disaster and Christa Wolf's novel Störfall in light of that same disaster, Joseph Haslinger and the tsunami of 2004, traditions regarding avalanche disaster in the Tyrol, and the problems and implications of defining disaster. Contributors: Carol Anne Costabile-Heming, Yasemin Dayioglu-Yücel, Janine Hartman, Jan Hinrichsen, Claudia Jerzak, Lars Koch, Franz Mauelshagen, Tanja Nusser, Torsten Pflugmacher, Christoph Weber. Katharina Gerstenberger is Professor and Chair of the Department of Languages and Literature at the University of Utah. Tanja Nusser is DAAD Visiting Associate Professor of German at the University of Cincinnati.
Trade Review[A]ll [the volume's contributors] offer substantive and provocative viewpoints. . . . [T]his well-curated volume should inspire further work on the role of cultural production in the age of the anthropocene. The book's interdisciplinary approach certainly makes it important reading for graduate students and scholars across the humanities and social sciences. * MONATSHEFTE *
Table of ContentsIntroduction Tableaux of Terror: The Staging of the Lisbon Earthquake of 1755 as Cathartic Spectacle The French Burn Paris, 1871 Memory Politics: The Bombing of Hamburg and Dresden Observing the Observation of Nuclear Disasters in Alexander Kluge Rereading Christa Wolf's Störfall following the 2011 Fukushima Catastrophe Narrating the Untellable: Yoko Tawada and Haruki Murakami as Transnational Translators of Catastrophe Beautiful Destructions: The Filmic Aesthetics of Spectacular Catastrophes Constellations of Primal Fear in Josef Haslingers Phi Phi Island Avalanche Catastrophes and Disaster Traditions: Anthropological Perspectives on Coping Strategies in Galtür, Tyrol Defining Catastrophes Bibliography Notes on the Contributors Index
