Description

Book Synopsis
Part memento mori for architecture, and part invocation to reimagine the design values that lay at the heart of its creative purpose.

Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture''s sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture''s preoccupation with good form, loosens its vanit

Buildings Must Die A Perverse View of

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A Paperback by Jane M. Jacobs, Jane M. Jacobs


    View other formats and editions of Buildings Must Die A Perverse View of by Jane M. Jacobs

    Publisher: MIT Press Ltd
    Publication Date: 8/11/2017 12:00:00 AM
    ISBN13: 9780262534710, 978-0262534710
    ISBN10: 0262534711
    Also in:
    Theory of architecture

    Description

    Book Synopsis
    Part memento mori for architecture, and part invocation to reimagine the design values that lay at the heart of its creative purpose.

    Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture''s sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture''s preoccupation with good form, loosens its vanit

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