Description

Book Synopsis
Breaking Free from Death examines how Russian writers respond to the burden of living with anxieties about their creative outputs, and, ultimately, about their own inevitable finitude. What contributes to creative death are not just crippling diseases that make man defenseless in the face of death, and not just the arguably universal fear of death but, equally important, the innumerable impositions on the part of various outsiders. Many conflicts in the lives of Rylkova's subjects arose not from their opposition to the existing political regimes but from their interactions with like-minded and supporting intellectuals, friends, and relatives. The book describes the lives and choices that concrete individuals and—by extrapolation—their literary characters must face in order to preserve their singularity and integrity while attempting to achieve fame, greatness, and success.

Trade Review
"Rylkova’s meticulous study is full of original insights and new interpretations of famous literary works, delivered in a lucid and accessible writing style, with numerous references to primary sources; it is a joy to read. Furthermore, she supplies her readers with a clear road map throughout the book, explaining her next steps and intentions at every turn." - Russian Review

Table of Contents
  • Acknowledgements
  • Prologue: Breaking Free from Death
  • Part One: Beginnings and Endings
  • 1. Leo Tolstoy and the Privilege of Formidable Hypochondria
  • 2. In Chertkov's Grip
  • 3. Uncle Vanya: The Drama of Sustainability
  • 4. "Homo Sachaliensis": Chekhov's "Character" as a Strategy
  • 5. The Steppe as a Story of Humble and Spectacular Beginnings
  • Part Two: Transcending Death
  • 6. Reading Chekhov through Meyerhold's Eyes
  • 7. Living with Tolstoy and Dying with Chekhov: Ivan Bunin's Liberation of Tolstoy (1937) and About Chekhov (1953) as Two Modes of Auto/Biographical Writing
  • 8. "There is a way out": The Cherry Orchard in the Twenty-First Century
  • 9. A Boring Story: Chekhov's Trip to Germany in 1904
  • Epilogue: Oyster Fever: Chekhov and Turgenev
  • Index

    Breaking Free from Death: The Art of Being a

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    A Paperback / softback by Galina Rylkova

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      View other formats and editions of Breaking Free from Death: The Art of Being a by Galina Rylkova

      Publisher: Academic Studies Press
      Publication Date: 26/03/2020
      ISBN13: 9781644692660, 978-1644692660
      ISBN10: 164469266X

      Description

      Book Synopsis
      Breaking Free from Death examines how Russian writers respond to the burden of living with anxieties about their creative outputs, and, ultimately, about their own inevitable finitude. What contributes to creative death are not just crippling diseases that make man defenseless in the face of death, and not just the arguably universal fear of death but, equally important, the innumerable impositions on the part of various outsiders. Many conflicts in the lives of Rylkova's subjects arose not from their opposition to the existing political regimes but from their interactions with like-minded and supporting intellectuals, friends, and relatives. The book describes the lives and choices that concrete individuals and—by extrapolation—their literary characters must face in order to preserve their singularity and integrity while attempting to achieve fame, greatness, and success.

      Trade Review
      "Rylkova’s meticulous study is full of original insights and new interpretations of famous literary works, delivered in a lucid and accessible writing style, with numerous references to primary sources; it is a joy to read. Furthermore, she supplies her readers with a clear road map throughout the book, explaining her next steps and intentions at every turn." - Russian Review

      Table of Contents
      • Acknowledgements
      • Prologue: Breaking Free from Death
      • Part One: Beginnings and Endings
      • 1. Leo Tolstoy and the Privilege of Formidable Hypochondria
      • 2. In Chertkov's Grip
      • 3. Uncle Vanya: The Drama of Sustainability
      • 4. "Homo Sachaliensis": Chekhov's "Character" as a Strategy
      • 5. The Steppe as a Story of Humble and Spectacular Beginnings
      • Part Two: Transcending Death
      • 6. Reading Chekhov through Meyerhold's Eyes
      • 7. Living with Tolstoy and Dying with Chekhov: Ivan Bunin's Liberation of Tolstoy (1937) and About Chekhov (1953) as Two Modes of Auto/Biographical Writing
      • 8. "There is a way out": The Cherry Orchard in the Twenty-First Century
      • 9. A Boring Story: Chekhov's Trip to Germany in 1904
      • Epilogue: Oyster Fever: Chekhov and Turgenev
      • Index

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