Description

Book Synopsis
Colm Tóibín was born in Ireland in 1955. He is the author of several novels, including Brooklyn, the 2009 Costa Novel of the Year, The Master, which was shortlisted for the 2004 Man Booker Prize and winner of the LA Times Book Prize and the IMPAC Book Award, and The Blackwater Lightship, which was shortlisted for the 1999 Booker Prize and the 2001 IMPAC Award. His non-fiction includes Bad Blood, Homage to Barcelona, The Sign of the Cross and Love in a Dark Time. His work has been translated into seventeen languages. He lives in Dublin.

Trade Review
Tóibín writes prose of a heart-breaking beauty. * Daily Telegraph *
Tóibín has the narrative poise of Brian Moore and the patient eye for domestic detail of John McGahern, but he is very much his own man. * Observer *
High-class reportage . . . Tóibín was conscientious about talking to real people, not just “names” with a good line in TV chat, and went to see and hear and sense things at a local, grassroots level. * Irish Times *

Bad Blood

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A Paperback / softback by Colm Tóibín

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    View other formats and editions of Bad Blood by Colm Tóibín

    Publisher: Pan Macmillan
    Publication Date: 21/05/2010
    ISBN13: 9780330373586, 978-0330373586
    ISBN10: 0330373587

    Description

    Book Synopsis
    Colm Tóibín was born in Ireland in 1955. He is the author of several novels, including Brooklyn, the 2009 Costa Novel of the Year, The Master, which was shortlisted for the 2004 Man Booker Prize and winner of the LA Times Book Prize and the IMPAC Book Award, and The Blackwater Lightship, which was shortlisted for the 1999 Booker Prize and the 2001 IMPAC Award. His non-fiction includes Bad Blood, Homage to Barcelona, The Sign of the Cross and Love in a Dark Time. His work has been translated into seventeen languages. He lives in Dublin.

    Trade Review
    Tóibín writes prose of a heart-breaking beauty. * Daily Telegraph *
    Tóibín has the narrative poise of Brian Moore and the patient eye for domestic detail of John McGahern, but he is very much his own man. * Observer *
    High-class reportage . . . Tóibín was conscientious about talking to real people, not just “names” with a good line in TV chat, and went to see and hear and sense things at a local, grassroots level. * Irish Times *

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