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Book Synopsis

E.M. Forster''s Aspects of the Novel is an innovative and effusive treatise on a literary form that, at the time of publication, had only recently begun to enjoy serious academic consideration. This Penguin Classics edition is edited with an introduction by Oliver Stallybrass, and features a new preface by Frank Kermode.

First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster''s analysis of this great literary form. Here he rejects the ''pseudoscholarship'' of historical criticism - ''that great demon of chronology'' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists such as Proust and James, Dickens and Thackeray, Eliot and Dostoyevsky - the features shared by their books and the ways in which they differ. Written in

Aspects of the Novel

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    A Paperback / softback by E.M. Forster, Oliver Stallybrass, Frank Kermode

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      Book details

      Publisher Penguin Random House Group
      Imprint Penguin Classics
      Published 1 September 2005
      ISBN-13 9780141441696
      978-0141441696
      ISBN-10 0141441690
      Also in:
      ELT & Literary Studies Literary studies: fiction E M Forster Books by E M Forster

      Description

      Book Synopsis

      E.M. Forster''s Aspects of the Novel is an innovative and effusive treatise on a literary form that, at the time of publication, had only recently begun to enjoy serious academic consideration. This Penguin Classics edition is edited with an introduction by Oliver Stallybrass, and features a new preface by Frank Kermode.

      First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster''s analysis of this great literary form. Here he rejects the ''pseudoscholarship'' of historical criticism - ''that great demon of chronology'' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists such as Proust and James, Dickens and Thackeray, Eliot and Dostoyevsky - the features shared by their books and the ways in which they differ. Written in

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