Description

Book Synopsis

Rock art in South America is as diverse as the continent itself. In this vast territory, different peoples produced engravings, paintings, and massive earthworks, from the Atacama to the Amazon. These marks on the landscape were made by all different kinds of peoples, from some of the earliest hunter-gatherers in the continent, to the very complex societies within the Inca Empire. This book brings together the work of specialists from throughout the continent, addressing this diversity, as well as the variety of approaches that the Archaeology of rock art has taken in South America.

Constructed of eleven thought-provoking chapters and arranged in three thematic sections, the book presents different theoretical approaches that are currently being used to understand the roles rock art played in prehistoric communities. The editors have skillfully crafted a book that presents the contribution the study of South American rock art can offer to the global research of this materiali

Table of Contents

1. Contemporary approaches to rock art in South America: introductory remarks; 2. The materiality of rock art. Image-making technology and economy viewed from Patagonia; 3. Rock art and technology. A spatio-temporal proposal from the upper basin of the Limari river, north central Chile; 4. Rock art in the construction of landscape, Parguaza river basin, Venezuela; 5. Memory in the stone. Rock art landscape at Cerro Colorado as a negotiation space for social memory; 6. Signs in the desert: geoglyphs as cultural system and ideology (northern Chile); 7. Capivara (north-east Brazil) and the Limari Basin (Chile): a semiotic tale of two rock art landscapes; 8. Exploring rock paintings, engravings and geoglyphs of the Atacama Desert through materiality, style, and agency; 9. Hunting scenes in Cueva de las Manos: style, content, and chronology (Rio Pinturas, Santa Cruz, Patagonia); 10. Rock art assemblages in north central Chile: materials and practices through history; 11. Ethnogeology of rock art? Some considerations derived from Amazonianist ethnographies

Archaeologies of Rock Art

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A Hardback by Andrés Troncoso, Felipe Armstrong, George Nash

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    View other formats and editions of Archaeologies of Rock Art by Andrés Troncoso

    Publisher: Taylor & Francis Ltd
    Publication Date: 13/03/2018
    ISBN13: 9781138292673, 978-1138292673
    ISBN10: 1138292672

    Description

    Book Synopsis

    Rock art in South America is as diverse as the continent itself. In this vast territory, different peoples produced engravings, paintings, and massive earthworks, from the Atacama to the Amazon. These marks on the landscape were made by all different kinds of peoples, from some of the earliest hunter-gatherers in the continent, to the very complex societies within the Inca Empire. This book brings together the work of specialists from throughout the continent, addressing this diversity, as well as the variety of approaches that the Archaeology of rock art has taken in South America.

    Constructed of eleven thought-provoking chapters and arranged in three thematic sections, the book presents different theoretical approaches that are currently being used to understand the roles rock art played in prehistoric communities. The editors have skillfully crafted a book that presents the contribution the study of South American rock art can offer to the global research of this materiali

    Table of Contents

    1. Contemporary approaches to rock art in South America: introductory remarks; 2. The materiality of rock art. Image-making technology and economy viewed from Patagonia; 3. Rock art and technology. A spatio-temporal proposal from the upper basin of the Limari river, north central Chile; 4. Rock art in the construction of landscape, Parguaza river basin, Venezuela; 5. Memory in the stone. Rock art landscape at Cerro Colorado as a negotiation space for social memory; 6. Signs in the desert: geoglyphs as cultural system and ideology (northern Chile); 7. Capivara (north-east Brazil) and the Limari Basin (Chile): a semiotic tale of two rock art landscapes; 8. Exploring rock paintings, engravings and geoglyphs of the Atacama Desert through materiality, style, and agency; 9. Hunting scenes in Cueva de las Manos: style, content, and chronology (Rio Pinturas, Santa Cruz, Patagonia); 10. Rock art assemblages in north central Chile: materials and practices through history; 11. Ethnogeology of rock art? Some considerations derived from Amazonianist ethnographies

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