Description
Book SynopsisSince it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history-economic, ideological, and aesthetic-with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry's development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of "cultural repackaging."Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades.
Trade Review"Shafik discusses the history, genres, and esthetics of Arab film. She is very good at analyzing its antecedents in Arab literary, theatrical, storytelling, and musical traditions. She gives broad coverage to typical genres and is particularly good on realism and the cinema d auteur. Although Shafik focuses on Egyptian films, which comprise well more than half of all Arab films made, she discusses the films of the other Arab nations as well, delineating the differences and similarities among them. The author devotes the preponderance of the book to the films themselves, but she is also thorough in her analysis of the conditions political, religious, economic that determine what films are made, how they are made, and where they are seen. Intelligent, perceptive, and elegantly written, this volume deserves a broad readership. Highly recommended. All readers, all levels."--CHOICE
Table of ContentsIntroduction
Theoretical basis
Culture and identity
1. The History of Arab Cinema
Encounter with a new medium
Production during the colonial period
Cinema and resistance
National film making and the state
Education and know-how
Hollywood or socialism
The crisis of the public sector
Censorship
Cinema artisanal and coproduction
Diversification in the satellite era
2. Artistic Roots of Arab Cinema
Image and symbolic arrangement
The theater
Language and the art of narration
Music
3. Cultural Identity and Genre
The literary adaptation
Realism
History in cinema
Cinema d'auteur
4. Conclusion
5. Arab Cinema Today: A Postscript
This postscript
Arab filmmaking: old and new
Cinema in the Maghreb restructured
New media and 'independent' cinema
Lebanese film: war and antiheroism
Palestine: the cost of resistance
Iraq: deconstructing the nation?
Syrian film: art or paralysis?
Tunisia: the dogma of female liberation
Reconnecting to the popular
Notes
Bibliography
Index of Titles
Index of Names
