Description

Book Synopsis
The Portuguese Antonio Pedro (1909-1966) was a cosmopolitan and multifaceted artist; one of the pioneers of surrealism in Portugal, both as a visual artist and as a writer. He was involved in the London surrealist group in 1944-5. Today Pedro is perhaps best remembered for his steadfast opposition to Salazar's long dictatorship, initially as a BBC radio broadcaster in wartime London and, on his return to Portugal, as the director of TEP (Teatro Experimental do Porto) throughout the 1950s. Just a Story (1942) comes at the halfway point in his forward-looking transnational trajectory. Pedro lived in Brazil in 1940-1 and, while largely ignored up to now, his experience of modernity in the tropics included encounters with major Brazilian cultural players such as Mario de Andrade, Jorge de Lima, Jorge Amado, and Antonio Candido. Just a Story stands, up to a point, as a miniature Portuguese equivalent of the groundbreaking Brazilian rhapsody Macunaima: an iconoclastic novella- or a novel, if we adopt the label Pedro bestowed on his creation simply ‘because he felt like it'. Illustrated by the author, it combines surrealist tendencies with the irreverent streak that so frequently distinguished Brazilian modernism. Written predominantly from a first-person perspective, this surreal tale follows the amazing adventures of the protagonist, including his birth in the rural North of Portugal, his picaresque migration to the city, his uncanny love tryst with alluring Lulu, and his final homecoming and mind-blowing demise. To read it is to step into a child-like world of dreams and playful delight in the nonsensical. Yet, at the same time, this thought-provoking work also invites the reader on a meaningful, profound journey through human experience and reality.

Table of Contents
Foreword, by Helder Macedo Acknowledgements and note about the translation Introductory articles Transatlantic Travel and Modernist Transformations: the singular case of Apenas uma narrativa, by Cláudia Pazos Alonso Appendices 1–4 António Pedro in Britain and the London surrealists (1944–1945) by Bruno Rodrigues Appendices 5–8 Apenas uma Narrativa Just a Story, translation by Mariana Gray de Castro Appendices 9–11

Antonio Pedro: Just a Story

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A Paperback / softback by Claudia Pazos Alonso, Bruno Rodrigues, Mariana Gray de Castro

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    View other formats and editions of Antonio Pedro: Just a Story by Claudia Pazos Alonso

    Publisher: Liverpool University Press
    Publication Date: 31/07/2015
    ISBN13: 9781910572061, 978-1910572061
    ISBN10: 1910572063
    Also in:
    The Arts

    Description

    Book Synopsis
    The Portuguese Antonio Pedro (1909-1966) was a cosmopolitan and multifaceted artist; one of the pioneers of surrealism in Portugal, both as a visual artist and as a writer. He was involved in the London surrealist group in 1944-5. Today Pedro is perhaps best remembered for his steadfast opposition to Salazar's long dictatorship, initially as a BBC radio broadcaster in wartime London and, on his return to Portugal, as the director of TEP (Teatro Experimental do Porto) throughout the 1950s. Just a Story (1942) comes at the halfway point in his forward-looking transnational trajectory. Pedro lived in Brazil in 1940-1 and, while largely ignored up to now, his experience of modernity in the tropics included encounters with major Brazilian cultural players such as Mario de Andrade, Jorge de Lima, Jorge Amado, and Antonio Candido. Just a Story stands, up to a point, as a miniature Portuguese equivalent of the groundbreaking Brazilian rhapsody Macunaima: an iconoclastic novella- or a novel, if we adopt the label Pedro bestowed on his creation simply ‘because he felt like it'. Illustrated by the author, it combines surrealist tendencies with the irreverent streak that so frequently distinguished Brazilian modernism. Written predominantly from a first-person perspective, this surreal tale follows the amazing adventures of the protagonist, including his birth in the rural North of Portugal, his picaresque migration to the city, his uncanny love tryst with alluring Lulu, and his final homecoming and mind-blowing demise. To read it is to step into a child-like world of dreams and playful delight in the nonsensical. Yet, at the same time, this thought-provoking work also invites the reader on a meaningful, profound journey through human experience and reality.

    Table of Contents
    Foreword, by Helder Macedo Acknowledgements and note about the translation Introductory articles Transatlantic Travel and Modernist Transformations: the singular case of Apenas uma narrativa, by Cláudia Pazos Alonso Appendices 1–4 António Pedro in Britain and the London surrealists (1944–1945) by Bruno Rodrigues Appendices 5–8 Apenas uma Narrativa Just a Story, translation by Mariana Gray de Castro Appendices 9–11

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