Description

Book Synopsis

This new collection of essays and interviews assembles research on teaching methods, choreographic processes, and archival material that challenges systemic exclusions and provides practitioners with accessible steps to creating more equitable teaching environments, curricula, classes, and artistic settings.

Antiracism in Ballet Teaching gives readers a wealth of options for addressing and dismantling racialized biases in ballet teaching, as well as in approaches to leadership and choreography. Chapters are organized into three sections - Identities, Pedagogies, and Futurities - that illuminate evolving approaches to choreographing and teaching ballet, shine light on artists, teachers, and dancers who are lesser known/less visible in a racialized canon, and amplify the importance of holistic practices that integrate ballet history with technique and choreography. Chapter authors include award-winning studio owners, as well as acclaimed choreographers, educators, and s

Table of Contents

Part 1: Identities

1. Teaching for Tomorrow

Gabrielle Salvatto

2. Perspective––Dionne Figgins

3. Perspective–––––Lourdes Lopez

4. Native American dancers beyond settler colonial confines

Kate Mattingly

5. Reflections on Quare Dance

Alyah Baker

Part 2: Pedagogies

6. Classical Perspectives: Performance, Pedagogy, and (Changing) Cultures

Anjali Austin

7. Dear Ballet Teachers, Let’s Talk About Race

Ilana Goldman and Paige Cunningham

8. Making space – inclusive and equitable teaching practices for ballet in higher education

Alana Isiguen

9. Dismantling anti-Blackness

Maurya Kerr

10. ReCentering the Studio: Ballet Leadership and Learning Through Intersectional and Antiracist Approaches

Renée K. Nicholson and Lisa DeFrank-Cole

11. Credibility and Expertise: Black Women Teaching Classical Ballet

Monica Stephenson

12. Adjusting pedagogies for developing artists: age-appropriate classes for classical ballet Misa Oga

13. Ballet as Artistic, Scientific, and Existential Inquiry: Incorporating Ballet’s Broader History in a Syllabus and in the Studio

Jehbreal Muhammad Jackson

14. Dive In

Keesha Beckford)

Part 3: Futurities

15. A willingness to shed

Sidra Bell

16. Honoring the Legacy of Antiracist Ballet Teaching & Leadership in Black and Brown Dance Organizations

Iyun Ashani Harrison

17. Ballet’s Ever-Present Presence

Thomas F. DeFrantz

18. Twelve Steps to Ballet’s Cultural Recovery

Theresa Ruth Howard

19. Creating New Spaces: Today’s Black Choreographers

Brandye Lee

20. Ballet’s Futurities––Insights from Choreographers, Scholars, and Educators

Antiracism in Ballet Teaching

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    £35.99

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    Order before 4pm tomorrow for delivery by Thu 11 Jun 2026.

    A Paperback by Kate Mattingly, Iyun Ashani Harrison

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      View other formats and editions of Antiracism in Ballet Teaching by Kate Mattingly

      Publisher: Taylor & Francis Ltd
      Publication Date: 12/11/2023 12:00:00 AM
      ISBN13: 9781032254197, 978-1032254197
      ISBN10: 103225419X

      Description

      Book Synopsis

      This new collection of essays and interviews assembles research on teaching methods, choreographic processes, and archival material that challenges systemic exclusions and provides practitioners with accessible steps to creating more equitable teaching environments, curricula, classes, and artistic settings.

      Antiracism in Ballet Teaching gives readers a wealth of options for addressing and dismantling racialized biases in ballet teaching, as well as in approaches to leadership and choreography. Chapters are organized into three sections - Identities, Pedagogies, and Futurities - that illuminate evolving approaches to choreographing and teaching ballet, shine light on artists, teachers, and dancers who are lesser known/less visible in a racialized canon, and amplify the importance of holistic practices that integrate ballet history with technique and choreography. Chapter authors include award-winning studio owners, as well as acclaimed choreographers, educators, and s

      Table of Contents

      Part 1: Identities

      1. Teaching for Tomorrow

      Gabrielle Salvatto

      2. Perspective––Dionne Figgins

      3. Perspective–––––Lourdes Lopez

      4. Native American dancers beyond settler colonial confines

      Kate Mattingly

      5. Reflections on Quare Dance

      Alyah Baker

      Part 2: Pedagogies

      6. Classical Perspectives: Performance, Pedagogy, and (Changing) Cultures

      Anjali Austin

      7. Dear Ballet Teachers, Let’s Talk About Race

      Ilana Goldman and Paige Cunningham

      8. Making space – inclusive and equitable teaching practices for ballet in higher education

      Alana Isiguen

      9. Dismantling anti-Blackness

      Maurya Kerr

      10. ReCentering the Studio: Ballet Leadership and Learning Through Intersectional and Antiracist Approaches

      Renée K. Nicholson and Lisa DeFrank-Cole

      11. Credibility and Expertise: Black Women Teaching Classical Ballet

      Monica Stephenson

      12. Adjusting pedagogies for developing artists: age-appropriate classes for classical ballet Misa Oga

      13. Ballet as Artistic, Scientific, and Existential Inquiry: Incorporating Ballet’s Broader History in a Syllabus and in the Studio

      Jehbreal Muhammad Jackson

      14. Dive In

      Keesha Beckford)

      Part 3: Futurities

      15. A willingness to shed

      Sidra Bell

      16. Honoring the Legacy of Antiracist Ballet Teaching & Leadership in Black and Brown Dance Organizations

      Iyun Ashani Harrison

      17. Ballet’s Ever-Present Presence

      Thomas F. DeFrantz

      18. Twelve Steps to Ballet’s Cultural Recovery

      Theresa Ruth Howard

      19. Creating New Spaces: Today’s Black Choreographers

      Brandye Lee

      20. Ballet’s Futurities––Insights from Choreographers, Scholars, and Educators

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