Description

Book Synopsis

This new collection of essays and interviews assembles research on teaching methods, choreographic processes, and archival material that challenges systemic exclusions and provides practitioners with accessible steps to creating more equitable teaching environments, curricula, classes, and artistic settings.

Antiracism in Ballet Teaching gives readers a wealth of options for addressing and dismantling racialized biases in ballet teaching, as well as in approaches to leadership and choreography. Chapters are organized into three sections - Identities, Pedagogies, and Futurities - that illuminate evolving approaches to choreographing and teaching ballet, shine light on artists, teachers, and dancers who are lesser known/less visible in a racialized canon, and amplify the importance of holistic practices that integrate ballet history with technique and choreography. Chapter authors include award-winning studio owners, as well as acclaimed choreographers, educators, and s

Table of Contents

Part 1: Identities

1. Teaching for Tomorrow

Gabrielle Salvatto

2. Perspective––Dionne Figgins

3. Perspective–––––Lourdes Lopez

4. Native American dancers beyond settler colonial confines

Kate Mattingly

5. Reflections on Quare Dance

Alyah Baker

Part 2: Pedagogies

6. Classical Perspectives: Performance, Pedagogy, and (Changing) Cultures

Anjali Austin

7. Dear Ballet Teachers, Let’s Talk About Race

Ilana Goldman and Paige Cunningham

8. Making space – inclusive and equitable teaching practices for ballet in higher education

Alana Isiguen

9. Dismantling anti-Blackness

Maurya Kerr

10. ReCentering the Studio: Ballet Leadership and Learning Through Intersectional and Antiracist Approaches

Renée K. Nicholson and Lisa DeFrank-Cole

11. Credibility and Expertise: Black Women Teaching Classical Ballet

Monica Stephenson

12. Adjusting pedagogies for developing artists: age-appropriate classes for classical ballet Misa Oga

13. Ballet as Artistic, Scientific, and Existential Inquiry: Incorporating Ballet’s Broader History in a Syllabus and in the Studio

Jehbreal Muhammad Jackson

14. Dive In

Keesha Beckford)

Part 3: Futurities

15. A willingness to shed

Sidra Bell

16. Honoring the Legacy of Antiracist Ballet Teaching & Leadership in Black and Brown Dance Organizations

Iyun Ashani Harrison

17. Ballet’s Ever-Present Presence

Thomas F. DeFrantz

18. Twelve Steps to Ballet’s Cultural Recovery

Theresa Ruth Howard

19. Creating New Spaces: Today’s Black Choreographers

Brandye Lee

20. Ballet’s Futurities––Insights from Choreographers, Scholars, and Educators

Antiracism in Ballet Teaching

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A Paperback by Kate Mattingly, Iyun Ashani Harrison

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    View other formats and editions of Antiracism in Ballet Teaching by Kate Mattingly

    Publisher: Taylor & Francis Ltd
    Publication Date: 12/11/2023 12:00:00 AM
    ISBN13: 9781032254197, 978-1032254197
    ISBN10: 103225419X

    Description

    Book Synopsis

    This new collection of essays and interviews assembles research on teaching methods, choreographic processes, and archival material that challenges systemic exclusions and provides practitioners with accessible steps to creating more equitable teaching environments, curricula, classes, and artistic settings.

    Antiracism in Ballet Teaching gives readers a wealth of options for addressing and dismantling racialized biases in ballet teaching, as well as in approaches to leadership and choreography. Chapters are organized into three sections - Identities, Pedagogies, and Futurities - that illuminate evolving approaches to choreographing and teaching ballet, shine light on artists, teachers, and dancers who are lesser known/less visible in a racialized canon, and amplify the importance of holistic practices that integrate ballet history with technique and choreography. Chapter authors include award-winning studio owners, as well as acclaimed choreographers, educators, and s

    Table of Contents

    Part 1: Identities

    1. Teaching for Tomorrow

    Gabrielle Salvatto

    2. Perspective––Dionne Figgins

    3. Perspective–––––Lourdes Lopez

    4. Native American dancers beyond settler colonial confines

    Kate Mattingly

    5. Reflections on Quare Dance

    Alyah Baker

    Part 2: Pedagogies

    6. Classical Perspectives: Performance, Pedagogy, and (Changing) Cultures

    Anjali Austin

    7. Dear Ballet Teachers, Let’s Talk About Race

    Ilana Goldman and Paige Cunningham

    8. Making space – inclusive and equitable teaching practices for ballet in higher education

    Alana Isiguen

    9. Dismantling anti-Blackness

    Maurya Kerr

    10. ReCentering the Studio: Ballet Leadership and Learning Through Intersectional and Antiracist Approaches

    Renée K. Nicholson and Lisa DeFrank-Cole

    11. Credibility and Expertise: Black Women Teaching Classical Ballet

    Monica Stephenson

    12. Adjusting pedagogies for developing artists: age-appropriate classes for classical ballet Misa Oga

    13. Ballet as Artistic, Scientific, and Existential Inquiry: Incorporating Ballet’s Broader History in a Syllabus and in the Studio

    Jehbreal Muhammad Jackson

    14. Dive In

    Keesha Beckford)

    Part 3: Futurities

    15. A willingness to shed

    Sidra Bell

    16. Honoring the Legacy of Antiracist Ballet Teaching & Leadership in Black and Brown Dance Organizations

    Iyun Ashani Harrison

    17. Ballet’s Ever-Present Presence

    Thomas F. DeFrantz

    18. Twelve Steps to Ballet’s Cultural Recovery

    Theresa Ruth Howard

    19. Creating New Spaces: Today’s Black Choreographers

    Brandye Lee

    20. Ballet’s Futurities––Insights from Choreographers, Scholars, and Educators

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