Description

This book investigates the ways in which an understanding of the literary culture(s) of the Greco-Roman world can inform Synoptic source critical discussion. From a survey of ancient book production, a study of the interplay between orality and textuality, the identification and analysis of written sources and how they were adapted by later authors, we are able to catalog a set of compositional methods of ancient writers. From this, we are able to test the extent to which three "solutions" to the Synoptic Problem (i.e., The Two-Gospel (Neo-Griesbach) Hypothesis, the Farrer-Goulder Hypothesis, and the Two-Document (Two-Source) Hypothesis) are consistent with the known practices of writers in antiquity. We conclude that while all three of the theories had certain problems in light of our catalogue of compositional practices, some had more problems than others. In the end, it appears that the Two-Document Hypothesis has the fewest problems in light of the compositional practices of antiquity.

Ancient Compositional Practices and the Synoptic Problem

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Paperback / softback by R. A. Derrenbacker

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This book investigates the ways in which an understanding of the literary culture(s) of the Greco-Roman world can inform Synoptic... Read more

    Publisher: Peeters Publishers
    Publication Date: 00/05/2006
    ISBN13: 9789042916371, 978-9042916371
    ISBN10: 9042916370

    Number of Pages: 290

    Non Fiction , ELT & Literary Studies , Education

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    Description

    This book investigates the ways in which an understanding of the literary culture(s) of the Greco-Roman world can inform Synoptic source critical discussion. From a survey of ancient book production, a study of the interplay between orality and textuality, the identification and analysis of written sources and how they were adapted by later authors, we are able to catalog a set of compositional methods of ancient writers. From this, we are able to test the extent to which three "solutions" to the Synoptic Problem (i.e., The Two-Gospel (Neo-Griesbach) Hypothesis, the Farrer-Goulder Hypothesis, and the Two-Document (Two-Source) Hypothesis) are consistent with the known practices of writers in antiquity. We conclude that while all three of the theories had certain problems in light of our catalogue of compositional practices, some had more problems than others. In the end, it appears that the Two-Document Hypothesis has the fewest problems in light of the compositional practices of antiquity.

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