Description

Protecting, healing, or punishing—people of various eras and origins have attributed such powers to the sculptures that are being presented together here for the first time: be it the sculpture of the Mangaaka from what is today the Republic of Congo, the protective goddess Mahamayuri from China, or the Maria on the globe from Southern Germany. Forty-five objects created between the fourth and the nineteenth century from two museums in Berlin provide a vivid testimony to the ever-present need for protection and orientation when dealing with individual or social crises. They represent the existence of an invisible world of gods, spirits, or ancestors, and create a connection between this world and a "different reality." As a result of how they are presented in museums, their context of use is, however, often lost—a situation that is reflected on by the authors of this book.

Ancestors, Goddesses, and Heroes: Sculptures from Asia, Africa, and Europe

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Short Description:

Protecting, healing, or punishing—people of various eras and origins have attributed such powers to the sculptures that are being presented... Read more

    Publisher: De Gruyter
    Publication Date: 30/01/2023
    ISBN13: 9783422990906, 978-3422990906
    ISBN10: 3422990909

    Number of Pages: 96

    Non Fiction , Art & Photography

    Description

    Protecting, healing, or punishing—people of various eras and origins have attributed such powers to the sculptures that are being presented together here for the first time: be it the sculpture of the Mangaaka from what is today the Republic of Congo, the protective goddess Mahamayuri from China, or the Maria on the globe from Southern Germany. Forty-five objects created between the fourth and the nineteenth century from two museums in Berlin provide a vivid testimony to the ever-present need for protection and orientation when dealing with individual or social crises. They represent the existence of an invisible world of gods, spirits, or ancestors, and create a connection between this world and a "different reality." As a result of how they are presented in museums, their context of use is, however, often lost—a situation that is reflected on by the authors of this book.

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