Description

Book Synopsis

This substantial essay depicts urban collapse in an exceptionally difficult period of the Serbian capital. The author has marshalled facts, reflections, photographs and other imagesto demonstrate the transformation of Belgrade during the Milošević years. With the theoretical grounding of cultural anthropology, history studies, culture of memory, history of art, and urbanism, Mileta Prodanović considers changes to the built environment and urban landscape in the city in the 1990s. He covers many visual aspects of life with great ingenuity: shopping centers, unregulated construction and “wild” modifications of buildings, new buildings (broadcasting studios, shops, homes) that do not fit the surroundings, bad taste in home furnishings (camp, kitsch), boondoggles such as the international art center, problematic historical markers like the obelisk of the eternal flame, billboards, store displays, electoral propaganda, graffiti, grave-markers and cemetery memorials, coins and paper money, calendars, beer labels, and even religious icons (and more). All this information is provided with some critique and much implied comparison to past standards.



Table of Contents

List of Figures, Maps and Plates

Foreword by Milena Dragićević Šešić

Author’s Summary

1. NEW FORMS OF SACRILEGE

The Icon: Between the World and God

Differentiating Icon from Idol

Profane Icons: A Socialist Innovation

The Icon in Serbia’s Post-Socialist “Popular Awakening”

2. PATHOPOLIS

Money as an Image of the State

Belgrade as a Patchwork City

Urban Downfall in the Shadow of War

The City as a Forum

“Targeting” in the Urban Environment

We Won (1): Medals as Reflections of an Incoherent Ideology

New Houses for New People

Celebrity Charlatans

Interlude: How the Past Travels

Požeška Street as a Manifesto of “Anti-bureaucratic” Architecture

The Way Something Is Written Is as Important as the Content. Maybe Even More.

Interlude: The Fine Art of Image Destruction (Iconoclasm Revisited)

Elections in the Urban Landscape

Megalomaniacs

We Won (2): The Eternity Which Lasted a Few Months

3. NECROPOLIS

Princes, Living and Dead

Rulers' Graves

Subjects' Graves

“Hush Thou, Night...”

ADDENDUM 1: Millennium Bug in the Graveyard

ADDENDUM 2: Millennium Bug in Republic Square

Biographies

Index

An Older and More Beautiful Belgrade: A Visual

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A Hardback by Mileta Prodanović, Maria Milojković, Robert Horvitz

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    View other formats and editions of An Older and More Beautiful Belgrade: A Visual by Mileta Prodanović

    Publisher: Central European University Press
    Publication Date: 31/07/2023
    ISBN13: 9789633866306, 978-9633866306
    ISBN10: 9633866308

    Description

    Book Synopsis

    This substantial essay depicts urban collapse in an exceptionally difficult period of the Serbian capital. The author has marshalled facts, reflections, photographs and other imagesto demonstrate the transformation of Belgrade during the Milošević years. With the theoretical grounding of cultural anthropology, history studies, culture of memory, history of art, and urbanism, Mileta Prodanović considers changes to the built environment and urban landscape in the city in the 1990s. He covers many visual aspects of life with great ingenuity: shopping centers, unregulated construction and “wild” modifications of buildings, new buildings (broadcasting studios, shops, homes) that do not fit the surroundings, bad taste in home furnishings (camp, kitsch), boondoggles such as the international art center, problematic historical markers like the obelisk of the eternal flame, billboards, store displays, electoral propaganda, graffiti, grave-markers and cemetery memorials, coins and paper money, calendars, beer labels, and even religious icons (and more). All this information is provided with some critique and much implied comparison to past standards.



    Table of Contents

    List of Figures, Maps and Plates

    Foreword by Milena Dragićević Šešić

    Author’s Summary

    1. NEW FORMS OF SACRILEGE

    The Icon: Between the World and God

    Differentiating Icon from Idol

    Profane Icons: A Socialist Innovation

    The Icon in Serbia’s Post-Socialist “Popular Awakening”

    2. PATHOPOLIS

    Money as an Image of the State

    Belgrade as a Patchwork City

    Urban Downfall in the Shadow of War

    The City as a Forum

    “Targeting” in the Urban Environment

    We Won (1): Medals as Reflections of an Incoherent Ideology

    New Houses for New People

    Celebrity Charlatans

    Interlude: How the Past Travels

    Požeška Street as a Manifesto of “Anti-bureaucratic” Architecture

    The Way Something Is Written Is as Important as the Content. Maybe Even More.

    Interlude: The Fine Art of Image Destruction (Iconoclasm Revisited)

    Elections in the Urban Landscape

    Megalomaniacs

    We Won (2): The Eternity Which Lasted a Few Months

    3. NECROPOLIS

    Princes, Living and Dead

    Rulers' Graves

    Subjects' Graves

    “Hush Thou, Night...”

    ADDENDUM 1: Millennium Bug in the Graveyard

    ADDENDUM 2: Millennium Bug in Republic Square

    Biographies

    Index

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