Description

Book Synopsis

Abortion in Popular Culture: A Call to Action brings together scholars who examine depictions of abortion in film, television, literature, and social media. By examining texts ranging from medical dramas of the 1960s and recent films such as Never Rarely Sometimes Always and Unpregnant to dystopian novels and social-media campaigns, the essays analyze a range of narrative styles, rhetorical strategies, and cinematic techniques, all of which shape cultural attitudes toward abortion. They also analyze cultural shifts, including the willingness or reluctance of networks and cable channels to acknowledge medication abortion and the role that abortion plays in family planning. As a whole, however, the essays argue that popular culture can play a significant role in destigmatizing abortion by including a wider range of narratives and doing so with nuance and empathy. With reproductive rights under attack in the United States, each essay is a call to action for writers, producers, directors, showrunners, authors, and musicians to use their platforms to tell more positive and accurate stories about abortion.



Table of Contents

Part I: There’s No Going Back

Chapter 1. “Is That a Test from the Supermarket?”:How the Home Pregnancy Test Changed the Representation of Abortion in American Television and Film

Karen Weingarten

Chapter 2. “Trust Me, I’m a Doctor”: Debating Reproductive Rights in 1960s Television Dramas

Caryn Murphy

Chapter 3. What Post-Roe America Can Learn from the Role of Social Media in the Repeal of Ireland’s Eighth Amendment

Kelli Maloy

Part II: Creating Space for Alternative Narratives

Chapter 4. Abortion Politics and the Dystopic Imagination

Heather Latimer

Chapter 5. Performing Endurance: The Labors of Abortion Access

Jaime Leigh Gray

Chapter 6. “I’m Offended by All the Supposed-to’s:” HBOs Pro-Choice Influence

Laura S. Witherington

Chapter 7. “I Gave Her Life”: Black Women, Abortion, and Healing in Brit Bennett’s The Mothers

Patrick S. Allen

Part III: Call to Action

Chapter 8. When Stories Are All We Have: The Role of Television in a Future in Which Abortion is Illegal

Steph Herold and Gretchen Sisson

Chapter 9. The Abortion Pill and Other Myths: Medication Abortion on Screen

Cordelia Freeman

Chapter 10. “Abortion is a Mothering Decision”: How Television Can Challenge the Good/Bad Dichotomy

Brenda Boudreau

Chapter 11. “No Bigger than a Baby Bird”: Narrating Prochoice Fetal Materiality

Jeannie Ludlow

Abortion in Popular Culture: A Call to Action

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    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Hardback by Brenda Boudreau, Kelli Maloy, Patrick S. Allen

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      Publisher: Lexington Books
      Publication Date: 30/03/2023
      ISBN13: 9781666919844, 978-1666919844
      ISBN10: 1666919845

      Description

      Book Synopsis

      Abortion in Popular Culture: A Call to Action brings together scholars who examine depictions of abortion in film, television, literature, and social media. By examining texts ranging from medical dramas of the 1960s and recent films such as Never Rarely Sometimes Always and Unpregnant to dystopian novels and social-media campaigns, the essays analyze a range of narrative styles, rhetorical strategies, and cinematic techniques, all of which shape cultural attitudes toward abortion. They also analyze cultural shifts, including the willingness or reluctance of networks and cable channels to acknowledge medication abortion and the role that abortion plays in family planning. As a whole, however, the essays argue that popular culture can play a significant role in destigmatizing abortion by including a wider range of narratives and doing so with nuance and empathy. With reproductive rights under attack in the United States, each essay is a call to action for writers, producers, directors, showrunners, authors, and musicians to use their platforms to tell more positive and accurate stories about abortion.



      Table of Contents

      Part I: There’s No Going Back

      Chapter 1. “Is That a Test from the Supermarket?”:How the Home Pregnancy Test Changed the Representation of Abortion in American Television and Film

      Karen Weingarten

      Chapter 2. “Trust Me, I’m a Doctor”: Debating Reproductive Rights in 1960s Television Dramas

      Caryn Murphy

      Chapter 3. What Post-Roe America Can Learn from the Role of Social Media in the Repeal of Ireland’s Eighth Amendment

      Kelli Maloy

      Part II: Creating Space for Alternative Narratives

      Chapter 4. Abortion Politics and the Dystopic Imagination

      Heather Latimer

      Chapter 5. Performing Endurance: The Labors of Abortion Access

      Jaime Leigh Gray

      Chapter 6. “I’m Offended by All the Supposed-to’s:” HBOs Pro-Choice Influence

      Laura S. Witherington

      Chapter 7. “I Gave Her Life”: Black Women, Abortion, and Healing in Brit Bennett’s The Mothers

      Patrick S. Allen

      Part III: Call to Action

      Chapter 8. When Stories Are All We Have: The Role of Television in a Future in Which Abortion is Illegal

      Steph Herold and Gretchen Sisson

      Chapter 9. The Abortion Pill and Other Myths: Medication Abortion on Screen

      Cordelia Freeman

      Chapter 10. “Abortion is a Mothering Decision”: How Television Can Challenge the Good/Bad Dichotomy

      Brenda Boudreau

      Chapter 11. “No Bigger than a Baby Bird”: Narrating Prochoice Fetal Materiality

      Jeannie Ludlow

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