Description
Book SynopsisSpurred by an increasingly international and competitive market, the Renaissance saw the development of many new fabrics and the use of highly prized ingredients imported from the New World. In response to a thirst for the new, fashion's pace of change accelerated, the production of garments provided employment for an increasingly significant proportion of the working population, and entrepreneurial artisans began to transform even the most functional garments into fashionable ones. Anxieties concerning vanity and the power of clothing to mask identities heightened fears of fashion's corrupting influence, and heralded the great age of sumptuary legislation intended to police status and gender through dress.
Drawing on sources from surviving garments to artworks to moralising pamphlets, this richly illustrated volume presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to i
Table of Contents
List of Illustrations Introduction Elizabeth Currie (freelance lecturer and author specialising in the history of fashion and textiles, UK) Chapter 1 – Textiles Maria Hayward (University of Southampton, UK) Chapter 2 – Production and Distribution Susan Vincent (University of York, UK) Chapter 3 – The Body Isabelle Paresys (Université de Lille, France) Chapter 4 – Belief Cordelia Warr (University of Manchester, UK) Chapter 5 – Gender and Sexuality Ann Rosalind Jones (Smith College, USA) Chapter 6 – Status Catherine Richardson (University of Kent, UK) Chapter 7 – Ethnicity Eminegül Karababa (Middle East Technical University, Turkey) Chapter 8 – Visual Representations Anna Reynolds (Deputy Surveyor of Paintings, Royal Collection Trust, UK) Chapter 9 – Literary Representations Gerry Milligan (City University of New York, USA) Notes Bibliography Notes on Contributors Index
