Search results for ""yale university press""

A provocative book from a highly original scholar, challenging much of what we know about early Christian manuscripts “[Nongbri] sets out to demystify the ‘discovery’ of ancient writings, advancing a more sober and realistic framework for assessing the breathless claims and counterclaims that appear in the media. . . . For those wanting to know something of the material basis for the world’s most published (and possibly, read) book, Nongbri’s own book is a gift.”—Luke Timothy Johnson, Commonweal In this bold and groundbreaking book, Brent Nongbri provides an up-to-date introduction to the major collections of early Christian manuscripts and demonstrates that much of what we thought we knew about these books and fragments is mistaken. While biblical scholars have expended much effort in their study of the texts contained within the earliest Christian manuscripts, there has been a surprising lack of interest in thinking about these books as material objects with individual, unique histories. We have too often ignored the ways that the antiquities market obscures our knowledge of the origins of these manuscripts. Through painstaking archival research and detailed studies of the most important collections of early Christian manuscripts, Nongbri vividly shows that the earliest Christian books are more than just carriers of texts or samples of handwriting. They are three-dimensional archaeological artifacts with fascinating stories to tell, if we’re willing to listen.

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How herbaria illuminate the past and future of plant science Collections of preserved plant specimens, known as herbaria, have existed for nearly five centuries. These pressed and labeled plants have been essential resources for scientists, allowing them to describe and differentiate species and to document and research plant changes and biodiversity over time—including changes related to climate. Maura C. Flannery tells the history of herbaria, from the earliest collections belonging to such advocates of the technique as sixteenth-century botanist Luca Ghini, to the collections of poets, politicians, and painters, and to the digitization of these precious specimens today. She charts the growth of herbaria during the Age of Exploration, the development of classification systems to organize the collections, and herbaria’s indispensable role in the tracking of climate change and molecular evolution. Herbaria also have historical, aesthetic, cultural, and ethnobotanical value—these preserved plants can be linked to the Indigenous peoples who used them, the collectors who sought them out, and the scientists who studied them. This book testifies to the central role of herbaria in the history of plant study and to their continued value, not only to biologists but to entirely new users as well: gardeners, artists, students, and citizen-scientists.

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An original study of late Enlightenment aesthetics, poetics, and environmental medicine as overlapping ways of comprehending the dislocations of historical existence lodged in the movements of bodies and minds This book studies later eighteenth-century medicine, aesthetics, and poetics as overlapping forms of knowledge increasingly concerned about the relationship between the geographical movements of persons displaced from home and the physiological or nervous “motions” within their bodies and minds. Looking beyond familiar narratives about medicine and art’s shared therapeutic and harmonizing ideals, this book explores Enlightenment and Romantic-era aesthetics and poetics in relation to a central but less well known area of eighteenth-century environmental medicine: pathology. No mere system of diagnosis or classification, philosophical pathology was an art of interpretation, offering sophisticated ways of reading the multiple conditions and causes of disease, however absent from perception, in their palpable, embodied effects. For medical, anthropological, environmental, and literary authors alike, it helped to locate the dislocations of modern mobility when a full view of their causes and conditions remained imperfectly understood or still unfolding. Goodman traces the surprising afterlife of the period’s exemplary but unexplained pathology of motion, medical nostalgia, within aesthetic theory and poetics, arguing that nostalgia persisted there not as a named condition but as a set of formal principles and practices, perturbing claims about the harmony, freedom, and free play of the mind.

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How to renew American leadership in a turbulent, polarized, and postdominant world “A worthy contribution to the public debate on America’s role in the world and a tonic for our times.”—John Kerry, Former U.S. Secretary of State“Imbrie mounts a well-informed examination of the country’s ills and offers a discerning perspective on its future paths . . . A thoughtful consideration of myriad challenges facing the U.S.” —Kirkus Reviews Is America fated to decline as a great power? Can it recover? With absorbing insight and fresh perspective, foreign policy expert Andrew Imbrie provides a road map for bolstering American leadership in an era of turbulence abroad and deepening polarization at home. This is a book about choices: the tough policy trade-offs that political leaders need to make to reinvigorate American money, might, and clout. In the conventional telling, the United States is either destined for continued dominance or doomed to irreversible decline. Imbrie argues instead that the United States must adapt to changing global dynamics and compete more wisely. Drawing on the author’s own experience as an adviser to Secretary of State John Kerry, as well as on interviews and comparative studies of the rise and fall of nations, this book offers a sharp look at American statecraft and the United States’ place in the world today.

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An exploration of how the Cryogenian Period, when our planet was covered in ice for millions of years, created today’s remarkable biodiversity More than half a billion years ago, our world was completely covered by glaciers, a “Snowball Earth” that persisted for millions of years. Incredibly, this unimaginable cold led to the remarkable diversification of life on earth known as the Cambrian explosion. With a geologist’s eye and a knack for storytelling, Graham Shields explores when and how such inhospitable conditions enabled animals to evolve, radiate, and diversify into our earliest ancestors. This journey navigates the wild swings between hot and cold climates, oxygenation and asphyxiation, biological radiations and extinctions, asking how such instability relates to grander forces that brought our planet to its modern state. Shields guides readers through evidence found in the Australian outback, Mongolia, Scotland, and other locales, revealing how geologists can trace glaciation, the atmosphere, oceans, mountain building, and more through the earth’s rocks, providing a comprehensive theory of how life evolved and diversified.

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The definitive history of the supernatural in Nazi Germany—the occult ideas, esoteric sciences, and pagan religions touted by the Third Reich in the service of power“[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—Michael Dirda, The Washington Post“A careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire.

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A profound and genre-defying work of literature about love, death, and illness from one of Portugal’s most celebrated writers “One of the essential writers of our tormented times.”—Alberto Manguel, Times Literary Supplement “Little prepares one for this extraordinary book, in which each chapter, covering a single day, and lasting a single sentence, offers a teeming stream of consciousness. . . . Even pain is alive, and alive is the word for this book, alive and enduring.”— Michael Autrey, Booklist Incapacitated after the removal of a malignant tumor, the narrator, António, spends his days in a Lisbon hospital enduring the humiliations of severe illness. As he drifts in and out of consciousness, he revisits fragments of his life and the people who passed through it. He recalls the village where he lived as a child near the Mondego River amid the eucalyptus and pines, his parents and grandparents and their tight-knit community of potato farmers and tungsten miners, and the woman he loved—an unexpected polyphony of voices and places sounding in sharp counterpoint to debilitating pain. By the Rivers of Babylon conjures the past and the present all at once, revealing the power of memory to embolden us in the face of extraordinary suffering. This is António Lobo Antunes’s homage to the beauty of a cherished life in its confrontation with imminent death.

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A vibrant, engaging, and effective workbook to help students learn the alphabet, numerals, and sounds of the Arabic language, now in its third edition This workbook, now in its third edition, helps students learn the alphabet, numerals, and sounds of the Arabic language, providing a foundation for the rest of the Ahlan wa Sahlan program.Ahlan wa Sahlan covers the first and second years of instruction in Modern Standard Arabic. It is a complete educational package, comprising a workbook, a beginner student textbook with accompanying Annotated Instructor’s Edition, an intermediate student textbook, video clips filmed in Syria, and audio.

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A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the “death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.

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Sonallah Ibrahim’s 2000 masterpiece offers readers a view of twentieth-century world events through the diary pages of his titular character 1950s Cairo: the intersection of conflicting dreams and political destinies. In this classic novel translated for the first time into English, idealistic reporter Rushdy encounters the enchanting Warda and her brother Yaarib at a clandestine leftist meeting. Their fates would be forever linked. Decades after Warda goes missing, Rushdy immerses himself in her diaries in a quest to uncover her whereabouts. The search takes him to the hills of Dhofar, Oman, where he discovers Warda’s guerrilla role in a regional uprising and secret involvement in revolutions with echoes around the globe. Piece by revelatory piece, Rushdy uncovers the truth about Warda—and the fiery commitment that drove her to choose the life she lived. Widely acknowledged as a masterpiece by one of Egypt’s most important novelists, this is an unforgettable story of intrigue, passion, and revolution.

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How to take advantage of technology, data, and the collective wisdom in our communities to design powerful solutions to contemporary problems “Bursting with sage, practical advice for public sector officials and civil society actors who want to engage citizens and give them more power.”—Glen Weyl and Henry Farrell, Boston Review The challenges societies face today, from inequality to climate change to systemic racism, cannot be solved with yesterday’s toolkit. Solving Public Problems shows how readers can take advantage of digital technology, data, and the collective wisdom of our communities to design and deliver powerful solutions to contemporary problems. Offering a radical rethinking of the role of the public servant and the skills of the public workforce, this book is about the vast gap between failing public institutions and the huge number of public entrepreneurs doing extraordinary things—and how to close that gap. Drawing on lessons learned from decades of advising global leaders and from original interviews and surveys of thousands of public problem solvers, Beth Simone Noveck provides a practical guide for public servants, community leaders, students, and activists to become more effective, equitable, and inclusive leaders and repair our troubled, twenty-first-century world.

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Now in a new, affordable edition with updated notes, a superbly readable translation of Kant’s classic work This work, one of the most important texts in the history of ethics, presents Immanuel Kant’s conception of moral self-government based on pure reason. It has been a source of controversy and an object of reinterpretation for over two centuries. This new edition of Kant’s work provides a fresh translation that is uniquely faithful to the German original and more fully annotated than any previous translation. The editor and translator, Allen Wood, has written a new introduction.

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Volume 7 of the Posen Library captures unprecedented transformations of Jewish culture amid mass migration, global capitalism, nationalism, revolution, and the birth of the secular self Between 1880 and 1918, traditions and regimes collapsed around the world, migration and imperialism remade the lives of millions, nationalism and secularization transformed selves and collectives, utopias beckoned, and new kinds of social conflict threatened as never before. Few communities experienced the pressures and possibilities of the era more profoundly than the world’s Jews. This volume, seventh in The Posen Library of Jewish Culture and Civilization, recaptures the vibrant Jewish cultural creativity, political striving, social experimentation, and fractious religious and secular thought that burst forth in the face of these challenges. Editors Israel Bartal and Kenneth B. Moss capture the full range of Jewish expression in a centrifugal age—from mystical visions to unabashedly antitraditional Jewish political thought, from cookbooks to literary criticism, from modernist poetry to vaudeville. They also highlight the most remarkable dimension of the 1880–1918 era: an audacious effort by newly secular Jews to replace Judaism itself with a new kind of Jewish culture centering on this-worldly, aesthetic creativity by a posited “Jewish nation” and the secular, modern, and “free” individuals who composed it. This volume is an essential starting point for anyone who wishes to understand the divided Jewish present.

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Longlisted for the 2022 PEN Award for Poetry in Translation, this authoritative new collection by one of China’s most lauded poets is “a thrill to read” (Drew Calvert, Asymptote) “Words as Grain offers Zen koan-like poems that call for rereading and contemplation. As the poet himself says in ‘Reading Great Poems,’ ‘let the dialogue between thought and silence continue.’ We are fortunate to be a party to this sustained and intense dialogue.”—John Bradley, Rain Taxi While keeping a cautious distance from literary trends and labeling, Duo Duo has emerged as one of the world’s preeminent poets. His poems respond to the Chinese political landscape from the Cultural Revolution to the Tiananmen Square tragedy and beyond. Some are written from the vantage point of exile abroad, others in his homeland, but all inscribe an ache for original expression, a sense of place, and the essence of language. In exacting renderings by award-winning translator Lucas Klein, this career-spanning anthology features Duo Duo’s entire oeuvre since his return to China in 2004, as well as a representative selection of his earlier poems, presenting nearly five decades of work. This collection traces the evolution, in a particular historical context and cultural tradition, of one of the most vibrant poets at work in the world today.

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An award‑winning environmental historian explores American history through wrenching, tragic, and sometimes humorous stories of getting lost"Fascinating. . . . Underlying . . . is a deep belief in the importance of collaboration and cooperation between humans and their environments, as well as between humans and other humans."—Robert Macfarlane, New York Review of Books The human species has a propensity for getting lost. The American people, inhabiting a mental landscape shaped by their attempts to plant roots and to break free, are no exception. In this engaging book, environmental historian Jon Coleman bypasses the trailblazers so often described in American history to follow instead the strays and drifters who went missing. From Hernando de Soto’s failed quest for riches in the American southeast to the recent trend of getting lost as a therapeutic escape from modernity, this book details a unique history of location and movement as well as the confrontations that occur when our physical and mental conceptions of space become disjointed. Whether we get lost in the woods, the plains, or the digital grid, Coleman argues that getting lost allows us to see wilderness anew and connect with generations across five centuries to discover a surprising and edgy American identity.

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"David Blight has produced a fine edition of Douglass' second autobiography. This is an essential work in African-American and American history, and displays Douglass' developing strength as a writer and political leader."—Richard Slotkin, Wesleyan University Born into slavery in 1818, Frederick Douglass escaped to freedom and became a passionate advocate for abolition and social change and the foremost spokesperson for the nation’s enslaved African American population in the years preceding the Civil War. My Bondage and My Freedom is Douglass’s masterful recounting of his remarkable life and a fiery condemnation of a political and social system that would reduce people to property and keep an entire race in chains. This classic is revisited with a new introduction and annotations by celebrated Douglass scholar David W. Blight. Blight situates the book within the politics of the 1850s and illuminates how My Bondage represents Douglass as a mature, confident, powerful writer who crafted some of the most unforgettable metaphors of slavery and freedom—indeed of basic human universal aspirations for freedom—anywhere in the English language.

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Through the poetry of nineteenth- and twentieth-century Russian authors, including Pushkin and Akhmatova, Poetry Reader for Russian Learners helps upper-beginner, intermediate, and advanced Russian students refine their language skills. Poems are coded by level of difficulty. The text facilitates students’ interaction with authentic texts by means of a complete set of learning tools, including biographical sketches of each poet, stress marks, annotations, exercises, questions for discussion, and a glossary. An ancillary Web site containing audio files for all poems can be found below.

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A book of surpassing importance that should be required reading for leaders and policymakers throughout the world For thirty years Ben Kiernan has been deeply involved in the study of genocide and crimes against humanity. He has played a key role in unearthing confidential documentation of the atrocities committed by the Khmer Rouge. His writings have transformed our understanding not only of twentieth-century Cambodia but also of the historical phenomenon of genocide. This new book—the first global history of genocide and extermination from ancient times—is among his most important achievements. Kiernan examines outbreaks of mass violence from the classical era to the present, focusing on worldwide colonial exterminations and twentieth-century case studies including the Armenian genocide, the Nazi Holocaust, Stalin’s mass murders, and the Cambodian and Rwandan genocides. He identifies connections, patterns, and features that in nearly every case gave early warning of the catastrophe to come: racism or religious prejudice, territorial expansionism, and cults of antiquity and agrarianism. The ideologies that have motivated perpetrators of mass killings in the past persist in our new century, says Kiernan. He urges that we heed the rich historical evidence with its telltale signs for predicting and preventing future genocides.

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An intimate and candid account of our national parks detailing their strengths, vulnerabilities, and essential role in American life“Essential reading for anyone concerned about the future of America’s national parks.”—John Miles, National Parks Traveler Part memoir, part critique, and a paean to the value of national parks, American Covenant distills the experience and insights from two long careers in conservation. Michael A. Soukup and Gary E. Machlis show how the national parks are essential to maintaining the essence of our national heritage, and key to America’s future in a changing climate and political landscape. Sharing real-world examples of both victories and defeats in protecting national parks, this candid, thoughtful book reminds us that the national parks are a promise—a covenant—within and between generations of Americans. The book is also a call to revitalize, reconstitute, reconfigure, and reform the National Park Service, which the authors believe is governed too much by outdated management practices and politics instead of a foundation of expertise and science.

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The truth behind the Gospel accounts of the Nativity, updated to include the latest research--a classic by a renowned scholar, hailed as "masterly" and "definitive" in the original edition.

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Jacob Milgrom, a rabbi and Bible scholar, has devoted the bulk of his career to examining the laws of the Torah. His incisive commentary on Leviticus, which began with Leviticus 1-16, continues in this last volume of three. It provides an authoritative and comprehensive explanation of ethical values concealed in Israel's rituals. Although at first glance Leviticus seems far removed from the modern-day world, Milgrom's thoughtful and provocative comments and notes reveal its enduring relevance to contemporary society.Leviticus 23-27 brings us to the climactic end of the book and its revolutionary innovations, among which are the evolution of the festival calendar with its emphasis on folk traditions, and the jubilee, the priestly answer to the socio-economic problems of their time.With English translations that convey the nuance and power of the original Hebrew, this trilogy will take its place alongside the best of the Anchor Bible Commentaries.

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"This remarkable study, combining learning, realism, and literary adroitness, brings us close to Luther. Above all, it conveys Luther's power: the intensity of his faith, the coherence of his thought, the force of his personality."—New Yorker“A brilliant account of [Martin] Luther’s evolution as a man, a thinker, and a Christian. . . . Every person interested in Christianity should put this on his or her reading list.”—Lawrence Cunningham, CommonwealWritten by one of the world’s greatest authorities on Martin Luther, this is the definitive biography of the central figure of the Protestant Reformation. The book portrays the controversial reformer in the context of his own time, analyzing his state of mind and describing his world more closely than has ever been done before.

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Sir Anthony Van Dyck (1599–1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonné of his painted oeuvre is complete.A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonné is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Published for the Paul Mellon Centre for Studies in British Art

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Yehuda Bauer, one of the world’s premier historians of the Holocaust, here presents an insightful overview and reconsideration of its history and meaning. Drawing on research he and other historians have done in recent years, he offers fresh opinions on such basic issues as how to define and explain the Holocaust; whether it can be compared with other genocides; how Jews reacted to the murder campaign against them; and what the relationship is between the Holocaust and the establishment of Israel.The Holocaust says something terribly important about humanity, says Bauer. He analyzes explanations of the Holocaust by Zygmunt Bauman, Jeffrey Herf, Goetz Aly, Daniel Goldhagen, John Weiss, and Saul Friedländer and then offers his own interpretation of how the Holocaust could occur. Providing fascinating narratives as examples, he deals with reactions of Jewish men and women during the Holocaust and tells of several attempts at rescue operations. He also explores Jewish theology of the Holocaust, arguing that our view of the Holocaust should not be clouded by mysticism: it was an action by humans against other humans and is therefore an explicable event that we can prevent from recurring.

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In this classic work, the eminent Catholic philosopher Étienne Gilson deals with one of the most important and perplexing metaphysical problems: the relation between our notion of God and demonstrations of his existence. Gilson examines Greek, Christian, and modern philosophy as well as the thinking that has grown out of our age of science in this fundamental analysis of the problem of God. “[I] commend to another generation of seekers and students this deeply earnest and yet wistfully gentle little essay on the most important (and often, at least nowadays, the most neglected) of all metaphysical—and existential—questions. . . . The historical sweep is breathtaking, the one-liners arresting, and the style, both intellectual and literary, altogether engaging.” —Jaroslav Pelikan, from the foreword “We have come to expect from the pen of M. Gilson not only an accurate exposition of the thought of the great philosophers, ancient and modern, but what is of much more importance and of greater interest, a keen and sympathetic insight into the reasons for that thought. The present volume does not fail to fulfill our expectations. It should be read by every Christian thinker.” —Ralph O. Dates, America

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The Destruction of the European Jews is widely considered the landmark study of the Holocaust. First published in 1961, Raul Hilberg’s comprehensive account of how Germany annihilated the Jewish community of Europe spurred discussion, galvanized further research, and shaped the entire field of Holocaust studies. This revised and expanded edition of Hilberg’s classic work extends the scope of his study and includes 80,000 words of new material, particularly from recently opened archives in eastern Europe, added over a lifetime of research. It is the work of a scholar who has devoted more than fifty years to exploring and analyzing the realities of the Holocaust. Spanning the twelve-year period of anti-Jewish actions from 1933 to 1945, Hilberg’s study encompasses Germany and all the territories under German rule or influence. Its principal focus is on the large number of perpetrators—civil servants, military personnel, Nazi party functionaries, SS men, and representatives of private enterprises—in the machinery of death.

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"Here is a volume that has no parallel. . . . A good reference book for those interested in the details of avian anatomy."—Science Books & Films"A gold mine of facts. . . . Every library and biology department, as well as every birder, should have a copy close at hand."—Roger Tory Peterson, from the foreword One of the most heavily illustrated ornithology references ever written, Manual or Ornithology is a visual guide to the structure and anatomy of birds—a basic tool for investigation for anyone curious about the fascinating world of birds. A concise atlas of anatomy, it contains more than 200 specially prepared accurate and clear drawings that include material never illustrated before. The text is as informative as the drawings; written at a level appropriate to undergraduate students and to bird lovers in general, it discusses why birds look and act the way they do. Designed to supplement a basic ornithology textbook, the Manual of Ornithology covers systematics and evolution, topography, feathers and flight, the skeleton and musculature, and the digestive, circulatory, respiratory, excretory, reproductive, sensory, and nervous systems of birds, as well as field techniques for watching and studying birds. Each chapter concludes with a list of key references for the topic covered, with a comprehensive bibliography at the end of the volume.

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"If you buy only one work on pre-modern Chinese history this year, make it this one."—W. S. Atwell, HistoryWinner of the American Book Award for History In 1587, the Year of the Pig, nothing very special happened in China. Yet in the seemingly unspectacular events of this ordinary year, Ray Huang finds exemplified the roots of China's perennial inability to adapt to change. Through fascinating accounts of the lives of seven prominent officials, he fashions a remarkably vivid portrayal of the court and the ruling class of late imperial China. In revealing the subtle but inexorable forces that brought about the paralysis and final collapse of the Ming dynasty, Huang offers the reader perspective into the problems China has faced through the centuries.

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"A tightly woven explanation of the conditions under which cultures that do not tolerate political opposition may be transformed into societies that do."—Foreign Affairs "[Dahl's] analysis is lucid, perceptive, and thorough."—Times Literary Supplement Amidst all the emotional uproar about democracy and the widespread talk of revolution comes this clear call to reason—a mind-stretching book that equips the young and the old suddenly to see an ageless problem of society in a new and exciting way. Everything Dahl says can be applied in a fascinating way to the governing of any human enterprise involving more than one person—whether it is a nation-state, a political party, a business firm, or a university.

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Originally published by Yale University Press, 1970.

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Originally published by Yale University Press, 1972. To order accompanying audiocassette tapes for this book, contact the Language Resource Center at Cornell University (http://lrc.cornell.edu).

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Originally published by Yale University Press, 1970. To order accompanying CDs for this book, contact the Language Resource Center at Cornell University (http://lrc.cornell.edu).

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'The Artifacts of Pecos has been widely recognized as a groundbreaking volume by one of the most influential figures in modern American Archaeology.' So writes Fred Wendorf in his new foreword to this classic work published in 1932 by Yale University Press, which he goes on to describe as 'the first description of the complete artifact inventory of a major archaeological site in the Southwest, and possibly in the New World.'

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This generously illustrated book presents highlights from the National Gallery’s display of Italian Renaissance painting, one of the richest collections of its kind in the world. Duccio to Leonardo focuses on Italian masterpieces made between 1250 and 1500, including highlights such as Duccio’s Annunciation, Botticelli’s Venus and Mars, and Leonardo’s Virgin and Child with Saint Anne and Saint John the Baptist. It begins with a short introduction on the formation of the collection, before discussing each of the chosen works. Published by National Gallery Company/Distributed by Yale University Press

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Painters in the past and commercial artists in our own day have relied on allegory to create "message pictures." Once thought to rival literary works or political oratory in influence and prestige, such paintings, with their references to ancient myth, the Bible, or medieval astrology, all too often puzzle modern viewers. This Closer Look guide illustrates and explains the main types of visual allegory in Western art and the contexts in which they were originally created and viewed.Published by the National Gallery Company/Distributed by Yale University Press

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How do artists create different effects when painting? The medium they choose—such as oil, watercolor, or egg tempera—plays an important part. So too does the material they paint on, the pigments used, and even the type of brush. Using examples from the National Gallery Collection, Jo Kirby shows how a painting is made, and reveals the processes behind an array of fascinating techniques. With clear explanations and close-up photography, this book will help you see paintings with a fresh eye.Published by National Gallery Company / Distributed by Yale University Press

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How do experts spot masterpieces? Paintings are not always signed or noted in historical records, so how can we tell an obscure gem from an altered image? Scientists, conservators and art historians use a range of methods to examine the physical nature of pictures and unravel their hidden histories. Through a series of intriguing examples and clearly explained processes, this new addition to the National Gallery’s popular Closer Look series will draw the reader into the complex issues—not all of them fully resolved—confronted by gallery professionals.Published by the National Gallery Company/Distributed by Yale University Press

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The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many others. This volume presents over seventy detailed and extensively illustrated entries that expand our understanding of these paintings. Comprehensive research uncovers new information on provenance and on the lives of identified portrait sitters. Humphrey Wine explains the social and political contexts of many of the paintings, and an introductory essay looks at the attitude of 18th-century Britons to the French, as well as the market for 18th-century French paintings then in London salerooms.Published by National Gallery Company/Distributed by Yale University Press

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Frames often catch the eye and arouse the curiosity of visitors to galleries and museums, yet labels and catalogues rarely comment on them. Nicholas Penny conveys his interest in the history of frames, the design and techniques of frame-making, what frames do for paintings, and the part they play in the decoration and often the architecture of an interior. The emphasis is on the changing function and varied purpose of frames as well as the different styles of ornament, materials, finishes, and techniques used. This Closer Look guide is illustrated by frames from the National Gallery's magnificent collection.Published by National Gallery Company/Distributed by Yale University Press

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This comprehensive catalogue of ancient terracotta oil lamps found in Cyprus situates the objects within larger cultural and social contexts and elucidates their varied decoration The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects offers a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses the objects’ typology, decoration, and makers’ marks while providing new insights into art, craft, and trade in the ancient Mediterranean.Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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For more than six centuries, European painters have been ambitious to depict objects as if they possessed volume, placing them in a space that seems equivalent to the real space of our world. This “fiction” was central to the artist’s purpose. Through a close examination of paintings from the 1400s to the early 20th century, including works by Uccello, Vermeer, Titian, and Monet, Nicholas Penny explains in this latest title in the National Gallery’s Closer Look series how artists sought to make the fiction of pictorial space compelling, not only through the use of linear or aerial perspective, but also through the choice and intensity of color, the variations in light, and the texture of the painted surface. Published by National Gallery Company/Distributed by Yale University Press

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In this beautifully illustrated book, the Reverend Nicholas Holtam–vicar of London's internationally renowned church St. Martin-in-the-Fields–presents his favorite paintings from the National Gallery, London, alongside religious commentary, Bible quotes, prayers, and poetry. The selected illustrations encourage the reader to think about how art can sometimes be a surprising doorway into our own spirituality. Holtam's often highly personal observations inspire private prayer, meditation, and contemplation. Many works in the National Gallery feature Christian subjects, but Reverend Holtam has chosen paintings from a wide range of artists. His more surprising picture choices include Edgar Degas's Miss La La at the Cirque Fernando, Vincent van Gogh's Long Grass with Butterflies, and J. M. W. Turner's The Fighting Temeraire.Published by National Gallery Company/Distributed by Yale University Press

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Landscape is probably the most popular type of painting, but anyone who has ever been disappointed by vacation photographs knows how difficult it is to turn a view into a picture. This book shows how artists in past centuries translated outdoor space and light into paint, and how landscape imagery evolved from mere ornament into a visual metaphor of the human condition. The story is told from its beginnings in Roman mural decoration, through the Renaissance transformation of landscape into a vehicle for feelings and ideas, to the Impressionist revolution and beyond. The continuing relevance of art to how we see the world, and our place in it, is demonstrated through a practical discussion of optics of real and painted landscape, illustrated with works from the National Gallery, London. Published by National Gallery, London/Distributed by Yale University Press

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Museum visitors today usually see pre-16th-century Italian painted altarpieces exhibited alone, as single paintings. Yet this beautiful catalogue shows that these works were once part of decorative, integrated schemes, and the original experience for viewers of the paintings was significantly different from our own. Focusing on Italian altarpieces from the second half of the 13th century to the very end of the 15th, the book investigates the original functions and locations of altarpieces as well as the circumstances of their dislocations, dismantlings, and reconstructions. Regional variations are also analyzed, and the author examines altarpieces' formal and typological development, taking into account the wealth of related scholarship undertaken in the past thirty years.Published by National Gallery Company / Distributed by Yale University PressExhibition Schedule:The National Gallery, London(07/6/11-10/02/11)

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Jennifer Montagu is a world-renowned art historian whose name has become synonymous with the study of Italian Baroque sculpture. In honor of Jennifer Montagu’s immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. Thirty of the papers presented there were selected for the publication as a tribute to this generous colleague and friend who has inspired and mentored dozens of younger historians in European art. Dr. Montagu’s academic work began in Political Science at Oxford, but conversations with Ernst Gombrich led her to pursue an advanced degree in art history instead. In 1963, long before the study of Italian bronze statuettes reached the level of interest that it enjoys today, her classic survey, simply titled Bronzes, was met with great enthusiasm, eventually being printed in five languages. Montagu taught at the University of Reading until 1964, when she became an assistant curator of the Photographic Collection at the Warburg Institute. In 1971 she became a full curator of the collection, a position she held until 1991. During these years she published at an indefatigable rate, and following her retirement from that post, her productivity only increased. Montagu was a Slade Professor of Fine Art at Cambridge University, a Mellon Professor at the Center for Advanced Study in the Visual Arts (National Gallery of Art,Washington, D.C.), and a visiting professor at the Collège de France. Montagu’s numerous publications include her monumental study of Alessandro Algardi (Yale University Press, 1985), Roman Baroque Sculpture: the Industry of Art (Yale, 1989) and Gold, Silver and Bronze: Metal Sculpture of the Italian Baroque (Mellon Lectures, CASVA; Yale University Press, 1996). She was appointed LVO (Royal Victorian Order) in 2006 for services to the Royal Collection and CBE (Commander of the Most Excellent Order of the British Empire) in 2012 for her contribution to the history of art.

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Now available in paperback, Days on Earth--originally published in 1988 (Yale University Press)--traces the dance career and artistic development of one of the founders of American modern dance. In this biography of dance pioneer Doris Humphrey, Marcia B. Siegel follows Humphrey's career from her days with the Denishawn Company (among fellos students like Martha Graham) to her creative partnership with Charles Weidman to her tenure as artistic director of protégé José Limon's dance company. Siegel's reconsideration and description of Humphrey's dances, including many that are no longer performed, sheds important light on this pathbreaking dancer/choreographer.

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Faces are everywhere in the National Gallery’s collection: in portraits and narrative scenes, in allegories and paintings of everyday life. It is often the faces shown that communicate most directly in a picture; their expressions may reveal the drama of a story, or the character of a sitter in a portrait. A Closer Look: Faces examines a wide array of fascinating faces found in paintings at the National Gallery. It explains why artists in the past created faces to look as they do, what painters through the ages have considered the "ideal" face, how faces are painted, and the reasons for the development of portrait painting. Illustrated with seventy pictures and beautiful details, this book provides an insider's view of the many faces in Western European art.Published by National Gallery Company/Distributed by Yale University Press

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