Search results for ""yale university press""

A single-volume edition of Diary, Gombrowicz’s acclaimed masterpiece, now with previously unpublished pages restored Just before the outbreak of World War II, young Witold Gombrowicz left his home in Poland and set sail for South America. In 1953, still living as an expatriate in Argentina, he began his Diary with one of literature’s most memorable openings: “Monday Me. Tuesday Me. Wednesday Me. Thursday Me.” Gombrowicz’s Diary grew into a vast collection of essays, short notes, polemics, and confessions on myriad subjects—from political events to literature to the certainty of death. Not a traditional journal, Diary is instead the commentary of a brilliant and restless mind. Widely regarded as a masterpiece, this brilliant work compelled Gombrowicz’s attention for a decade and a half until he penned his final entry in France, shortly before his death in 1969. Long out of print in English, Diary is now presented in a convenient single volume featuring a new preface by Rita Gombrowicz, the author’s widow and literary executor. This edition also includes ten previously unpublished pages from the 1969 portion of the diary.

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The first comprehensive history of the bicycle—lavishly illustrated with images spanning two centuries During the nineteenth century, the bicycle evoked an exciting new world in which even a poor person could travel afar and at will. But was the “mechanical horse” truly destined to usher in a new era of road travel or would it remain merely a plaything for dandies and schoolboys? In Bicycle: The History (named by Outside magazine as the #1 book on bicycles), David Herlihy recounts the saga of this far-reaching invention and the passions it aroused. The pioneer racer James Moore insisted the bicycle would become “as common as umbrellas.” Mark Twain was more skeptical, enjoining his readers to “get a bicycle. You will not regret it—if you live.” Because we live in an age of cross-country bicycle racing and high-tech mountain bikes, we may overlook the decades of development and ingenuity that transformed the basic concept of human-powered transportation into a marvel of engineering. This lively and engrossing history retraces the extraordinary story of the bicycle—a history of disputed patents, brilliant inventions, and missed opportunities. Herlihy shows us why the bicycle captured the public’s imagination and the myriad ways in which it reshaped our world.

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An engaging and meticulously researched history of Texas Populism and its contributions to modern American liberalism“A work of deep research and profound wisdom that adds a critical dimension to our understanding of Populism and the American liberal tradition. It is political history at its finest.”—Charles Postel, author of The Populist Vision In the years after the Civil War, the banks, railroads, and industrial corporations of Gilded‑Age America, abetted by a corrupt political system, concentrated vast wealth in the hands of the few and made poverty the fate of many. In response, a group of hard‑pressed farmers and laborers from Texas organized a movement for economic justice called the Texas People’s Party—the original Populists. Arguing that these Texas Populists were among the first to elaborate the set of ideas that would eventually become known as modern liberalism, Gregg Cantrell shows how the group broke new ground in reaching out to African Americans and Mexican Americans, rethinking traditional gender roles, and demanding creative solutions and forceful government intervention to solve economic inequality. Although their political movement ultimately failed, this volume reveals how the ideas of the Texas People’s Party have shaped American political history.

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Two of Locke’s most mature and influential political writings and three brilliant interpretive essays combined in an outstanding volume"The new standard edition of Locke for students of political theory. Dunn, Grant, and Shapiro combine authoritative historical scholarship and contemporary political theory to give us Locke for our time."—Elisabeth H. Ellis, Texas A&M University Among the most influential writings in the history of Western political thought, John Locke’s Two Treatises of Government and A Letter Concerning Toleration remainvital to political debates today, more than three centuries after they were written. The complete texts appear in this volume, accompanied by interpretive essays by three prominent Locke scholars. Ian Shapiro’s introduction places Locke’s political writings in historical and biographical context. John Dunn explores both the intellectual context in which Locke wrote the Two Treatises of Government and A Letter Concerning Toleration andthe major interpretive controversies surrounding their meaning. Ruth Grant offers a comprehensive discussion of Locke’s views on women and the family, and Shapiro contributes an essay on the democratic elements of Locke’s political theory. Taken together, the texts and essays in this volume offer invaluable insights into the history of ideas and the enduring influence of Locke’s political thought.

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The latest edition of this highly praised anthology of ancient Egyptian literature offers fresh translations of all the texts as well as some twenty-five new entries, including writings from the late literature of the Demotic period at the end of classical Egyptian history. Praise for the earlier editions: “An elegant, easily readable, and most serviceable volume.”—K. A. Kitchen, Journal of Near Eastern Studies “A reliable rendering of the Egyptian text that can be useful to students of Egyptology and provide the layman with delightful reading material.”—Mordechai Gilula, Cultura

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This fascinating book explores the evolution of religious dualism, the doctrine that man and cosmos are constant battlegrounds between forces of good and evil. It traces this evolution from late Egyptian religion and the revelations of Zoroaster and the Orphics in antiquity through the Dead Sea Scrolls, the Mithraic Mysteries, and the great Gnostic teachers to its revival in medieval Europe with the suppression of the Bogomils and the Cathars, heirs to the age-long teachings of dualism. Integrating political, cultural, and religious history, Yuri Stoyanov illuminates the dualist religious systems, recreating in vivid detail the diverse worlds of their striking ideas and beliefs, their convoluted mythologies and symbolism. Reviews of an earlier edition: “A book of prime importance for anyone interested in the history of religious dualism. The author’s knowledge of relevant original sources is remarkable; and he has distilled them into a convincing and very readable whole.”—Sir Steven Runciman “The most fascinating historical detective story since Steven Runciman’s Sicilian Vespers.”—Colin Wilson “A splendid account of the decline of the dualist tradition in the East . . . both strong and accessible. . . . The most readable account of Balkan heresy ever.”—Jeffrey B. Russell, Journal of Religion “Well-written, fact-filled, and fascinating . . . has in it the making of a classic.” —Harry T. Norris, Bulletin of SOAS

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Originally published by Yale University Press, 1970.

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Originally published by Yale University Press, 1972. To order accompanying audiocassette tapes for this book, contact the Language Resource Center at Cornell University (http://lrc.cornell.edu).

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Originally published by Yale University Press, 1970. To order accompanying CDs for this book, contact the Language Resource Center at Cornell University (http://lrc.cornell.edu).

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'The Artifacts of Pecos has been widely recognized as a groundbreaking volume by one of the most influential figures in modern American Archaeology.' So writes Fred Wendorf in his new foreword to this classic work published in 1932 by Yale University Press, which he goes on to describe as 'the first description of the complete artifact inventory of a major archaeological site in the Southwest, and possibly in the New World.'

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If the Paintings Could Talk reveals the hidden histories of paintings in the National Gallery, London. With a treasury of fascinating facts, discoveries, and tales, this book describes the flight a work took down a mountainside and the portrait that appeared in a James Bond film, among many other entertaining events and stories. An engaging, accessible, and highly original gallery guide that cross-references entries throughout, the book provides a unique tour of this remarkable collection.Published by National Gallery Company/Distributed by Yale University Press

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Painters in the past and commercial artists in our own day have relied on allegory to create "message pictures." Once thought to rival literary works or political oratory in influence and prestige, such paintings, with their references to ancient myth, the Bible, or medieval astrology, all too often puzzle modern viewers. This Closer Look guide illustrates and explains the main types of visual allegory in Western art and the contexts in which they were originally created and viewed.Published by the National Gallery Company/Distributed by Yale University Press

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How do artists create different effects when painting? The medium they choose—such as oil, watercolor, or egg tempera—plays an important part. So too does the material they paint on, the pigments used, and even the type of brush. Using examples from the National Gallery Collection, Jo Kirby shows how a painting is made, and reveals the processes behind an array of fascinating techniques. With clear explanations and close-up photography, this book will help you see paintings with a fresh eye.Published by National Gallery Company / Distributed by Yale University Press

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This generously illustrated book presents highlights from the National Gallery’s display of Italian Renaissance painting, one of the richest collections of its kind in the world. Duccio to Leonardo focuses on Italian masterpieces made between 1250 and 1500, including highlights such as Duccio’s Annunciation, Botticelli’s Venus and Mars, and Leonardo’s Virgin and Child with Saint Anne and Saint John the Baptist. It begins with a short introduction on the formation of the collection, before discussing each of the chosen works. Published by National Gallery Company/Distributed by Yale University Press

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How do experts spot masterpieces? Paintings are not always signed or noted in historical records, so how can we tell an obscure gem from an altered image? Scientists, conservators and art historians use a range of methods to examine the physical nature of pictures and unravel their hidden histories. Through a series of intriguing examples and clearly explained processes, this new addition to the National Gallery’s popular Closer Look series will draw the reader into the complex issues—not all of them fully resolved—confronted by gallery professionals.Published by the National Gallery Company/Distributed by Yale University Press

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Frames often catch the eye and arouse the curiosity of visitors to galleries and museums, yet labels and catalogues rarely comment on them. Nicholas Penny conveys his interest in the history of frames, the design and techniques of frame-making, what frames do for paintings, and the part they play in the decoration and often the architecture of an interior. The emphasis is on the changing function and varied purpose of frames as well as the different styles of ornament, materials, finishes, and techniques used. This Closer Look guide is illustrated by frames from the National Gallery's magnificent collection.Published by National Gallery Company/Distributed by Yale University Press

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The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many others. This volume presents over seventy detailed and extensively illustrated entries that expand our understanding of these paintings. Comprehensive research uncovers new information on provenance and on the lives of identified portrait sitters. Humphrey Wine explains the social and political contexts of many of the paintings, and an introductory essay looks at the attitude of 18th-century Britons to the French, as well as the market for 18th-century French paintings then in London salerooms.Published by National Gallery Company/Distributed by Yale University Press

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For more than six centuries, European painters have been ambitious to depict objects as if they possessed volume, placing them in a space that seems equivalent to the real space of our world. This “fiction” was central to the artist’s purpose. Through a close examination of paintings from the 1400s to the early 20th century, including works by Uccello, Vermeer, Titian, and Monet, Nicholas Penny explains in this latest title in the National Gallery’s Closer Look series how artists sought to make the fiction of pictorial space compelling, not only through the use of linear or aerial perspective, but also through the choice and intensity of color, the variations in light, and the texture of the painted surface. Published by National Gallery Company/Distributed by Yale University Press

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In this beautifully illustrated book, the Reverend Nicholas Holtam–vicar of London's internationally renowned church St. Martin-in-the-Fields–presents his favorite paintings from the National Gallery, London, alongside religious commentary, Bible quotes, prayers, and poetry. The selected illustrations encourage the reader to think about how art can sometimes be a surprising doorway into our own spirituality. Holtam's often highly personal observations inspire private prayer, meditation, and contemplation. Many works in the National Gallery feature Christian subjects, but Reverend Holtam has chosen paintings from a wide range of artists. His more surprising picture choices include Edgar Degas's Miss La La at the Cirque Fernando, Vincent van Gogh's Long Grass with Butterflies, and J. M. W. Turner's The Fighting Temeraire.Published by National Gallery Company/Distributed by Yale University Press

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This comprehensive catalogue of ancient terracotta oil lamps found in Cyprus situates the objects within larger cultural and social contexts and elucidates their varied decoration The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects offers a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses the objects’ typology, decoration, and makers’ marks while providing new insights into art, craft, and trade in the ancient Mediterranean.Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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Faces are everywhere in the National Gallery’s collection: in portraits and narrative scenes, in allegories and paintings of everyday life. It is often the faces shown that communicate most directly in a picture; their expressions may reveal the drama of a story, or the character of a sitter in a portrait. A Closer Look: Faces examines a wide array of fascinating faces found in paintings at the National Gallery. It explains why artists in the past created faces to look as they do, what painters through the ages have considered the "ideal" face, how faces are painted, and the reasons for the development of portrait painting. Illustrated with seventy pictures and beautiful details, this book provides an insider's view of the many faces in Western European art.Published by National Gallery Company/Distributed by Yale University Press

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Landscape is probably the most popular type of painting, but anyone who has ever been disappointed by vacation photographs knows how difficult it is to turn a view into a picture. This book shows how artists in past centuries translated outdoor space and light into paint, and how landscape imagery evolved from mere ornament into a visual metaphor of the human condition. The story is told from its beginnings in Roman mural decoration, through the Renaissance transformation of landscape into a vehicle for feelings and ideas, to the Impressionist revolution and beyond. The continuing relevance of art to how we see the world, and our place in it, is demonstrated through a practical discussion of optics of real and painted landscape, illustrated with works from the National Gallery, London. Published by National Gallery, London/Distributed by Yale University Press

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Museum visitors today usually see pre-16th-century Italian painted altarpieces exhibited alone, as single paintings. Yet this beautiful catalogue shows that these works were once part of decorative, integrated schemes, and the original experience for viewers of the paintings was significantly different from our own. Focusing on Italian altarpieces from the second half of the 13th century to the very end of the 15th, the book investigates the original functions and locations of altarpieces as well as the circumstances of their dislocations, dismantlings, and reconstructions. Regional variations are also analyzed, and the author examines altarpieces' formal and typological development, taking into account the wealth of related scholarship undertaken in the past thirty years.Published by National Gallery Company / Distributed by Yale University PressExhibition Schedule:The National Gallery, London(07/6/11-10/02/11)

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What is still life? We are familiar with the objects portrayed but have difficulty explaining the essence of this popular art form. Erika Langmuir examines the special fascination of still life, and what distinguishes it from other categories of painting. She discusses its evolution from the trompe l’oeil wall paintings of antiquity, through its revival in the age of Caravaggio and Velázquez, and again in the works of Cézanne and Picasso. Originally published as Pocket Guide Still Life, this eloquent survey benefits from a wider format, new reproductions, and updated references.Published by National Gallery Company/Distributed by Yale University Press

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Now available in paperback, Days on Earth--originally published in 1988 (Yale University Press)--traces the dance career and artistic development of one of the founders of American modern dance. In this biography of dance pioneer Doris Humphrey, Marcia B. Siegel follows Humphrey's career from her days with the Denishawn Company (among fellos students like Martha Graham) to her creative partnership with Charles Weidman to her tenure as artistic director of protégé José Limon's dance company. Siegel's reconsideration and description of Humphrey's dances, including many that are no longer performed, sheds important light on this pathbreaking dancer/choreographer.

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Jennifer Montagu is a world-renowned art historian whose name has become synonymous with the study of Italian Baroque sculpture. In honor of Jennifer Montagu’s immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. Thirty of the papers presented there were selected for the publication as a tribute to this generous colleague and friend who has inspired and mentored dozens of younger historians in European art. Dr. Montagu’s academic work began in Political Science at Oxford, but conversations with Ernst Gombrich led her to pursue an advanced degree in art history instead. In 1963, long before the study of Italian bronze statuettes reached the level of interest that it enjoys today, her classic survey, simply titled Bronzes, was met with great enthusiasm, eventually being printed in five languages. Montagu taught at the University of Reading until 1964, when she became an assistant curator of the Photographic Collection at the Warburg Institute. In 1971 she became a full curator of the collection, a position she held until 1991. During these years she published at an indefatigable rate, and following her retirement from that post, her productivity only increased. Montagu was a Slade Professor of Fine Art at Cambridge University, a Mellon Professor at the Center for Advanced Study in the Visual Arts (National Gallery of Art,Washington, D.C.), and a visiting professor at the Collège de France. Montagu’s numerous publications include her monumental study of Alessandro Algardi (Yale University Press, 1985), Roman Baroque Sculpture: the Industry of Art (Yale, 1989) and Gold, Silver and Bronze: Metal Sculpture of the Italian Baroque (Mellon Lectures, CASVA; Yale University Press, 1996). She was appointed LVO (Royal Victorian Order) in 2006 for services to the Royal Collection and CBE (Commander of the Most Excellent Order of the British Empire) in 2012 for her contribution to the history of art.

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Painted in 1468, Saint Michael Triumphant over the Devil is the first documented work by Bartolomé Bermejo (c. 1440–c. 1501), a 15th-century Spanish artist by whom only about 20 paintings are known. Acquired by the National Gallery in 1995, the painting depicts the Archangel Michael defeating Satan, in the form of a hybrid monster, with Antoni Joan, feudal lord of Tous, kneeling nearby. The work is remarkable for its mastery of the oil-painting technique, influenced by Netherlandish painting and unrivaled by Bermejo’s contemporaries in Spain. Following the painting’s detailed technical examination and restoration, the authors provide a fascinating account of this rare work, accompanied by high quality new photography and placing the painting in the broader context of Bermejo’s career in 15th-century Aragon.Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (06/12/19–09/29/19)

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The National Gallery started life in 1824 when the British government purchased the collection of 38 pictures belonging to the estate of wealthy banker John Julius Angerstein. As there was no suitable space available to display the collection, the pictures were put on display in Angerstein’s former home in Pall Mall. It was only in 1838 that the collection moved to its current site in Trafalgar Square. The building and collection have continued to expand ever since; today, the National Gallery houses one of the world’s greatest collections of western European paintings. This book brings together the stories behind the founding and growth of the National Gallery: the generous benefactors, the architectural controversies, the protracted acquisitions, the dedicated staff, and the visiting public. Generously illustrated, it aims to give insight into the history of the people and events that have helped shape this much-loved national institution.Published by National Gallery Company/Distributed by Yale University Press

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Features new analysis of Héctor Zamora’s oeuvre alongside a discussion of his topical, site-specific work created for the 2020 Roof Garden Commission at The Met The work of Mexican artist Héctor Zamora engages with urban or built environments, both disrupting and rearticulating the viewer’s interaction with the site. Lattice Detour, his most recent intervention, commissioned by The Met for its Iris and B. Gerald Cantor Roof Garden, is fabricated from terracotta bricks produced in Mexico and transported to New York. This compact volume, the first book in English on Zamora, presents images and analysis of the new artwork, setting its creation in the context of his past work. An interview with Zamora sheds further light on his formation as an artist, his process, and his inspirations.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (August 29–December 7, 2020)

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This substantial and beautifully illustrated volume documents the National Gallery’s unrivaled collection of Venetian paintings created between 1540 and 1600, including some of the greatest works commissioned by the city from Veronese, Titian, Tintoretto, and the Bassano family. The collection is so rich and varied that the book serves as an introduction to all the major types of painting produced in Venice during this period––the altarpiece, portrait, confraternity chapel decoration, ceiling and furniture painting, and paintings for the portego (long central hall) of a palace. Among the many important works included are Titian's Vendramin Family Venerating a Relic of the True Cross, Veronese's Family of Darius and four Allegories, and Tintoretto's Origin of the Milky Way. Nicholas Penny provides comprehensive and detailed information reflecting the most up-to-date scholarship on the paintings––many of which have passed through some of the greatest collections in Europe––along with a thorough discussion of their provenance.Published by National Gallery Company/Distributed by Yale University Press

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This highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza.For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting’s original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past. Published by National Gallery Company/Distributed by Yale University Press

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Quinten Massys’ An Old Woman (‘The Ugly Duchess’) is one of the Renaissance’s most famous faces. In a fresh review of the iconic image, this book unveils the painting’s original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci’s grotesque drawings, and what it tells us about the period’s complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname ‘The Ugly Duchess’ and inspired John Tenniel’s much-loved illustrations of Lewis Carroll’s Alice’s Adventures in Wonderland (1865), capturing the imagination of generations of readers. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule:National Gallery, London, 16 March–11 June 2023

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A penetrating reevaluation of the period in which the German Expressionist George Grosz created his best-known, most searing satirical works This overdue investigation of George Grosz’s (1893–1959) most compelling paintings, drawings, prints, and collages offers a reassessment of the celebrated German Expressionist during his years in Berlin—from his earliest artistic endeavors to the trenchant satirical images and searing depictions of moral decay between the World Wars for which he is known today. Menacing street scenes, rowdy cabarets, corrupt politicians, wounded soldiers, greedy war profiteers, and other symbols of Berlin’s interwar decline all met with the artist’s relentless gaze, which exposed the core social issues that eventually led to Germany’s extreme nationalist politics. Featuring masterpieces as well as rarely published works, this book provides further insight into the artist’s creative pinnacle, reached during this critical and ominous period in German history. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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In this important and timely publication, top international scholars present current research and developments about the art, archaeology, and history of the ancient city of Palmyra, a UNESCO World Heritage site located in Syria. Palmyra became tragic headline news in 2015, when it was overtaken by the Islamic State of Iraq and the Levant (ISIS), which destroyed many of its monuments and artifacts. The essays in this book include new scholarship on Palmyra’s origins and evolution as well as developments from both before and after its damage by ISIS, providing new information that will be relevant to current and future generations of art historians and archaeologists. The book also includes a moving tribute by Waleed Khaled al-Asa’ad to his father, Khaled al-Asa’ad, the Syrian archaeologist and head of antiquities at Palmyra, who was brutally murdered by ISIS in 2015 for defending the site. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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The brightly colored tin-enameled earthenware called maiolica was among the major accomplishments of decorative arts in 16th-century Italy. This in-depth look at the history of maiolica, told through 140 exemplary pieces from the world-class collection at the Metropolitan Museum, offers a new perspective on a major aspect of Italian Renaissance art. Most of the works have never been published and all are newly photographed. The ceramics are featured alongside detailed descriptions of production techniques and a consideration of the social and cultural context, making this an invaluable resource for scholars and collectors. The imaginatively decorated works include an eight-figure group of the Lamentation, the largest and most ambitious piece of sculpture produced in a Renaissance maiolica workshop; pharmacy jars; bella donna plates; and more.Published by The Metropolitan Museum of Art / Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (08/29/16–02/26/17)

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Exploring the life, imagery and lasting appeal of Saint Francis of Assisi (1182–1226), this landmark book features a core of important historic paintings representing the saint by Giotto, Sassetta, Caravaggio, Zurbarán and El Greco. From his native Umbria, Saint Francis’s image spread rapidly to become a global phenomenon and a continuous source of artistic fascination. His commitment to the poor, powerful appeals for peace, openness to dialogue with other religions and embryonic environmentalism radically impacted the Church and society of his time, and still hold great interest today. Spanning seven centuries and ranging from the earliest, relic-like objects to contemporary art in a variety of media, including works by Antony Gormley, Giuseppe Penone and a new commission from Richard Long, Saint Francis of Assisi reflects on the lasting legacy of Saint Francis – an inherently modern figure who retains a universal appeal. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London, 6 May–30 July 2023

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An exceptional introduction to European paintings from the Middle Ages to the early 20th century through one of the greatest collections in the world. This richly illustrated and beautifully designed book offers an ideal introduction to European painting from the 13th to the early 20th century. The National Gallery, London, houses one of the finest collections of Western European art in the world. Its extraordinary range includes exceptional paintings from medieval Europe through the early Renaissance and on to Post-Impressionism, including masterpieces by Leonardo, Hans Holbein, Titian, Velázquez, Rembrandt, Turner, Monet, and Van Gogh. This volume showcases more than 250 of the Gallery’s most treasured pictures, providing an opportunity to make connections across this uniquely representative collection. Paintings are accompanied by numerous details, as well as brief and illuminating texts, providing an informative and visually rich survey of hundreds of years of European painting.Published by National Gallery Company/Distributed by Yale University Press

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A definitive overview of one of the most celebrated figures of the Italian Renaissance Among the great figures of the Italian Renaissance, Raphael (1483–1520) is unarguably the artist who has been most widely and consistently admired across the centuries. He had an extraordinary and perhaps unrivaled capacity for self-reinvention—as he progressed from Umbria to Florence and Rome—and an ability to draw strength from the other great artists around him, seemingly growing in stature the more daunting the competition became. This insightful, impeccably researched, and comprehensive volume chronicles the progress of his career in all its richness and complexity. Sumptuous production values and generous illustrations go hand in hand with its rigorous and wide-ranging scholarship. The essays explore Raphael’s paintings and drawings, his frescoes in the Vatican Stanze, his designs for tapestries, sculptures and prints, and his engagement with architecture. Detailed and authoritative catalogue entries examine many of Raphael’s finest works. Published by National Gallery Company/Distributed by Yale University Press

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A Closer Look is the new series title for the updated and refreshed National Gallery Pocket Guide range. The series has been enhanced with a stronger format, attractive design, new photography, and additional information. The philosophy of modern conservation is different from that of previous eras: the emphasis now is on long-term stabilization by methods that alter the structure of a painting as little as possible. Nevertheless, if paintings are obscured by discolored varnishes and old repaints, they are cleaned, and this has often led to anxiety and debate as long-admired images are transformed. A Closer Look: Conservation of Paintings discusses the material nature of paintings and the ways that they have changed, both naturally and at the hands of previous restorers. It also describes the main types of conservation treatment carried out on panel and canvas paintings and some of the complex issues involved in cleaning and restoration. Published by National Gallery Company/Distributed by Yale University Press

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The National Gallery, London possesses an important collection of paintings by 16th-century Netherlandish artists, including Joachim Beuckelaer, Hieronymus Bosch, Pieter Bruegel the Elder, Jean Gossart, and Quinten Massys. They are grouped here with a small number of French paintings, some by artists who came from the Low Countries (Corneille de Lyon, probably Jean Hey, and perhaps the Master of Saint Giles). Lorne Campbell’s catalogue is a model of scholarship; he examined all the pictures with conservators and rigorously researched their histories, subjects, and styles. New discoveries about artists’ techniques and practices have led to many reattributions, and the rescue from anonymity of over twenty paintings. The identities of several patrons are established or suggested, while an introductory essay explains how contemporaries regarded these paintings. Generously illustrated, with many details and technical photographs, and beautifully produced, this comprehensive catalogue is essential reading for scholars, while also introducing general readers to a vital part of the Gallery’s collection.Published by National Gallery Company/Distributed by Yale University Press

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A comprehensive presentation of the important collection of Barbizon School painting at the National Gallery, London The significant collection of 19th-century French paintings at the National Gallery, London, includes many important works by artists associated with the Barbizon School. In addition to paintings by Courbet, Millet, and Rousseau, there are over twenty works by Corot, including the monumental Italian Woman, or Woman with Yellow Sleeve (L’Italienne) recently acquired from the estate of Lucian Freud. Works by Corot range from an early oil study made in Italy to late studio landscapes. This meticulously researched and lavishly illustrated volume contains entries that examine all aspects of the paintings, from subject and stylistic significance to physical condition and conservation history. Setting the individual works within a broader context, essays explore the impact of plein-air practice; examine the relationship of the Barbizon School to the academic landscape painters and the Impressionists; and trace the history of the passionate collecting of these pictures in Britain well into the 20th century.Published by National Gallery Company/Distributed by Yale University Press

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This career-spanning publication features conceptual, political, formal, and technical perspectives on the work of contemporary sculptor Charles Ray For Charles Ray (born 1953), sculpture is a way of thinking that informs his work across a wide range of media—from gelatin silver prints to porcelain, fiberglass, wood, and steel. Charles Ray: Figure Ground spans the whole of the artist’s fifty-year career, from his early photographs and performances through his intriguing, often unsettling sculptures, some of which are published here for the first time. The essays foreground Ray’s engagement with preexisting traditions, as well as charged issues around race, gender, and sexuality (notably expressed through his explorations of Mark Twain’s 1884 novel Adventures of Huckleberry Finn) and investigate the modalities of touch that run through his work. In addition, a reflection by Ray himself and a conversation between the artist and Hal Foster offer further insights into his multifaceted practice. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (January 31–June 5, 2022)

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Painting “without color” has long held a fascination for artists. In this striking and original book, the authors explore how and why artists from the 15th century to the present have chosen to paint in black, white, and shades of gray. Sometimes artists used trompe l’oeil monochromatic effects to represent other media, such as sculpture, prints, or photography; others have consciously limited their palette as a means of re-focusing the viewer’s attention, while contemporary artists such as Gerhard Richter and Bridget Riley have often found inspiration in pushing black and white to its limits, and in new directions. The authors trace the history of this art form, from the symbolism of sacred images in medieval church ritual – epitomized in Netherlandish painting from the 15th century onwards by Hans Memling and Jan van Eyck – to the modern era and the work of artists such as Josef Albers and Ellsworth Kelly. Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (10/30/17–02/18/18)Museum Kunstpalast, Düsseldorf (03/21/18–07/15/18)

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An accessible introduction to the quintessential art form of the Islamic worldHow to Read Islamic Calligraphy explores the preeminence of the written word as a means of creative expression throughout the Islamic world. Aimed at a general audience, the book introduces all five major Islamic calligraphic script types, demonstrates their distinctive visual characteristics, and explains the various contexts in which each one came to be used, whether for transcribing the Qur’an, composing poetry, or issuing written edicts from the sultan’s court. Numerous examples illustrate how the transmission of these styles and techniques from master to pupil was fundamental to the flourishing of Islamic calligraphy, and handwriting models from as early as the 10th century continue to inspire students of calligraphy today. Superbly illustrated, the works discussed include manuscripts, glass, metalware, and ceramic tiles. This accessible and engaging book traces the progression of calligraphic styles over centuries and across geographical regions, affirming the spectacular range of creative possibilities afforded by this unique art form.Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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In 1999, Akseli Gallen-Kallela’s Lake Keitele (1905) became the first Finnish painting to enter the National Gallery and is now one of the most popular pictures in the collection. Although the artist and his work are relatively unknown to audiences outside of Finland, he was not only a leading figure in modern Finnish painting but an accomplished practitioner of the decorative arts and a key figure in the development of early twentieth-century Modernism.This book focuses on four versions of his shimmering depictions of Lake Keitele, north of Helsinki; a stylized lake composition which first appeared in the early 1880s, when the artist was still elaborating his own descriptive language, and continued to preoccupy him until well into the 1920s. Anne Robbins examines these abstract and modernist pictures in the light of the international avant gardes with which Gallen-Kallela was in contact for much of his career, and the ways in which his work expressed his fervent Finnish nationalism.Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (11/15/17–02/04/18)

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Chinese ceramics are among the most significant and widely collected decorative arts produced anywhere in the world, with a history that spans millennia. Despite the saturation of Chinese ceramics in global culture—in English, the word “china” has become synonymous with “porcelain”—the function of these works and the meaning of their often richly decorated surfaces are not always readily apparent. This new installment in the successful How to Read series enlightens readers on Chinese ceramics of all kinds, using highlights from the outstanding collection of The Metropolitan Museum of Art as a teaching tool. Accessible to a general audience and written by an expert on the subject, this book explains and interprets 40 masterworks of Chinese ceramics. The works represent a broad range of subject matter and type, from ancient earthenware to 20th-century porcelain, and from plates and bowls to vases and sculptural figures. Lavish illustrations showcase these stunning works and the decorations that adorn them, including symbolic scenes, flowers, and Buddhist and Chinese historical figures. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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An exploration of the fascinating parallels and differences between Picasso’s Woman with a Book and Ingres’s Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso’s Woman with a Book (1932) and Ingres’s Madame Moitessier (1844–56). Each painting is explored in depth, illuminating the parallels and differences between the artists’ techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres’s Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso’s Woman with a Book, among the most celebrated likenesses of the artist’s young lover, Marie-Thérèse Walter. In contrast to Ingres’s work, it was painted in just a day or two. The final essay explores, through these two works, the artists’ shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso’s engagement with Madame Moitessier, which motivates and animates Woman with a Book. Published by National Gallery Company/Distributed by Yale University Press

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Sean Scully (b.1945) is an Irish-born, American-based painter and printmaker, best known for his monumental oil paintings which draw on the traditions of Abstract Expressionism. This catalogue showcases a recent body of work inspired by the National Gallery’s own collection and in particular by J.M.W. Turner’s The Evening Star (c.1830). For Scully, this elegiac picture constitutes one of Turner’s most profound paintings, leading to new departures in his own work. Using the motif of stripes or chequerboards, Scully evokes landscapes and architecture, horizons, fields, and coastlines, in which his contemplative forms become reminders of personal experiences and distinctive moments. Vast, bold panel paintings with richly textured surfaces are illustrated together with delicate works on paper: aquatints and luminous pastels. The accompanying text includes newly commissioned essays, and poetry by Vahni Capildeo and Kelly Grovier, while a unique photo essay by Irish novelist Eimear McBride highlights the sweeping impasto, strong brushstrokes, and vivid colors that distinguish Scully’s painting. Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (04/13/19–08/11/19)

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