Search results for ""yale university press""

In this groundbreaking book anthropologist Daniel Strouthes studies the development of a legal system by a North American Indian group—a small band of twentieth- and twenty-first-century Micmac in Nova Scotia—and analyzes their inventive land tenure law and territorial responses to settlement.Published by the Yale Department of Anthropology and the Yale Peabody Museum of Natural History; Distributed by Yale University Press

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The artist Dan Graham (b. 1942) has a wide-ranging practice that encompasses writing, performance art, installation, video, photography, and architecture. Throughout his career, Graham has examined the symbiosis between architectural environments and their inhabitants, particularly in his pavilions made of glass and mirrors. His new installation, created for the roof garden of The Metropolitan Museum of Art, addresses current issues about suburban psychology and political surveillance. Graham’s work combines landscaping, hedges, and two-way mirrors to create a provocative, immersive experience for viewers. This creatively designed publication includes an insightful interview between the artist and Sheena Wagstaff and focuses not only on Graham’s latest commission but also on his previous landscape-oriented installations, providing a focused, fascinating study of one of today’s leading contemporary artists.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (04/28/14–11/02/14)

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Carpets made in the “Rug Belt”—an area that includes Morocco, North Africa, the Middle East, Central Asia, and northern India—have been a source of fascination and collecting since the 13th century. This engaging and accessible book explores the history, design techniques, materials, craftsmanship, and socioeconomic contexts of these works, promoting a better understanding and appreciation of these frequently misunderstood pieces. Fifty-five examples of Islamic carpets are illustrated with new photographs and revealing details. The lively texts guide readers, teaching them “how to read” clues present in the carpets. Walter B. Denny situates these carpets within the cultural and social realm of their production, be it a nomadic encampment, a rural village, or an urban workshop. This is an essential guide for students, collectors, and professionals who want to understand the art of the Islamic carpet. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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A collection of illustrated essays highlights the works of influential Black artists from Washington, DC, from the 1920s to the present In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city’s communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The 15 essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall.Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press

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An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture Art from Oceania, the region encompassing the islands of the central and south Pacific, spans hundreds of distinct artistic processes, formats, and mediums. Many people’s exposure to Oceanic art comes through its influence on the work of European artists, and therefore Oceanic works themselves often remain difficult for Western viewers to interpret and comprehend. How to Read Oceanic Art, the third book in a series of guides to understanding different artistic genres, helps elucidate this subject through explanation of specific objects. The book analyzes the most illustrative Oceanic pieces from the Metropolitan Museum’s collection—including lively painted masks, powerful figurines, and intricately carved wooden poles—which together represent the extraordinary diversity of artistic traditions in the region. Attractive photography and clear, engaging texts explain how and why various works were made as well as how they were used. This publication is an invaluable resource for art historical study, and also an important gateway to wider appreciation of Oceanic heritage and visual culture.Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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In this prize-winning book, one of the most prominent political theorists of our time makes a major statement about what democracy is and why it is important. Robert Dahl examines the most basic assumptions of democratic theory, tests them against the questions raised by its critics, and recasts the theory of democracy into a new and coherent whole. He concludes by discussing the directions in which democracy must move if advanced democratic states are to exist in the future. “When Robert Dahl speaks about democracy, everyone should listen. With Democracy and Its Critics Dahl has produced a work destined to become another classic.”—Lucian W. Pye, American Political Science Review“In this magisterial work [Dahl]… describe[s] what democracy means…; why our own democracy is still deeply flawed; and how we could reform it…. A work of extraordinary intelligence and, what is even rarer, a work of extraordinary wisdom.”—Robert N. Bellah, New York Times Book ReviewRobert A. Dahl, Sterling Professor of Political Science Emeritus at Yale Universtiy, is also the author of Who Governs?, After the Revolution?, Polyarchy, and Dilemmas of Pluralist Democracy, all available from Yale University Press.

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The south London parish of Battersea has roots as a working village, growing produce for London markets, and as a high-class suburb, with merchants’ villas on the elevated ground around Clapham and Wadsworth Commons. Battersea enjoyed spectacular growth during Queen Victoria’s reign, and railroads brought industry and a robust building boom, transforming the parish into another of London’s dense, smoky neighborhoods, though not without its unique and distinguishing features. Among these are Battersea Park, which was created by the Crown in the 1850s; the monumental Battersea Power Station, completed in 1939; and Clapham Junction railway station, which is, by measure of passenger interchanges, the busiest station in the United Kingdom. The two latest volumes of the Survey of London, 49 and 50, trace Battersea’s development from medieval times to the present day. Offering detailed analysis of its streets and buildings both thematically and topographically, and including copious original in-depth research and investigation, the books are a trove of architectural history and British history. Profusely illustrated with new and archival images, architectural drawings and maps, these volumes are welcome additions to the acclaimed Survey of London series.Published for English Heritage by Yale University Press on behalf of the Paul Mellon Centre for Studies in British Art

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This eye-opening study of Civil War photography traces the introduction of the camera into the battlefield and shows its influence on history and our responses to war Six hundred thousand lives were lost between 1861 and 1865, making the conflict between North and South the nation’s deadliest war. If the “War Between the States” was the test of the young republic’s commitment to its founding precepts, it was also a watershed in photographic history, as the camera recorded the epic, heartbreaking narrative from beginning to end—providing those on the home front, for the first time, with immediate visual access to the horrors of the battlefield.Photography and the American Civil War features both familiar and rarely seen images that include haunting battlefield landscapes strewn with bodies, studio portraits of armed Confederate and Union soldiers (sometimes in the same family) preparing to meet their destiny, rare multi-panel panoramas of Gettysburg and Richmond, languorous camp scenes showing exhausted troops in repose, diagnostic medical studies of wounded soldiers who survived the war’s last bloody battles, and portraits of both Abraham Lincoln and his assassin, John Wilkes Booth.Published on the occasion of the 150th anniversary of the battle of Gettysburg (1863), this beautifully produced book features Civil War photographs by George Barnard, Mathew Brady, Alexander Gardner, Timothy O’Sullivan, and many others.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art(04/01/13–09/02/13)The Gibbes Museum of Art(09/27/13–01/05/14)New Orleans Museum of Art(01/31/14–05/04/14)

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Robert Louis Stevenson, long recognized as a master storyteller and essayist, was also one of the finest and most delightful of letter writers. Yale University Press is now publishing the definitive edition of Stevenson's collected letters in eight handsomely produced volumes. The edition will contain nearly 2,800 letters, only 1,100 of which have been published before.Volumes III and IV cover the period from August 1879 to June 1884. The six hundred letters tell for the first time the full story of Stevenson's reckless journey to California as an "amateur emigrant," during which he gained a wife but wrecked his health. They describe his return to Europe and his futile search to improve his health in Scotland, Switzerland, and France and reveal interesting aspects of the writing of Treasure Island, Virginibus Puerisque (his first volume of collected essays), and many poems later collected in Underwoods and in A Child's Garden of Verses. Volumes V and VI cover the period from July 1884 to September 1890 and comprise over nine hundred letters. During this time, Stevenson lived as a chronic invalid for three years in Bournemouth, England; searched for improved health in the United States and the South Seas; and achieved fame and success with the Strange Case of Dr. Jekyll and Mr. Hyde, Kidnapped, and A Child's Garden of Verses. The letters convey Stevenson's courage and gaiety in the face of illness and his affection for his family and friends. They also reveal the devoted care given him by his wife, Fanny Stevenson.Ernest Mehew's detailed annotation provides all the background necessary to fully enjoy Stevenson's letters.

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Robert Louis Stevenson, celebrated author of such treasured classics as Treasure Island, Kidnapped, and The Strange Case of Dr. Jekyll and Mr. Hyde, has long been recognized as a master storyteller and essayist. But he was also a delightful and instructive letter writer. Now, in the centenary of his death, Yale University Press is publishing the definitive edition of Stevenson's collected letters in eight handsomely produced volumes. The edition will contain nearly 2800 letters; only 1100 have been published before, and many of these were abridged or expurgated. The letters make fascinating reading, not only for those interested in Stevenson's life and work but also for everyone interested in nineteenth-century literature and social history. The letters in volumes I and II, which cover the years from 1854 to 1879, reveal Stevenson's struggles to achieve success as an author. We learn of his years as a student, his work, and his travels. We meet the people who became his chief correspondents for the rest of his life, including Sidney Colvin, who was to be his literary mentor and lifelong friend; the poet and critic W.E. Henley; and Fanny Osbourne, who later became Stevenson's wife. During this period Stevenson published stories and essays and two books, An Inland Voyage and Edinburgh: Picturesque Notes, and set off on the journey to the Cevennes later immortalized in his famous Travels with a Donkey. Ernest Mehew's introduction and detailed annotation place the letters in a biographical framework that gives a chronology of Stevenson's life; explains his family background; and identifies the people he met, the literary projects he planned, and the contemporary events to which he refers.

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The original English-language translation of Ó Cadhain’s raucous masterpiece Cré na Cille, which Colm Tóibín has called the “greatest novel to be written in the Irish language” “An audacious novel rendered entirely in dialogue . . . [with] hilarious quarrels and devastating put-downs that reflect O’Cadhain’s finely attuned ear for the nimble language of his people. He does not judge their time-wasting pettiness, so much as he celebrates the flaws that make us so tragically, wonderfully, human.”—Dan Barry, New York Times Book Review Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection. Also available from Yale University Press: Graveyard Clay, an annotated edition of Cré na Cille translated by Liam Mac Con Iomaire and Tim Robinson

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From Neolithic painted petroglyphs, early paintings on silk, and landscapes by twelfth-century literati to the traditional handscrolls being produced today, Chinese painting has always had the power to enthrall. This magnificent book, written by a team of eminent international scholars, is the first to recount the history of Chinese painting over a span of some three thousand years. Drawing on museum collections, archives, and archaeological sites in China—including many resources never before available to Western scholars—as well as on collections in other countries, the authors present and analyze the very best examples of Chinese painting: more than 300 of them are reproduced here in color. Both accessible to the general reader and revelatory for the scholar, the book provides the most up-to-date and detailed history of China’s pictorial art available today. In this book the authors rewrite the history of Chinese art wherever it is found—in caves, temples, or museum collections. They begin by grounding the Western reader in Chinese traditions and practices, showing in essence how to look at a Chinese painting. They then shed light on such topics as the development of classical and narrative painting, the origins of the literati tradition, the flowering of landscape painting, and the ways the traditions of Chinese painting have been carried into the present day. The book, which concludes with a glossary of techniques and terms and a list of artists by dynasty, is an essential resource for all lovers of, or newcomers to, Chinese painting.Three Thousand Years of Chinese Painting is the inaugural volume in a new series, The Culture & Civilization of China, a joint publishing venture of Yale University Press and the American Council of Learned Societies with the China International Publishing Group in Beijing. The undertaking will ultimately result in the publication of more than seventy-five volumes on the visual arts, classical literature, language, and philosophy, as well as several comprehensive reference volumes.Published in association with Foreign Languages Press, Beijing

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A text in the Yale University Press Series on Basic Documents in World Politics This volume contains the full text of the United Nations Charter and the Statute of the International Court of Justice, as well as related historical documents. They are accompanied by ten original essays on the Charter and its legacy by distinguished scholars and former high-level UN officials. The commentaries illuminate the early and ongoing roles of the United Nations in responding to international crises, debates about the UN’s architecture and its reform, and its role in global governance, climate change, peacekeeping, and development. A concise and accessible introduction to the UN for students, this collection also offers important new scholarship that will be of interest to experts.

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A top expert reveals his insights into Meibomian gland dysfunction, a ubiquitous, misunderstood disease that leads to Dry Eye syndrome In Reversing Dry Eye Syndrome (Yale University Press 2007), ophthalmologist Steven Maskin introduced readers to Dry Eye syndrome, explaining what the syndrome is, why it occurs, and how it can best be managed and treated. In Your Dry Eye Mystery Solved, he reveals his recent discoveries and treatments for Meibomian gland dysfunction (MGD), an underlying disease that leads to Dry Eye syndrome and involves blockage of the oil-producing tear glands within the eyelids. Not only are these glands key to clear vision and comfortable eyes, but when disrupted they can cause severe pain and a host of related symptoms.

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The State Hermitage Museum in St. Petersburg houses a relatively small but choice collection of 16th- to 19th-century British paintings, among them Thomas Gainsborough's vibrant Portrait of a Lady in Blue (c. 1770) and his rival Sir Joshua Reynolds' vast Infant Hercules Strangling the Serpents (c. 1786), commissioned by the Russian Empress Catherine II and symbolizing a young Russia's growing strength. 135 paintings—works by artists from England, Ireland, Scotland, and Wales—are presented in this comprehensive catalogue. Also included are portraits from the famed War Gallery created by English painter George Dawe, who was awarded a prestigious commission to produce more than 300 images of Russian generals for the Gallery of 1812 in the historic Winter Palace, now part of the museum complex. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press and the State Hermitage Museum

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Themes of the American West have been enduringly popular, and The American West in Bronze features sixty-five iconic bronzes that display a range of subjects, from portrayals of the noble Indian to rough-and-tumble scenes of rowdy cowboys to tributes to the pioneers who settled the lands west of the Mississippi. Fascinating texts offer a fresh look at the roles that artists played in creating interpretations of the “vanishing West”—whether based on fact, fiction, or something in-between. These artists, including Charles M. Russell and Frederic Remington, embody a range of life experiences and artistic approaches. Some grew up in the West and based their artwork on first-hand experience, while others never set foot west of the Rockies. Four thematic sections—Indians, animals, cowboys, and settlers—are illustrated with new photography and provide a cultural overview to the works presented. Also included are biographies of the artists, each illustrated with a vintage portrait, plus an illustrated chronology of historical and artistic events.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule: The Metropolitan Museum of Art (12/17/13–04/13/14)Denver Art Museum(05/09/14–08/31/14)Nanjing Museum(October 2014–January 2015)

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Diego Velázquez (1599-1660), considered by many to be the greatest of Spain's great painters, spent his crucial formative years in Seville, learning his craft and producing many early masterpieces. When he departed from his native city as a young man of 24, Velázquez's accomplishments were already impressive: he left to assume the position of Court Painter to Philip IV of Spain in Madrid. In this beautifully illustrated book, an international team of art scholars explores the importance of Seville for Velázquez. Discussions range across many topics, including Velázquez's education and training, Sevillian culture and Catholic theology, picaresque literature, and Velázquez's subject matter—portraiture, sacred subjects, and the bodegones (kitchen and tavern scenes with prominent still life) in which Velázquez developed his distinctive naturalistic style.The Seville of Velázquez's youth was the chief Spanish port of trade with the New World and a major religious center that witnessed the passionate controversy over the mystery of the Immaculate Conception, a subject depicted in an early Velázquez painting. Other surviving paintings from the artist's Sevillian years include his first dated painting, Old Woman Cooking Eggs (1618), and his famous masterpiece Water-seller of Seville.This book serves as the catalogue for a major exhibition on Velázquez's early work to be held at the National Gallery of Scotland in Edinburgh, August 8 through October 20, 1996. The exhibit also includes a selection of influential works by Velázquez's important contemporaries, such as the sculptor Montañes and painters Alonso Cano and Ribalta.Distributed by Yale University Press for National Galleries of Scotland

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A revered classic of American design delights anew with the freshness and ingenuity of its approach Bradbury Thompson (1911–1995) remains one of the most admired and influential graphic designers of the twentieth century, having trained a generation of design students while on the faculty of the Yale School of Art for more than thirty years. The art director of Mademoiselle and design director of Art News and Art News Annual in the decades after World War II, Thompson was also a distinguished designer of limited-edition books, postage stamps, rationalized alphabets, corporate identification programs, trademarks, and sacred works (most notably the Washburn College Bible). Thompson also designed more than sixty issues of Westvaco Inspirations, a magazine that was published by the Westvaco Corporation and distributed to thousands of printers, designers, and teachers to show the range and versatility of printing papers. Thompson was especially revered for his ability to adapt classic typography for the modern world. Bradbury Thompson: The Art of Graphic Design is a landmark in the history of fine bookmaking. First published by Yale University Press in 1988 and designed by Thompson himself, it was praised by the New York Times as a book in which “art and design are gloriously and daringly mixed.” Original texts by the author and other notable designers, critics, and art historians, including J. Carter Brown, Alvin Eisenman, and Steven Heller, explore Thompson’s methods and design philosophy, and a newly commissioned afterword by Jessica Helfand attests to the enduring importance of his work. Both a retrospective and a manifesto, the book surveys Thompson’s timeless contributions to American graphic design, including his experimental work and his work in magazines, typography, books, simplified alphabets, and contemporary postage stamps. Published for the first time in paperback, this classic text is now available for a new generation of designers and students.

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An engrossing guide to fraudulent elections around the worldfully updated to mark the biggest election year in history in 2024, as over four billion people cast their votes

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The first comprehensive, career-spanning study of American artist Dorothea Rockburne

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A landmark study of how the famed Bloomsbury Group developed their distinct aesthetic

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Now back in print, a revealing look at the visionary French furniture designer and architect, highlighting his virtuoso designs and versatile creativity

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A prominent historian provides an engaging on-the-ground account of the everyday authoritarianism that produced the Arab Spring in Egypt

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A moving meditation on recent geopolitical crises, viewed through the lens of ancient and modern tragedy

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A rich, wide-ranging history of ignorance in all its forms, from antiquity to the present day

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What remains of Horta's Art Nouveau, apart from his style and typical plant-related vocabulary?

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A vivid new history of the criminal underworld in the medieval Holy Land

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A compelling history of the Ptolemies, the decline of Egypt, and the rising power of the Roman Empire

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A portrait of one of the ancient world’s first political celebrities, who veered from failure to success and back again “This colorful biography of Demetrius . . . explores his rich inner life and reveals an ancient world of violence and intrigue.”—New York Times Book Review The life of Demetrius (337–283 BCE) serves as a through-line to the forty years following the death of Alexander the Great (323–282 BCE), a time of unparalleled turbulence and instability in the ancient world. With no monarch able to take Alexander’s place, his empire fragmented into five pieces. Capitalizing on good looks, youth, and sexual prowess, Demetrius sought to weld those pieces together and recover the dream of a single world state, with a new Alexander—himself—at its head. He succeeded temporarily, but in crucial, colossal engagements—a massive invasion of Egypt, a siege of Rhodes that went on for a full year, and the Battle of Ipsus—he came up just short. He ended his career in a rash invasion of Asia and became the target of a desperate manhunt, only to be captured and destroyed by his own son-in-law. James Romm tells the story of Demetrius the Besieger’s rise and spectacular fall but also explores his vibrant inner life and family relationships to depict a real, complex, and recognizable figure.

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An eminent engineer and historian tackles one of the most elemental aspects of life: how we experience and utilize physical force “Another gem from a master of technology writing.”—Kirkus Reviews Force explores how humans interact with the material world in the course of their everyday activities. This book for the general reader also considers the significance of force in shaping societies and cultures. Celebrated author Henry Petroski delves into the ongoing physical interaction between people and things that enables them to stay put or causes them to move. He explores the range of daily human experience whereby we feel the sensations of push and pull, resistance and assistance. The book is also about metaphorical force, which manifests itself as pressure and relief, achievement and defeat. Petroski draws from a variety of disciplines to make the case that force—represented especially by our sense of touch—is a unifying principle that pervades our lives. In the wake of a prolonged global pandemic that increasingly cautioned us about contact with the physical world, Petroski offers a new perspective on the importance of the sensation and power of touch.

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A feminist reinterpretation of the myths surrounding Cleopatra casts new light on the Egyptian queen and her legacy “A lucid and persuasive reinterpretation. Readers won’t see Cleopatra the same way again.”—Publishers Weekly “Where Prose really sparkles: her critiques of the cultural depictions of Cleopatra.”—Allison Arieff, San Francisco Chronicle The siren passionately in love with Mark Antony, the seductress who allegedly rolled out of a carpet she had herself smuggled in to see Caesar, Cleopatra is a figure shrouded in myth. Beyond the legends immortalized by Plutarch, Shakespeare, George Bernard Shaw, and others, there are no journals or letters written by Cleopatra herself. All we have to tell her story are words written by others. What has it meant for our understanding of Cleopatra to have had her story told by writers who had a political agenda, authors who distrusted her motives, and historians who believed she was a liar? Francine Prose delves into ancient Greek and Roman literary sources, as well as modern representations of Cleopatra in art, theater, and film, to challenge narratives driven by orientalism and misogyny and offer a new interpretation of Cleopatra’s history through the lens of our current era.

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Acclaimed cultural critic Greil Marcus tells the story of Bob Dylan through the lens of seven penetrating songs “The most interesting writer on Dylan over the years has been the cultural critic Greil Marcus. . . . No one alive knows the music that fueled Dylan’s imagination better. . . . Folk Music . . . [is an] ingenious book of close listening.”—David Remnick, New Yorker Named a Best Music Book of 2022 by Rolling Stone “Further elevates Marcus to what he has always been: a supreme artist-critic.”—Hilton Als Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen. In Folk Music, Greil Marcus tells Dylan’s story through seven of his most transformative songs. Marcus’s point of departure is Dylan’s ability to “see myself in others.” Like Dylan’s songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan’s continuing presence and relevance through his empathy—his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own.

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A showcase of 500 highlights of the Farjam Collection, featuring painting, works on paper, photography, sculpture, installations, and videos

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An investigation of conceptual artist Hanne Darboven’s artistic practice and her highly personal mark-making as a form of marking time on paper Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction drawings—abstract works based in transversal and mirroring strategies—made during her two-year stay in New York in the late 1960s. The next section maps how Darboven adapted her drawing practice into formulas that calculate specific dates and durations into a single number, which the artist represented as anything from a series of calligraphic lines to a set of consecutively drawn boxes. The book concludes with a close look at Inventions that Have Changed Our World, an installation from 1996 that documents each day of the twentieth century according to Darboven’s formulas and assigns an inventor, ranging from Johannes Gutenberg to the Wright brothers, to represent each of the century’s ten decades. This engaging overview highlights how Darboven's work offers a deeply idiosyncratic accounting of art and life that challenges time as a linear and objective measure. Distributed for the Menil Collection Exhibition Schedule: The Menil Collection, Houston (October 29, 2023–February 11, 2024)

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A compelling, authoritative account of the brilliant, conflicted, visionary world of Tudor England When Henry VII landed in a secluded bay in a far corner of Wales, it seemed inconceivable that this outsider could ever be king of England. Yet he and his descendants became some of England’s most unforgettable rulers, and gave their name to an age. The story of the Tudor monarchs is as astounding as it was unexpected, but it was not the only one unfolding between 1485 and 1603. In cities, towns, and villages, families and communities lived their lives through times of great upheaval. In this comprehensive new history, Lucy Wooding lets their voices speak, exploring not just how monarchs ruled but also how men and women thought, wrote, lived, and died. We see a monarchy under strain, religion in crisis, a population contending with war, rebellion, plague, and poverty. Remarkable in its range and depth, Tudor England explores the many tensions of these turbulent years and presents a markedly different picture from the one we thought we knew.

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A unique journey with James Ensor through the history of still life in Belgium in the nineteenth and twentieth centuries Still life played an important role within the work of Belgian expressionist and symbolist painter James Ensor (1860–1949). The quality and significance of his intriguingly complex still lifes become clear when placed within the broader development of the genre in Belgium between 1830 and 1930. The book offers an overview of the nineteenth-century Belgian academic tradition of decorative painting, with intriguing work by lesser-known painters such as Jean Robie, Hubert Bellis, Frans Mortelmans, and Henri De Braekeleer, as well as forgotten female artists such as Berthe Art and Alice Ronner. In the early twentieth century, artists such as Louis Thevenet continued to develop the genre of still life in a traditional manner, while innovators such as the late James Ensor, Léon Spilliaert, Marthe Donas, Walter Vaes, and Gustave Van de Woestyne created highly personal interpretations. This book is published on the first exhibition ever entirely devoted to James Ensor's still lifes at Mu.ZEE (Ostend). Distributed for Mercatorfonds Exhibition Schedule: Mu.ZEE, Ostend, Belgium (December 16, 2023–April 14, 2024)

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A collection of John Carey’s greatest, wisest, and wittiest reviews—amassed over a lifetime of writing In 1977, newly installed as a professor of English at Oxford, John Carey took the position of chief reviewer for the Sunday Times. In a career spanning over 40 years and upwards of 1,000 reviews, Carey has kept abreast of the brightest and best books of the day, distilling his thoughts each week for the entertainment of Sunday readers. Contained in this volume is the cream of that substantial crop: a choice selection of the books which Carey has most cherished. Covering subjects as diverse as the science of laughter, the art of Grayson Perry, the history of madness, and Sylvia Plath’s letters, this is a collection of treats and surprises, suffused with careful thought, wisdom, and enjoyment. The result is a compendium of titles that have stood the test of time, offered with Carey’s warmest recommendation.

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From a celebrated critic, a heartfelt and adventurous reflection on the art of writing about art

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A new history of postwar painting that explores how the desire to look backward shaped some of the period's most radical artmaking

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The first major publication in more than thirty years on contemporary artist Chryssa, an innovator of light art Chryssa & New York offers a timely reassessment of Greek-born artist Chryssa (Chryssa Vardea-Mavromichali, 1933–2013). Chryssa was a leading figure in the postwar New York art world and in the use of signage, text, and neon, yet her work, which bridges Pop, Conceptual, and Minimalist approaches to art making, remains under-recognized. Focusing on the artist’s early career, in particular her time in New York from the 1950s to the 1970s, this book charts the emergence of her singular aesthetic, especially her formal innovations with neon, and culminates in the development of her monumental and rarely seen installation The Gates to Times Square (1964–66). Essays situate Chryssa’s art alongside that of other New York-based practitioners in the 1950s and 1960s, consider her work through the lenses of queer theory and the Greek diaspora, and uncover her crucial influence on light art today. Rounding out the volume, a conversation on the technical aspects of her practice and a comprehensive chronology make this the definitive publication on Chryssa for years to come. Distributed for Dia Art Foundation and the Menil Collection, Houston Exhibition Schedule: Dia Chelsea, New York (March 2–July 23, 2023) Menil Collection, Houston (September 29, 2023–March 10, 2024) Wrightwood 659, Chicago (May 1–August 15, 2024)

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A comprehensive history of the struggle to define womanhood in America, from the seventeenth to the twenty-first century“Exhaustively researched and finely written.”—Alexandra Jacobs, New York Times“An intelligently provocative, vital reading experience. . . . This highly readable, inclusive, and deeply researched book will appeal to scholars of women and gender studies as well as anyone seeking to understand the historical patterns that misogyny has etched across every era of American culture.”—Kirkus Reviews, starred review What does it mean to be a “woman” in America? Award-winning gender and sexuality scholar Lillian Faderman traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement. This wide-ranging 400-year history chronicles conflicts, retreats, defeats, and hard-won victories in both the private and the public sectors and shines a light on the often-overlooked battles of enslaved women and women leaders in tribal nations. Noting that every attempt to cement a particular definition of “woman” has been met with resistance, Faderman also shows that successful challenges to the status quo are often short-lived. As she underlines, the idea of womanhood in America continues to be contested.

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