Search results for ""yale university press""

A fast-paced narrative about the world-famous libertine Giacomo Casanova, from celebrated biographer Leo Damrosch “Fully succeeds in communicating that ‘vivid presentness,’ that ‘joyful eagerness’ for life, which is what keeps us reading Casanova—and reading about him.”—Gregory Dowling, Wall Street Journal “A nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites. . . . Another top-notch work from Damrosch.”—Kirkus Reviews (starred review) The life of the iconic libertine Giacomo Casanova (1725–1798) has never been told in the depth it deserves. An alluring representative of the Enlightenment’s shadowy underside, Casanova was an aspiring priest, an army officer, a fortune teller, a con man, a magus, a violinist, a mathematician, a Masonic master, an entrepreneur, a diplomat, a gambler, a spy—and the first to tell his own story. In his vivid autobiography Histoire de Ma Vie, he recorded at least a hundred and twenty love affairs, as well as dramatic sagas of duels, swindles, arrests, and escapes. He knew kings and an empress, Catherine the Great, and most of the famous writers of the time, including Voltaire and Benjamin Franklin. Drawing on seldom used materials, including the original French and Italian primary sources, and probing deeply into the psychology, self-conceptions, and self-deceptions of one of the world’s most famous con men and seducers, Leo Damrosch offers a gripping, mature, and devastating account of an Enlightenment man, freed from the bounds of moral convictions.

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From Ukraine’s leading writer-activist comes an intimate account of resistance and survival in the earliest months of the Russian-Ukrainian war “A vivid, in-the-trenches report from a Ukrainian city and its ‘injured, yet unbreakable’ citizens.”—Kirkus Reviews When Russia invaded Ukraine on February 24, 2022, Serhiy Zhadan took to social media to coordinate a network of resistance workers and send messages of courage to his fellow Ukrainians. What began as a local organizing effort exploded onto the international stage as readers around the globe looked to Zhadan as a key eyewitness documenting Russian atrocities. In this powerful record of the war’s harrowing first four months, Zhadan works day and night in Kharkiv to evacuate children and the elderly from suburbs that have come under fire. He sends lists of life-saving medications to the West in the hopes of procuring them for civilians, coordinates food deliveries, collects money for military equipment, and organizes concerts. He shares photographs of the open sky—grateful for every pause in the shelling—and captures images of beloved institutions reduced to rubble. We’ll restore everything. We’ll rebuild everything, he writes. As the days pass, the city empties. Friends are killed. And when images of the Bucha massacre are released, Zhadan’s own voice falters: I’m speechless. Hang in there, my friends. Tomorrow, we’ll wake up one day closer to our victory. An intimate work of witness literature, this book is at once the testimony of one man entering a new reality and the story of a society fighting for the right to exist.

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A fascinating look into how the transformative joys of mathematical experience are available to everyone, not just specialists

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An inside look at al-Qaeda from 9/11 to the death of its founder—told through the words of Bin Laden and his closest circle As seen on 60 Minutes “A comprehensive, meticulously constructed and eye-opening look at bin Laden as husband, father and leader-in-hiding. . . . An engaging and persuasive read.”—Karen J. Greenberg, Washington Post “Never less than gripping. . . . [Offers] an extraordinary insight into the inner workings of al-Qaeda, both before and after 9/11, and lays bare the terrorist organisation’s closely guarded plans, ambitions and frustrations.”—Saul David, Sunday Telegraph Usama Bin Laden’s greatest fear was not capture or death but the exposure of al-Qaeda’s secrets. At great risk to themselves and the entire mission, the U.S. Special Operations Forces, who carried out the Abbottabad raid that killed Bin Laden, took an additional eighteen minutes to collect Bin Laden’s hard drives and thereby expose al-Qaeda’s secrets. In this groundbreaking book, Nelly Lahoud dives into Bin Laden’s files and meticulously distills the nearly 6,000 pages of Arabic private communications. For the first time, al-Qaeda’s closely guarded secrets are laid bare, shattering misconceptions and revealing how and what Bin Laden communicated with his associates, his plans for future attacks, and al-Qaeda’s hostility toward countries such as Saudi Arabia, Iran, and Pakistan. Lahoud presents firsthand accounts of al-Qaeda from 9/11 until the elimination of Bin Laden, in his own words and those of his family and closest associates.

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An urgent account of the state of our oceans today—and what we must do to protect them “Provides a persuasive guide to recovery, and is an inspiring and invigorating read.”—Phoebe Weston, The Guardian The ocean sustains life on our planet, from absorbing carbon to regulating temperatures, and, as we exhaust the resources to be found on land, it is becoming central to the global market. But today we are facing two urgent challenges at sea: massive environmental destruction, and spiraling inequality in the ocean economy. Chris Armstrong reveals how existing governing institutions are failing to respond to the most pressing problems of our time, arguing that we must do better. Armstrong examines these crises—from the fate of people whose lands will be submerged by sea level rise to the exploitation of people working in fishing to the rights of marine animals—and makes the case for a powerful World Ocean Authority capable of tackling them. A Blue New Deal presents a radical manifesto for putting equality, democracy, and sustainability at the heart of ocean politics.

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A bold new history of the rise and expansion of the Norman Dynasty across Europe from Byzantium to England In the eleventh century the climate was improving, population was growing, and people were on the move. The Norman dynasty ranged across Europe, led by men who achieved lasting fame, such as William the Conqueror and Robert Guiscard. These figures cultivated an image of unstoppable Norman success, and their victories make for a great story. But how much of it is true? In this insightful history, Judith Green challenges old certainties and explores the reality of Norman life across the continent. There were many soldiers of fortune, but their successes were down to timing, good luck, and ruthless leadership. Green shows the Normans’ profound impact, from drastic change in England to laying the foundations for unification in Sicily to their contribution to the First Crusade. Going beyond the familiar, she looks at personal dynastic relationships and the important part women played in what at first sight seems a resolutely masculine world.

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Angel Vergara’s work tests the limits of art and reality by questioning the way the contemporary image shapes the intermingled public and private spheres—as well as our own experience Angel Vergara’s (b. 1958; based in Brussels) work is a continued investigation into the power of the image. By means of performances, videos, installations, paintings and drawings, he tests the limits of art and reality. Each of his works is an attempt to break through the image and to make its impact on an aesthetic as well as a sociocultural and political level. Thus, Vergara creates a new, suspended reality, grown from the artist’s personal dialogue with reality and with the image by which it has already been transformed. Decontextualised images of reality are mediated by the artist and transformed into art, encouraging the viewer to question their way of perceiving the everyday as well as the way it is presented to them in images. Vergara’s art disorients and disconcerts the viewer. It questions what is known and opens paths to new modes of signification. Accompanying the 2023 retrospective exhibition “In the Instant” that the MACS is dedicating to Angel Vergara, this important book reviews the career of the Belgian artist and highlights the close relationship between his painting and the cinematic medium. Distributed for Mercatorfonds Exhibition Schedule: 02.11.2022–02.06.2023 Outside installation. Musée de la batellerie—Conflans Sainte Honorine, France. 24.11.2022–19.03.2023 Photo Brut - Centrale for Contemporary Art, Brussels 23.04.2023–08.10.2023 Angel Vergara. In a Moment. Monographic exhibition. MAC’s in Mons, Belgium.

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Two acclaimed South African artists offer a cross-generational dialogue on history, memory, and the power of self-narration Three decades after the dismantling of apartheid began, South Africa’s so-called “born free” generation has reached adulthood and its artists have used their work to navigate their difficult inheritance. At the same time, the historical distance between their experience and that of an older generation grows. This book brings together two of South Africa’s most acclaimed contemporary artists to reflect upon this moment. In their respective practices, Sue Williamson (b. 1941) and Lebohang Kganye (b. 1990) incorporate oral histories into film, photographs, installations, and textiles to consider how, just as formal statements determine collective histories, so the stories our elders tell us shape family narratives and personal identities. Exploring the complexities involved in the passing down of memories, their works implicitly and explicitly address racial violence, social injustice, and intergenerational trauma. This richly illustrated catalogue features essays that consider themes of voice, testimony, ancestry, and care, and a dialogue between Kganye and Williamson that explores how art can mobilize the healing powers of conversation.Distributed for the Barnes FoundationExhibition Schedule:The Barnes Foundation, Philadelphia (March 5–May 21, 2023)

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A deep look at a contemporary artist whose work highlights how the rise of technology and corporate capitalism have disrupted our lives and polarized society One of the most thought-provoking artists of his generation, Josh Kline (b. 1979) creates installations, sculptures, videos, and photographs that address the ways new technologies affect how people live and work. Engaging with a range of concerns that impact the entire labor force, from essential workers to the creative class, Kline demonstrates how climate change, automation, disease, and politics have shaped our identities. At a time when so many aspects of life are under threat, Kline takes an unflinching look at how we got here and boldly imagines a more equitable and empathetic future. Kline’s art demonstrates the ways technology has widened and reinforced the gap of inequity in America, while also carrying the potential to make a fairer world. “As an artist who’s thinking about the consequences of technological innovation,” Kline has said, “I think there’s an obligation to raise questions about who benefits.” His ongoing cycle of installations (Freedom, 2014–16; Unemployment, 2015–16, Civil War, 2016–19; Climate Change, 2019– ) that imagine the next hundred years of society are featured in this book, along with his earlier bodies of work, Creative Labor (2009– ) and Blue Collars (2014– ) and production images and concept sketches for his newest works that are published here for the first time. Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (April 19–August 13, 2023)

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The first biography of Gilbert Spencer, recounting the life and career of a long-overlooked twentieth-century British artist

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A fascinating, bottom-up exploration of contemporary Russian politics that sheds new light on why Putin’s grip on power is more fragile than we think “Putin v. the People wrestles with perhaps the central conundrum of contemporary Russia: the endurance of support for Putin amid deepening disillusionment with the present and pessimism about the future.”—Daniel Beer, The Guardian What do ordinary Russians think of Putin? Who are his supporters? And why might their support now be faltering? Alive with the voices and experiences of ordinary Russians and elites alike, Sam Greene and Graeme Robertson craft a compellingly original account of contemporary Russian politics. Telling the story of Putin’s rule through pivotal episodes such as the aftermath of the "For Fair Elections" protests, the annexation of Crimea, and the War in Eastern Ukraine, Greene and Robertson draw on interviews, surveys, social media data, and leaked documents to reveal how hard Putin has to work to maintain broad popular support, while exposing the changing tactics that the Kremlin has used to bolster his popularity. Unearthing the ambitions, emotions, and divisions that fuel Russian politics, this book illuminates the crossroads to which Putin has led his country and shows why his rule is more fragile than it appears.

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A rediscovery of patriotism as a virtue in line with the core values of democracy in an extremist age “Like you perhaps, I still regard myself as an extremely patriotic person. Which is why I so admired [this book]. . . . It explained my emotion to me, as it might yours to you." —David Brooks, New York Times “Smith superbly illuminates the distinctiveness of the American idea of patriotism and reminds us of how important patriotism is, and how essential to making America better.”—Leslie Lenkowsky, Wall Street Journal The concept of patriotism has fallen on hard times. What was once a value that united Americans has become so politicized by both the left and the right that it threatens to rip apart the social fabric. On the right, patriotism has become synonymous with nationalism and an “us versus them” worldview, while on the left it is seen as an impediment to acknowledging important ethnic, religious, or racial identities and a threat to cosmopolitan globalism. Steven B. Smith reclaims patriotism from these extremist positions and advocates for a patriotism that is broad enough to balance loyalty to country with other loyalties. Describing how it is a matter of both the head and the heart, Smith shows how patriotism can bring the country together around the highest ideals of equality and is a central and ennobling disposition that democratic societies cannot afford to do without.

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A chronicle of recent events that have shaken the world, from the author of Capital in the Twenty-First Century “What makes this manifesto noteworthy is that it comes from . . . an economist who gained his reputation as a researcher with vaguely left-of-center sensibilities but was far from a radical. Yet the times are such . . . that even honest moderates are driven to radical remedies.”—Robert Kuttner, New York Times As a correspondent for the French newspaper Le Monde, world-renowned economist Thomas Piketty has documented the rise and fall of Trump, the drama of Brexit, Emmanuel Macron’s ascendance to the French presidency, the unfolding of a global pandemic, and much else besides, always from the perspective of his fight for a more equitable world. This collection brings together those articles and is prefaced by an extended introductory essay, in which Piketty argues that the time has come to support an inclusive and expansive conception of socialism as a counterweight against the hypercapitalism that defines our current economic ideology. These essays offer a first draft of history from one of the world’s leading economists and public figures, detailing the struggle against inequalities and tax evasion, in favor of a federalist Europe and a globalization more respectful of work and the environment.

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An unflinching look at the most urgent humanitarian crises around the globe, from one of the world’s most daring philosopher-reporters“Call[s] on people not just to see the world, but to be moved and interested by what they find there, and to do something about it.”—Anne Applebaum, The Atlantic“Fierce and elegant, Lévy’s musings will be of profound interest to any reader of modern continental philosophy.”—Kirkus Reviews, starred review Over the past fifty years, renowned public intellectual Bernard-Henri Lévy has reported extensively on human rights abuses around the world. This new book follows the intrepid Lévy into eight international hotspots—Nigeria; Syrian and Iraqi Kurdistan; Ukraine; Somalia; Bangladesh; Lesbos, Greece; Libya; and Afghanistan—that have escaped global attention or active response. In a deeply personal introduction, Lévy recounts the intellectual journey that led him to advocacy, arguing that a truly humanist philosophy must necessarily lead to action in defense of the most vulnerable. In the second section, he reports on the eight investigative trips he undertook just before or during the coronavirus pandemic, from the massacred Christian villages in Nigeria to a dangerously fragile Afghanistan on the eve of the Taliban talks, from an anti-Semitic ambush in Libya to the overrun refugee camp on the island of Lesbos. Part manifesto, part missives from the field, this new book is a stirring rebuke to indifference and an exhortation to level our gaze at those most hidden from us.

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Why and how America’s defense strategy must change in light of China’s power and ambition—A Wall Street Journal best book of 2021 “This is a realist’s book, laser-focused on China’s bid for mastery in Asia as the 21st century’s most important threat.”—Ross Douthat, New York Times “Colby’s well-crafted and insightful Strategy of Denial provides a superb and, one suspects, essential departure point for an urgent and much-needed debate over U.S. defense strategy.”—Andrew F. Krepinevich, Jr., Foreign Affairs Elbridge A. Colby was the lead architect of the 2018 National Defense Strategy, the most significant revision of U.S. defense strategy in a generation. Here he lays out how America’s defense must change to address China’s growing power and ambition. Based firmly on the realist tradition but deeply engaged in current policy, this book offers a clear framework for what America’s goals in confronting China must be, how its military strategy must change, and how it must prioritize these goals over its lesser interests. The most informed and in-depth reappraisal of America’s defense strategy in decades, this book outlines a rigorous but practical approach, showing how the United States can prepare to win a war with China that we cannot afford to lose—precisely in order to deter that war from happening.

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A revolutionary study of nineteenth-century Parisian cartography and its role in shaping a modern conception of space

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A lively new biography of Tutankhamun—published for the hundredth anniversary of his tomb’s modern discovery The discovery of Tutankhamun’s tomb in 1922 sparked imaginations across the globe. While Howard Carter emptied its treasures, Tut-mania gripped the world—and in many ways, never left. But who was the “boy king,” and what was his life really like? Garry J. Shaw tells the full story of Tutankhamun’s reign and his modern rediscovery. As pharaoh, Tutankhamun had to manage an empire, navigate influential courtiers, and suffer the pain of losing at least two children—all before his nineteenth birthday. Shaw explores the boy king’s treasures and possessions, from a lock of his grandmother’s hair to a reed cut with his own hands. He looks too at Ankhesenamun, Tutankhamun’s wife, and the power queens held. This is a compelling new biography that weaves together intriguing details about ancient Egyptian culture, its beliefs, and its place in the wider world.

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The first major publication to explore the prolific career of Kaffe Fassett, one of the most recognized names in contemporary craft and design Kaffe Fassett (b. 1937) is one of the most recognized names in contemporary craft and design with work encompassing knitting, needlepoint, quilting, textile design, mosaic, painting, and drawing. Fassett’s sense of color and pattern has inspired makers around the world; his early successes include knitwear designs for fashion designers such as Bill Gibb and Missoni, and in more recent years he has collaborated with the luxury fashion house Coach. His inimitable eye can translate the most everyday of details into the basis for one of his colorful, sophisticated, maximalist designs. This book explores Fassett’s career and work in context for the first time, highlighting and widening the scope of his output over more than five decades. Drawing on original artworks, photographs, and archival material, it illuminates the work of this distinctive, influential artist and designer. Essays from design and fashion historians sit alongside striking visual material and insightful interviews with Fassett that provide additional context about this prolific artist. Published in association with the Fashion and Textile Museum Exhibition Schedule: Fashion and Textile Museum, London (September 23, 2022–March 12, 2023) Dovecot Studios, Edinburgh (March 31–July 8, 2023) Millesgarden Museum, Sweden (September 2023–February 2024)

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An illustrated compendium of artworks from the ancient Americas Including Indigenous works from the southwestern United States, Mesoamerica, the Isthmo-Colombian Area, and the Andes of South America, this book showcases more than 100 masterpieces of art from the ancient Americas. These are presented in historical, archaeological, and artistic context with new photography and scholarship. The publication considers ceramics, metalworks, stone carvings, and textiles from an array of America’s earliest civilizations, including Ancestral Puebloan, Mexica, Olmec, Maya, Chavín, Inca, Moche, Wari, and more. Highlights include some exceptional rarities, including a Chavín crown with deity figures, a previously undefined style of four-panel Andean tunics, a Mixtec mosaic mask, a Maya lidded tetrapod bowl, and breathtaking gold jewelry from the Isthmo-Colombian Area.Distributed for the Dallas Museum of Art

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A New York Times best art book of 2022An A to Z exploration of the Enlightenment’s quest for understanding and change, as revealed in the era’s prints and drawingsAre volcanoes punishment from God? What do a fly and a mulberry have in common? What utopias await in unexplored corners of the earth and beyond? During the Enlightenment, questions like these were brought to life through an astonishing array of prints and drawings, helping shape public opinion and stir political change. Dare to Know overturns common assumptions about the age, using the era’s proliferation of works on paper to tell a more nuanced story. Echoing the structure and sweep of Diderot’s Encyclopédie, the book contains 26 thematic essays, organized A to Z, providing an unprecedented perspective on more than 50 artists, including Henry Fuseli, Jean-Honoré Fragonard, Francisco Goya, Jean-Baptiste Greuze, William Hogarth, Giovanni Battista Piranesi, and Giambattista Tiepolo. With a multidisciplinary approach, the book probes developments in the natural sciences, technology, economics, and more—all through the lens of the graphic arts. Distributed for the Harvard Art Museums Exhibition Schedule:Harvard Art Museums, Cambridge, MA (September 16, 2022–January 15, 2023)

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Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music—across time and cultures“Nicholas Kenyon is an amiable and enthusiastic guide to a thousand years of classical music.”—Neil Fisher, The Times“A wonderfully engaging survey. . . . It is what every music lover needs close by. . . . We are left in no doubt about music’s extraordinary power.”—Ian Thomson, Financial Times Immersed in music for much of his life as writer, broadcaster, and concert presenter, former director of the BBC Proms Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those that are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life. Taking us from pianist Myra Hess’s performance in London during the Blitz, to John Adams’s composition of a piece for mourners after New York’s 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together. His personal, celebratory account transforms our understanding of how classical music is made—and shows us why it is more relevant than ever.

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The fourth and final volume of Michel Leiris's renowned autobiography, now available in English for the first time, translated by Richard Sieburth

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An original, authoritative guide to the impact of grief on the brain, the heart, and the body of the bereaved "Dorothy Holinger's exploration of the contours of grief is wise, moving, thought-provoking, and, best of all, extraordinarily helpful. Beautifully written and humane, it is a balm for the bereaved."—Barry Bearak, Pulitzer Prize winner for international reporting “What’s central for Holinger is that turning feeling into words, and giving voice to buried emotions, acts to release tension. She is a passionate advocate for language as healer.”—Clair Wills, New York Review of Books Grief happens to everyone. Universal and enveloping, grief cannot be ignored or denied. This original new book by psychologist Dorothy P. Holinger uses humanistic and physiological approaches to describe grief’s impact on the bereaved. Taking examples from literature, music, poetry, paleoarchaeology, personal experience, memoirs, and patient narratives, Holinger describes what happens in the brain, the heart, and the body of the bereaved. Readers will learn what grief is like after a loved one dies: how language and clarity of thought become elusive, why life feels empty, why grief surges and ebbs so persistently, and why the bereaved cry. Resting on a scientific foundation, this literary book shows the bereaved how to move through the grieving process and how understanding grief in deeper, more multidimensional ways can help quell this sorrow and allow life to be lived again with joy. Visit the author's companion website for The Anatomy of Grief: dorothypholinger.com

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Exploring the art and life of this important American artist whose work bridged the gaps between abstraction, feminism, and Blackness “A deeply informative, inventive monograph that adroitly traces Pindell’s multi-media practice, the intermingling evolution of her aesthetic and political positions, and the critical context in which her work was received and evaluated.”—Blake Oetting, caa.reviews Howardena Pindell: Reclaiming Abstraction is a fascinating examination of the multifaceted career of artist, activist, curator, and writer Howardena Pindell (b. 1943). It offers a fresh perspective on her abstract practice from the late 1960s through the early 1980s—a period in which debates about Black Power, feminism, and modernist abstraction intersected in uniquely contentious yet generative ways. Sarah Louise Cowan not only asserts Pindell’s rightful place within the canon but also recenters dominant historical narratives to reveal the profound and overlooked roles that Black women artists have played in shaping modernist abstraction. Pindell’s career acts as a springboard for a broader study of how artists have responded during periods of heightened social activism and used abstraction to convey political urgency. With works that drew on Ghanaian textiles, administrative labor, cosmetics, and postminimalism, Pindell deployed abstraction in deeply personal ways that resonated with collective African diasporic and women’s practices. In her groundbreaking analysis, Cowan argues that such work advanced Black feminist modernisms, diverse creative practices that unsettle racist and sexist logics.

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A resplendent celebration of the spectacular fashion designs of Guo Pei, China’s first and preeminent couturier Guo Pei: Couture Fantasy is a journey into the imaginative world of Guo Pei, China’s first couturier and one of the world’s most innovative fashion designers. Guo Pei has astonished fashion audiences from Beijing to Paris for over 20 years and made headlines in the U.S. as the designer of Rihanna’s trailing yellow gown at the 2015 Met Gala. Known for dazzling designs which make the implausible possible, Guo Pei takes inspiration from sources as varied as China’s imperial heritage, European architecture, and the botanical world; she has been sought for commissions by celebrities, royalty, and the Olympics. With more than 200 color illustrations highlighting 60 of her exquisite creations, this sumptuous volume showcases the garments’ consummate craftsmanship, lavish embroidery, and unconventional dressmaking techniques, all of which are hallmarks of Guo Pei’s work. In addition to its visual splendor, the book features a Q&A with the designer, a facsimile sketchbook, and a chronology tracing her career from its start at the Beijing Industrial School of Design to celebrated couturier.Published in association with the Fine Arts Museums of San FranciscoExhibition Schedule:Legion of Honor, Fine Arts Museums of San Francisco (April 16–September 5, 2022)

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A compelling examination of French sculptor Auguste Rodin from the perspective of his enthusiastic American audience This exhibition catalogue explores the American reception of French artist Auguste Rodin (1840–1917), from 1893, when his first work entered a US museum, to the present. Its trajectory reaches from the collecting frenzy of the early twentieth century—promoted by philanthropist Katherine Seney Simpson and performer Loïe Fuller—to important museum acquisitions of the 1920s and 1930s. From there, it traverses the 1950s, when Rodin’s reputation flagged, through to the artist’s revival and recognition in the 1980s. Rodin’s promoters include a dynamic cast of characters, each of whom played a crucial role in cementing his status. The book traces this story through approximately 50 sculptures and 20 drawings that cover Rodin’s most iconic subjects and themes. They demonstrate his dexterity across media—his virtuosity in plaster, terracotta, bronze, and marble—as well as his expressive, colorful drawings, some of them relatively unknown, sparking new appreciation for his work and delight for readers.Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute, Williamstown, MA (June 18–September 18, 2022)High Museum of Art, Atlanta (October 21, 2022–January 15, 2023)

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The first telling of the unknown story of America’s two-hundred-year history as a slave-trading nation “A work of impressive breadth, deep research, and evenhanded analysis.”—James Oakes, New York Review of Books A total of 305,000 enslaved Africans arrived in the New World aboard American vessels over a span of two hundred years as American merchants and mariners sailed to Africa and to the Caribbean to acquire and sell captives. Using exhaustive archival research, including many collections that have never been used before, historian Sean M. Kelley argues that slave trading needs to be seen as integral to the larger story of American slavery. Engaging with both African and American history and addressing the trade over time, Kelley examines the experience of captivity, drawing on more than a hundred African narratives to offer a portrait of enslavement in the regions of Africa frequented by American ships. Kelley also provides a social history of the two American ports where slave trading was most intensive, Newport and Bristol, Rhode Island. In telling this tragic, brutal, and largely unknown story, Kelley corrects many misconceptions while leaving no doubt that Americans were a nation of slave traders.

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This revelatory book shows how the influential and controversial Empress Dowager Cixi used art and architecture to establish her authority Empress Dowager Cixi (1835–1908), who ruled China from 1861 until her death in 1908, is a subject of fascination and controversy, at turns vilified for her political maneuvering and admired for modernizing China. In addition to being an astute politician, she was an earnest art patron, and this beautifully illustrated book explores a wide range of objects, revealing how the empress dowager used art and architecture to solidify her rule. Cixi’s art commissions were innovative in the way that they unified two distant conceptions of gender in China at the time, demonstrating her strength and wisdom as a monarch while highlighting her identity as a woman and mother. Artful Subversion examines commissioned works, including portrait paintings and photographs, ceramics, fashion, architecture, and garden design, as well as work Cixi created, such as painting and calligraphy. The book is a compelling study of how a powerful matriarch at once subverted and upheld the Qing imperial patriarchy.

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E. T. A. Hoffmann’s classic tales of Gothic horror and fantasy are presented in a new translation accompanying the beguiling drawings of Natalie Frank “Sumptuous. . . . [Natalie Frank’s] artwork . . . is gruesome perfection.”—Meghan Cox Gurdon, Wall Street Journal E. T. A. Hoffmann (1776–1822) was one of the greatest German Romantic authors of fantasy and a pioneer in the genre we now call Gothic horror. His innovative stories explore ideas of madness, genius, doppelgängers, artificial intelligence, and the boundaries between realities and dreams. Artist Natalie Frank and leading fairy-tale scholar Jack Zipes have joined forces in this lavishly illustrated volume of five of Hoffmann’s most influential tales: The Golden Pot, The Sandman, The Nutcracker and the Mouse King, The Mystifying Child, and The Mines of Falun. In addition to offering fresh translations, Zipes introduces the project and sheds light on how Hoffmann’s lifetime of personal traumas shaped his writing. Frank’s richly rendered gouache and chalk pastels reveal Hoffmann’s worlds in full-page drawings and marginalia. Pivotal scenes of transformation, courage, love, desire, and betrayal are illustrated through a feminist lens, focusing on strong, self-aware female characters. A foreword by novelist Karen Russell delves into the influence the tales had on her own literary career and the ways in which she emulates Hoffmann today. The Wounded Storyteller will introduce Hoffmann’s timeless work to a new generation of readers.

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An "astute, challenging, and far-reaching” look (Kirkus Reviews, starred) at how F. Scott Fitzgerald’s vision of the American Dream has been understood, portrayed, distorted, misused, and kept alive “I found great pleasure in . . . Under the Red White and Blue . . . about the idea of the American dream, its allure, the exploitation of it.” —Percival Everett, New York Times Book Review, “By The Book” section Renowned critic Greil Marcus takes on the fascinating legacy of F. Scott Fitzgerald’s The Great Gatsby. An enthralling parable (or a cheap metaphor) of the American Dream as a beckoning finger toward a con game, a kind of virus infecting artists of all sorts over nearly a century, Fitzgerald’s story has become a key to American culture and American life itself. Marcus follows the arc of The Great Gatsby from 1925 into the ways it has insinuated itself into works by writers such as Philip Roth and Raymond Chandler; found echoes in the work of performers from Jelly Roll Morton to Lana Del Rey; and continued to rewrite both its own story and that of the country at large in the hands of dramatists and filmmakers from the 1920s to John Collins’s 2006 Gatz and Baz Luhrmann’s critically reviled (here celebrated) 2013 movie version—the fourth, so far.

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Close technical examinations of the techniques and materials of Edward Steichen, Mark Rothko, Jules Olitski, Jasper Johns, and others are accompanied by essays that probe issues of conserving contemporary art Volume 5 of the National Gallery of Art’s biennial conservation research journal Facture explores issues associated with the conservation and technical analysis of modern and contemporary art. Focusing on works in a variety of media by celebrated artists such as Edward Steichen (1879–1973), Mark Rothko (1903–1970), Jules Olitski (1922–2007), and Jasper Johns (b. 1930), this publication’s seven essays offer expertise from conservators, scientists, and art historians, yielding exceptional insights into extraordinary works of art. As in all issues of Facture, the peer-reviewed essays, enlivened with spectacularly detailed photography, navigate interdisciplinary boundaries to examine artworks from technical, scientific, and art-historical perspectives. In this issue, the dialogue is further expanded to include contributions from artists, their families, and their foundations.Distributed for the National Gallery of Art, Washington

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Exploring how artists at midcentury addressed the social issues of their day—from Jacob Lawrence to Elizabeth Catlett, Rose Piper to Charles White This timely book surveys the varied ways in which Black American artists responded to the political, social, and economic climate of the United States from the time of the Great Depression through the landmark Brown v. Board of Education of Topeka decision. Featuring paintings, sculptures, and works on paper by artists including Jacob Lawrence, Horace Pippin, Augusta Savage, Charles White, Elizabeth Catlett, Norman Lewis, Walter Augustus Simon, Loïs Mailou Jones, and more, the book recognizes the contributions Black artists made to Social Realism and abstraction as they debated the role of art in society and community. Black artists played a vital part in midcentury art movements, and the inclusive policies of government programs like the Works Progress Administration brought more of these artists into mainstream circles. In three chapters, Earnestine Jenkins discusses the work of Black artists during this period; the perspective of Black women artists with a focus on the sculpture of Augusta Savage; and the pedagogy of Black American art through the art and teaching of Walter Augustus Simon. Published in association with the Dixon Gallery and Gardens Exhibition Schedule: Dixon Gallery and Gardens, Memphis (October 17, 2021–January 2, 2022)

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A study of two exhibitions that took place five years apart in the same building in Brussels city-centreFull House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frédéric de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist’s process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions.Distributed for MercatorfondsExhibition Schedule:Cloud Seven​, Quai du commerce 7 (November 11, 2021–January 30, 2022)

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Drawing is at the heart of human creativity. The most democratic form of art-making, it requires nothing more than a plain surface and a stub of pencil, a piece of chalk or an inky brush. Our prehistoric ancestors drew with natural pigments on the walls of caves, and every subsequent culture has practised drawingwhether on papyrus, parchment, or paper. Artists throughout history have used drawing as part of the creative process. While painting and sculpture have been shaped heavily by money and influence, drawing has always offered extraordinary creative latitude. Here we see the artist at his or her most unguarded. Susan Owens offers a glimpse over artists' shouldersfrom Michelangelo, Rembrandt, and Hokusai to Van Gogh, Käthe Kollwitz, and Yayoi Kusamaas they work, think, and innovate, as they scrutinise the world around them or escape into imagination. The Story of Drawing loops around the established history of art, sometimes staying close, at other times diving into exhilara

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An authoritative selection of the writings of one of the most important early American writers “A brilliant collection that reveals the extraordinary range of Cotton Mather’s interests and contributions—by far the best introduction to the mind of the Puritan divine.”—Francis J. Bremer, author of Lay Empowerment and the Development of Puritanism Cotton Mather (1663–1728) has a wide presence in American culture, and longtime scholarly interest in him is increasing as more of his previously unpublished writings are made available. This reader serves as an introduction to the man and to his huge body of published and unpublished works.

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An important reassessment of the later career and life of a beloved baroque artist Hailed as one of the most influential and expressive painters of the seventeenth century, Artemisia Gentileschi (1593–ca. 1656) has figured prominently in the art historical discourse of the past two decades. This attention to Artemisia, after many years of scholarly neglect, is partially due to interest in the dramatic details of her early life, including the widely publicized rape trial of her painting tutor, Agostino Tassi, and her admission to Florence’s esteemed Accademia del Disegno. While the artist’s early paintings have been extensively discussed, her later work has been largely dismissed. This beautifully illustrated and elegantly written book provides a revolutionary look at Artemisia’s later career, refuting longstanding assumptions about the artist. The fact that she was semi-illiterate has erroneously led scholars to assume a lack of literary and cultural education on her part. Stressing the importance of orality in Baroque culture and in Artemisia’s paintings, Locker argues for her important place in the cultural dialogue of the seventeenth century.

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WINNER OF THE 2023 RALPH GOMORY BOOK PRIZE “A superb book.”—Jerry Brotton “Wonderfully wide-ranging and deeply-researched.”—William Dalrymple “Sharply observed, innovatively analysed, and always accessible.”—Nandini Das A new history of English trade and empire—revealing how a tightly woven community of merchants was the true origin of globalized Britain In the century following Elizabeth I’s rise to the throne, English trade blossomed as thousands of merchants launched ventures across the globe. Through the efforts of these "mere merchants," England developed from a peripheral power on the fringes of Europe to a country at the center of a global commercial web, with interests stretching from Virginia to Ahmadabad and Arkhangelsk to Benin. Edmond Smith traces the lives of English merchants from their earliest steps into business to the heights of their successes. Smith unpicks their behavior, relationships, and experiences, from exporting wool to Russia, importing exotic luxuries from India, and building plantations in America. He reveals that the origins of "global" Britain are found in the stories of these men whose livelihoods depended on their skills, entrepreneurship, and ability to work together to compete in cutthroat international markets. As a community, their efforts would come to revolutionize Britain’s relationship with the world.

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The extraordinary sculptures of Belgian artist Jean-Michel Folon The first half of Belgian artist Jean-Michel Folon’s (1934–2005) career was devoted to posters, illustrations, and television animations that brought him international acclaim for their diversity and virtuosity; his illustrations appeared in magazines including The New Yorker, Fortune, and Esquire. In the 1990s, he pivoted to sculpture, focusing on statuary and working with both direct carving and modeling, which he then translated to bronze or stone. This is the first publication to explore the entirety of Folon’s sculptural work. Drawing inspiration from the Cyclades, the Etruscans, from African masks and Indian totems, Folon’s sculptures are characterized by their frontality and corporality. Distributed for MercatorfondsExhibition Schedule:Villers-la-Ville, Brussels (October 24, 2020–February 21, 2021)

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This innovative book introduces a vivid new reading of French art and society at a crucial period of history The study of late nineteenth- and early twentieth-century French art tends to focus on a search for the modern. Richard Thomson presents an innovative approach to a popular period of art history, instead investigating how art in early Third Republic France adapted styles from the past. The classical is the predominant theme, punctuated by other stylistic currents, notably the Rubensian and the Botticellian. It asks, how did these styles—all three derived from foreign art—come to be adapted into French visual culture? How did the Republic customise classicism to its ideological ends? How was classicism manipulated by progressive painters for radical and reactionary readings? The Presence of the Past in French Art 1870–1905​ considers artists of very different character and type—from Degas to Henner, Cézanne to Besnard, Roty to Seurat, Dalou to Maillol—as well as a variety of media, including painting, sculpture, medals and celebrity photographs, to open up new vistas of interpretation in this fascinating field.

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An elegant consideration of the Surrealist movement as a global phenomenon and why the movement continues to resonate

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Finalist for the 2021 National Book Award for Poetry, this Yale Series of Younger Poets volume is a lyrical and polyvocal exploration of what it means to fight for yourself “Bailey invites us to see what twenty-first-century life is like for a young woman of the Black diaspora in the long wake of a history of slavery, brutality, and struggling for freedoms bodily and psychological.”—Carl Phillips, from the Foreword “Desiree C. Bailey sings true in her debut. Wherever this voice goes a Caribbean sun travels with it transfiguring what a maroon might overhear—a call awaiting response.”—Yusef Komunyakaa The 115th volume of the Yale Series of Younger Poets, What Noise Against the Cane is a lyric quest for belonging and freedom, weaving political resistance, Caribbean folklore, immigration, and the realities of Black life in America. Desiree C. Bailey begins by reworking the epic in an oceanic narrative of bondage and liberation in the midst of the Haitian Revolution. The poems move into the contemporary Black diaspora, probing the mythologies of home, belief, nation, and womanhood. Series judge Carl Phillips observes that Bailey’s “poems argue for hope and faith equally. . . . These are powerful poems, indeed, and they make a persuasive argument for the transformative powers of steady defiance.”

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A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here—ranging from historical subjects to portraits and still lifes—offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media—from paintings to prints—the fascinating stories of early modern Italian women artists are revealed.Distributed for the Detroit Institute of ArtsExhibition Schedule:Wadsworth Atheneum, Hartford, CT (September 30, 2021–January 9, 2022)Detroit Institute of Arts (February 6–May 29, 2022)

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A group history of the Austrian School of Economics, from the coffeehouses of imperial Vienna to the modern-day Tea Party The Austrian School of Economics—a movement that has had a vast impact on economics, politics, and society, especially among the American right—is poorly understood by supporters and detractors alike. Defining themselves in opposition to the mainstream, economists such as Ludwig von Mises, Friedrich Hayek, and Joseph Schumpeter built the School's international reputation with their work on business cycles and monetary theory. Their focus on individualism—and deep antipathy toward socialism—ultimately won them a devoted audience among the upper echelons of business and government. In this collective biography, Janek Wasserman brings these figures to life, showing that in order to make sense of the Austrians and their continued influence, one must understand the backdrop against which their philosophy was formed—notably, the collapse of the Austro‑Hungarian Empire and a half‑century of war and exile.

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An animated account of the launching of Yale’s Elizabethan Club, and the life of its founder and his intriguing wife A millionaire carpet manufacturer, noted philanthropist, and avid yachtsman, Alexander Smith Cochran, Yale Class of 1896, gathered a superb collection of original editions of plays and related works from the reign of Queen Elizabeth. In 1911, with the help of William Lyon Phelps, Cochran launched Yale’s Elizabethan Club as a place to house his collection and offer a congenial environment for social and intellectual interaction between Yale undergraduates, graduates, and faculty concerned with literature and the arts. Cochran’s creation “changed the tone and atmosphere of modern Yale” until the colleges arrived. Drawing on extensive sources, Walter Goffart surveys Cochran’s life and many occupations, notably his founding of the “Lizzie.” He also takes a close look at Cochran’s intriguing wife of two years, Ganna Walska—the aspiring opera singer celebrated for developing the Lotusland gardens in Montecito, California.Distributed for the Elizabethan Club, Yale University

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“In art and words, a book lover honors the characters he can’t forget.”—New York Times Book Review An original look at how literary characters can transcend their books to guide our lives, by one of the world's most eminent bibliophiles Alberto Manguel, in a style both charming and erudite, examines how literary characters live with us from childhood on. Throughout the years, they change their identities and emerge from behind their stories to teach us about the complexities of love, loss, and the world itself. Manguel’s favorite characters include Jim from Huckleberry Finn, Phoebe from The Catcher in the Rye, Job and Jonah from the Bible, Little Red Riding Hood and Captain Nemo, Hamlet’s mother, and Dr. Frankenstein’s maligned Monster. Sharing his unique powers as a reader, Manguel encourages us to establish our own literary relationships. An intimate preface and Manguel’s own “doodles” complete this delightful and magical book.

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A practical, bipartisan call to action from the world’s leading thinkers on the environment and sustainability Sustainability has emerged as a global priority in the past decade. The 2015 Paris Agreement on climate change and the adoption of the seventeen Sustainable Development Goals through the United Nations have highlighted the need to address critical challenges such as the buildup of greenhouse gases in the atmosphere, water shortages, and air pollution. But in the United States, partisan divides, regional disputes, and deep disagreements over core principles have made it nearly impossible to chart a course toward a sustainable future. This timely new book, edited by celebrated scholar Daniel C. Esty, offers fresh thinking and forward-looking solutions from environmental thought leaders across the political spectrum. The book’s forty essays cover such subjects as ecology, environmental justice, Big Data, public health, and climate change, all with an emphasis on sustainability. The book focuses on moving toward sustainability through actionable, bipartisan approaches based on rigorous analytical research.

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An examination of how Western visions of endless future growth have contributed to the global environmental crisis “This book does something that is worth doing and that no other scholarly book I know of comes close to doing: tracing the history of imagined environmental futures in the Western world.”—William Meyer, Colgate University For centuries, the West has produced stories about the future in which humans use advanced science and technology to transform the earth. Michael Rawson uses a wide range of works that include Francis Bacon’s New Atlantis, the science fiction novels of Jules Verne, and even the speculations of think tanks like the RAND Corporation to reveal the environmental paradox at the heart of these narratives: the single-minded expectation of unlimited growth on a finite planet. Rawson shows how these stories, which have long pervaded Western dreams about the future, have helped to enable an unprecedentedly abundant and technology-driven lifestyle for some while bringing the threat of environmental disaster to all. Adapting to ecological realities, he argues, hinges on the ability to create new visions of tomorrow that decouple growth from the idea of progress.

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A wide-ranging exploration of the story of Ruth, a foreigner who became the founding mother of the Davidic dynasty “[A]n insightful exploration of the book’s themes of otherness, kindness, and loyalty. This is a valuable contribution to the literature on Ruth.”—Publishers Weekly “A virtuoso exploration of the Book of Ruth as an admirable touchstone in the realms of literature, art, and human values. Ilana Pardes foregrounds the timeless emergency of migrants and refugees with compassion and depth.”—Galit Hasan-Rokem, author of Web of Life The biblical Ruth has inspired numerous readers from diverse cultural backgrounds across many centuries. In this insightful volume, Ilana Pardes invites us to marvel at the ever-changing perspectives on Ruth’s foreignness. She explores the rabbis’ lauding of Ruth as an exemplary convert, and the Zohar’s insistence that Ruth’s Moabite background is vital to her redemptive powers. In moving to early modern French art, she looks at pastoral paintings in which Ruth becomes a local gleaner, holding sheaves in her hands. Pardes concludes with contemporary adaptations in literature, photography, and film in which Ruth is admired for being a paradigmatic migrant woman. Ruth’s afterlives not only reveal much about their own times but also shine new light on this remarkable ancient tale and point to its enduring significance. In our own era of widespread migration and dislocation, Ruth remains as relevant as ever.

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