Search results for ""yale university press""

An innovative approach to standing up for your values in the workplace—inspired by a popular program from the Aspen Institute “In business and in life, we often know what is the right thing to do, but we have trouble implementing it. This book, developed in conjunction with the Aspen Institute’s Business and Society Program, shows how we can all give voice to values and make the right things happen. It is a wonderful guide to help us enter an era of responsibility and of leadership based on values.”—Walter Isaacson, CEO, Aspen Institute “Inspiring and empowering. Instead of thinking ‘I wish I could,’ readers will come away saying ‘I know I can.’”—BizEd How can you effectively stand up for your values when pressured by your boss, customers, or shareholders to do the opposite? Drawing on actual business experiences as well as on social science research, Babson College business educator and consultant Mary Gentile challenges the assumptions about business ethics at companies and business schools. She gives business leaders, managers, and students the tools not just to recognize what is right, but also to ensure that the right things happen. The book is inspired by a program Gentile launched at the Aspen Institute with Yale School of Management, and now housed at Babson College, with pilot programs in over one hundred schools and organizations, including INSEAD and MIT Sloan School of Management. She explains why past attempts at preparing business leaders to act ethically too often failed, arguing that the issue isn’t distinguishing what is right or wrong, but knowing how to act on your values despite opposing pressure. Through research-based advice, practical exercises, and scripts for handling a wide range of ethical dilemmas, Gentile empowers business leaders with the skills to voice and act on their values, and align their professional path with their principles. Giving Voice to Values is an engaging, innovative, and useful guide that is essential reading for anyone in business.

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The first full-scale account of a Persian king vilified by history Xerxes, Great King of the Persian Empire from 486–465 B.C., has gone down in history as an angry tyrant full of insane ambition. The stand of Leonidas and the 300 against his army at Thermopylae is a byword for courage, while the failure of Xerxes’ expedition has overshadowed all the other achievements of his twenty-two-year reign. In this lively and comprehensive new biography, Richard Stoneman shows how Xerxes, despite sympathetic treatment by the contemporary Greek writers Aeschylus and Herodotus, had his reputation destroyed by later Greek writers and by the propaganda of Alexander the Great. Stoneman draws on the latest research in Achaemenid studies and archaeology to present the ruler from the Persian perspective. This illuminating volume does not whitewash Xerxes’ failings but sets against them such triumphs as the architectural splendor of Persepolis and a consideration of Xerxes’ religious commitments. What emerges is a nuanced portrait of a man who ruled a vast and multicultural empire which the Greek communities of the West saw as the antithesis of their own values.

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Acclaimed pianist and writer Charles Rosen explores music’s profound ability to convey emotion through sound How does a work of music stir the senses, creating feelings of joy, sadness, elation, or nostalgia? Though sentiment and emotion play a vital role in the composition, performance, and appreciation of music, rarely have these elements been fully observed. In this succinct and penetrating book, Charles Rosen draws upon more than a half century as a performer and critic to reveal how composers from Bach to Berg have used sound to represent and communicate emotion in mystifyingly beautiful ways.Through a range of musical examples, Rosen details the array of stylistic devices and techniques used to represent or convey sentiment. This is not, however, a listener’s guide to any “correct” response to a particular piece. Instead, Rosen provides the tools and terms with which to appreciate this central aspect of musical aesthetics, and indeed explores the phenomenon of contradictory sentiments embodied in a single motif or melody. Taking examples from Chopin, Schumann, Wagner, and Liszt, he traces the use of radically changing intensities in the Romantic works of the nineteenth century and devotes an entire chapter to the key of C minor. He identifies a “unity of sentiment” in Baroque music and goes on to contrast it with the “obsessive sentiments” of later composers including Puccini, Strauss, and Stravinsky. A profound and moving work, Music and Sentiment is an invitation to a greater appreciation of the crafts of composition and performance.

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Is opium a vile curse on society, a blessed medicine from God, or possibly both? This fresh history offers surprising new insights. Opium and its derivatives morphine and heroin have destroyed, corrupted, and killed individuals, families, communities, and even whole nations. And yet, for most of its long history, opium has also been humanity's most effective means of alleviating physical and mental pain. This extraordinary book encompasses the entire history of the world's most fascinating drug, from the first evidence of poppy cultivation by stone-age man to the present-day opium trade in Afghanistan. Dr. Thomas Dormandy tells the story with verve and insight, uncovering the strange power of opiates to motivate major conflicts yet also inspire great art and medical breakthroughs, to trigger the rise of global criminal networks yet also revolutionize attitudes toward well-being.Opium: Reality's Dark Dream traverses the globe and the centuries, exploring opium's role in colonialism, the Chinese Opium Wars, laudanum-inspired sublime Romantic poetry, American "Yellow Peril" fears, the rise of the Mafia and the black market, 1960s counterculture, and more. Dr. Dormandy also recounts exotic or sad stories of individual addiction. Throughout the book the author emphasizes opium's complex, valuable relationship with developments in medicine, health, and disease, highlighting the perplexing dual nature of the drug as both the cause and relief of great suffering in widely diverse civilizations.

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A decisive account of the dramatic Gallipoli campaign of World War I, with a devastating assessment of its pointless losses The Gallipoli campaign of 1915–16 was an ill-fated Allied attempt to shorten the war by eliminating Turkey, creating a Balkan alliance against the Central Powers, and securing a sea route to Russia. A failure in all respects, the operation ended in disaster, and the Allied forces suffered some 390,000 casualties. This conclusive book assesses the many myths that have emerged about Gallipoli and provides definitive answers to questions that have lingered about the operation.Robin Prior, a renowned military historian, proceeds step by step through the campaign, dealing with naval, military, and political matters and surveying the operations of all the armies involved: British, Anzac, French, Indian, and Turkish. Relying substantially on original documents, including neglected war diaries and technical military sources, Prior evaluates the strategy, the commanders, and the performance of soldiers on the ground. His conclusions are powerful and unsettling: the naval campaign was not “almost” won, and the land action was not bedeviled by “minor misfortunes.” Instead, the badly conceived Gallipoli campaign was doomed from the start. And even had it been successful, the operation would not have shortened the war by a single day. Despite their bravery, the Allied troops who fell at Gallipoli died in vain.

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An irresistible look into more than 300 years of fashion through an exquisite collection of designer dresses What woman can resist imagining herself in a beautiful designer dress? Here, for the first time ever, are 100 fabulous gowns from the permanent collection of the renowned Costume Institute at The Metropolitan Museum of Art, each of which is a reminder of the ways fashion reflects the broader culture that created it.Featuring designs by Paul Poiret, Coco Chanel, Madame Grès, Yves Saint Laurent, Gianni Versace, Vivienne Westwood, Alexander McQueen, and many others, this one-of-a-kind collection presents a stunning variety of garments. Ranging from the buttoned-up gowns of the late 17th century to the cutting-edge designs of the early 21st, the dresses reflect the sensibilities and excesses of each era while providing a vivid picture of how styles have changed—sometimes radically—over the years. A late 1600s wool dress with a surprising splash of silver thread; a large-bustled red satin dress from the 1800s; a short, shimmery 1920s dancing dress; a glamorous 1950s cocktail dress; and a 1960s minidress—each tells a story about its period and serves as a testament to the enduring ingenuity of the fashion designer’s art.Images of the dresses are accompanied by informative text and enhanced by close-up details as well as runway photos, fashion plates, works of art, and portraits of designers. A glossary of related terms is also included.Published in association with The Metropolitan Museum of Art

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In this engrossing book, Paul Barber surveys centuries of folklore about vampires and offers the first scientific explanation for the origins of the vampire legends. From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading. “This study’s comprehensiveness and the author’s bone-dry wit make this compelling reading, not just for folklorists, but for anyone interested in a time when the dead wouldn’t stay dead.”—Booklist “Barber’s inquiry into vampires, fact and fiction, is a gem in the literature of debunking… [and] a convincing exercise in mental archaeology.”—Roy Porter, Nature “A splendid book about the undead, illuminated by the findings of morbid anatomy…. The main value of this most interesting book is to remind us how far we have come in our ability to explain the world and how this has released us from at least some terrors.”—Anthony Daniels, Spectator “This book is fascinating reading for physicians and anthropologists as well as anyone interested in folklore.”—R. Ted Steinbock, M.D., Journal of the American Medical Association “A fascinating and pain-staking (sorry!) thesis, which welds together folklore, epidemic panic, communal stupidity, and forensic and funereal science.”—Huw Knight, New Scientist

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Shattering longstanding myths, this new biography reveals the robust and positive life of one of the nineteenth century's greatest composers This candid, intimate, and compellingly written new biography offers a fresh account of Robert Schumann’s life. It confronts the traditional perception of the doom-laden Romantic, forced by depression into a life of helpless, poignant sadness. John Worthen’s scrupulous attention to the original sources reveals Schumann to have been an astute, witty, articulate, and immensely determined individual, who—with little support from his family and friends in provincial Saxony—painstakingly taught himself his craft as a musician, overcame problem after problem in his professional life, and married the woman he loved after a tremendous battle with her father. Schumann was neither manic depressive nor schizophrenic, although he struggled with mental illness. He worked prodigiously hard to develop his range of musical styles and to earn his living, only to be struck down, at the age of forty-four, by a vile and incurable disease.Worthen’s biography effectively de-mystifies a figure frequently regarded as a Romantic enigma. It frees Schumann from 150 years of mythmaking and unjustified psychological speculation. It reveals him, for the first time, as a brilliant, passionate, resolute musician and a thoroughly creative human being, the composer of arguably the best music of his generation.

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Benny Morris demolishes misconceptions and provides a comprehensive history of the Israeli-Arab war of 1948 This history of the foundational war in the Arab-Israeli conflict is groundbreaking, objective, and deeply revisionist. A riveting account of the military engagements, it also focuses on the war’s political dimensions. Benny Morris probes the motives and aims of the protagonists on the basis of newly opened Israeli and Western documentation. The Arab side—where the archives are still closed—is illuminated with the help of intelligence and diplomatic materials. Morris stresses the jihadi character of the two-stage Arab assault on the Jewish community in Palestine. Throughout, he examines the dialectic between the war’s military and political developments and highlights the military impetus in the creation of the refugee problem, which was a by-product of the disintegration of Palestinian Arab society. The book thoroughly investigates the role of the Great Powers—Britain, the United States, and the Soviet Union—in shaping the conflict and its tentative termination in 1949. Morris looks both at high politics and general staff decision-making processes and at the nitty-gritty of combat in the successive battles that resulted in the emergence of the State of Israel and the humiliation of the Arab world, a humiliation that underlies the continued Arab antagonism toward Israel.

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The first sustained analysis of the cult of the legendary Italian hero Giuseppe Garibaldi, the Italian revolutionary leader and popular hero, was among the best-known figures of the nineteenth century. This book seeks to examine his life and the making of his cult, to assess its impact, and understand its surprising success. For thirty years Garibaldi was involved in every combative event in Italy. His greatest moment came in 1860, when he defended a revolution in Sicily and provoked the collapse of the Bourbon monarchy, the overthrow of papal power in central Italy, and the creation of the Italian nation state. It made him a global icon, representing strength, bravery, manliness, saintliness, and a spirit of adventure. Handsome, flamboyant, and sexually attractive, he was worshiped in life and became a cult figure after his death in 1882. Lucy Riall shows that the emerging cult of Garibaldi was initially conceived by revolutionaries intent on overthrowing the status quo, that it was also the result of a collaborative effort involving writers, artists, actors, and publishers, and that it became genuinely and enduringly popular among a broad public. The book demonstrates that Garibaldi played an integral part in fashioning and promoting himself as a new kind of “charismatic” political hero. It analyzes the way the Garibaldi myth has been harnessed both to legitimize and to challenge national political structures. And it identifies elements of Garibaldi’s political style appropriated by political leaders around the world, including Mussolini and Che Guevara.

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A comprehensive bilingual collection of twentieth-century French poetry Not since the publication of Paul Auster’s The Random House Book of 20th Century French Poetry (1984) has there been a significant and widely read anthology of modern French poetry in the English-speaking world. Here for the first time is a comprehensive bilingual representation of French poetic achievement in the twentieth century, from the turn-of-the-century poetry of Guillaume Apollinaire to the high modernist art of Samuel Beckett to the contemporary verse of scourge Michel Houellebecq. Many of the English translations (on facing pages) are justly celebrated, composed by eminent figures such as T.S. Eliot, Wallace Stevens, and John Ashbery; many others are new and have been commissioned for this book. Distinguished scholar and editor Mary Ann Caws has chosen work by more than 100 poets. Her deliberately extensive, international selection includes work by Francophone poets, by writers better known for accomplishments in other genres (novelists, songwriters, performance artists), and by many more female poets than have typically been represented in past anthologies of modern French poetry. The editor has opted for a chronological organization that highlights six crucial “pressure points” in modern French poetry. Accompanying the selections are a general introduction, informative essays on each period, and short biographical notes—all prepared by the editor.

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The international bestseller: E. H. Gombrich’s sweeping history of the world, for the curious of all ages “All stories begin with ‘Once upon a time.’ And that’s just what this story is all about: what happened, once upon a time.” So begins A Little History of the World, an engaging and lively book written for readers both young and old. Rather than focusing on dry facts and dates, E. H. Gombrich vividly brings the full span of human experience on Earth to life, from the stone age to the atomic age. He paints a colorful picture of wars and conquests; of grand works of art; of the advances and limitations of science; of remarkable people and remarkable events, from Confucius to Catherine the Great to Winston Churchill, and from the invention of art to the destruction of the Berlin Wall. For adults seeking a single-volume overview of world history, for students in search of a quick refresher course, or for families to read and learn from together, Gombrich’s Little History enchants and educates.

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The poetry found in the Book of Lamentations is an eloquent expression of one man’s, and one nation’s, despair. The poet is deep in mourning as a result of the fall of Jerusalem to the Babylonians in the sixth century b.c.e. He looks to Israel’s own sins to explain the catastrophe, and yet he recites poignant examples of Israel’s suffering in wondering aloud if God has abandoned his people altogether. Thus his lament is both a confession and a prayer for hope in spite of the horrible defeat. Lamentations is traditionally thought to have been written by the prophet Jeremiah; today the question is whether one man wrote it or many. In his Introduction, Delbert Hillers gives the evidence against Jeremiah’s authorship and suggests that the poems should be treated as an intelligible unity, most likely written by an eyewitness to the events described. The Book of Lamentations has been taken up through history both as poetry and as an expression of boundless grief. It has become part of the Jewish and Christian liturgies, as well as a source of comfort far beyond the time in which it was written. This commentary fills in the book’s literary and historical background, and we emerge with a fresh respect for the artistry with which it was composed. The poetry itself demands this respect, with a translation here that carries the emotion and heartbreak of the original Hebrew.This new edition by Delbert R. Hillers is a thorough revision of his earlier Anchor Bible commentary, incorporating new literary theories and textual discoveries connected with the very latest Dead Sea Scrolls scholarship.

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Every opera lover enjoys a performance more when accompanied by a knowledgeable friend. In this indispensable guide, well-known opera critic Charles Osborne provides exactly that. Osborne fills in the details on 175 of the world’s most frequently performed operas, including facts about the composer and the music, a plot outline, accounts of famous performers, and much more."This book is exactly what the title claims: an opera lover's companion. Reading it is like going to the opera with a knowledgeable friend who tells you enough to make you want to see the piece but not so much you're drowned in superfluous detail."—Richard Fawkes, Opera Now"What this invaluable book contains is the ideal rundown on 175 operas from Auber's Fra Diavolo to Zimmerman's Die Soldaten, in each case putting the work in context within the composer's development, with a list of characters, a short synopsis and pointers towards the most imortant arias, duets and ensembles, all in a personal congenial tone, like unto an operatically wise and loving uncle."—Denby Richards, Musical Opinion“An erudite, instructive and unpretentious guide.”—Michael Kennedy, The Sunday Telegraph"It’s hard to imagine any other book on the subject more informative and helpful to the average enthusiast. . . . This book is one you’ll cherish."—Books in Canada

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This is the first major exploration of the works of American abstract painter and watercolorist Suzan Frecon (b. 1941), critically acclaimed for her sensitive arrangement of color, form, and texture, and for the philosophical resonance of her art. By restricting herself to nonrepresentational forms, earth-based colors, and, in the case of her watercolors, “found” pieces of paper, Frecon achieves an unequaled sense of balance and openness in her work. The book features ten oil paintings and thirty watercolors dating from the late 1990s to 2007. form, color, illumination celebrates the uniqueness of Frecon's painting and articulates how her work distinguishes itself within the history of abstract painting. The authors describe in-depth how her artistic process and materials are an integral part of her focus and aesthetic. Included is an essay revealing the "ethics” of her aesthetics––an argument for abstraction and an attention to truth that is not divorced from social and environmental concerns.Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (March 6 – May 11, 2008) Kunstmuseum Bern (June 11 – September 28, 2008)

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Experts agree that Jack the Ripper murdered five London women, but how many others did he slaughter in Britain or across the seas? The number of women murdered and mutilated by Jack the Ripper is impossible to know, although most researchers now agree on five individuals. These five canonical cases have been examined at length in Ripper literature, but other contemporary murders and attacks bearing strong resemblance to the gruesome Ripper slayings have received scant attention. These unsolved cases are the focus of this intriguing book. The volume devotes separate chapters to a dozen female victims who were attacked during the years of Jack the Ripper’s murder spree. Their terrible stories—a few survived to bear witness, but most died of their wounds—illuminate key aspects of the Ripper case and the period: the gangs of London’s Whitechapel district, Victorian prostitutes, the public panic inspired by the crimes and fueled by journalists, medical practices of the day, police procedures and competency, and the probable existence of other serial killers. The book also considers crimes initially attributed to Jack the Ripper in other parts of Britain and the world, notably New York, Jamaica, and Nicaragua. In a final chapter, the drive to find the identity of the Ripper is examined, looking at contemporary and later suspects as well as several important theories, revealing the lengths to which some have gone to claim success in identifying Jack the Ripper.

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This is the first revised, expanded, and updated edition of Psychoanalytic Terms and Concepts since its third edition in 1990. It presents a scholarly exposition of English-language psychoanalytic terms and concepts, including those from all contemporary schools of theory and practice. Each entry starts with a brief definition that is followed by an explanation of the significance of the term/concept for psychoanalysis, its historical development, and the present-day controversies about best usage.

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One of the world’s leading scholars offers unique insights into the history and significance of Christian creeds Eminent theologian Jaroslav Pelikan has been translating, editing, and studying the Christian creeds and confessions of faith for sixty years. This book is the historical and theological distillation of that work. In Credo, Pelikan addresses essential questions about the Christian tradition: the origins of creeds; their function; their political role; how they relate to Christian institutions, worship, and service; and how they help to explain the major divisions of the Christian church and of Christian history.Credo standsas an independent reference work devoted to the subject of what creeds and confessions are and what their role in history has been. It is also the first of the four volumes of Creeds and Confessions of Faith in the Christian Tradition, edited by Pelikan and Valerie Hotchkiss.

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How Algeria became a breeding ground for instability, violence, and Islamic terrorism After liberating itself from French colonial rule in one of the twentieth century’s most brutal wars of independence, Algeria became a standard-bearer for the non-aligned movement. By the 1990s, however, its revolutionary political model had collapsed, degenerating into a savage conflict between the military and Islamist guerillas that killed some 200,000 citizens. In this lucid and gripping account, Martin Evans and John Phillips explore Algeria’s recent and very bloody history, demonstrating how the high hopes of independence turned into anger as young Algerians grew increasingly alienated. Unemployed, frustrated by the corrupt military regime, and excluded by the West, the post-independence generation needed new heroes, and some found them in Osama bin Laden and the rising Islamist movement. Evans and Phillips trace the complex roots of this alienation, arguing that Algeria’s predicament—political instability, pressing economic and social problems, bad governance, a disenfranchised youth—is emblematic of an arc of insecurity stretching from Morocco to Indonesia. Looking back at the pre-colonial and colonial periods, they place Algeria’s complex present into historical context, demonstrating how successive governments have manipulated the past for their own ends. The result is a fractured society with a complicated and bitter relationship with the Western powers—and an increasing tendency to export terrorism to France, America, and beyond.

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Chivalry—with its pageants, heraldry, and knights in shining armor—was a social ideal that had a profound influence on the history of early modern Europe. In this eloquent and richly detailed book, a leading medieval historian discusses the complex reality of chivalry: its secular foundations, the effects of the Crusades, the literature of knighthood, and its ethos of the social and moral obligations of nobility.“This is a rich book, making effective use of all sorts of documents and illustrations. Keen moves easily across Europe in search of the international spirit of chivalry. . . . The pageantry he presents is colorful and his conclusions uplifting.”—David Herlihy, New York Times Book Review“An elegantly written, important book.”—Carolly Erickson, Los Angeles Times Book Review“Splendid. . . . Keen is exemplary in the use he makes of many kinds of medieval literature, epic and lyric poetry, family and military histories, didactic treatises, translations into the vernacular of books of the Bible and of works from ancient Rome.”—R.C. Smail, New York Review of Books “Original [and] beguiling.”—Fiona MacCarthy, Times (London) “A most readable and comprehensive survey: stimulating, informative, a splendid creation of context.”—Nicholas Orme, Times Higher Education Supplement“All historians of Western society . . . will do well to refer to this book.”—Georges Duby, Times Literary Supplement

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Although the arts are often thought to be closer to the rim of education than to its core, they are, surprisingly, critically important means for developing complex and subtle aspects of the mind, argues Elliot Eisner in this engrossing book. In it he describes how various forms of thinking are evoked, developed, and refined through the arts. These forms of thinking, Eisner argues, are more helpful in dealing with the ambiguities and uncertainties of daily life than are the formally structured curricula that are employed today in schools. Offering a rich array of examples, Eisner describes different approaches to the teaching of the arts and the virtues each possesses when well taught. He discusses especially nettlesome issues pertaining to the evaluation of performance in the arts. Perhaps most important, Eisner provides a fresh and admittedly iconoclastic perspective on what the arts can contribute to education, namely a new vision of both its aims and its means. This new perspective, Eisner argues, is especially important today, a time at which mechanistic forms of technical rationality often dominate our thinking about the conduct and assessment of education.

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When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler’s classic work is now made available in a freshly designed edition. “The Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective, and quietly thrilling meditation on the flow of time and space and the place of objects within a larger continuum, adumbrates so many of the critical and theoretical concerns of the late twentieth and early twenty-first century. It is both appropriate and necessary that it re-appear in our consciousness at this time.”—Edward J. Sullivan, New York University This book will be of interest to all students of art history and to those concerned with the nature and theory of history in general. In a study of formal and symbolic durations the author presents a radically new approach to the problem of historical change. Using new ideas in anthropology and linguistics, he pursues such questions as the nature of time, the nature of change, and the meaning of invention. The result is a view of historical sequence aligned on continuous change more than upon the static notion of style—the usual basis for conventional histories of art. "A carefully reasoned and brilliantly suggestive essay in defense of the view that the history of art can be the study of formal relationships, as against the view that it should concentrate on ideas of symbols or biography."—Harper's. "It is a most important achievement, and I am sure that it will be studies for many years in many fields. I hope the book upsets people and makes them reformulate."—James Ackerman. "In this brief and important essay, George Kubler questions the soundness of the stylistic basis of art historical studies. . . . The Shape of Time ably states a significant position on one of the most complex questions of modern art historical scholarship."—Virginia Quarterly Review.

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This book, which includes a new preface by the author, offers an engrossing portrayal of the early years of the Christian movement from the perspective of the Romans. "A fascinating . . . account of early Christian thought. . . . Readable and exciting."—Robert McAfee Brown, New York Times Book Review "Should fascinate any reader with an interest in the history of human thought."—Phoebe-Lou Adams, Atlantic Monthly "The pioneering study in English of Roman impressions of Christians during the first four centuries A.D."—E. Glenn Hinson, Christian Century "This gracefully written study . . . draws upon well-known sources—both pagan and Christian—to provide the general reader with an illuminating account . . . [of how] Christianity appeared to the Romans before it became the established religion of the empire."—Merle Rubin, Christian Science Monitor

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This book is the indispensable guide to the history of architecture in Venice, encompassing the city’s fascinating variety of buildings from ancient times to the present day. Completely updated and filled with splendid new illustrations, this edition invites all visitors to Venice, armchair travelers, and students of Renaissance art and architecture to a fuller appreciation of the buildings of this uniquely beautiful city.“The best concise introduction to Venetian architecture in English.”—Times Literary Supplement“Compact and manageable . . . an excellent introduction to the novice preparing for a first Venetian experience.”—Society of Architectural Historians“A hugely rewarding and accessible book.”—Richard Cork, Modern PaintersPublished with the assistance of the Getty Grant Program

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Only in 1995 did the United States government officially reveal the existence of the super-secret Venona Project. For nearly fifty years American intelligence agents had been decoding thousands of Soviet messages, uncovering an enormous range of espionage activities carried out against the United States during World War II by its own allies. So sensitive was the project in its early years that even President Truman was not informed of its existence. This extraordinary book is the first to examine the Venona messages—documents of unparalleled importance for our understanding of the history and politics of the Stalin era and the early Cold War years. Hidden away in a former girls’ school in the late 1940s, Venona Project cryptanalysts, linguists, and mathematicians attempted to decode more than twenty-five thousand intercepted Soviet intelligence telegrams. When they cracked the unbreakable Soviet code, a breakthrough leading eventually to the decryption of nearly three thousand of the messages, analysts uncovered information of powerful significance: the first indication of Julius Rosenberg’s espionage efforts; references to the espionage activities of Alger Hiss; startling proof of Soviet infiltration of the Manhattan Project to build the atomic bomb; evidence that spies had reached the highest levels of the U.S. State and Treasury Departments; indications that more than three hundred Americans had assisted in the Soviet theft of American industrial, scientific, military, and diplomatic secrets; and confirmation that the Communist party of the United States was consciously and willingly involved in Soviet espionage against America. Drawing not only on the Venona papers but also on newly opened Russian and U. S. archives, John Earl Haynes and Harvey Klehr provide in this book the clearest, most rigorously documented analysis ever written on Soviet espionage and the Americans who abetted it in the early Cold War years.

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How do military organizations assess strategic policy in war? In this book Scott Gartner develops a theory to explain how military and government leaders evaluate wartime performance, how much they change strategies in response to this evaluation, and why they are frequently at odds when discussing the success or failure of strategic performance.Blending history, decision theory, and mathematical modeling, Gartner argues that military personnel do reevaluate their strategies and that they measure the performance of a strategy through quantitative, "dominant" indicators. But different actors within a government use different indicators of success: some will see the strategy as succeeding when others see it as failing because of their different dominant indicators. Gartner tests his argument with three case studies: the British shift to convoys in World War I following the German imposition of unrestricted submarine warfare; the lack of change in British naval policy in the Battle of the Atlantic following the German introduction of Wolf Packs in World War II; and the American decision to deescalate in Vietnam after the Tet Offensive. He also tests his approach in a nonwar situation, analyzing the Carter Administration's decision to launch the hostage rescue attempt. In each case, his dominant indicator model better predicts the observed behavior than either a standard-organization or an action-reaction approach.

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Henry VIII's forceful personality dominated his age and continues to fascinate our own. In few other reigns have there been developments of such magnitude—in politics, foreign relations, religion, and society—that have so radically affected succeeding generations. Above all the English Reformation and the break with Rome are still felt more than four centuries on. First published in 1968, J. J. Scarisbrick's Henry VIII remains the standard account, a thorough exploration of the documentary sources, stylishly written and highly readable. In an updated foreword, Professor Scarisbrick takes stock of subsequent research and places his classic account within the context of recent publications. "It is the magisterial quality of J.J. Scarisbrick's work that has enabled it to hold the field for so long."—Steve Gunn, Times Literary Supplement

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Since its publication almost 150 years ago, The Idea of a University has had an extraordinary influence on the shaping and goals of higher education. The issues that John Henry Newman raised—the place of religion and moral values in the university setting, the competing claims of liberal and professional education, the character of the academic community, the cultural role of literature, the relation of religion and science—have provoked discussion from Newman's time to our own. This edition of The Idea of a University includes the full text of "University Teaching" and four selections from "University Subjects," together with five essays by leading scholars that explore the background and the present day relevance of Newman's themes.In the essays Martha Garland discusses the character and organization of the early nineteenth-century English universities upon which Newman based much of his vision; Frank M. Turner traces the impact of Newman's influence during the vast expansion of higher education since World War II; George Marsden investigates how the decreasing emphasis on religion has affected higher education; Sara Castro Klaren examines the implications of Newman's views on education and literature for current debates between proponents of a curriculum based on western civilization and one based on multiculturalism; and George Landow considers what the advent of electronic communication will mean to university teaching, research, and community. To aid accessibility, the edition also includes an analytical table of contents, a chronology and biographical sketch of Newman's life, questions for discussion, expanded notes, and a glossary of names, all of which will help make this the standard teaching text for Newman's work.

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Virtually all the masterpieces of Islamic art—the Alhambra, the Taj Mahal, and the Tahmasp Shahnama—were produced during the period from the Mongol conquests in the early thirteenth century to the advent of European colonial rule in the nineteenth. This beautiful book surveys the architecture and arts of the traditional Islamic lands during this era. Conceived as a sequel to The Art and Architecture of Islam: 650-1250, by Richard Ettinghausen and Oleg Grabar, the book follows the general format of the first volume, with chronological and regional divisions and architecture treated separately from the other arts. The authors describe over two hundred works of Islamic art of this period and also investigate broader social and economic contexts, considering such topics as function, patronage, and meaning. They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles. The authors conclude with a provocative essay on the varied legacies of Islamic art in Europe and the Islamic lands in the nineteenth and twentieth centuries.

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“A gem of enlightenment. . . . One rejoices in Bronowski’s dedication to the identity of acts of creativity and of imagination, whether in Blake or Yeats or Einstein or Heisenberg.”—Kirkus Reviews “A delightful look at the inquiring mind.”—Library JournalIn this eloquent volume Jacob Bronowski, mathematician and scientist, presents a succinct introduction to the state of modern thinking about the role of science in man's intellectual and moral life. Weaving together themes from ethnology, linguistics, philosophy, and physics, he confronts the questions of who we are, what we are, and how we relate to the universe around us.

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Nineteen bright and charming fairy tales of Hawaii have been skillfully retold by this gifted storyteller. Padraic Colum brings to them a rare feeling for the things of the imagination, and he tells them with poetry, imagery, and enchantment. These legends have been treasured by Hawaiians from time immemorial and are perhaps our best approach to the cultural background of the Hawaiian people. “A selection of native stories such as this, so skillfully retold by a gifted storyteller, is perhaps… the best approach to the actual cultural background of the Hawaiian people…. Altogether a notable selection, valuable to the adult as to the child, and delightfully told.” –Martha Beckwith, New York Times “Padraic Colum… has never combined charm and delicate adventure more effectively than in this set of nineteen Hawaiian tales. They are powerfully imagined, rich in character and atmosphere.” –Charles J. Finger, New York Herald Tribune “Those who know Colum’s retelling of old stories need not be told here that this is a beautiful book. His most distinctive gift as a man of letters is his feeling for the folk mind, his ability not to put it on, but to be it. In prose lovely, simple, vocal, he tells these stories, leaving you to feel the symbolism for yourself.” –Horace Reynolds, Christian Science Monitor “This is a fine book for children, because the stories are so entertaining; and it is a good book for anybody, because one learns so much of the folklore of these loveliest of gardens.” –William Lyon Phelps

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"A clearly intelligent synthesis of the work of this important psychologist. . . . The reader has within the compass of two covers the 'system' of this prolific writer."—Education Abstracts"A well organized and highly coherent summary."—Saturday Review Dr. C. G. Jung never took time out from his pioneering work in psychology to make a concise presentation of the elements of his psychological theories. Dr. Jolande Jacobi's synthesis--applauded by Jung in his Foreword--presents a comprehensive review of the central context of Jung's system by a student and colleague who worked closely with him for many years.

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A wide-ranging retrospective that reveals a master printer’s own photographs to be technically brilliant work of remarkable breadth and complexity This book presents the first in-depth survey of photographs by Richard Benson (1943–2017), who approached photography as a thrilling set of technical challenges and used the medium to craft profound depictions of people, the spaces of their lives and work, and the products of their labor. An essay by curator Peter Barberie interweaves examination of Benson’s photographic practices with the story of his ideas, writing, and reproductive printing, while photographer An-My Lê, Benson’s former student, offers her perspective on his teaching, family life, and art. The book begins with his stunning darkroom prints in silver and platinum and follows his trajectory toward extraordinary digital photography, culminating in later color prints that are at once elegant and garish, representing the contemporary world in vivid detail. Benson’s democratic eye also extended to human subjects: he photographed loved ones and strangers with extraordinary attention, and directed the same gaze to the buildings and landscapes entwined with individual lives.Published in association with the Philadelphia Museum of ArtExhibition Schedule:Philadelphia Museum of Art (October 3, 2021–January 23, 2022)

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A technical examination of artists’ workshops and studios across history and media, told through the collections of the National Gallery of Art Volume 6 of the National Gallery of Art’s biennial conservation research journal Facture explores the themes of workshops and studios in different cultural contexts and various media. Topics examined include serialization in the Della Robbia workshop, the creative practice of early twentieth-century French bronze founders, the restoration histories of French marbles from the seventeenth and eighteenth centuries, the complex interplay between an artist’s technique and the strict competition guidelines of the Prix de Rome, the production of a manuscript by Joris Hoefnagel, and the collaborative nature of an early draft of Freydal ordered by the Holy Roman Emperor Maximilian I. The six peer-reviewed essays, richly illustrated with detailed photography, generate valuable insights for conservators, art historians, and scientific researchers. Distributed for the National Gallery of Art, Washington

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A fresh perspective on collaboration, collectivity, and conflict in the women’s art movement of the 1970s Women Artists Together is a thought-provoking study of how the women’s liberation movement galvanized a generation of women artists. It offers a fresh perspective on the history of the women’s art movement and considers how it was shaped by collaboration and togetherness. Retracing 1970s liberation politics, Amy Tobin emphasizes how artworks emerged from—and contested—feminist paradigms and contexts. Taking class, gender, race, and sexuality as central concerns, the book includes examples of inspirational feminist activism as well as fallings out, disagreements, and antagonism. Across four chapters, Tobin looks at the work of UK- and US-based artists including Judy Chicago, Mary Beth Edelson, Rose English, Harmony Hammond, Candace Hill-Montgomery, Claudette Johnson, Suzanne Lacy, Howardena Pindell, Ingrid Pollard, Carolee Schneemann, Cecilia Vicuña, and Kate Walker. Groups include the Feminist Art Programme at Cal Arts, Women’s Workshop of the Artists’ Union, Where We At, Black Women Artists Inc., and the South London Art Group, publications such as Heresies and Chrysalis, along with writers and curators including Lucy R. Lippard and Arlene Raven.

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The 117th volume of the Yale Series of Younger Poets, in which Mary-Alice Daniel confronts tricontinental culture shock and her curious placement within many worlds “Against humans creating hell on earth, Daniel draws on animistic, Islamic, and syncretic Christian traditions from her native Nigeria to unleash potent incantations, rituals and spells, electric as St. Elmo’s fire. Buckle up.”—Rae Armantrout, judge In Mass for Shut-Ins, African and Western mythic systems and modern rituals originate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, poems map speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It animates an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

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A compelling and innovative exploration of how animals shaped the field of natural history and its ecological afterlives Can corals build worlds? Do rattlesnakes enchant? What is a raccoon, and what might it know? Animals and the questions they raised thwarted human efforts to master nature during the so-called Enlightenment—a historical moment when rigid classification pervaded the study of natural history, people traded in people, and imperial avarice wrapped its tentacles around the globe. Whitney Barlow Robles makes animals the unruly protagonists of eighteenth-century science through journeys to four spaces and ecological zones: the ocean, the underground, the curiosity cabinet, and the field. Her forays reveal a forgotten lineage of empirical inquiry, one that forced researchers to embrace uncertainty. This tumultuous era in the history of human-animal encounters still haunts modern biologists and ecologists as they struggle to fathom animals today. In an eclectic fusion of history and nature writing, Robles alternates between careful historical investigations and probing personal narratives. These excavations of the past and present of distinct nonhuman creatures reveal the animal foundations of human knowledge and show why tackling our current environmental crisis first requires looking back in time.

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An illuminating investigation into a class of enterprising women aspiring to “make it” in the social media economy but often finding only unpaid work Profound transformations in our digital society have brought many enterprising women to social media platforms—from blogs to YouTube to Instagram—in hopes of channeling their talents into fulfilling careers. In this eye-opening book, Brooke Erin Duffy draws much-needed attention to the gap between the handful who find lucrative careers and the rest, whose “passion projects” amount to free work for corporate brands. Drawing on interviews and fieldwork, Duffy offers fascinating insights into the work and lives of fashion bloggers, beauty vloggers, and designers. She connects the activities of these women to larger shifts in unpaid and gendered labor, offering a lens through which to understand, anticipate, and critique broader transformations in the creative economy. At a moment when social media offer the rousing assurance that anyone can “make it”—and stand out among freelancers, temps, and gig workers—Duffy asks us all to consider the stakes of not getting paid to do what you love.

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Through images and texts both historical and contemporary, this book looks at the Great Migration and its profound and ongoing impact This thoughtful interweaving of text and imagery presents a variety of perspectives on the Great Migration (1915–70), the mass exodus and dispersion of millions of African Americans out of the South. Through archival photography, newspaper clippings, maps, journal articles, book excerpts, and ephemera such as family recipes, the book immerses readers in Black history, the Great Migration, and its legacy. The book includes texts by authors ranging from W. E. B. Du Bois and Jean Toomer to Toni Tipton-Martin and culminates in a candid roundtable discussion about familial migration stories among some of the most respected Black artists, writers, and scholars working today: Theaster Gates, Kiese Laymon, Carrie Mae Weems, and others. The material is presented in three unique, thematic sections that explore the Great Migration’s impact on the American city, Black Southern foodways, and cultural expression.Taken as a whole, this important volume provides powerful testimony to the systemic challenges such as social segregation, racism, and discrimination that Black communities have faced from the post-Emancipation period to the present moment.Published in association with the Baltimore Museum of Art and the Mississippi Museum of ArtExhibition Schedule:Mississippi Museum of Art, Jackson (April 9–September 11, 2022)Baltimore Museum of Art (October 30, 2022–January 29, 2023)

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A fresh look at how Christianity and Judaism became two distinct religions through the parting of their intellectual traditions How, when, and why did Christianity and Judaism diverge into separate religions? Emanuel Fiano reinterprets the parting of the ways between Jews and Christians as a split between two intellectual traditions, a split that emerged within the context of ancient debates about Jesus’s relationship to God and the world. Fiano explores how Christianity moved away from Judaism through the development of new practices for religious inquiry. By demonstrating that the constitution of communal borders coincided with the elaboration of different methods for producing religious knowledge, the author shows that Christian theological controversies, often thought to teach us nothing beyond the history of dogma, can cast light on the broader religious landscape of late antiquity. Three Powers in Heaven thus marks not only a historical but also a methodological intervention in the study of the parting of the ways and in scholarship on ancient religion.

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From the president of Wesleyan University, a compassionate and provocative manifesto on the crises confronting higher education In this bracing book, Michael S. Roth stakes out a pragmatist path through the thicket of issues facing colleges today to carry out the mission of higher education. With great empathy, candor, subtlety, and insight, Roth offers a sane approach to the noisy debates surrounding affirmative action, political correctness, and free speech, urging us to envision college as a space in which students are empowered to engage with criticism and with a variety of ideas. Countering the increasing cynical dismissal—from both liberals and conservatives—of the traditional core values of higher education, this book champions the merits of different diversities, including intellectual diversity, with a timely call for universities to embrace boldness, rigor, and practical idealism.

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Tracing the impacts of militarism on the American landscape, through the lens of art, environmental studies, and politicsDevour the Land considers how contemporary photographers have responded to the US military’s impact on the domestic environment since the 1970s, a dynamic period for environmental activism as well as for photography. This catalogue presents a lively range of voices at the intersection of art, environmentalism, militarism, photography, and politics. Alongside interviews with prominent contemporary artists working in the landscape photography tradition, the images speak to photographers’ varied motivations, personal experiences, and artistic approaches. The result is a surprising picture of the ways violence and warfare surround us. Although most modern combat has taken place abroad, the US domestic landscape bears the footprint of armed conflict—much of the environmental damage we live with today was caused by our own military and the expansive network of industries supporting its work. Designed to evoke a field book and to nod toward ephemera produced by earlier artists and activists, the catalogue features works by dozens of photographers, including Ansel Adams, Robert Adams, Dorothy Marder, Alex Webb, Terry Evans, and many more.Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums, Cambridge, MA (September 17, 2021–January 16, 2022)

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This handsomely illustrated volume explores the medieval Deccani temple complexes at the UNESCO World Heritage Site of Pattadakal, with careful attention to their makers. The vibrant red sandstone temples of India’s Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. In Shiva’s Waterfront Temples, Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium’s Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan’s special place in the lexicon of medieval South Asian architecture.

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Selections from the "Pandemic Files" published by The Yale Review, the preeminent journal of literature and ideas“If only our response to the pandemic on other fronts could have been as speedy and potent as this literary one.”—Kirkus Reviews, starred review In beautifully written and powerfully thought prose, A World Out of Reach offers a crucial record of COVID-19 and the cataclysmic spring of 2020—a record for us and for posterity—in the arresting voices of poets, essayists, scholars, and health care workers. Ranging from matters of policy and social justice to ancient history and personal stories of living under lockdown, this vivid compilation from The Yale Review presents a first draft of one of the most tumultuous periods in recent history.Contributors: Katie Kitamura • Laura Kolbe • Nitin Ahuja • Rena Xu • Alicia Christoff • Miranda Featherstone • Maya C. Popa • Major Jackson • John Witt • Octávio Luiz Motta Ferraz • Joan Naviyuk Kane • Nell Freudenberger • Briallen Hopper • Brandon Shimoda • Yusef Komunyakaa • Laren McClung • Eric O’Keefe-Krebs • Sean Lynch • Millicent Marcus • Meghana Mysore • Rachel Jamison Webster • Emily Ziff Griffin • Rowan Ricardo Philips • Kathryn Lofton • Monica Ferrell • Russell Morse • Randi Hutter Epstein • Noreen Khawaja • Victoria Chang • Joyelle McSweeney • Khameer Kidia • Emily Greenwood • Elisa Gabbert • Emily Bernard • Hafizah Geter • Emily Gogolak • Roger Reeves

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How did the creation of an overseas empire change politics in England itself? After 1660, English governments aimed to convert scattered overseas dominions into a coordinated territorial power base. Stuart monarchs encouraged schemes for expansion in America, Africa, and Asia, tightened control over existing territories, and endorsed systems of slave labor to boost colonial prosperity. But English power was precarious, and colonial designs were subject to regular defeats and failed experimentation. Recovering from recent Civil Wars at home, England itself was shaken by unrest and upheaval through the later seventeenth century. Colonial policies emerged from a kingdom riven with inner tensions, which it exported to enclaves overseas. Gabriel Glickman reinstates the colonies within the domestic history of Restoration England. He shows how the pursuit of empire raised moral and ideological controversies that divided political opinion and unsettled many received ideas of English national identity. Overseas ambitions disrupted bonds in Europe and cast new questions about English relations with Scotland and Ireland. Vigorous debates were provoked by contact with non-Christian peoples and by changes brought to cultural tastes and consumer habits at home. England was becoming an imperial nation before it had acquired a secure territorial empire. The pressures of colonization exerted a decisive influence over the wars, revolutions, and party conflicts that destabilized the later Stuart kingdom.

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A fascinating look at modernist urban planning and spatial theories in Brazilian 20th-century art and architecture Exploring the intersections among art, architecture, and urbanism in Brazil from the 1920s through the 1960s, Adrian Anagnost shows how modernity was manifested in locally specific spatial forms linked to Brazil’s colonial and imperial past. Discussing the ways artists and architects understood urban planning as a tool to reorganize the world, control human action, and remedy social problems, Anagnost offers a nuanced account of the seeming conflict between modernist aesthetics and a predominately poor and historically disenfranchised urban public, with particular attention to regionalist forms of urban development. Organized as a series of case studies of projects such as Flávio de Carvalho's performative urbanism, the construction of the Ministry of Education and Public Health building, Lina Bo and Pietro Maria Bardi's efforts to modernize Brazilian museums, and Hélio Oiticica's interstitial works, this study is full of groundbreaking insights into the ways that modernist theories of urbanism shaped the art and architecture of 20th-century Brazil.

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An innovative examination of encounters between humans and lions and representations of these charismatic animals in the visual culture of postrevolutionary France In artistic traditions that stretch back to antiquity, lions have been associated with strength and authority. The figure of the lion in nineteenth-century France stood at a crossroads between these historical meanings and contemporary developments that recast the animal’s significance, such as the literal presence of lions in public menageries. In this highly original study, Katie Hornstein explores the relationships among animals, spectatorship, and visual production. She examines the fascinating encounters between artists, viewers, and lions that took place—in menageries and circuses, on canvases, and on the pages of books—and out of which, she argues, new perceptions of power, empire, and the natural world emerged. Myth and Menagerie considers a range of visual objects, bringing into dialogue photographs of circus animals, hunting manuals, and zoo guidebooks with sculptures, drawings, and paintings by artists such as Théodore Géricault, Eugène Delacroix, Édouard Manet, and Rosa Bonheur. Illuminating the lives of individual lions against the backdrop of societal change and colonial expansion, Hornstein constructs a fresh theoretical framework for thinking about animals as more than symbols or passive subjects and for acknowledging a history in which both humans and animals had a stake.

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A sweeping, ambitious history of American democratic socialism from one of the world’s leading intellectual historians and social ethicists “The movement whose tangled history Gary Dorrien tells in American Democratic Socialism has deep roots in the very ‘American’ values it is accused of undermining. . . . The version of the socialist left that emerges is one that deserves more attention.”—Hari Kunzru, New York Review of Books Democratic socialism is ascending in the United States as a consequence of a widespread recognition that global capitalism works only for a minority and is harming the planet’s ecology. This history of American democratic socialism from its beginning to the present day interprets the efforts of American socialists to address and transform multiple intersecting sites of injustice and harm. Comprehensive, deeply researched, and highly original, this book offers a luminous synthesis of secular and religious socialisms, detailing both their intellectual and their organizational histories.

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