Search results for ""Ideals""

The first of its kind in English, this anthology translates twenty-two popular Chinese plays published between 1919 and 2000, accompanied by a critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Primarily comprising works from the People's Republic of China, though including representative plays from Hong Kong and Taiwan, this collection not only showcases the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty. It also highlights the formation of Chinese national and gender identities during a period of tremendous social and political change, along with the genesis of contemporary attitudes toward the West. Early twentieth-century Chinese drama embodies the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. After 1949, PRC theater painted a complex portrait of the rise of communism in China, with the ideals of Chinese socialism juxtaposed against the sacrifices made for a new society. The Cultural Revolution promoted a "model theater" cultivated from the achievements of earlier, leftist spoken drama, even though this theater arose from the destruction of old culture. Post-Mao drama addresses the socialist legacy and the attempts of a wounded nation to reexamine its cultural roots. Taiwan's spoken drama synthesizes regional and foreign traditions, and Hong Kong's spoken drama sparkles as a hybrid of Chinese and Western influences. Immensely valuable for cross-disciplinary, comparative, and performance study, this anthology provides essential perspective on China's theatricality and representation of political life.

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When the Declaration of Independence was signed by a group of wealthy white men in 1776, poor white men, African Americans, and women quickly discovered that the unalienable rights it promised were not truly for all. The Nineteenth Amendment eventually gave women the right to vote in 1920, but the change was not welcomed by people of both genders in politically and religiously conservative Kentucky. As a result, the suffrage movement in the Commonwealth involved a tangled web of stakeholders, entrenched interest groups, unyielding constitutional barriers, and activists with competing strategies.In A Simple Justice, Melanie Beals Goan offers a new and deeper understanding of the women's suffrage movement in Kentucky by following the people who labored long and hard to see the battle won. Women's suffrage was not simply a question of whether women could and should vote; it carried more serious implications for white supremacy and for the balance of federal and state powers -- especially in a border state. Shocking racial hostility surfaced even as activists were working to make America more equitable.Goan looks beyond iconic suffragette figures such as Susan B. Anthony and Elizabeth Cady Stanton to reveal figures whose names have been lost to history. Laura Clay and Madeline McDowell Breckinridge led the Kentucky movement, but they did not do it alone. This timely study introduces readers to individuals across the Bluegrass State who did their part to move the nation closer to achieving its founding ideals.

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African American Muslims and South Asian Muslim immigrants are two of the largest ethnic Muslim groups in the U.S. Yet there are few sites in which African Americans and South Asian immigrants come together, and South Asians are often held up as a “model minority” against African Americans. However, the American ummah, or American Muslim community, stands as a unique site for interethnic solidarity in a time of increased tensions between native-born Americans and immigrants. This ethnographic study of African American and South Asian immigrant Muslims in Chicago and Atlanta explores how Islamic ideals of racial harmony and equality create hopeful possibilities in an American society that remains challenged by race and class inequalities. The volume focuses on women who, due to gender inequalities, are sometimes more likely to move outside of their ethnic Muslim spaces and interact with other Muslim ethnic groups in search of gender justice. American Muslim Women explores the relationships and sometimes alliances between African Americans and South Asian immigrants, drawing on interviews with a diverse group of women from these two communities. Karim investigates what it means to negotiate religious sisterhood against America's race and class hierarchies, and how those in the American Muslim community both construct and cross ethnic boundaries. American Muslim Women reveals the ways in which multiple forms of identity frame the American Muslim experience, in some moments reinforcing ethnic boundaries, and at other times, resisting them.

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The elegant and dramatic peaks of the Dolomites, one of the most recently designated UNESCO World Heritage Sites, have long epitomised the ideals of climbers the world over. These spectacular limestone and dolomite monoliths rise abruptly from beautiful meadows, their pale faces contrasting starkly with the vibrant colour of the surrounding alpine pastures, to create one of the most instantly recognisable landscapes in the World. Located in northern Italy, and representing a true mix of Italian and Austrian culture, these so-called 'Pale Alps' contain climbing of every shape and size. Single pitch sport crags lie beside kilometre-long traditional routes, with climbs which are steeped in history running parallel to modern bolted lines. The area is particularly renowned for its via ferrata, cabled routes predating the Great War which give superb access to some of the World's most striking summits. The metal wires, interspersed with breathtaking ladders and unlikely suspension bridges, provide aerial assault courses which combine the thrill of an ascent on rock with the security of a protected mountain scramble. This Rockfax guide covers everything you need for a climbing trip regardless of ability, whether it be sport, trad, via ferrata or a combination of all three. It features all the major areas and is the only guidebook available to have such comprehensive coverage. Catinaccio, Val di Fassa, Marmolada, Sella Group, Val Gardena, Fanis Group, Lagazuoi Group, Tofana Group, Cinque Torri, Cortina Basin, Cadini di Misurina, Tre Cime.

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Prophecy and magic combine in The Name of All Things, Jenn Lyons' powerful epic of imperial politics, dragons, gods and demons. You can have everything you want. If you sacrifice everything you believe . . .Kihrin D’Mon is a wanted man after killing the Emperor of Quur – and not in a good way. So he heads for Jorat, to find the fourth person named in prophesy, who will either save or damn the world. He meets Janel Theranon, who claims she already knows him. And she wants Kihrin’s help in saving Jorat’s capital from a dragon, who can only be slain with his sword’s magic. Unwittingly, Kirin also finds himself at the centre of a rebellion. One which puts him in direct opposition to Relos Var, his old enemy. For too long, Janel’s battled the wizard alone – even betraying her ideals to bring him down. However, Var owns one of the world’s most powerful artefacts: the Name of All Things. It bestows knowledge, which Var uses to gain what he wants most. This is now Kihrin D’Mon – and the world may not survive the consequences.The Name of All Things is book two in Jenn Lyons' thrilling epic fantasy series, A Chorus of Dragons, which begins with The Ruin of Kings. Continue the action with The Memory of Souls.'What an extraordinary book . . . everything epic fantasy should be: rich, cruel, gorgeous, brilliant, enthralling and deeply deeply satisfying. I loved it' – Lev Grossman on The Ruin of Kings

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This is a brilliant study of the creation, impact, and legacy of one of rock's great albums, and a hymn to the nature of teenage fandom. Released in 1979, AC/DC's "Highway To Hell" was the infamous last album recorded with singer Bon Scott, who died of alcohol poisoning in London in February of 1980. Officially chalked up to "Death by Misadventure," Scott's demise has forever secured the album's reputation as a partying primer and a bible for lethal behavior, branding the album with the fun chaos of alcoholic excess and its flip side, early death. The best songs on "Highway To Hell" achieve Sonic Platonism, translating rock & roll's transcendent ideals in stomping, dual-guitar and eighth-note bass riffing, a Paleolithic drum bed, and insanely, recklessly odd but fun vocals. Joe Bonomo strikes a three - chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does "Highway To Hell" matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, "Highway To Hell" dramatizes and celebrates a timeless album that one critic said makes 'disaster sound like the best fun in the world.' 'A growing Alexandria of rock criticism' - "Los Angeles Times", 2008. 'Ideal for the rock geek who thinks liner notes just aren't enough - "Rolling Stone". 'A brilliant series...each one a word of real love' - "NME"(UK).

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Our democracy today is fraught with political campaigns, lobbyists, liberal media, and Fox News commentators, all using language to influence the way we think and reason about public issues. Even so, many of us believe that propaganda and manipulation aren't problems for us--not in the way they were for the totalitarian societies of the mid-twentieth century. In How Propaganda Works, Jason Stanley demonstrates that more attention needs to be paid. He examines how propaganda operates subtly, how it undermines democracy--particularly the ideals of democratic deliberation and equality--and how it has damaged democracies of the past. Focusing on the shortcomings of liberal democratic states, Stanley provides a historically grounded introduction to democratic political theory as a window into the misuse of democratic vocabulary for propaganda's selfish purposes. He lays out historical examples, such as the restructuring of the US public school system at the turn of the twentieth century, to explore how the language of democracy is sometimes used to mask an undemocratic reality. Drawing from a range of sources, including feminist theory, critical race theory, epistemology, formal semantics, educational theory, and social and cognitive psychology, he explains how the manipulative and hypocritical declaration of flawed beliefs and ideologies arises from and perpetuates inequalities in society, such as the racial injustices that commonly occur in the United States. How Propaganda Works shows that an understanding of propaganda and its mechanisms is essential for the preservation and protection of liberal democracies everywhere.

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In 221 BC, the First Emperor of Qin unified the lands that would become the heart of a Chinese empire. Though forged by conquest, this vast domain depended for its political survival on a fundamental reshaping of Chinese culture. With this informative book, we are present at the creation of an ancient imperial order whose major features would endure for two millennia.The Qin and Han constitute the “classical period” of Chinese history—a role played by the Greeks and Romans in the West. Mark Edward Lewis highlights the key challenges faced by the court officials and scholars who set about governing an empire of such scale and diversity of peoples. He traces the drastic measures taken to transcend, without eliminating, these regional differences: the invention of the emperor as the divine embodiment of the state; the establishment of a common script for communication and a state-sponsored canon for the propagation of Confucian ideals; the flourishing of the great families, whose domination of local society rested on wealth, landholding, and elaborate kinship structures; the demilitarization of the interior; and the impact of non-Chinese warrior-nomads in setting the boundaries of an emerging Chinese identity.The first of a six-volume series on the history of imperial China, The Early Chinese Empires illuminates many formative events in China’s long history of imperialism—events whose residual influence can still be discerned today.

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A profound rumination on the concept of freedom from the bestselling author of The Perfect Storm 'Sebastian Junger bears witness to a hard-won and an uncertain new world, framed in vital and brilliant prose: a true and honest accounting of everything that underlies the frantic performance of life’ Philip Hoare, author of Albert and the Whale Throughout history, humans have been driven by the quest for two cherished ideals: community and freedom. The two don’t coexist easily: we value individuality and self-reliance, yet are utterly dependent on community for our most basic needs. In this intricately crafted and thought-provoking book, Sebastian Junger examines this tension that lies at the heart of what it means to be human. For much of a year, Junger and three friends—a conflict photographer and two Afghan war vets—walked the railroad lines of the east coast. It was an experiment in personal autonomy, but also in interdependence. Dodging railroad cops, sleeping under bridges, cooking over fires and drinking from creeks and rivers, the four men forged a unique reliance on one another. In Freedom, Junger weaves his account of this journey together with primatology and boxing strategy, the role of women in resistance movements and apache renegrades, and the brutal reality of life on the Pennsylvania frontier. Written in exquisite, razor-sharp prose, the result is a powerful examination of the primary desire that defines us.

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Few people can claim to have had minds as fertile and creative as the French philosopher Jean-Jacques Rousseau. One of the most influential political theorists of the modern age, he was also a composer and writer of opera, a novelist, and a memoirist whose Confessions ranks as one of the most striking works of autobiography ever written. Like many creative thinkers, Rousseau was someone whose restless mind could not help questioning accepted orthodoxies and looking at matters from novel and innovative angles. His 1762 treatise The Social Contract does exactly that. Examining the nature and sources of legitimate political power, it crafted a closely reasoned and passionately persuasive argument for democracy at a time when the most widely accepted form of government was absolute monarchy, legitimised by religious beliefs about the divine right of kings and queens to rule. In France, the book was banned by worried Catholic censors; in Rousseau’s native Geneva, it was both banned and burned. But history soon pushed Rousseau’s ideas into the mainstream of political theory, with the French and American revolutions paving the way for democratic government to gain ground across the Western world. Though it was precisely what got Rousseau’s book banned at the time, the novel idea that all legitimate government rests on the will of the people is now recognised as the core principle of democratic freedom and represents, for many people, the highest of ideals.

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Antiracist Library and Information Science: Racial Justice and Community presents the scholarship and insights of seasoned academic researchers and experienced practitioners as well as emerging scholars, graduate students, new professionals and activists in the field of LIS on the topic of antiracism. The chapters represent a combination of critical, scholarly and reflective perspectives on the theory, practice and progress made towards the actualization of antiracism in LIS and the creation of racially just communities. This volume has been divided into three main sections. The first section, ‘Theoretical Groundings,’ addresses the philosophical, ontological, axiological, theoretical and epistemological perspectives on race-based oppression, racial justice and anti-racist values and ethics. The second section, ‘Dimensions of the Problem of Race in LIS and Community,’ presents explorations of the specific problems of racism in LIS practice – racism embedded in the tools and technologies of the profession and its services, in social relations and in the practices of LIS workplaces. The final section, ‘Developing Antiracist LIS and Creating the Beloved Community’ presents practical solutions for realizing the vision of an antiracist LIS and the creation of racially justice communities. The contributors have provided a response and initial solutions for how the LIS professions can meet their espoused ideals for providing the best services for their communities. This work provides scholarship, food for thought, frameworks, and proposals for discussions for achieving the end of racism in LIS and the creation of just world.

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Three books in one!The Corporation Wars trilogy is an epic vision of man and machine in the far reaches of space - a robot's eye view of a robot revolt Carlos is dead. A soldier who died for his ideals a thousand years ago, he's been reincarnated and conscripted to fight an A.I. revolution in deep space. And he's not sure he's fighting for the right side. Seba is alive. By a fluke of nature, a contractual overlap and a loop in its subroutines, this lunar mining robot has gained sentience. Gathering with other 'freebots', Seba is taking a stand against the corporations that want it and its kind gone.As their stories converge against a backdrop of warring companies and interstellar drone combat, Carlos and Seba must either find a way to rise above the games their masters are playing, or die. And even dying will not be the end of it.Collects the three novels in the Corporation Wars trilogy - Dissidence, Insurgence and Emergence.Praise for Ken MacLeod'Prose sleek and fast as the technology it describes . . . watch this man go global'Peter F. Hamilton'MacLeod's novels are fast, funny and sophisticated. There can never be enough books like these: he is writing revolutionary SF. A nova has appeared in our sky'Kim Stanley Robinson'MacLeod is up there with Banks and Hamilton as one of the British sci-fi authors you absolutely have to read'SFX

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Arranged in three parts, Kant's Little Prussian Head and Other Reasons Why I Write opens with Claire's most personal essays - reflections on a childhood divided between cultures, and between dueling models of womanhood. It is here, in these early years, that we see the seeds of Messud's inquiry into the precarious nature of girlhood, the role narrative plays in giving shape to a life and the power of language. As the book progresses, we then see how these questions translate into Messud's rich body of criticism. In sections on literature and visual arts, Claire opens up the 'radical strangeness' of childhood in Kazuo Ishiguro's NEVER LET ME GO; the search for the self in Saul Friedlander; the fragility and danger of girlhood captured by Sally Mann; and the search for justice in Valeria Luiselli's THE LOST CHILDREN ARCHIVE. But it is the idea of the relationship between form and meaning to which this collection returns again and again. It is 'the tension between form and freedom - the paradox that fierce constraint, or restraint, [that] can allow for the greatest liberty'. As she writes, in a time 'in which our ideals appear shattered and abandoned', it is in the return to language and to stories that 'we return to the essentials that make us human. It is to find the past and the present restored, and with them, the possibility of the future'.

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Marsilio Ficino (1433-99) directed the Platonic Academy in Florence, and it was the work of this Academy that gave the Renaissance in the 15th century its impulse and direction. During his childhood Ficino was selected by Cosimo de' Medici for an education in the humanities. Later Cosimo directed him to learn Greek and then to translate all the works of Plato into Latin. This enormous task he completed in about five years. He then wrote two important books, "The Platonic Theology" and "The Christian Religion", showing how the Christian religion and Platonic philosophy were proclaiming the same message. The extraordinary influence the Platonic Academy came to exercise over the age arose from the fact that its leading spirits were already seeking fresh inspiration from the ideals of the civilizations of Greece and Rome and especially from the literary and philosophical sources of those ideals. Florence was the cultural and artistic centre of Europe at the time and leading men in so many fields were drawn to the Academy: Lorenzo de'Medici (Florence's ruler), Alberti (the architect) and Poliziano (the poet). Moreover Ficino bound together an enormous circle of correspondents throughout Europe, from the Pope in Rome to John Colet in London, from Reuchlin in Germany to de Ganay in France. Published during his lifetime, "The Letters" have not previously been translated into English. Following the Pazzi Conspiracy of 1478, Florence was at war with both the Pope (Sixtus IV) and King Ferdinand of Naples. Prompted by the appalling conditions under which Florence suffered as a result of the war, Ficino wrote eloquent letters to the three main protagonists. In his three letters to Sixtus, who was the main architect of the war, Ficino states in magnificent terms the true work of the Pope - to fish in the "deep sea of humanity", as did the Apostles. King Ferdinand of Naples spent most of his life in intrigue, not only against other states, but also against his own barons. Yet, Ficino addresses him in the words of his father, the admirable King Alfonso. This extraordinary letter, written in the form of a prophesy, speaks of his son's destiny on Earth. "In peace alone a splendid victory awaits you..., in victory, tranquility; in tranquility, a reverence and worship of Minerva" (wisdom). Negotiations for peace were in fact begun about five months later. In his letter to Lorenzo de 'Medici, Ficino presented, with dramatic clarity, the two sides of Lorenzo's nature. The letter may have prompted Lorenzo's bold visit to King Ferdinand's court and the ensuing negotiations for peace. In insisting on the reality of unity and peace in the face of war and division, Ficino uses a number of analogies. He speaks in at least two letters of all the colours emerging from simple white light, just as all the variety of the universe issues from one consciousness. "For the Sun, to be is to shine, to shine is to see, and to illuminate is to create all that is its own and to sustain what it has created."

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Nearly four decades after his death, the legend of Che Guevara has grown worldwide. In this new book, Alvaro Vargas Llosa separates the myth from the reality of Che's legacy, and shows that Che's ideals were a re-hash of notions about centralised power that have long been the major source of suffering and misery in the underdeveloped world. With testimonies from witnesses of Che's actions, Alberto Vargas Llosa's detailed account of the real Che sets the record straight by exposing the delusion at the heart of the Che phenomenon. Vargas Llosa shows that Che's legacy - making the law subservient to the most powerful, crushing any and all dissent, and concentrating wealth under the guise of social equality - is not the solution to poverty and injustice but is the core of the problem.Besides exposing the dark truths of Che's ideology and actions, "The Che Guevara Myth and the Future of Liberty" elaborates on attempts by both the left and right to suppress liberty and examines the manifestation of Latin American spirit throughout the ages, from early indigenous trade to today's enterprising communities overcoming government impediments. In so doing, the book points to the real revolution among the poor - the liberation of individuals from the constraints of state power in all spheres, public and private. Whether you love or hate Che, "The Che Guevara Myth and the Future of Liberty" will not leave you untouched and will provide a powerful, new perspective on how to overcome the challenges facing the Third World.

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A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies). When Donald Trump claimed victory in the November 2016 election, the US literary and art world erupted in indignation. Many of America’s preeminent writers and artists are stridently opposed to the administration’s agenda and executive orders—and they’re not about to go gentle into that good night. In this “masterful literary achievement” (Kurt Eichenwald, author of Conspiracy of Fools), more than thirty of the most acclaimed writers at work today consider the fundamental ideals of a free, just, and compassionate democracy through fiction in an anthology that “promises to be both a powerful tool in the fight to uphold our values and a tribute to the remarkable voices behind it” (Anthony D. Romero, executive director of the ACLU). With an introduction by Pulitzer Prize-winning author, Viet Thanh Nguyen, and edited by bestselling author Jonathan Santlofer, this powerful anthology includes original, striking art from fourteen of the country’s most celebrated artists, cartoonists, and graphic novelists, including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl. Transcendent, urgent, and ultimately hopeful, It Occurs to Me That I Am America takes back the narrative of what it means to be an American in the 21st century.

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Long after the Civil War ended, one conflict raged on: the battle to define and shape the war's legacy. Across the Bloody Chasm deftly examines Civil War veterans' commemorative efforts and the concomitant -- and sometimes conflicting -- movement for reconciliation.Though former soldiers from both sides of the war celebrated the history and values of the newly reunited America, a deep divide remained between people in the North and South as to how the country's past should be remembered and the nation's ideals honored. Union soldiers could not forget that their southern counterparts had taken up arms against them, while Confederates maintained that the principles of states' rights and freedom from tyranny aligned with the beliefs and intentions of the founding fathers. Confederate soldiers also challenged northern claims of a moral victory, insisting that slavery had not been the cause of the war, and ferociously resisting the imposition of postwar racial policies. M. Keith Har-ris argues that although veterans remained committed to reconciliation, the sectional sensibilities that influenced the memory of the war left the North and South far from a meaningful accord.Harris's masterful analysis of veteran memory assesses the ideological commitments of a generation of former soldiers, weaving their stories into the larger narrative of the process of national reunification. Through regimental histories, speeches at veterans' gatherings, monument dedications, and war narratives, Harris uncovers how veterans from both sides kept the deadliest war in American history alive in memory at a time when the nation seemed determined to move beyond conflict.

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Sidney's Defence of Poesy--the foundational text of English poetics--is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct and readers are inspired to imitate them. Catherine Bates sets out to challenge this received view. Attending very closely to Sidney's text, she identifies within it a model of poetry that is markedly at variance from the one presumed, and shows Sidney's text to be feeling its way toward a quite different--indeed, a de-idealist--poetics. Following key theorists of the new economic criticism, On Not Defending Poetry shows how idealist poetics, like the idealist philosophy on which it draws, is complicit with the money form and with the specific ills that attend upon it: among them, commodification, fetishism, and the abuse of power. Against culturally approved models of poetry as profitable—as benefiting the individual and the state, as providing (in the form of intellectual, moral, and social capital) a quantifiable yield—the Defence reveals an unexpected counter-argument: one in which poetry is modelled, rather, as pure expenditure, a free gift, a net loss. Where a supposedly idealist Defence sits oddly with Sidney's literary writings—which depict human behaviour that is very far from ideal—a de-idealist Defence does not. In its radical reading of the Defence, this book thus makes a decisive intervention in the field of early modern studies, while raising larger questions about a culture determined to quantify the 'value' of the humanities and to defend the arts on those grounds alone.

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New approaches to the everlasting malleability and transformation of medieval romance. The essays here reconsider the protean nature of Middle English romance. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and forms, as they were "rewritten" during the Middle Ages and beyond. Ranging across popular, anonymous English and courtly romances, and taking in the works of Chaucer and Arthurian romance (rarely treated together), in connection with continental sources and analogues, the chapters probe this fluid and creative genre to ask just how comfortable, and how flexible, are its nature and aims? How were Middle English romances rewritten toaccommodate contemporary concerns and generic expectations? What can attention to narrative techniques and conventional gestures reveal about the reassurances romances offer, or the questions they ask? How do romances' central concerns with secular ideals and conduct intersect with spiritual priorities? And how are romances transformed or received in later periods? The volume is also a tribute to the significance and influence of the work of Professor Helen Cooper on romance. Elizabeth Archibald is Professor of English Studies at Durham University; Megan G. Leitch is Senior Lecturer in English Literature at Cardiff University; Corinne Saunders is Professor of English andCo-Director of the Centre for Medical Humanities at Durham University. Contributors: Elizabeth Archibald, Julia Boffey, Christopher Cannon, Neil Cartlidge, Miriam Edlich-Muth, A.S.G. Edwards, Marcel Elias, Megan Leitch, Andrew Lynch, Jill Mann, Marco Nievergelt, Ad Putter, Corinne Saunders, Barry Windeatt, R.F. Yeager

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Richard Barber, author of Holy Grail: The History of a Legend and King Arthur: Hero and Legend, has written an engaging and intriguing book on one of the most original concepts of the medieval mind. Profusely illustrated and redesigned for a new generation of readers. Profusely illustrated and redesigned for a new generation of readers, Richard Barber's classic The Reign of Chivalry presents a broad picture of the chivalric world, and shows how chivalry affected or was affected by greatsocial movements, great writers and great events, and analyses the legacy it passed down to later ages. The opening chapter looks at the central figure of the whole chivalric world, the knight, and asks why he is such a different figure from other fighting men. Following sections deal with chivalry in relation to the main themes of medieval literature, especially the vast cycle of Arthurian romances, and discuss the attitudes towards chivalry of writers such as Jean Froissart, whose pages cast a golden glow over the harsh realities of war. Later sections look at chivalry's influence on the Renaissance and later culture, beginning with the knight's transition to gentleman. The element by which chivalry is now most remembered, its respectful, even adoring, attitude towards women, is the subject of a wide-ranging discussion, covering both medieval reality and modern ideals. Richard Barber, author of Holy Grail: History of a Legend, Myths and Legends of the British Isles and King Arthur: Hero and Legend, has written an engaging and intriguing book on one of the most original concepts of the medieval mind.

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This Handbook advances research on the family and marriage in China by providing readers with a multidisciplinary and multifaceted coverage of major issues in one single volume. It addresses the major conceptual, theoretical and methodological issues of marriage and family in China and offers critical reflections on both the history and likely progression of the field. By examining the traditional ideas of marriage and family in China against new concepts, state policy changes and market reforms, the Handbook exposes the impact these changes are having on familial structures, traditional institutions and marital ideals. The eminent contributors include established scholars and emerging stars in this area of research, ranging from Australia, China, Canada, Europe, Hong Kong, Taiwan, the UK and the US. Working as a comprehensive and convenient reference for future research, this Handbook provides an extensive overview of the key issues in the field. An excellent reference tool for researchers and students of sociology, anthropology, public policy, family studies and China studies, this Handbook provides the knowledge for further research to flourish.Contributors include: I. Attané, H. Chiang, A. Chow, W. Ding, M. Dowling, L. Eklund, M.W. Feldman, X.-T. Feng, Z. Feng, C. Frazier, A.M. Gaetano, S. Gietel-Basten, W. Jankowiak, Q. Jiang, M.-H. Lee, L. Li, S. Li, D. Miller, A. Phoenix, D.L Poston, J. Ribbens McCarthy, R. Skaggs, J. Song, L. Song, K.F. Ting, P. Wang, X. Wang, Y.R. Xia, A. Xu, X. Xu, X. Xu, W.-S. Yang, G. Yu, X. Zang, L. Zhao, J. Zhang, W. Zhang, L. Zhao, H. Zhu, J. Zuo

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Multi-prizewinning and internationally acclaimed Yan Lianke -- 'China's most controversial novelist' (New Yorker) -- returns with a campus novel like no other following a young Buddhist as she journeys through worldly temptationTo tell the truth, religious faith is really just a matter of believing stories. The world is governed by stories, and it is for the sake of stories that everyone lives on this earth.Yahui is a young Buddhist at university. But this is no ordinary university. It is populated by every faith in China: Buddhists, Daoists, Catholics, Protestants and Muslims who jostle alongside one another in the corridors of learning, and whose deities are never far from the classroom.Her days are measured out making elaborate religious papercuts, taking part in highly charged tug-of-war competitions between the faiths and trying to resist the daily temptation to return to secular life and abandon the ascetic ideals that are her calling. Everything seems to dangle by a thread. But when she meets a Daoist student called Mingzheng, an inexorable romance of mythic proportions takes hold of her.In this profoundly otherworldly novel, Chinese master Yan Lianke remakes the campus novel in typically visionary fashion, dropping readers into an allegorical world ostensibly far from our own, but which reflects our own questions and struggles right back at us.** Beautiful edition illustrated throughout with beautiful original papercuts **'One of China's greatest living authors' Guardian'His talent cannot be ignored' New York Times'China's foremost literary satirist' Financial Times

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An examination of the ways in which the fluid concept of "chivalry" has been used and appropriated after the Middle Ages. One of the most difficult and complex ethical and cultural codes to define, chivalry has proved a flexible, ever-changing phenomenon, constantly adapted in the hands of medieval knights, Renaissance princes, early modern antiquarians, Enlightenment scholars, modern civic authorities, authors, historians and re-enactors. This book explores the rich variations in how the Middle Ages were conceptualised and historicised to illuminate the plurality of uses of the past. Using chivalry as a lens through which to examine concepts and uses of the medieval, it provides a critical assessment of the ways in which medieval chivalry became a shorthand to express contemporary ideals, powerfully demonstrating the ways in which history could be appropriated. The chapters combine attention to documentary evidence with what material culture can tell us, in particular using the built environment and the landscape as sources to understand how the medieval past was renegotiated. With contributions spanning diverse geographic regions and periods, it redraws current chronological boundaries by considering medievalism from the late Middle Ages to the present. Katie Stevenson is Senior Lecturer in Late Mediaeval History and Director of the Institute of Scottish Historical Research at the University of St Andrews; Barbara Gribling is a Junior Research Fellow in the Department of History at Durham University. Contributors: David W. Allan, Stefan Goebel, Barbara Gribling, Steven C. Hughes, Peter N. Lindfield, Antti Matikkala, Rosemary Mitchell, Paul Pickering, Katie Stevenson

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Finalist, 2020 Latino Book Awards, Best Academic Themed Book The surprising effects of American TV on global viewers As a dominant cultural export, American television is often the first exposure to American ideals and the English language for many people throughout the world. Yet, American television is flawed, and, it represents race, class, and gender in ways that many find unfair and unrealistic. What happens, then, when people who grew up on American television decide to come to the United States? What do they expect to find, and what do they actually find? In America, As Seen on TV, Clara E. Rodríguez surveys international college students and foreign nationals working or living in the US to examine the impact of American television on their views of the US and on their expectations of life in the United States. She finds that many were surprised to learn that America is racially and economically diverse, and that it is not the easy-breezy, happy endings culture portrayed in the media, but a work culture. The author also surveys US-millennials about their consumption of US TV and finds that both groups share the sense that American TV does not accurately reflect racial/ethnic relations in the US as they have experienced them. However, the groups differ on how much they think US TV has influenced their views on sex, smoking and drinking. America, As Seen on TV explores the surprising effects of TV on global viewers and the realities they and US millennials actually experience in the US.

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The uneasy link between tourism and collective memory at Holocaust museums and memorials Each year, millions of people visit Holocaust memorials and museums, with the number of tourists steadily on the rise. What lies behind the phenomenon of "Holocaust tourism" and what role do its participants play in shaping how we remember and think about the Holocaust? In Postcards from Auschwitz, Daniel P. Reynolds argues that tourism to former concentration camps, ghettos, and other places associated with the Nazi genocide of European Jewry has become an increasingly vital component in the evolving collective remembrance of the Holocaust. Responding to the tendency to dismiss tourism as commercial, superficial, or voyeuristic, Reynolds insists that we take a closer look at a phenomenon that has global reach, takes many forms, and serves many interests. The book focuses on some of the most prominent sites of mass murder in Europe, and then expands outward to more recent memorial museums. Reynolds provides a historically-informed account of the different forces that have shaped Holocaust tourism since 1945, including Cold War politics, the sudden emergence of the "memory boom" beginning in the 1980s, and the awareness that eyewitnesses to the Holocaust are passing away. Based on his on-site explorations, the contributions from researchers in Holocaust studies and tourism studies, and the observations of tourists themselves, this book reveals how tourism is an important part of efforts to understand and remember the Holocaust, an event that continues to challenge ideals about humanity and our capacity to learn from the past.

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Winner of the 2021 Sara A. Whaley Prize of the National Women’s Studies Association (NWSA) A first-of-its-kind study of the working-class culture of resistance on the Honduran North Coast and the radical organizing that challenged US capital and foreign intervention at the onset of the Cold War, examining gender, race, and place. On May 1, 1954, striking banana workers on the North Coast of Honduras brought the regional economy to a standstill, invigorating the Honduran labor movement and placing a series of demands on the US-controlled banana industry. Their actions ultimately galvanized a broader working-class struggle and reawakened long-suppressed leftist ideals. The first account of its kind in English, Roots of Resistance explores contemporary Honduran labor history through the story of the great banana strike of 1954 and centers the role of women in the narrative of the labor movement. Drawing on extensive firsthand oral history and archival research, Suyapa G. Portillo Villeda examines the radical organizing that challenged US capital and foreign intervention in Honduras at the onset of the Cold War. She reveals the everyday acts of resistance that laid the groundwork for the 1954 strike and argues that these often-overlooked forms of resistance should inform analyses of present-day labor and community organizing. Roots of Resistance highlights the complexities of transnational company hierarchies, gender and race relations, and labor organizing that led to the banana workers' strike and how these dynamics continue to reverberate in Honduras today.

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The book provides clear explanations for newcomers to the subject as well as contemporary details and theory for the experienced user in plastics waste management. It is seldom that a day goes by without another story or photo regarding the problem of plastics waste in the oceans or landfills. While important efforts are being made to clear up the waste, this book looks at the underlying causes and focuses on plastics waste management. Plastics manufacturers have been slow to recognize their environmental impact compared with more directly polluting industries. However, the environmental pressures concerning plastics have forced the industry to examine their own recycling operations and implement plastics waste management. Plastics Waste Management realizes two ideals: That all plastics should be able to persist for as long as plastics are required, and that all plastics are recycled in a uniform manner regardless of the length of time for which it persists. The book examines plastics waste management and systems for the environment, as well the management approaches and techniques which are appropriate for managing the environment. It serves as an excellent and thoughtful plastics waste management handbook. This groundbreaking book: Identifies deficiencies in plastics waste management Extrapolates from experiences to draw some conclusions about plastics waste for persistence Describes methods how the waste related processing techniques should be used in recycling Shows how the consumer and industry can assess the performance of plastics waste management Explains waste utilization by recycling techniques as well as waste reduction Life cycle assessment as an important technique for recycling of persistent plastics waste.

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The Promise of Happiness is a provocative cultural critique of the imperative to be happy. It asks what follows when we make our desires and even our own happiness conditional on the happiness of others: “I just want you to be happy”; “I’m happy if you’re happy.” Combining philosophy and feminist cultural studies, Sara Ahmed reveals the affective and moral work performed by the “happiness duty,” the expectation that we will be made happy by taking part in that which is deemed good, and that by being happy ourselves, we will make others happy. Ahmed maintains that happiness is a promise that directs us toward certain life choices and away from others. Happiness is promised to those willing to live their lives in the right way. Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. She engages with feminist, antiracist, and queer critics who have shown how happiness is used to justify social oppression, and how challenging oppression causes unhappiness. Reading novels and films including Mrs. Dalloway, The Well of Loneliness, Bend It Like Beckham, and Children of Men, Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social ideals: the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Through her readings she raises critical questions about the moral order imposed by the injunction to be happy.

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Feeding Anorexia challenges prevailing assumptions regarding the notorious difficulty of curing anorexia nervosa. Through a vivid chronicle of treatments at a state-of-the-art hospital program, Helen Gremillion reveals how the therapies participate unwittingly in culturally dominant ideals of gender, individualism, physical fitness, and family life that have contributed to the dramatic increase in the incidence of anorexia in the United States since the 1970s. She describes how strategies including the meticulous measurement of patients' progress in terms of body weight and calories consumed ultimately feed the problem, not only reinforcing ideas about the regulation of women's bodies, but also fostering in many girls and women greater expertise in the formidable constellation of skills anorexia requires. At the same time, Gremillion shows how contradictions and struggles in treatment can help open up spaces for change.Feeding Anorexia is based on fourteen months of ethnographic research in a small inpatient unit located in a major teaching and research hospital in the western United States. Gremillion attended group, family, and individual therapy sessions and medical staff meetings; ate meals with patients; and took part in outings and recreational activities. She also conducted over one hundred interviews-with patients, parents, staff, and clinicians. Among the issues she explores are the relationship between calorie-counting and the management of consumer desire; why the "typical" anorexic patient is middle-class and white; the extent to which power differentials among clinicians, staff, and patients model "anorexic families"; and the potential of narrative therapy to constructively reframe some of the problematic assumptions underlying more mainstream treatments.

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Historical anthropology: critical exchange between two decidedly distinct disciplines or innovative mode of knowledge production? As this volume’s title suggests, the essays Brian Keith Axel has gathered in From the Margins seek to challenge the limits of discrete disciplinary epistemologies and conventions, gesturing instead toward a transdisciplinary understanding of the emerging relations between archive and field. In original articles encompassing a wide range of geographic and temporal locations, eminent scholars contest some of the primary preconceptions of their fields. The contributors tackle such topics as the paradoxical nature of American Civil War monuments, the figure of the “New Christian” in early seventeenth-century Peru, the implications of statistics for ethnography, and contemporary South Africa's “occult economies.” That anthropology and history have their provenance in—and have been complicit with—colonial formations is perhaps commonplace knowledge. But what is rarely examined is the specific manner in which colonial processes imbue and threaten the celebratory ideals of postcolonial reason or the enlightenment of today’s liberal practices in the social sciences and humanities. By elaborating this critique, From the Margins offers diverse and powerful models that explore the intersections of historically specific local practices with processes of a world historical order. As such, the collection will not only prove valuable reading for anthropologists and historians, but also for scholars in colonial, postcolonial, and globalization studies. Contributors. Talal Asad, Brian Keith Axel, Bernard S. Cohn, Jean Comaroff, John L. Comaroff, Nicholas B. Dirks, Irene Silverblatt, Paul A. Silverstein, Teri Silvio, Ann Laura Stoler, Michel-Rolph Trouillot

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Do our ways of talking about contemporary terrorism have a history in the science, technology, and culture of the Cold War? Human Programming explores this history in a groundbreaking work that draws connections across decades and throughout American culture, high and low. Scott Selisker argues that literary, cinematic, and scientific representations of the programmed mind have long shaped conversations in U.S. political culture about freedom and unfreedom, and about democracy and its enemies. Selisker demonstrates how American conceptions of freedom and of humanity have changed in tandem with developments in science and technology, including media technology, cybernetics, behaviorist psychology, and sociology. Since World War II, propagandists, scientists, and creative artists have adapted visions of human programmability as they sought to imagine the psychological manipulation and institutional controls that could produce the inscrutable subjects of totalitarian states, cults, and terrorist cells. At the same time, writers across the political spectrum reimagined ideals of American freedom, democracy, and diversity by way of contrast with these posthuman specters of mental unfreedom. Images of such “human automatons” circulated in popular films, trials, travelogues, and the news media, giving form to the nebulous enemies of the postwar and contemporary United States: totalitarianism, communism, total institutions, cult extremism, and fundamentalist terrorism. Ranging from discussions of The Manchurian Candidate and cyberpunk science fiction to the cases of Patty Hearst and the “American Taliban” John Walker Lindh, Human Programming opens new ways of understanding the intertwined roles of literature, film, science, and technology in American culture.

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Richard Moser uses interviews and personal stories of Vietnam veterans to offer a fundamentally new interpretation of the Vietnam War and the antiwar movement. Although the Vietnam War was the most important conflict of recent American history, its decisive battle was not fought in the jungles of Vietnam, or even in the streets of the United States, but rather in the hearts and minds of American soldiers. To a degree unprecedented in American history, soldiers and veterans acted to oppose the very war they waged. Tens of thousands of soldiers and veterans engaged in desperate conflicts with their superiors and opposed the war through peaceful protest, creating a mass movement of dissident organizations and underground newspapers.Moser shows how the antiwar soldiers lived out the long tradition of the citizen soldier first created in the American Revolution and Civil War. Unlike those great upheavals of the past, the Vietnam War offered no way to fulfill the citizen-soldier's struggle for freedom and justice. Rather than abandoning such ideals, however, tens of thousands abandoned the war effort and instead fulfilled their heroic expectations in the movements for peace and justice. According to Moser, this transformation of warriors into peacemakers is the most important recent development of our military culture.The struggle for peace took these new winter soldiers into America rather than away from it. Collectively these men and women discovered the continuing potential of American culture to advance the values of freedom, equality, and justice on which the nation was founded.

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The life and times of a uniquely American testamentIn his retirement, Thomas Jefferson edited the New Testament with a penknife and glue, removing all mention of miracles and other supernatural events. Inspired by the ideals of the Enlightenment, Jefferson hoped to reconcile Christian tradition with reason by presenting Jesus of Nazareth as a great moral teacher—not a divine one. Peter Manseau tells the story of the Jefferson Bible, exploring how each new generation has reimagined the book in its own image as readers grapple with both the legacy of the man who made it and the place of religion in American life.Completed in 1820 and rediscovered by chance in the late nineteenth century after being lost for decades, Jefferson's cut-and-paste scripture has meant different things to different people. Some have held it up as evidence that America is a Christian nation founded on the lessons of the Gospels. Others see it as proof of the Founders' intent to root out the stubborn influence of faith. Manseau explains Jefferson's personal religion and philosophy, shedding light on the influences and ideas that inspired him to radically revise the Gospels. He situates the creation of the Jefferson Bible within the broader search for the historical Jesus, and examines the book's role in American religious disputes over the interpretation of scripture. Manseau describes the intrigue surrounding the loss and rediscovery of the Jefferson Bible, and traces its remarkable reception history from its first planned printing in 1904 for members of Congress to its persistent power to provoke and enlighten us today.

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It is clear that in our society today, issues of diversity and social connectedness remain deeply unresolved and can lead to crisis and instability. The major demographic changes taking place in America make discussions about such issues all the more imperative. Our Compelling Interests engages this conversation and demonstrates that diversity is an essential strength that gives nations a competitive edge. This inaugural volume of the Andrew W. Mellon Foundation's Our Compelling Interests series illustrates that a diverse population offers our communities a prescription for thriving now and in the future. This landmark essay collection begins with a powerful introduction situating the demographic transitions reshaping American life, and the contributors present a broad-ranging look at the value of diversity to democracy and civil society. They explore the paradoxes of diversity and inequality in the fifty years following the civil rights legislation of the 1960s, and they review the ideals that have governed our thinking about social cohesion--such as assimilation, integration, and multiculturalism--before delving into the new ideal of social connectedness. The book also examines the demographics of the American labor force and its implications for college enrollment, graduation, the ability to secure a job, business outcomes, and the economy. Contributors include Danielle Allen, Nancy Cantor, Anthony Carnevale, William Frey, Earl Lewis, Nicole Smith, Thomas Sugrue, and Marta Tienda. Commentary is provided by Kwame Anthony Appiah, Patricia Gurin, Ira Katznelson, and Marta Tienda. At a time when American society is swiftly being transformed, Our Compelling Interests sheds light on how our differences will only become more critical to our collective success.

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The preeminent lyric poet of ancient Greece.Of the Greek lyric poets, Pindar (ca. 518–438 BC) was “by far the greatest for the magnificence of his inspiration” in Quintilian’s view; Horace judged him “sure to win Apollo’s laurels.” The esteem of the ancients may help explain why a good portion of his work was carefully preserved. Most of the Greek lyric poets come down to us only in bits and pieces, but nearly a quarter of Pindar’s poems survive complete. William H. Race now brings us, in two volumes, a new edition and translation of the four books of victory odes, along with surviving fragments of Pindar’s other poems.Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by singers, dancers, and musicians. His forty-five victory odes celebrate triumphs in athletic contests at the four great Panhellenic festivals: the Olympic, Pythian (at Delphi), Nemean, and Isthmian games. In these complex poems, Pindar commemorates the achievement of athletes and powerful rulers against the backdrop of divine favor, human failure, heroic legend, and the moral ideals of aristocratic Greek society. Readers have long savored them for their rich poetic language and imagery, moral maxims, and vivid portrayals of sacred myths.Race provides brief introductions to each ode and full explanatory footnotes, offering the reader invaluable guidance to these often difficult poems. His Loeb Pindar also contains a helpfully annotated edition and translation of significant fragments, including hymns, paeans, dithyrambs, maiden songs, and dirges.

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Martin Luther King, Jr., may be America’s most revered political figure, commemorated in statues, celebrations, and street names around the world. On the fiftieth anniversary of King’s assassination, the man and his activism are as close to public consciousness as ever. But despite his stature, the significance of King’s writings and political thought remains underappreciated.In To Shape a New World, Tommie Shelby and Brandon Terry write that the marginalization of King’s ideas reflects a romantic, consensus history that renders the civil rights movement inherently conservative—an effort not at radical reform but at “living up to” enduring ideals laid down by the nation’s founders. On this view, King marshaled lofty rhetoric to help redeem the ideas of universal (white) heroes, but produced little original thought. This failure to engage deeply and honestly with King’s writings allows him to be conscripted into political projects he would not endorse, including the pernicious form of “color blindness” that insists, amid glaring race-based injustice, that racism has been overcome.Cornel West, Danielle Allen, Martha Nussbaum, Robert Gooding-Williams, and other authors join Shelby and Terry in careful, critical engagement with King’s understudied writings on labor and welfare rights, voting rights, racism, civil disobedience, nonviolence, economic inequality, poverty, love, just-war theory, virtue ethics, political theology, imperialism, nationalism, reparations, and social justice. In King’s exciting and learned work, the authors find an array of compelling challenges to some of the most pressing political dilemmas of our present, and rethink the legacy of this towering figure.

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"The Devil in History" is a provocative analysis of the relationship between communism and fascism. Reflecting the author's personal experiences within communist totalitarianism, this is a book about political passions, radicalism, utopian ideals, and their catastrophic consequences in the twentieth century's experiments in social engineering. Vladimir Tismaneanu brilliantly compares communism and fascism as competing, sometimes overlapping, and occasionally strikingly similar systems of political totalitarianism. He examines the inherent ideological appeal of these radical, revolutionary political movements, the visions of salvation and revolution they pursued, the value and types of charisma of leaders within these political movements, the place of violence within these systems, and their legacies in contemporary politics. The author discusses thinkers who have shaped contemporary understanding of totalitarian movements - people such as Hannah Arendt, Raymond Aron, Isaiah Berlin, Albert Camus, Francois Furet, Tony Judt, Ian Kershaw, Leszek Kolakowski, Richard Pipes, and Robert C. Tucker. As much a theoretical analysis of the practical philosophies of Marxism-Leninism and Fascism as it is a political biography of particular figures, this book deals with the incarnation of diabolically nihilistic principles of human subjugation and conditioning in the name of presumably pure and purifying goals. Ultimately, the author claims that no ideological commitment, no matter how absorbing, should ever prevail over the sanctity of human life. He comes to the conclusion that no party, movement, or leader holds the right to dictate to the followers to renounce their critical faculties and to embrace a pseudo-miraculous, a mystically self-centered, delusional vision of mandatory happiness.

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Awarded the Nobel Prize for Literature in 1920, Knut Hamsun (1859–1952) was a towering figure of Norwegian letters. He was also a Nazi sympathizer and supporter of the German occupation of Norway during the Second World War. In 1943, Hamsun sent his Nobel medal to Third-Reich propaganda minister Joseph Goebbels as a token of his admiration and authored a reverential obituary for Hitler in May 1945. For decades, scholars have wrestled with the dichotomy between Hamsun’s merits as a writer and his infamous ties to Nazism. In her incisive study of Hamsun, Monika Zagar refuses to separate his political and cultural ideas from an analysis of his highly regarded writing. Her analysis reveals the ways in which messages of racism and sexism appear in plays, fiction, and none-too-subtle nonfiction produced by a prolific author over the course of his long career. In the process, Zagar illuminates Norway’s changing social relations and long history of interaction with other peoples. Focusing on selected masterpieces as well as writings hitherto largely ignored, Zagar demonstrates that Hamsun did not arrive at his notions of race and gender late in life. Rather, his ideas were rooted in a mindset that idealized Norwegian rural life, embraced racial hierarchy, and tightly defined the acceptable notion of women in society. Making the case that Hamsun’s support of Nazi political ideals was a natural outgrowth of his reactionary aversion to modernity, Knut Hamsun serves as a corrective to scholarship treating Hamsun’s Nazi ties as unpleasant but peripheral details in a life of literary achievement.

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Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications.A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time.Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

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Religious conversion is often associated with ideals of religious sincerity. But in a society in which religious belonging is entangled with ethnonational citizenship and confers political privilege, a convert might well have multilayered motives. Over the last two decades, mass non-Jewish immigration to Israel, especially from the former Soviet Union, has sparked heated debates over the Jewish state’s conversion policy and intensified suspicion of converts’ sincerity. When the State Winks carefully traces the performance of state-endorsed Orthodox conversion to highlight the collaborative labor that goes into the making of the Israeli state and its Jewish citizens.In a rich ethnographic narrative based on fieldwork in conversion schools, rabbinic courts, and ritual bathhouses, Michal Kravel-Tovi follows conversion candidates—mostly secular young women from a former Soviet background—and state conversion agents, mostly religious Zionists caught between the contradictory demands of their nationalist and religious commitments. She complicates the popular perception that conversion is a “wink-wink” relationship in which both sides agree to treat the converts’ pretenses of observance as real. Instead, she demonstrates how their interdependent performances blur any clear boundary between sincere and empty conversions. Alongside detailed ethnography, When the State Winks develops new ways to think about the complex connection between religious conversion and the nation-state. Kravel-Tovi emphasizes how state power and morality is managed through “winking”—the subtle exchanges and performances that animate everyday institutional encounters between state and citizen. In a country marked by tension between official religiosity and a predominantly secular Jewish population, winking permits the state to save its Jewish face.

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In his probing study of the role of death rites in the making of Islamic society, Leor Halevi imaginatively plays prescriptive texts against material culture and advances new ways of interpreting highly contested sources. His original research reveals that religious scholars of the early Islamic period produced codes of funerary law not only to define the handling of a Muslim corpse but also to transform everyday urban practices. Relying on oral traditions, these scholars established new social patterns in the cities of Arabia, Mesopotamia, and the eastern Mediterranean. They distinguished Islamic rites from Christian, Jewish, and Zoroastrian rites and changed the way men and women interacted publicly and privately. In each chapter Halevi explores a different layer of human interaction, following the movement of the corpse from the deathbed to the grave. In the process he analyzes the real and imaginary relationships between husbands and wives, prayer leaders and mourners, and even dreamers and the dead. He describes how Muslims wailed for the deceased, prepared corpses for burial, marched in funerary processions, and prayed for the dead, highlighting the specific economic and political factors involved in these rituals as well as key religious and sexual divisions. Offering a unique perspective on the making of Islamic social and religious ideals during this early period, Halevi forges a fascinating link between the development of funerary rites and the efforts of an emerging religion to carve out its own, distinct identity. Muhammad's Grave is a groundbreaking history of the rise of Islam and the roots of contemporary Muslim attitudes toward the body and society.

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During and especially after the Second World War, a group of leading scholars who had been perilously close to the war's devastation joined others fortunate enough to have been protected by distance in an effort to redefine and reinvigorate Western liberal ideals for a radically new age. Treating evil as an analytical category, they sought to discover the sources of twentieth-century horror and the potentialities of the modern state in the wake of western desolation. In the process, they devised strikingly new ways to understand politics, sociology and history that reverberate still. In this major intellectual history, Ira Katznelson examines the works of Hannah Arendt, Robert Dahl, Richard Hofstadter, Harold Lasswell, Charles Lindblom, Karl Polanyi, and David Truman, detailing their engagement with the larger project of reclaiming the West's moral bearing. In light of their epoch's calamities these intellectuals insisted that the tradition of Enlightenment thought required a new realism, a good deal of renovation, and much recommitment. This array of historians, political philosophers, and social scientists understood that a simple reassertion of liberal modernism had been made radically insufficient by the enormities and moral catastrophes of war, totalitarianism, and holocaust. Confronting their period's dashed hopes for reason and knowledge, they asked not just whether the Enlightenment should define modernity, but which Enlightenment we should wish to have. Decades later, in the midst of a new type of war and reanimated discussions of the concept of evil, we share no small stake in assessing their successes and limitations.

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Many books have been written about the University of Chicago over its 120-year history, but most of them focus on the intellectual environment, favoring its great thinkers and their many breakthroughs. Yet for the students and scholars who live and work here, the physical university - its stately buildings and beautiful grounds - forms an important part of its character. "Building Ideas: An Architectural Guide to the University of Chicago" explores the environment that has supported more than a century of exceptional thinkers. This photographic guide traces the evolution of campus architecture from the university's founding in 1890 to its plans for the twenty-first century. When William Rainey Harper, the university's first president, and the trustees decided to build a set of Gothic quadrangles, they created a visual link to European precursors and made a bold statement about the future of higher education in the United States. Since then the university has regularly commissioned forward-thinking architects to design buildings that expand - or explode - traditional ideals while redefining the contemporary campus. Full of panoramic photographs and exquisite details, "Building Ideas" features the work of architects such as Frank Lloyd Wright, Henry Ives Cobb, Holabird & Roche, Eero Saarinen, Ludwig Mies van der Rohe, Walter Netsch, Ricardo Legorreta, Rafael Vinoly, Cesar Pelli, Helmut Jahn, and Tod Williams Billie Tsien Architects. The guide also includes guest commentaries by prominent architects and other notable public figures. It is the perfect collection for Chicago alumni and students, Hyde Park residents and visitors, and anyone inspired by the institutional ideas and aspirations of architecture.

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The Fuerza Aérea Revolucionaria (FAR), one of the most powerful and little-publicised air forces in the Americas, had Mikoyan-Gurevich (MiG) fighters as its main fighter aircraft, both in the defence of Cuban territory against the threat of US invasion and in support of Cuban leader’s efforts to export their revolutionary ideals.The book casts an unprecedented look at the introduction and utilisation of all MiG models in Cuban service, since their arrival before the Cuban Missile Crisis, to current times, going through all of the conflicts in which Cuba was involved, from incidents with the Dominican Republic (‘Operación Pico’) and the Bahamas, to its entanglements in wars in Vietnam, Syria, Guinea, Southern Yemen, Angola, Ethiopia and Nicaragua and the recent apprehension of ‘export goods’ to North Korea in the Panama Canal.The story of military aviation in Cuba before the arrival of the MiGs is also briefly presented, from the beginning of their air corps and its role in the political crises that affected the country, in Castro's Revolution and the ill-fated attempted invasion at the Bay of Pigs, contextualising the times when they happened.This is the result of extensive research using Cuban publications, documents, interviews with former pilots, historians and contributions by veteran Cuban airmen both in exile and residing in their homeland. The book is richly illustrated with over 170 photographs and colour profiles detailing the history of all twenty models of MiG fighters operated by Cuba from 1962 to the present.

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Emille Gallé was one of the great names of the Art Nouveau movement in France, and founder of the famous École de Nancy. A polymath and committed social activist, he was best known for his glasswork and faience. Furniture became his third discipline after experimenting with the manufacture of wooden bases on which he could mount his glass vases. Following the French tradition of furniture decoration known as marqueterie, his work is characterised by its meticulous decorative veneers, stained with subtle organic dyes; and panels inlaid with stunningly intricate country scenes and flowers. This important book outlines all of Galle's major works of furniture, from the pieces uniques that were designed for an exclusive clientele, to those displayed between 1889 and 1904 at the annual Paris Salons and two World Expositions. The recent emergence of many of his objets de luxe enables the reader to understand many of his pieces for the first time. Written by Decorative Arts specialist Alastair Duncan, Gallé Furniture documents the history of Gallé's furniture production from his favourite motifs to the ways in which he used furniture design to express his social and political ideals. Duncan includes an encyclopedic range of models created in the Gallé Workshops both during and after his lifetime. Beautifully illustrated, and containing translations of Gallé's 'Notes to the Juries' of the World Expositions, this stunning publication will leave the reader captivated by this remarkable expression of the new art that changed the European aesthetic forever. Forthcoming: Gallé Lamps ISBN: 9781851496716

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Amid civil war, failing states, and terrorism, Arab liberals are growing in numbers and influence. Advocating a culture of equity, tolerance, good governance, and the rule of law, they work through some of the region’s largest media outlets to spread their ideals within the culture. Broadcasting Change analyzes this trend by portraying the intersection of media and politics in two Arab countries with seismic impact on the region and beyond. In Saudi Arabia, where hardline clerics silenced their opponents for generations, liberals now dominate the airwaves. Their success in weakening clerics’ grip over the public space would not only help develop the country; it would ensure that the birthplace of the prophet Muhammad exports a constructive understanding of Islam. In Egypt, home to a brutal government crackdown on Islamists and a bloodsport of attacks on Coptic Christians, local liberals are acting with courage on the ground and over the airwaves. Through TV talk shows, drama, and comedy, they play off the government’s anti-Islamist agenda to more thoughtfully advocate religious reform. Author Joseph Braude, himself a voice in Arabic-language broadcasts and publications, calls for international assistance to the region’s liberals, particularly in the realm of media. Local civic actors and some reform-minded autocrats welcome a new partnership with media experts and democratic governments in North America, Europe, and the Far East. Broadcasting Change argues that support for liberal reform through Arabic media should be construed as an international “public good” — on par with military peacekeeping and philanthropy.

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Equality is the endangered species of political ideals. Even left-of-center politicians reject equality as an ideal: government must combat poverty, they say, but need not strive that its citizens be equal in any dimension. In his new book Ronald Dworkin insists, to the contrary, that equality is the indispensable virtue of democratic sovereignty. A legitimate government must treat all its citizens as equals, that is, with equal respect and concern, and, since the economic distribution that any society achieves is mainly the consequence of its system of law and policy, that requirement imposes serious egalitarian constraints on that distribution. What distribution of a nation's wealth is demanded by equal concern for all? Dworkin draws upon two fundamental humanist principles--first, it is of equal objective importance that all human lives flourish, and second, each person is responsible for defining and achieving the flourishing of his or her own life--to ground his well-known thesis that true equality means equality in the value of the resources that each person commands, not in the success he or she achieves. Equality, freedom, and individual responsibility are therefore not in conflict, but flow from and into one another as facets of the same humanist conception of life and politics. Since no abstract political theory can be understood except in the context of actual and complex political issues, Dworkin develops his thesis by applying it to heated contemporary controversies about the distribution of health care, unemployment benefits, campaign finance reform, affirmative action, assisted suicide, and genetic engineering.

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American military bases encircle the globe. More than two decades after the end of the Cold War, the United States still stations its troops at nearly a thousand locations in foreign lands. These bases are usually taken for granted or overlooked entirely, a little-noticed part of the Pentagon’s vast operations. But in an eye-opening account, Base Nation shows that the worldwide network of bases brings with it a panoply of ills and actually makes the nation less safe in the long run. As David Vine demonstrates, the overseas bases raise geopolitical tensions and provoke widespread antipathy towards the United States. They also undermine American democratic ideals, pushing the United States into partnerships with dictators and perpetuating a system of second-class citizenship in territories such as Guam. They breed sexual violence, destroy the environment, and damage local economies. And their financial cost is staggering: though the Pentagon underplays the numbers, Vine’s accounting proves that the bill approaches $100 billion per year. For many decades, the need for overseas bases has been a quasi-religious dictum of U.S. foreign policy. But in recent years, a bipartisan coalition has finally started to question this conventional wisdom. With the United States withdrawing from Afghanistan and ending thirteen years of war, there is no better time to re-examine the tenets of our military strategy. Base Nation is an essential contribution to that debate.

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