Search results for ""Ideals""

The perils of equating notions of freedom with artistic vitality Eloquently extolled by President John F. Kennedy, the idea that only artists in free societies can produce great art became a bedrock assumption of the Cold War. That this conviction defied centuries of historical evidence--to say nothing of achievements within the Soviet Union--failed to impact impregnable cultural Cold War doctrine. Joseph Horowitz writes: “That so many fine minds could have cheapened freedom by over-praising it, turning it into a reductionist propaganda mantra, is one measure of the intellectual cost of the Cold War.” He shows how the efforts of the CIA-funded Congress for Cultural Freedom were distorted by an anti-totalitarian “psychology of exile” traceable to its secretary general, the displaced Russian aristocrat/composer Nicolas Nabokov, and to Nabokov’s hero Igor Stravinsky. In counterpoint, Horowitz investigates personal, social, and political factors that actually shape the creative act. He here focuses on Stravinsky, who in Los Angeles experienced a “freedom not to matter,” and Dmitri Shostakovich, who was both victim and beneficiary of Soviet cultural policies. He also takes a fresh look at cultural exchange and explores paradoxical similarities and differences framing the popularization of classical music in the Soviet Union and the United States. In closing, he assesses the Kennedy administration’s arts advocacy initiatives and their pertinence to today’s fraught American national identity. Challenging long-entrenched myths, The Propaganda of Freedom newly explores the tangled relationship between the ideology of freedom and ideals of cultural achievement.

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For seven days in April 1968, students occupied five buildings on the campus of Columbia University to protest a planned gymnasium in a nearby Harlem park, links between the university and the Vietnam War, and what they saw as the university’s unresponsive attitude toward their concerns. Exhilarating to some and deeply troubling to others, the student protests paralyzed the university, grabbed the world’s attention, and inspired other uprisings. Fifty years after the events, A Time to Stir captures the reflections of those who participated in and witnessed the Columbia rebellion.With more than sixty essays from members of the Columbia chapter of Students for a Democratic Society, the Students’ Afro-American Society, faculty, undergraduates who opposed the protests, “outside agitators,” and members of the New York Police Department, A Time to Stir sheds light on the politics, passions, and ideals of the 1960s. Moving beyond accounts from the student movement’s white leadership, this book presents the perspectives of black students, who were grappling with their uneasy integration into a supposedly liberal campus, as well as the views of women, who began to question their second-class status within the protest movement and society at large. A Time to Stir also speaks to the complicated legacy of the uprising. For many, the events at Columbia inspired a lifelong dedication to social causes, while for others they signaled the beginning of the chaos that would soon engulf the left. Taken together, these reflections present a nuanced and moving portrait that reflects the sense of possibility and excess that characterized the 1960s.

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At once brave and athletic, virtuous and modest, female martyrs in the second and third centuries were depicted as self-possessed gladiators who at the same time exhibited the quintessentially "womanly" qualities of modesty, fertility, and beauty. L. Stephanie Cobb explores the double embodiment of "male" and "female" gender ideals in these figures, connecting them to Greco-Roman virtues and the construction of Christian group identities. Both male and female martyrs conducted their battles in the amphitheater, a masculine environment that enabled the divine combatants to showcase their strength, virility, and volition. These Christian martyr accounts also illustrated masculinity through the language of justice, resistance to persuasion, and-more subtly but most effectively-the juxtaposition of "unmanly" individuals (usually slaves, the old, or the young) with those at the height of male maturity and accomplishment (such as the governor or the proconsul). Imbuing female martyrs with the same strengths as their male counterparts served a vital function in Christian communities. Faced with the possibility of persecution, Christians sought to inspire both men and women to be braver than pagan and Jewish men. Yet within the community itself, traditional gender roles had to be maintained, and despite the call to be manly, Christian women were expected to remain womanly in relation to the men of their faith. Complicating our understanding of the social freedoms enjoyed by early Christian women, Cobb's investigation reveals the dual function of gendered language in martyr texts and its importance in laying claim to social power.

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-----; 'Hope is the alchemy that turns a life around, and Bernadette’s Russell’s delightful and informative book gives us the toolkit to ignite hope in each of us.' - Julia Samuel, author of Grief Works and This Too Shall Pass; Whether we're grieving or afraid, worn down by everyday troubles or relentless bad news, there is always hope. As an expert on the multiple benefits of hope and kindness, Bernadette Russell reveals how hope can be nurtured by all of us, even in uncertain times.; Filled with cutting-edge research, timeless philosophy and tales of triumph over adversity, this uplifting and essential toolkit will give you all you need to cultivate hope in yourself, your community and in our future.; With plenty of 'try this' tips and case studies of everyday 'hope heroes', How to Be Hopeful will inspire you to live and to act with renewed hope for a more compassionate world.; Hope is the fuel that transforms our lives.; -----; 'The perfect book for troubling times. The ideas and exercises in How To Be Hopeful will soothe your soul.' - Katherine May, author of Wintering: The Power of Rest and Retreat in Difficult Times; 'Everyone needs to read this book.' - Dr Mark Williamson, director of ACTION FOR HAPPINESS; 'Bernadette reminds us of our values and ideals and that each of us has power to affect change.' - Vera Chok, co-author of The Good Immigrant; 'Exactly what is needed right now. Hope AND action.' - Stella Duffy O.B.E, author and co-founder of Fun Palaces campaign for cultural democracy

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In Seven Samurai (1954) a whole society is on the verge of irrevocable change. Akira Kurosawa’s celebrated film, regarded by many to be the major achievement of Japanese cinema, is an epic that evokes the cultural upheaval brought on by the collapse of Japanese militarism in the 16th century, but at the same time echoes also the sweeping cultural changes occurring in the aftermath of the American Occupation that followed Japan's defeat in the Second World War. The plot is deceptively simple. A village of farmers is beleaguered by a horde of bandits. In desperation, the farmers decide to hire itinerant samurai to protect their crops and people and defeat the bandits. There had never been a Japanese film in which peasants hired samurai, or an evocation of the social transformation that made such an idea credible. There are six samurai and one who is accepted as such. Together they reflect the ideals and values of a noble class near the point of extinction. Seven Samurai may be the greatest action film, a technical masterpiece unmatched in its depiction of movement and violence, but running beneath the sound and fury is a lament for a lost nobility, ‘a dirge for the spirit of Japan,’ writes Joan Mellen, ‘which will never again be so strong.’ Mellen's study contextualises Seven Samurai, marking its place in Japanese cinema and in Kurosawa’s film-making career. She explores the film’s roots in medieval history and, above all, the astonishing visual language in which Kurosawa created his elegiac epic.

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In this pathbreaking book, Pierre Charbonnier opens up a new intellectual terrain: an environmental history of political ideas. His aim is not to locate the seeds of ecological thought in the history of political ideas as others have done, but rather to show that all political ideas, whether or not they endorse ecological ideals, are informed by a certain conception of our relationship to the Earth and to our environment. The fundamental political categories of modernity were founded on the idea that we could improve on nature, that we could exert a decisive victory over its excesses and claim unlimited access to earthly resources. In this way, modern thinkers imagined a political society of free individuals, equal and prosperous, alongside the development of industry geared towards progress and liberated from the Earth’s shackles. Yet this pact between democracy and growth has now been called into question by climate change and the environmental crisis. It is therefore our duty today to rethink political emancipation, bearing in mind that this can no longer draw on the prospect of infinite growth promised by industrial capitalism. Ecology must draw on the power harnessed by nineteenth-century socialism to respond to the massive impact of industrialization, but it must also rethink the imperative to offer protection to society by taking account of the solidarity of social groups and their conditions in a world transformed by climate change. This timely and original work of social and political theory will be of interest to a wide readership in politics, sociology, environmental studies and the social sciences and humanities generally.

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This guide takes you on a tour of the “home of the brick,” the official LEGO® House, so you can experience it for yourself at home! With photos, interviews, essays, and art from the LEGO archives, The Secrets of LEGO House explores the visual wonders and the themed “zones”—yellow for emotions, blue for problem solving, green for social interaction, and red for creativity—within the iconic LEGO House in Billund, Denmark. The Secrets of LEGO House offers an insider’s look at the creative philosophy behind the iconic brand. On each page, discover the true “secret” hidden among the 25 million LEGO bricks—that everything in the house is purposefully designed around nine core principles of learning through play. A joy for those who aren’t able to visit in person, and just as exciting for those who have, The Secrets of LEGO House is a bright, colorful celebration of the endless experiences possible with LEGO bricks. • EXCLUSIVE CONTENT: This book is a perfect gift or self-purchase for avid collectors and super fans seeking new, never-before-published content. • BROAD APPEAL: This book is not only perfect for longtime LEGO collectors, but also a broader audience of fans looking to explore the history of the toy they know and love. • BELOVED BRAND: For decades, the LEGO brand has inspired billions of people to stretch the limits of their imaginations. This book captures the creativity and joy at the heart of the LEGO brand, taking readers behind the scenes to reveal the brand’s core ethos and ideals.

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Revered by some as the Arab Garibaldi, maligned by others as an intriguer and opportunist, Fawzi al-Qawuqji manned the ramparts of Arab history for four decades. As a young officer in the Ottoman Army, he fought the British in World War I and won an Iron Cross. In the 1920s, he mastered the art of insurgency and helped lead a massive uprising against the French authorities in Syria. A decade later, he reappeared in Palestine, where he helped direct the Arab Revolt of 1936. When an effort to overthrow the British rulers of Iraq failed, he moved to Germany, where he spent much of World War II battling his fellow exile, the Mufti of Jerusalem, who had accused him of being a British spy. In 1947, Qawuqji made a daring escape from Allied-occupied Berlin, and sought once again to shape his region's history. In his most famous role, he would command the Arab Liberation Army in the Arab-Israeli War of 1948. In this well-crafted, definitive biography, Laila Parsons tells Qawuqji's dramatic story and sets it in the full context of his turbulent times. Following Israel's decisive victory, Qawuqji was widely faulted as a poor leader with possibly dubious motives.The Commander shows us that the truth was more complex: although he doubtless made some strategic mistakes, he never gave up fighting for Arab independence and unity, even as those ideals were undermined by powers inside and outside the Arab world. In Qawuqji's life story we find the origins of today's turmoil in the Arab Middle East.

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The Promise of Happiness is a provocative cultural critique of the imperative to be happy. It asks what follows when we make our desires and even our own happiness conditional on the happiness of others: “I just want you to be happy”; “I’m happy if you’re happy.” Combining philosophy and feminist cultural studies, Sara Ahmed reveals the affective and moral work performed by the “happiness duty,” the expectation that we will be made happy by taking part in that which is deemed good, and that by being happy ourselves, we will make others happy. Ahmed maintains that happiness is a promise that directs us toward certain life choices and away from others. Happiness is promised to those willing to live their lives in the right way. Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. She engages with feminist, antiracist, and queer critics who have shown how happiness is used to justify social oppression, and how challenging oppression causes unhappiness. Reading novels and films including Mrs. Dalloway, The Well of Loneliness, Bend It Like Beckham, and Children of Men, Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social ideals: the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Through her readings she raises critical questions about the moral order imposed by the injunction to be happy.

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The preeminent lyric poet of ancient Greece.Of the Greek lyric poets, Pindar (ca. 518–438 BC) was “by far the greatest for the magnificence of his inspiration” in Quintilian’s view; Horace judged him “sure to win Apollo’s laurels.” The esteem of the ancients may help explain why a good portion of his work was carefully preserved. Most of the Greek lyric poets come down to us only in bits and pieces, but nearly a quarter of Pindar’s poems survive complete. William H. Race now brings us, in two volumes, a new edition and translation of the four books of victory odes, along with surviving fragments of Pindar’s other poems.Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by singers, dancers, and musicians. His forty-five victory odes celebrate triumphs in athletic contests at the four great Panhellenic festivals: the Olympic, Pythian (at Delphi), Nemean, and Isthmian games. In these complex poems, Pindar commemorates the achievement of athletes and powerful rulers against the backdrop of divine favor, human failure, heroic legend, and the moral ideals of aristocratic Greek society. Readers have long savored them for their rich poetic language and imagery, moral maxims, and vivid portrayals of sacred myths.Race provides brief introductions to each ode and full explanatory footnotes, offering the reader invaluable guidance to these often difficult poems. His Loeb Pindar also contains a helpfully annotated edition and translation of significant fragments, including hymns, paeans, dithyrambs, maiden songs, and dirges.

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'LaBute takes us to shadowy places we don't like to talk about, sometimes even to think about.' NewsdayObsession with surface and secrets runs through this second collection of Neil LaBute's work. The Shape of Things peels back the skin of modern-day relationships to ask how far someone might change themselves for love, or for art. In Fat Pig, a man confronts his friends' - and his own - fixation with Hollywood ideals of beauty when he falls for a 'plus size' young woman. In a Dark Dark House and In a Forest, Dark and Deep are twin tales of sibling conflict. In the first, estranged brothers must reconcile conflicting memories, after one asks for corroboration of childhood abuse. In the second, a man's offer to help his sister clear out her cottage brings a terrible confession into the light.The Shape of Things'What initially seems a touching study of student romance develops instead into a passionate discussion about the way art feeds on life.' Daily TelegraphFat Pig'As large as Helen is, the tender heart of the play is easily twice as big.' VarietyIn a Dark Dark House'LaBute toys with expectations and takes pleasure in our discomfort... The play does lead to a pretty dark place - but the ending is not without hope.' Daily MailIn a Forest, Dark and Deep 'It is billed as being about sibling rivalry, but in fact majors on far deeper, dangerous things: the yearning to be understood, female manipulation, and fascinated male disgust at a sister's lurid sexuality.' The Times

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One year into the task of putting University London Central back on its feet, trouble-shooting Vice-Chancellor Professor Clifford Conquest is battling those who, ‘in dribs and drabs, defraud my students of the education they deserve’. His political star is in the ascendant and the ambition to be an important figure of the Centre Left in a reformed Labour party comes closer. But no! His aim is threatened by the forces of the Rising Left – not least on his governing body – bent on displacing the Centre Left. Both factions regard universities as their intellectual stronghold in danger of becoming a plaything of the Right. When a magnetic couple from the world of cinema attend Graduation Day, Conquest’s ambitions for The New University are given renewed impetus. Complications are rife. A student comes to a sticky end, raising questions about the university’s ability to assess risk. A literary endowment causes strife. The value of arcane research fields is called into question and professors revolt. Can Conquest fight off the doctrinaire forces of the Rising Left determined to derail his ambitions? Like any Public Sector samurai, he dons a fresh suit and takes the fight to his enemies. Will Higher Education be reborn? Can he out-connive the connivers? Do the polemical hardliners out-fox him? Even in his darkest hour there are glimpses of stardust; ideals to guide him onwards. For one driven by the highest motives success is truly glorious, even if threatened by the occasional fumble!

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Cities are possibly the most dynamic and important administrative units today. Cities play big roles in addressing many of the complex challenges the world is facing today, including climate change, public health, and migration. This places pressure on public administration and the public sector, to do more with less, particularly at the local level where government services have the most direct impact on people's everyday lives as well as paradigmatic societal shifts associated with the rise of platform economies and new consumption patterns which transform public service delivery whilst changing public expectations. Co-creation and Smart Cities: Looking Beyond Technology highlights ways to meet these new demands with a more robust value-based perspective on public service development and delivery, specifically via co-creation. Co-creation is a way to plan, execute and evaluate public service design and delivery for contemporary cities, a valid means to support the ‘balancing act’ of promoting efficient and cost-effective governance. Built on insights gained through years of experience with and research on co-creation, as well as testimonials from practitioners, this volume presents collaborative and innovative solutions associated with smart city ideals, while continuing to develop a citizen-centric focus that is sustainable over time. Co-creation and Smart Cities helps structure co-creation processes that foster responsible innovation and a systemic, value-based approach to sustainable urban development. This title will be of interest to government officials, researchers and bottom-up communities looking to implement methods for co-creation within cities.

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THE INSTANT NEW YORK TIMES BESTSELLERA REESE'S BOOK CLUB PICK - SOON TO BE A MAJOR NETFLIX PRODUCTION'You'll devour Northern Spy . . . I loved this thrill ride of a book'Reese Witherspoon'A sharp, moving thriller: you lose your breath for adrenalin'Abigail Dean, author of Girl A'A chilling, gorgeously written tale'New York Times'Nerve-shredding suspense'Daily Mail'Thrillingly good... Flynn Berry shows a le Carré-like flair for making you wonder what's really going on at any given moment'Washington Post A producer at the Belfast bureau of the BBC, Tessa is at work one day when the news of another IRA raid comes on the air: as the anchor requests the public's help in locating those responsible for this latest attack - a robbery at a gas station - Tessa's sister Marian appears on the screen, pulling a black mask over her face.The police believe Marian has joined the IRA, but Tessa knows this is impossible. But when the truth of what has happened to her sister reveals itself, Tessa will be forced to choose: between her ideals and her family. Praise for Flynn Berry'Breathtaking . . . Berry writes thrillingly'New York Times'Beautifully paced and satisfyingly ominous'Guardian'Mesmerizingly effective'The Times 'A thrilling page-turner'Paula Hawkins, author of The Girl on the Train'Berry's clever, thrilling writing wound me in and left me heartbroken'Fiona Barton, author of The Widow'What a book! A skillful and compelling exploration of families, crime, and class'Clare Mackintosh, author of I Let You Go

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Shortlisted for the CSA Millia Davenport Publication Award, 2021 Listed as one of The Five Most Essential Books about Art and Fashion, ArtNews, 2023 Dress and fashion are central to our understanding of art. From the stylization of the body to subtle textile embellishments and richly symbolic colors, dress tells a story and provides clues as to the cultural beliefs of the time in which artworks were produced. This concise and accessible book provides a step-by-step guide to analysing dress in art, including paintings, photographs, drawings and art installations. The first section of the book includes an introduction to visual analysis and explains how to ‘read’ fashion and dress in an artwork using the checklists. The second section offers case studies which demonstrate how artworks can be analysed from the point of view of key themes including status and identity, modernity, ideals of beauty, gender, race, globalization and politics. The book includes iconic as well as lesser known works of art, including work by Elisabeth Vigée le Brun, Thomas Gainsborough, James Jacques Tissot, Marcel Duchamp and Man Ray, Yinka Shonibare, Mickalene Thomas, Kent Monkman and many others. Reading Fashion in Art is the perfect text for students of fashion coming to art history for the first time as well as art history students studying dress in art and will be an essential handbook for any gallery visitor. The step-by-step methodology helps the reader learn to look at any work of art that includes the dressed or undressed body and confidently develop a critical analysis of what they see.

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Scientific Testimony concerns the roles of scientific testimony in science and society. The book develops a positive alternative to a tradition famously expressed by the slogan of the Royal Society Nullius in verba ("Take nobody's word for it"). This book argues that intra-scientific testimony--i.e., testimony between collaborating scientists--is not in conflict with the spirit of science or an add-on to scientific practice. On the contrary, intra-scientific testimony is a vital part of science. This is illustrated by articulating epistemic norms of intra-scientific testimony and arguing that they are vital to scientific methodology on a par with other scientific norms governing scientific observation and data analysis. The book also provides an account of public scientific testimony--i.e., scientific testimony to the lay population. This is done by integrating philosophical resources with empirical research on the science of science communication. For example, various misconceptions about science and folk epistemological biases are diagnosed as factors that contribute to science skepticism. This diagnosis provides the basis for developing novel norms for science communication that are sensitive to the psychological and social obstacles to laypersons' uptake of it. Finally, the volume discusses how public scientific testimony is best embedded in society and argues that it is critical for societies that pursue the ideals of deliberative democracy. Scientific Testimony draws on philosophy of science, social epistemology, and empirical research to provide a wide-ranging account of the roles of scientific testimony within scientific practice and within the wider society.

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Jean-Paul Sartre's first published novel, Nausea is both an extended essay on existentialist ideals, and a profound fictional exploration of a man struggling to restore a sense of meaning to his life. This Penguin Modern Classics edition is translated from the French by Robert Baldick with an introduction by James Wood.Nausea is both the story of the troubled life of an introspective historian, Antoine Roquentin, and an exposition of one of the most influential and significant philosophical attitudes of modern times - existentialism. The book chronicles his struggle with the realisation that he is an entirely free agent in a world devoid of meaning; a world in which he must find his own purpose and then take total responsibility for his choices. A seminal work of contemporary literary philosophy, Nausea evokes and examines the dizzying angst that can come from simply trying to live.Jean-Paul Sartre (1905-1980) was an iconoclastic French philosopher, novelist, playwright and, widely regarded as the central figure in post-war European culture and political thinking. Sartre famously refused the Nobel Prize for literature in 1964 on the grounds that 'a writer should not allow himself to be turned into an institution'. His most well-known works, all of which are published by Penguin, include The Age of Reason, Nausea and Iron in the Soul.If you enjoyed Nausea, you might like Albert Camus' The Outsider, also available in Penguin Modern Classics.'One of the very few successful members of the genre "Philosophical Novel" ... a young man's tour de force'Iris Murdoch

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At more than 120 bpm, electronic music sets the tempo on dancefloors around the globe. Accompanying the exhibition Electronic: From Kraftwerk to The Chemical Brothers, this book offers an insight into the visual culture of electronic music, and how technology, design, art and fashion have contributed to its power. With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularised across Europe through underground rave parties. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic’s Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre. Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre’s virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; and iconic venues such as the Haçienda, Gatecrasher, Fabric, Berghain and the Warehouse Project. Reflecting the shifts in society over the past thirty years, electronic music has generated distinct visual languages as well as its own political and cultural ideals.

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A renowned orator and writer, Lincoln believed that he must speak plainly so that every American, regardless of their level of education or literacy, would understand the complicated issues affecting the country during his presidency. He overcame a very humble childhood to become our nation's sixteenth president and a trailblazer in the fight to abolish slavery. In addition to the accomplishments of his lifetime, it is Lincoln's simple but elegant words - in everything from the Emancipation Proclamation to compassionate and often humorous letters to family and friends - that are his legacy. They are proof of his unfailing dedication to the ideals of freedom, equality, and justice upon which America was founded. In this comprehensive collection of Lincoln's writings, historian Milton Meltzer provides a rare personal glimpse into the life of the man behind the legendary words. This handsome volume also features bold, dramatic linocuts by illustrator Stephen Alcorn. Includes author's and illustrator's notes, profiles of Lincoln's contemporaries, and a chronology of Lincoln's life. AGES: 12 and up AUTHOR: Milton Meltzer (1915-2009) was the author of 110 books, five of which were nominated for the National Book Award. With Langston Hughes, he coauthored A Pictorial History of African Americans, now in its sixth edition. He received the 2001 Laura Ingalls Wilder Award for his contribution to children's literature, the 1986 Jane Addams Peace Association Children's Book Award, and the 2000 Regina Medal.

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Copyright is everywhere. Your smartphone incorporates thousands of items of intellectual property. Someone owns the reproduction rights to photographs of your dining table. At this very moment, battles are raging over copyright in the output of artificial intelligence programs. Not only books but wallpaper, computer programs, pop songs, cartoon characters, snapshots, and cuddly toys are now deemed to be intellectual properties—making copyright a labyrinthine construction of laws with colorful and often baffling rationales covering almost all products of human creativity. It wasn’t always so. Copyright has its roots in eighteenth-century London, where it was first established to limit printers’ control of books. But a handful of little-noticed changes in the late twentieth century brought about a new enclosure of the cultural commons, concentrating ownership of immaterial goods in very few hands. Copyright’s metastasis can’t be understood without knowing its backstory, a long tangle of high ideals, low greed, opportunism, and word-mangling that allowed poems and novels (and now, even ringtones and databases) to be treated as if they were no different from farms and houses. Principled arguments against copyright arose from the start and nearly abolished it in the nineteenth century. Nonetheless, countless revisions have made copyright ever stronger. Who Owns This Sentence? is an often-humorous and always-enlightening cultural, legal, and global history of the idea that intangible things can be owned, and makes a persuasive case for seeing copyright as an engine of inequality in the twenty-first century.

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News stories remind us almost daily that anti-American opinion is rampant in every corner of the globe. Journalists, scholars, and politicians alike reinforce the perception that anti-Americanism is an entrenched sentiment in many foreign countries. Political scientist Giacomo Chiozza challenges this conventional wisdom, arguing that foreign public opinion about the U.S. is much more diverse and nuanced than is generally believed. Chiozza examines the character, source, and persistence of foreign attitudes toward the United States. His findings are based on worldwide public opinion databases that surveyed anti-American sentiment in Islamic countries, Europe, Latin America, Africa, and East Asia. Data compiled from responses in a wide range of categories-including politics, wealth, science and technology, popular culture, and education-indicate that anti-American sentiments vary widely across these geographic regions. Through careful analyses, Chiozza shows how foreign publics balance the political, social, and cultural dimensions of the U.S. in their own perceptions of the country. He finds that popular anti-Americanism is mostly benign and shallow; deep-seated ideological opposition to the U.S. is usually held among a minority of groups. More often, Chiozza explains, foreigners have conflicting attitudes toward the U.S. He finds that while anti-Americanism certainly exists, the United States is equally praised as a symbol of democracy and freedom, its ideals of liberty, equality, and opportunity applauded. Chiozza clearly demonstrates that what is reported as undisputed fact-that various groups abhor American values-is in reality a complex story.

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Build a better financial future for yourself and the world. Former monk turned financial advisor, Doug Lynam, shares the rules of money management that will change your approach to earning, saving, and investing.From Monk to Money Manager is an entertaining and self-deprecating journey through Lynam’s relationship with the almighty dollar—his childhood in a rich family, the long-haired hippie days running away from materialism, time in the Marine Corps looking for selfless service, and his twenty years in the monastery under a vow of poverty that led to his current profession as a financial advisor. In this unique look at wealth from a spiritual perspective, Lynam shares his belief that God doesn’t expect us to live in poverty. The truth is, we need financial peace so we can help others. When money becomes a part of our spiritual practice, used in love and service, it can bring us closer to our highest spiritual ideals.With humor and humility, Lynam uses stories told through the lens of his own money mistakes, and those of counseling clients, to understand how our attitudes about money hold us back. He also provides clear, step-by-step guidance on how to grow a little bit wealthy. His insights include how to build a compassionate relationship to our finances; some of the good, bad, and ugly truths about money; and the tricks to unlocking financial freedom.

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An in-depth study of the work of German-born industrial designer Richard Sapper, most famous for designs such as the Tizio lamp and the Brionvega radio. Richard Sapper (1932-2015) a German-born designer who was based in Milan most of his working career, is considered one of the most important designers of his generation. Within his lifetime, he received numerous international design accolades, including ten prestigious Compasso d'Oro awards. Sapper developed and designed a wide variety of products, ranging from ships and cars, to computers and electronics as well as furniture and kitchen appliances. His clients included Alessi, Artemide, B&B Italia, Brionvega, FIAT, Heuer, Kartell, Knoll, IBM, Lenovo, Lorenz Milano, Magis, Molteni, Pirelli and many others. This investigation of Sapper's work, based on over forty hours of interviews with the designer Jonathan Olivares, studies his objects, the circumstances that shaped them and the resulting ideals that emerge. The inter-generational conversation explores themes that reoccur throughout Sapper's oeuvre, and which have a particular importance for a younger generation of designers and those with a desire to understand Sapper's work from a fresh perspective. An illustrated timeline, packed with images from Sapper's personal archives, reveals the incredible variety and technical brilliance of his work. Richard Sapper died in Milan on 31 December 2015. Designed by SM Associati, the agency of Marco Velardi from Apartamento magazine, the book opens with an image essay featuring candid commissioned photography by Ramak Fazel.

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Classical Athenian literature often speaks of democratic politics in sexual terms. Citizens are urged to become lovers of the polis, and politicians claim to be lovers of the people. Victoria Wohl argues that this was no dead metaphor. Exploring the intersection between eros and politics in democratic Athens, Wohl traces the private desires aroused by public ideology and the political consequences of citizens' most intimate longings. Love among the Ruins analyzes the civic fantasies that lay beneath (but not necessarily parallel to) Athens's political ideology. It shows how desire can disrupt politics and provides a deeper--at times disturbing--insight into the democratic unconscious of ancient Athens. The Athenians imagined the perfect citizen as a noble and manly lover. But this icon conceals a multitude of other possible figures: sexy tyrants, potent pathics, and seductive perverts. Through critical re-readings of canonical texts, Wohl investigates these fantasies, which seem so antithetical to Athens's manifest ideals. She examines the interrelation of patriotism and narcissism, the trope of politics as prostitution, the elite suspicion of political pleasure, and the status of perversion within Athens's sexual and political norms. She also discusses the morbid drive that propelled Athenian imperialism, as well as democratic Athens's paradoxical fascination with the joys of tyranny. Drawing on contemporary critical theory in original ways, Wohl sketches the relationship between citizen psyche and political life to illuminate the complex, frequently contradictory passions that structure democracy, ancient and modern.

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Winner, 2023 Joseph Fletcher Prize for Best Edited Book in Historical International Relations, History Section, International Studies AssociationIdeology drives American foreign policy in ways seen and unseen. Racialized notions of subjecthood and civilization underlay the political revolution of eighteenth-century white colonizers; neoconservatism, neoliberalism, and unilateralism propelled the post–Cold War United States to unleash catastrophe in the Middle East. Ideologies order and explain the world, project the illusion of controllable outcomes, and often explain success and failure. How does the history of U.S. foreign relations appear differently when viewed through the lens of ideology?This book explores the ideological landscape of international relations from the colonial era to the present. Contributors examine ideologies developed to justify—or resist—white settler colonialism and free-trade imperialism, and they discuss the role of nationalism in immigration policy. The book reveals new insights on the role of ideas at the intersection of U.S. foreign and domestic policy and politics. It shows how the ideals coded as “civilization,” “freedom,” and “democracy” legitimized U.S. military interventions and enabled foreign leaders to turn American power to their benefit. The book traces the ideological struggle over competing visions of democracy and of American democracy’s place in the world and in history. It highlights sources beyond the realm of traditional diplomatic history, including nonstate actors and historically marginalized voices. Featuring the foremost specialists as well as rising stars, this book offers a foundational statement on the intellectual history of U.S. foreign policy.

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The Vale of the Red Horse, Edgehill, Warwickshire, October, 1642. Bitter divisions that have grown unchecked in the kingdoms of the Stuart dynasty are about to engulf England in a bloody civil war. 30,000 men have gathered to determine the fate of nations and to pursue their own ideals and enmities through brutal and bloody combat. Many have never handled a weapon or strayed far from their native shire. Among them are Anthony Sedley the Birmingham iron worker and Leveller, Robbie Needham, an embittered lead miner from Derbyshire who picks up a pike for his king, George Merrick, the young Oxford graduate whose prospects have been blighted by court corruption, Hywel Lloyd, a proud Welsh hill farmer, and William Bennet the struggling merchant who has staked everything to raise a company for the parliamentary cause. Then there are the half-brothers, Ralph and Francis Reeve, sons of a Suffolk farmer. Pious Francis has abandoned his studies at Cambridge to make England a New Jerusalem, cleansed of sin and filth. He despises his carefree brother and the father who seems to favour him. Caught cuckolding a London merchant, Ralph has forfeited his apprenticeship and indenture money. He dreams of restoring his honour and his fortune when he returns to London with the king's victorious army. But first the brothers must face each other in the Vale of the Red Horse, the horse whose rider is War... God's vindictive wrath!

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This informed and lively book offers a timely analysis of the UK government's sustainable - or subsequently 'integrated' - transport policy 10 years after the publication of "A New Deal for Transport: Better for Everyone". Written by prominent transport experts and with a foreword by Christian Wolmar, the book identifies the modest successes and, sadly, the far more significant failures in government policy over the last decade. The authors also uncover why it has proved so difficult to adopt a more sustainable approach to transport and break Britain's love-affair with the car. The book reviews the links between the idea of sustainability and transport policy, and provides an up-to-the-minute analysis of the political realities surrounding the delivery of a sustainable transport agenda in the UK. It picks up on the principal components of "A New Deal for Transport" and evaluates to what extent these have, or haven't, been delivered in England, Scotland, Wales and Northern Ireland. The contributors analyse why delivering sustainable transport policies seems to present particular difficulties to ministers across the UK, and considers the UK's experience in an international perspective. The book draws lessons from the last 10 years in order to better inform future policy development. "Traffic Jam" is an indispensable analysis of the difficulties involved in turning policy ideals into practical reality, and as such will be of interest to scholars, students, planners, policy analysts and policy makers.

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Striking new readings of Montaigne's works, focussing on such concepts as scepticism and tolerance. Montaigne's Essais (1580-1592) are one of the most remarkable works of the European Renaissance. The Essais' innovative open-mindedness is at odds with the dogmatism and intolerance of their times, the decades of civil and religious wars in France, and their tolerant and searching human questions and ethics of difference remain compelling for twenty-first century readers. But the sceptical open-endedness that vitalizes this writing is also often troubled and troubling: personal losses and the collapse of cultural ideals moved Montaigne to write, and their attendant anxieties are not resolved into tranquil reflection. Unsettling Montaigne reassesses Montaigne's scepticism. Informed by psychoanalytic and related theory, its close attention to Montaigne's complex uses of metaphor illuminates the psychic economy of his scepticism and tolerance and their poetics, while new readings ofhis Essais and other texts reveal the significance of disquieting questions, thought and affect for the ethos his writing fosters. The analysis deals with figures such as cannibals and cannibalism, hunger, shaking, tickling, place, the brother, and haunting in Montaigne's exploration of concepts which tested his understanding and self-understanding. The volume also demonstrates how figuration supports openness to difference for both writer and readers, and is fundamental to this writing's aesthetic, psychic and ethical creativity. Elizabeth Guild lectures in French at the University of Cambridge, and is a Fellow of Robinson College.

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As Boston approaches its four-hundredth anniversary, it is remarkable that it still maintains its historic character despite constant development. The fifty buildings featured in this book all pre-date 1800 and illustrate Boston’s early history. This is the first book to survey Boston’s fifty oldest buildings and does so through an approachable narrative which will appeal to nonarchitects and those new to historic preservation. Beginning with a map of the buildings’ locations and an overview of the historic preservation movement in Boston, the book looks at the fifty buildings in order from oldest to most ­recent. Geographically, the majority of the buildings are located within the downtown area of Boston along the Freedom Trail and within easy walking distance from the core of the city. This makes the book an ideal guide for tourists, and residents of the city will also find it interesting as it includes numerous properties in the surrounding neighborhoods. The buildings span multiple uses from homes to churches and warehouses to restaurants. Each chapter features a building, a narrative focusing on its historical significance, and the efforts made to preserve it over time. Full ­color photos and historical drawings illustrate each building and area. Boston’s Oldest Buildings and Where to Find Them presents the ideals of historic preservation in an approachable and easy­-to-­read manner appropriate for the broadest audience. Perfect for history lovers, architectural enthusiasts, and tourists alike.

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Hardship is now equated with victimhood. Outward displays of vulnerability in defeat are celebrated over winning unabashedly. The pursuit of excellence and exceptionalism are at the heart of American identity, and the disappearance of these ideals in our country leaves a deep moral and cultural vacuum in its wake.But the solution isn't to simply complain about it. It's to revive a new cultural movement in America that puts excellence first again.Leaders have called Ramaswamy "the most compelling conservative voice in the country" and "one of the towering intellects in America," and this book reveals why: he spares neither left nor right in this scathing indictment of the victimhood culture at the heart of America's national decline.Following the success of his instant bestseller Woke Inc., Ramaswamy explains in his new book that we're a nation of victims now. It's one of the few things we still have left in common-across black victims, white victims, liberal victims, and conservative victims. Victims of each other, and ultimately, of ourselves.This fearless, provocative book is for readers who dare to look in the mirror and question their most sacred assumptions about who we are and how we got here. Intricately tracing history from the fall of Rome to the rise of America, weaving Western philosophy with Eastern theology in ways that moved Jefferson and Adams centuries ago, this book describes the rise and the fall of the American experiment itself-and hopefully its reincarnation.

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In its first modern translation, a novel-cum-memoir of a Frenchman’s erotic awakening in Italy by a preeminent writer of the Romantic period In 1812 Alphonse de Lamartine, a young man of means, traveled through southern Italy, where, during a sojourn in Naples, he fell in love with a young woman who worked in a cigar factory—and whose death after he returned to France would haunt him throughout his writing life. Graziella, Lamartine called this lost girl in his poetry and memoirs—and also in Graziella, a novel that closely follows the story of his own romance.“When I was eighteen,” the narrator begins, as if penning his memoir, “my family entrusted me to the care of a relative whose business affairs called her to Tuscany.” The tale that unfolds, of the young man’s amorous experiences amid the natural grandeur and subtle splendors of the Italian countryside, is one of the finest works of fiction in the French Romantic tradition, a bildungsroman that is also a melancholy portrait of the artist as a young man discovering the muse who would both inspire and elude him.Remarkable for its contemplative prose, its dreamy passions and seductive drawing of the Italian landscape, and its place in the Romantic canon, Graziella is a timeless portrait of love, chronicling the remorse and the misguided ideals of youth that find their expression, if not their amends, in art.

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A poignant account of everyday polygamy and what its regulation reveals about who is viewed as an "Other" In the past thirty years, polygamy has become a flashpoint of conflict as Western governments attempt to regulate certain cultural and religious practices that challenge seemingly central principles of family and justice. In Forbidden Intimacies, Melanie Heath comparatively investigates the regulation of polygamy in the United States, Canada, France, and Mayotte. Drawing on a wealth of ethnographic and archival sources, Heath uncovers the ways in which intimacies framed as "other" and "offensive" serve to define the very limits of Western tolerance. These regulation efforts, counterintuitively, allow the flourishing of polygamies on the ground. The case studies illustrate a continuum of justice, in which some groups, like white fundamentalist Mormons in the U.S., organize to fight against the prohibition of their families' existence, whereas African migrants in France face racialized discrimination in addition to rigid migration policies. The matrix of legal and social contexts, informed by gender, race, sexuality, and class, shapes the everyday experiences of these relationships. Heath uses the term "labyrinthine love" to conceptualize the complex ways individuals negotiate different kinds of relationships, ranging from romantic to coercive. What unites these families is the secrecy in which they must operate. As government intervention erodes their abilities to secure housing, welfare, work, and even protection from abuse, Heath exposes the huge variety of intimacies, and the power they hold to challenge heteronormative, Western ideals of love.

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Recovering the powerful and influential contributions of women from the nation’s formative years The Political Thought of America’s Founding Feminists traces the significance of Frances Wright, Harriet Martineau, Angelina and Sarah Grimké, Lucretia Mott, Elizabeth Cady Stanton, and Sojourner Truth in shaping American political thinking. These women understood the relationship between sexism, racism, and economic inequality; yet, they are virtually unknown in American political thought because they are considered activists, not theorists. Their efforts to expand the reach of America’s founding ideals laid the groundwork not only for women’s suffrage and the abolition of slavery, but for the broader expansion of civil, political, and human rights that would characterize much of the twentieth century and continues to unfold today. Drawing on a careful reading of speeches, letters and other archival sources, Lisa Pace Vetter shows the ways in which the early women’s rights movement and abolitionism were central to the development of American political thought. The Political Thought of America’s Founding Feminists demonstrates that early American political thought is incomplete without attention to these important female thinkers, and that an understanding of early American women’s movements is incomplete without considering its profound impact on political thought. A complex and thoughtful guide to the indispensable role of women in shaping the American way of life, The Political Thought of America’s Founding Feminists is essential for a comprehensive understanding of the history of American political thought.

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Exploring the profound impact of the Black Power movement on African Americans.Outstanding Academic Title, ChoiceIn the 1960s and 70s, the two most important black nationalist organizations, the Nation of Islam and the Black Panther Party, gave voice and agency to the most economically and politically isolated members of black communities outside the South. Though vilified as fringe and extremist, these movements proved to be formidable agents of influence during the civil rights era, ultimately giving birth to the Black Power movement.Drawing on deep archival research and interviews with key participants, Jeffrey O. G. Ogbar reconsiders the commingled stories of—and popular reactions to—the Nation of Islam, Black Panthers, and mainstream civil rights leaders. Ogbar finds that many African Americans embraced the seemingly contradictory political agenda of desegregation and nationalism. Indeed, black nationalism, he demonstrates, was far more favorably received among African Americans than historians have previously acknowledged. It engendered minority pride and influenced the political, cultural, and religious spheres of mainstream African American life for the decades to come.This updated edition of Ogbar's classic work contains a new preface that describes the book's genesis and links the Black Power movement to the Black Lives Matter movement. A thoroughly updated essay on sources contains a comprehensive review of Black Power–related scholarship. Ultimately, Black Power reveals a black freedom movement in which the ideals of desegregation through nonviolence and black nationalism marched side by side.

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In this book Sueann Caulfield explores the changing meanings of honor in early-twentieth-century Brazil, a period that saw an extraordinary proliferation of public debates that linked morality, modernity, honor, and national progress. With a close examination of legal theory on sexual offenses and case law in Rio de Janeiro from the end of World War I to the early years of the Estado Novo dictatorship, Caulfield reveals how everyday interpretations of honor influenced official attitudes and even the law itself as Brazil attempted to modernize.While some Brazilian elites used the issue of sexual purity to boast of their country’s moral superiority, others claimed that the veneration of such concepts as virginity actually frustrated efforts at modernization. Moreover, although individuals of all social classes invoked values they considered “traditional,” such as the confinement of women’s sexuality within marriage, these values were at odds with social practices—such as premarital sex, cohabitation, divorce, and female-headed households—that had been common throughout Brazil’s history. The persistence of these practices, together with post-World War I changes in both official and popular moral ideals, presented formidable obstacles to the Estado Novo’s renewed drive to define and enforce public morality and private family values in the late 1930s.With sophisticated theoretical underpinnings, In Defense of Honor is written in a clear and lively manner, making it accessible to students and scholars in a variety of disciplines, including Brazilian and Latin American studies, gender studies, and legal history.

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Whereas my husband, Enoch Darling, has at sundry times used me in so improper and cruel a manner, as to destroy my happiness and endanger my life, and whereas he has not provided for me as a husband ought, but expended his time and money unadvisedly, at taverns . . . . I hereby notify the public that I am obliged to leave him. Phebe Darling, January 13, 1796 Hundreds of provocative notices such as this one ran in New England newspapers between 1790 and 1830. These elopement notices--advertisements paid for by husbands and occasionally wives to announce their spouses' desertions as well as the personal details of their marital conflicts--testify to the difficulties that many couples experienced, and raise questions about the nature of the marital relationship in early national New England. Stray Wives examines marriage, family, gender, and the law through the lens of these elopement notices. In conjunction with legal treatises, court records, and prescriptive literature, Mary Beth Sievens highlights the often tenuous relationships among marriage law, marital ideals, and lived experience in the early Republic, an era of exceptional cultural and economic change. Elopement notices allowed couples to negotiate the meaning of these changes, through contests over issues such as gender roles, consumption, economic support, and property ownership. Sievens reveals the ambiguous, often contested nature of marital law, showing that husbands' superior status and wives' dependence were fluid and negotiable, subject to the differing interpretations of legal commentators, community members, and spouses themselves.

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Before the Civil War, American writers such as Catharine Maria Sedgwick and Harriet Beecher Stowe had established authorship as a respectable profession for women. But though they had written some of the most popular and influential novels of the century, they accepted the taboo against female writers, regarding themselves as educators and businesswomen. During and after the Civil War, some women writers began to challenge this view, seeing themselves as artists writing for themselves and for posterity. Writing for Immortality studies the lives and works of four prominent members of the first generation of American women who strived for recognition as serious literary artists: Louisa May Alcott, Elizabeth Stuart Phelps, Elizabeth Stoddard, and Constance Fenimore Woolson. Combining literary criticism and cultural history, Anne E. Boyd examines how these authors negotiated the masculine connotation of "artist," imagining a space for themselves in the literary pantheon. Redrawing the boundaries between male and female literary spheres, and between American and British literary traditions, Boyd shows how these writers rejected the didacticism of the previous generation of women writers and instead drew their inspiration from the most prominent "literary" writers of their day: Emerson, James, Barrett Browning, and Eliot. Placing the works and experiences of Alcott, Phelps, Stoddard, and Woolson within contemporary discussions about "genius" and the "American artist," Boyd reaches a sobering conclusion. Although these women were encouraged by the democratic ideals implicit in such concepts, they were equally discouraged by lingering prejudices about their applicability to women.

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Over a career spanning American history from the 1880s to the 1950s, John Dewey sought not only to forge a persuasive argument for his conviction that "democracy is freedom" but also to realize his democratic ideals through political activism. Widely considered modern America's most important philosopher, Dewey made his views known both through his writings and through such controversial episodes as his leadership of educational reform at the turn of the century; his support of American intervention in World War I and his leading role in the Outlawry of War movement after the war; and his participation in both radical and anti-communist politics in the 1930s and 40s. Robert B. Westbrook reconstructs the evolution of Dewey's thought and practice in this masterful intellectual biography, combining readings of his major works with an engaging account of key chapters in his activism. Westbrook pays particular attention to the impact upon Dewey of conversations and debates with contemporaries from William James and Reinhold Niebuhr to Jane Addams and Leon Trotsky. Countering prevailing interpretations of Dewey's contribution to the ideology of American liberalism, he discovers a more unorthodox Dewey—a deviant within the liberal community who was steadily radicalized by his profound faith in participatory democracy. Anyone concerned with the nature of democracy and the future of liberalism in America—including educators, moral and social philosophers, social scientists, political theorists, and intellectual and cultural historians—will find John Dewey and American Democracy indispensable reading.

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Islamism has emerged as one of the most significant political ideologies of the 21st century. From the Islamic Revolution in Iran to the grinding struggle of Hizballah in Lebanon and the devastating 9/11 attacks by al-Qa'ida, Islam has become both a critical discourse and a framework for active resistance, which levels a potent challenge against the ideals of modern secularism and the structures of Western hegemony. This book offers a rigorous and balanced analysis of how and why Islamism has risen to the fore as the dominant voice of Islamic discourse and what accounts for the often vastly different political agendas, tactical choices and strategic objectives of individual Islamist groups. It shows how a common Islamist language of resistance and defiance acquires distinctive meanings and implications in different local contexts, as well as how these local struggles connect to each other. Drawing on important insights from social psychology, critical studies, and post-colonial studies, the book pinpoints the underlying dynamic that drives Islamist struggles in the world today, and shows how diverse experiences of repression and humiliation - real or perceived - are translated into an equally diverse collection of struggles aimed at promoting an alternative social order of independence and dignity framed by Islam. Islamism will be essential reading for students and scholars of Islamic Studies, as well as general readers with an interest in the role and status of Islam in contemporary international politics.

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A firsthand look at efforts to improve diversity in software and hackerspace communitiesHacking, as a mode of technical and cultural production, is commonly celebrated for its extraordinary freedoms of creation and circulation. Yet surprisingly few women participate in it: rates of involvement by technologically skilled women are drastically lower in hacking communities than in industry and academia. Hacking Diversity investigates the activists engaged in free and open-source software to understand why, despite their efforts, they fail to achieve the diversity that their ideals support.Christina Dunbar-Hester shows that within this well-meaning volunteer world, beyond the sway of human resource departments and equal opportunity legislation, members of underrepresented groups face unique challenges. She brings together more than five years of firsthand research: attending software conferences and training events, working on message boards and listservs, and frequenting North American hackerspaces. She explores who participates in voluntaristic technology cultures, to what ends, and with what consequences. Digging deep into the fundamental assumptions underpinning STEM-oriented societies, Dunbar-Hester demonstrates that while the preferred solutions of tech enthusiasts—their “hacks” of projects and cultures—can ameliorate some of the “bugs” within their own communities, these methods come up short for issues of unequal social and economic power. Distributing “diversity” in technical production is not equal to generating justice.Hacking Diversity reframes questions of diversity advocacy to consider what interventions might appropriately broaden inclusion and participation in the hacking world and beyond.

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The medieval theory of the caliphate, epitomized by the Abbasids (750-1258), was the construct of jurists who conceived it as a contractual leadership of the Muslim community in succession to the Prophet Muhammed's political authority. In this book, Huseyin Yilmaz traces how a new conception of the caliphate emerged under the Ottomans, who redefined the caliph as at once a ruler, a spiritual guide, and a lawmaker corresponding to the prophet's three natures. Challenging conventional narratives that portray the Ottoman caliphate as a fading relic of medieval Islamic law, Yilmaz offers a novel interpretation of authority, sovereignty, and imperial ideology by examining how Ottoman political discourse led to the mystification of Muslim political ideals and redefined the caliphate. He illuminates how Ottoman Sufis reimagined the caliphate as a manifestation and extension of cosmic divine governance. The Ottoman Empire arose in Western Anatolia and the Balkans, where charismatic Sufi leaders were perceived to be God's deputies on earth. Yilmaz traces how Ottoman rulers, in alliance with an increasingly powerful Sufi establishment, continuously refashioned and legitimated their rule through mystical imageries of authority, and how the caliphate itself reemerged as a moral paradigm that shaped early modern Muslim empires. A masterful work of scholarship, Caliphate Redefined is the first comprehensive study of premodern Ottoman political thought to offer an extensive analysis of a wealth of previously unstudied texts in Arabic, Persian, and Ottoman Turkish.

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Was George W. Bush the true heir of Woodrow Wilson, the architect of liberal internationalism? Was the Iraq War a result of liberal ideas about America's right to promote democracy abroad? In this timely book, four distinguished scholars of American foreign policy discuss the relationship between the ideals of Woodrow Wilson and those of George W. Bush. The Crisis of American Foreign Policy exposes the challenges resulting from Bush's foreign policy and ponders America's place in the international arena. Led by John Ikenberry, one of today's foremost foreign policy thinkers, this provocative collection examines the traditions of liberal internationalism that have dominated American foreign policy since the end of World War II. Tony Smith argues that Bush and the neoconservatives followed Wilson in their commitment to promoting democracy abroad. Thomas Knock and Anne-Marie Slaughter disagree and contend that Wilson focused on the building of a collaborative and rule-centered world order, an idea the Bush administration actively resisted. The authors ask if the United States is still capable of leading a cooperative effort to handle the pressing issues of the new century, or if the country will have to go it alone, pursuing policies without regard to the interests of other governments. Addressing current events in the context of historical policies, this book considers America's position on the global stage and what future directions might be possible for the nation in the post-Bush era.

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“A fascinating book about how platform internet companies (Amazon, Facebook, and so on) are changing the norms of economic competition.”—Fast CompanyShoppers with a bargain-hunting impulse and internet access can find a universe of products at their fingertips. But is there a dark side to internet commerce? This thought-provoking exposé invites us to explore how sophisticated algorithms and data-crunching are changing the nature of market competition, and not always for the better. Introducing into the policy lexicon terms such as algorithmic collusion, behavioral discrimination, and super-platforms, Ariel Ezrachi and Maurice E. Stucke explore the resulting impact on competition, our democratic ideals, our wallets, and our well-being.“We owe the authors our deep gratitude for anticipating and explaining the consequences of living in a world in which black boxes collude and leave no trails behind. They make it clear that in a world of big data and algorithmic pricing, consumers are outgunned and antitrust laws are outdated, especially in the United States.”—Science“A convincing argument that there can be a darker side to the growth of digital commerce. The replacement of the invisible hand of competition by the digitized hand of internet commerce can give rise to anticompetitive behavior that the competition authorities are ill equipped to deal with.”—Burton G. Malkiel, Wall Street Journal“A convincing case for the need to rethink competition law to cope with algorithmic capitalism’s potential for malfeasance.”—John Naughton, The Observer

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The three most important Supreme Court Justices before the Civil War—Chief Justices John Marshall and Roger B. Taney and Associate Justice Joseph Story—upheld the institution of slavery in ruling after ruling. These opinions cast a shadow over the Court and the legacies of these men, but historians have rarely delved deeply into the personal and political ideas and motivations they held. In Supreme Injustice, the distinguished legal historian Paul Finkelman establishes an authoritative account of each justice’s proslavery position, the reasoning behind his opposition to black freedom, and the incentives created by circumstances in his private life.Finkelman uses census data and other sources to reveal that Justice Marshall aggressively bought and sold slaves throughout his lifetime—a fact that biographers have ignored. Justice Story never owned slaves and condemned slavery while riding circuit, and yet on the high court he remained silent on slave trade cases and ruled against blacks who sued for freedom. Although Justice Taney freed many of his own slaves, he zealously and consistently opposed black freedom, arguing in Dred Scott that free blacks had no Constitutional rights and that slave owners could move slaves into the Western territories. Finkelman situates this infamous holding within a solid record of support for slavery and hostility to free blacks.Supreme Injustice boldly documents the entanglements that alienated three major justices from America’s founding ideals and embedded racism ever deeper in American civic life.

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After the local newspaper where she worked as a reporter closed, Emily Guendelsberger took a pre-Christmas job at an Amazon fulfillment center outside Louisville, Kentucky. There, the vending machines were stocked with painkillers, and the staff turnover was dizzying. In the new year, she travelled to North Carolina to work at a call center, a place where even bathroom breaks were timed to the second. And finally, Guendelsberger was hired at a San Francisco McDonald's, narrowly escaping revenge-seeking customers who pelted her with condiments.Across three jobs, and in three different parts of the country, Guendelsberger directly took part in the revolution changing the U.S. workplace. ON THE CLOCK takes us behind the scenes of the fastest-growing segment of the American workforce to understand the future of work in America - and its present. Until robots pack boxes, resolve billing issues, and make fast food, human beings supervised by AI will continue to get the job done. Guendelsberger shows us how workers went from being the most expensive element of production to the cheapest - and how low wage jobs have been remade to serve the ideals of efficiency, at the cost of humanity.ON THE CLOCK explores the lengths that half of Americans will go to in order to make a living, offering not only a better understanding of the modern workplace, but also surprising solutions to make work more humane for millions of Americans.

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A rediscovery of patriotism as a virtue in line with the core values of democracy in an extremist age “Like you perhaps, I still regard myself as an extremely patriotic person. Which is why I so admired [this book]. . . . It explained my emotion to me, as it might yours to you." —David Brooks, New York Times “Smith superbly illuminates the distinctiveness of the American idea of patriotism and reminds us of how important patriotism is, and how essential to making America better.”—Leslie Lenkowsky, Wall Street Journal The concept of patriotism has fallen on hard times. What was once a value that united Americans has become so politicized by both the left and the right that it threatens to rip apart the social fabric. On the right, patriotism has become synonymous with nationalism and an “us versus them” worldview, while on the left it is seen as an impediment to acknowledging important ethnic, religious, or racial identities and a threat to cosmopolitan globalism. Steven B. Smith reclaims patriotism from these extremist positions and advocates for a patriotism that is broad enough to balance loyalty to country with other loyalties. Describing how it is a matter of both the head and the heart, Smith shows how patriotism can bring the country together around the highest ideals of equality and is a central and ennobling disposition that democratic societies cannot afford to do without.

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This collection investigates the world of nineteenth-century Quaker women, bringing to light the issues and challenges Quaker women experienced and the dynamic ways in which they were active agents of social change, cultural contestation, and gender transgression in the nineteenth century.New research illuminates the complexities of Quaker testimonies of equality, slavery, and peace and how they were informed by questions of gender, race, ethnicity, and culture. The essays in this volume challenge the view that Quaker women were always treated equally with men and that people of color were welcomed into white Quaker activities. The contributors explore how diverse groups of Quaker women navigated the intersection of their theological positions and social conventions, asking how they challenged and supported traditional ideals of gender, race, and class. In doing so, this volume highlights the complexity of nineteenth-century Quakerism and the ways Quaker women put their faith to both expansive and limiting ends. Reaching beyond existing national studies focused solely on white American or British Quaker women, this interdisciplinary volume presents the most current research, providing a necessary and foundational resource for scholars, libraries, and universities.In addition to the editors, the contributors to this volume include Joan Allen, Richard C. Allen, Stephen W. Angell, Jennifer M. Buck, Nancy Jiwon Cho, Isabelle Cosgrave, Thomas D. Hamm, Julie L. Holcomb, Anna Vaughan Kett, Emma Lapsansky-Werner, Linda Palfreeman, Hannah Rumball, and Janet Scott.

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The first of its kind in English, this anthology translates twenty-two popular Chinese plays published between 1919 and 2000, accompanied by a critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Primarily comprising works from the People's Republic of China, though including representative plays from Hong Kong and Taiwan, this collection not only showcases the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty. It also highlights the formation of Chinese national and gender identities during a period of tremendous social and political change, along with the genesis of contemporary attitudes toward the West. Early twentieth-century Chinese drama embodies the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. After 1949, PRC theater painted a complex portrait of the rise of communism in China, with the ideals of Chinese socialism juxtaposed against the sacrifices made for a new society. The Cultural Revolution promoted a "model theater" cultivated from the achievements of earlier, leftist spoken drama, even though this theater arose from the destruction of old culture. Post-Mao drama addresses the socialist legacy and the attempts of a wounded nation to reexamine its cultural roots. Taiwan's spoken drama synthesizes regional and foreign traditions, and Hong Kong's spoken drama sparkles as a hybrid of Chinese and Western influences. Immensely valuable for cross-disciplinary, comparative, and performance study, this anthology provides essential perspective on China's theatricality and representation of political life.

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