Search results for ""Author Francis"

Peru is a silent and mysterious world, a land of solemn and impressive landscapes, sometimes terrifying but in harmony with the forces of nature and the universe. It is also the land of the proud, often silent but always resolute descendants of the noble, ancient people who built a formidable civilisation: the Incas. Invincible warriors and able politicians, these new 'owners of the earth' founded their capital at Cuzco and, little by little, subjected the surrounding peoples, assimilating their culture and arts and expanding in all directions. Only the Spanish under Francisco Pizarro succeeded in severing their roots and consigning to oblivion the riches of El Dorado and the marvelous treasures hidden among the arid highlands and snowy peaks. Here, among the dense sub-equatorial forests on the eastern slopes that face toward the Amazonian basin, archaeological sites of great interest have been found, from early raw-brick pyramids to mysterious cities built of stone. Peru has the highest railway line in the world; it runs along the backbone of South America with stations perched at heights over 15,400 feet. It is also where the spirits of the Andes live, the apu, and the shamans of Peru with their ancient medicine, who still represent the strength of the ancient American people.

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'Simply put: nobody does it better.' Jeffrey Deaver'A writer with an unusual skill at thriller plotting.' Guardian'James Patterson is The Boss. End of.' Ian Rankin__________________________________The dynamics are simple in the Wolf family. They eat you if you let them.Joe Wolf has raised his children to have the same cut-throat mentality that built his own California business empire: kill or be killed.When Joe's body is discovered adrift in the San Francisco Bay, his daughter Jenny finds herself head of the Wolf empire.With her brothers trying to seize her newfound power and assets from under her, Jenny discovers that each of them has the means and motive to kill.Which of them is capable of murder?__________________________________Readers are loving House of Wolves'Lots of twists till the end''As usual a great read from James Patterson''Excellent read from start to finish''Unputdownable''Another great book from the master of fiction'__________________________________Praise for James Patterson:'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' Lee Child'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' Michael Connelly

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Military artists tend to paint the two extremes of the soldiers life; at one end the subject is rendered in his parade best uniform, pressed and spotlessly clean, and at the other extreme locked in heroic combat defeating his enemy. Friedrich Ludwig Scharf took the middle road, painting the troops as they looked going about their daily duties. Scharf, on one hand an artist, had also been a career Jäger enlisted man, rising to the rank of Offizierstellvertrater in 1918. He spent most of his wartime service on the Eastern front where he observed and fought with the Cavalry regiments, as well as the Reserve and Landsturm troops assigned to that front. In his paintings the uniform historian and military modeler will find accurate and sometimes amusing representations of what Scharf actually saw. The ill-equipped Landsturmers with outdated uniforms, the Cavalry still mounted dashing about the Russian front, Flamethrower troops, ski troops and even a Franciscan monk in military service were captured in his watercolors and linoleum block hand-colored prints. This book is a must for the serious student of the uniforms of the German forces from 1910-1939, portrayed in the unique style of Friedrich Ludwig Scharf, 1884-1965.

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The art book Lita Cabellut is the first monograph to be published on the impressive work of the highly talented artist. Among experts, Cabellut is now considered the third most valuable artist in Spain. Her importance to the art world becomes clear when one realises that she is the only living artist to have managed to be exhibited at the REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO (RABASF) in Madrid. Here her paintings are installed next to works by the old masters Francisco de Goya and Pablo Picasso, and anyone who looks at her large-format paintings will realise that she has earned this place. But Cabellut does not only paint; she is also a multidisciplinary artist who feels at home in many fields. She also stages operas and creates sculptures. Her fans love her fresco technique, which gives her paintings that very special authenticity and vulnerability. Now, at last, fans of Lita can bring her paintings home to them in the high-quality coffee table book Lita Cabellut. The beautifully crafted coffee table book shows the most important works of the Spanish artist, who now lives and works in the Netherlands. There, she was voted Artist of the Year in 2021. Text in English and German.

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As the main interpreter for Adolf Hitler during the key prewar moments, such as the Munich Agreement, the British Declaration of War and the surrender of France, Paul-Otto Schmidt was well placed to record his impressions of events from 1935 up to 1945. He was an interpreter working in the German foreign ministry where he served from 1923 to 1945, and being fluent in English and French he gained respect and was Hitler s usual first choice for the important meetings. During the war years he served as Hitler's interpreter during his meetings with Marshal Philippe Petain and Francisco Franco. After the 1942 Dieppe Raid resulted in thousands of Canadian soldiers captured, Schmidt was in charge of their interrogations. Schmidt s book is helpful in gaining an insight into the minutiae of Third Reich thinking and planning as much as planning went beyond Hitler s will. One classic nugget is from the early morning of 3 September 1939 when Britain issued its ultimatum to Germany, for it was Schmidt who had to hand the translation to Hitler: After an interval which seemed an age, he turned to Ribbentrop, who had remained standing by the window. What now? asked Hitler with a savage look, as though implying that his Foreign Minister had misled him about England s probable reaction. "

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After surviving nearly a decade of heroin abuse and hard living on the streets of San Francisco's Tenderloin District, Tracey Helton Mitchell decided to get clean for good.With raw honesty and a poignant perspective on life that only comes from starting at rock bottom, Tracey tells her story of transformation from homeless heroin addict to stable mother of three-and the hard work and hard lessons that got her there. Rather than dwelling on the pain of addiction, The Big Fix focuses on her journey of recovery and rebuilding her life, while exposing the failings of the American rehab system and laying out a path for change. Starting with the first step in her recovery, Tracey re-learns how to interact with men, build new friendships, handle money, and rekindle her relationship with her mother, all while staying sober, sharp, and dedicated to her future.A decidedly female story of addiction, The Big Fix describes the unique challenges faced by women caught in the grip of substance abuse, such as the toxic connection between drug addition and prostitution. Tracey's story of hope, hard work, and rehabilitation will inspire anyone who has been affected by substance abuse while offering hope for a better future.

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She knows he's no saint, but she has no idea she's dancing with the devil.Cole Blackwell values control. He's the hottest sculptor in San Francisco-wealthy, successful, and respected. His only weakness is the dark impulse he carefully conceals. In truth, he's not just an artist: he's a predator, and the city is his hunting ground.Mara Eldritch is a nobody. Broke and damaged, she works three jobs while creating paintings no one will ever see. When a chance encounter throws Mara into Cole's path, her escape from certain death fascinates Cole. More than that-it fixates him.He begins stalking her, discovering there's more to the struggling misfit than he would have guessed. She makes him feel things he never thought he could feel. Want things he thought he'd never want. He doesn't know if he should protect her at all costs or destroy her before she ruins him. He's losing control, breaking the rules that have kept his true nature hidden from the world.Mara knows he's dangerous, but Cole is the only person who's ever recognized her talent, and it leads her heart astray, straight into the dark.Cole can teach her to get what she wants...but what might this vicious killer want in return?

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'Simply put: nobody does it better.' Jeffrey Deaver'A writer with an unusual skill at thriller plotting.' Guardian'James Patterson is The Boss. End of.' Ian Rankin__________________________________The dynamics are simple in the Wolf family. They eat you if you let them.Joe Wolf has raised his children to have the same cut-throat mentality that built his own California business empire: kill or be killed.When Joe's body is discovered adrift in the San Francisco Bay, his daughter Jenny finds herself head of the Wolf empire.With her brothers trying to seize her newfound power and assets from under her, Jenny discovers that each of them has the means and motive to kill.Which of them is capable of murder?__________________________________Readers are loving House of Wolves'Lots of twists till the end''As usual a great read from James Patterson''Excellent read from start to finish''Unputdownable''Another great book from the master of fiction'__________________________________Praise for James Patterson:'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' Lee Child'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' Michael Connelly

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Through close readings of the painted images in a major sixteenth-century illustrated manuscript, this book demonstrates the critical role that images played in ethnic identity formation and politics in colonial Mexico.The Relación de Michoacán (1539–1541) is one of the earliest surviving illustrated manuscripts from colonial Mexico. Commissioned by the Spanish viceroy Antonio de Mendoza, the Relación was produced by a Franciscan friar together with indigenous noble informants and anonymous native artists who created its forty-four illustrations. To this day, the Relación remains the primary source for studying the pre-Columbian practices and history of the people known as Tarascans or P’urhépecha. However, much remains to be said about how the Relación’s colonial setting shaped its final form.By looking at the Relación in its colonial context, this study reveals how it presented the indigenous collaborators a unique opportunity to shape European perceptions of them while settling conflicting agendas, outshining competing ethnic groups, and carving a place for themselves in the new colonial society. Through archival research and careful visual analysis, Angélica Afanador-Pujol provides a new and fascinating account that situates the manuscript’s images within the colonial conflicts that engulfed the indigenous collaborators. These conflicts ranged from disputes over political posts among indigenous factions to labor and land disputes against Spanish newcomers. Afanador-Pujol explores how these tensions are physically expressed in the manuscript’s production and in its many contradictions between text and images, as well as in numerous emendations to the images. By studying representations of justice, landscape, conquest narratives, and genealogy within the Relación, Afanador-Pujol clearly demonstrates the visual construction of identity, its malleability, and its political possibilities.

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"We the Media, has become something of a bible for those who believe the online medium will change journalism for the better." - "Financial Times". Big Media has lost its monopoly on the news, thanks to the Internet. Now that it's possible to publish in real time to a worldwide audience, a new breed of grassroots journalists are taking the news into their own hands. Armed with laptops, cell phones, and digital cameras, these readers-turned-reporters are transforming the news from a lecture into a conversation. In "We the Media", nationally acclaimed newspaper columnist and blogger Dan Gillmor tells the story of this emerging phenomenon and sheds light on this deep shift in how we make - and consume - the news. Gillmor shows how anyone can produce the news, using personal blogs, Internet chat groups, email, and a host of other tools. He sends a wake-up call to newsmakers - politicians, business executives, celebrities - and the marketers and PR flacks who promote them. He explains how to successfully play by the rules of this new era and shift from "control" to "engagement." And, he makes a strong case to his fell journalists that, in the face of a plethora of Internet-fueled news vehicles, they must change or become irrelevant. Journalism in the 21st century will be fundamentally different from the Big Media oligarchy that prevails today. "We the Media" casts light on the future of journalism, and invites us all to be part of it. Dan Gillmor is founder of Grassroots Media Inc., a project aimed at enabling grassroots journalism and expanding its reach. The company's first launch is Bayosphere.com, a site "of, by, and for the San Francisco Bay Area." From 1994-2004, Gillmor was a columnist at the "San Jose Mercury News", Silicon Valley's daily newspaper, and wrote a weblog for SiliconValley.com. He joined the "Mercury News" after six years with the Detroit Free Press. Before that, he was with the "Kansas City Times" and several newspapers in Vermont. He has won or shared in several regional and national journalism awards. Before becoming a journalist, he played music professionally for seven years.

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This book explains the growing field of syndemic theory and research, a framework for the analysis and prevention of disease interactions that addresses underlying social and environmental causes. This perspective complements single-issue prevention strategies, which can be effective for discrete problems, but often are mismatched to the goal of protecting the public's health in its widest sense. "Merrill Singer has astutely described why health problems should not be seen in isolation, but rather in the context of other diseases and the social and economic inequities that fuel them. An important read for public health and social scientists." —Michael H. Merson, director, Duke Global Health Institute "Not only does this book provide a persuasive theoretical biosocial model of syndemics, but it also illustrates the model with a wide variety of fascinating historical and contemporary examples." —Peter J. Brown, professor of Anthropology and Global Health and director, Center for Health, Culture, and Society, Emory University "The concept of syndemics is Singer's most important contribution to critical medical anthropology as it interfaces with an ecosocial approach to epidemiology." —Mark Nichter, Regents Professor, Department of Anthropology, University of Arizona "Merrill Singer offers the public the most comprehensive work ever written on this key area of research and policy making." —Francisco I. Bastos, chairman of the graduate studies on epidemiology, Fundacao Oswaldo Cruz "Exquisitely describes how this new approach is a critical tool that brings together veterinary, medical, and social sciences to solve emerging infectious and non-infectious diseases of today's world." —Bonnie Buntain, MS, DVM, diplomate, American College of Veterinary Preventive Medicine "For too long the great integrative perspectives on modern biomedicine and public health disease ecology and social medicine-have remained more or less separate. In this innovative and provocative book, Merrill Singer develops a valuable synthesis that will reshape the way we think about health and disease." —Warwick H. Anderson, MD, PhD, professorial research fellow, Department of History and Centre for Values, Ethics, and the Law in Medicine, University of Sidney

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"...it’s the colorful photographs (over 500!) of one-of-a-kind Hopi and Moroccan-inspired mosaic pieces featured in her memoir, out in October, that truly command attention, from ammonite fossils and ivory animal renderings to stunning lapis, coral, and turquoise designs." — Natural Diamonds North African-born Eveli Sabatie had a long-time fascination with Native American culture and history. As a young woman, she left her home in Paris in 1968 to move to San Francisco, hoping to learn more. A chance encounter with a Hopi traditionalist led to an invitation to Arizona, where she apprenticed with a master Native American jewellery-maker. For her, this was the beginning of a new world. Art can never be fully divided from the artist’s voice, nor the natural world. When Eveli encountered red jasper while roaming the Arizona mountains, she knew she had to incorporate her local geology into her work. Yet raw materials are just one of many ways in which the world around Eveli shapes her art. This book is a direct and personal exploration of Eveli’s work, following her arc of growth, challenges and internal workings. Eveli’s jewellery is entirely created by her, from gathering material to fabricating the body of the piece, doing the lapidary work and finally adding stone settings and finishings. She works in a rustic, ancient environment, often choosing to use rudimentary and home-made tools over commercial techniques. This book explores her creative process through five sections: THE JOURNEY, a biographical overview of her time at the Hopi reservation in Northern Arizona, where she apprenticed under Charles Loloma; CLOUDS AND RAIN, exploring the influence of the Hopi and the desert on her work; BEING HOME, which talks in greater detail about Eveli’s relationship with the environment; BEING HUMAN, a philosophical study of humanity through jewellery; and BRANCHING OUT, which features Eveli’s other artworks, which are sought after by collectors from around the world. This is a profound reflection on the earth, through the medium of jewellery.

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Winner, 2014 Lambda Literary Award in LGBT StudiesSince the 1970s, a key goal of lesbian and gay activists has been protection against street violence, especially in gay neighborhoods. During the same time, policymakers and private developers declared the containment of urban violence to be a top priority. In this important book, Christina B. Hanhardt examines how LGBT calls for "safe space" have been shaped by broader public safety initiatives that have sought solutions in policing and privatization and have had devastating effects along race and class lines.Drawing on extensive archival and ethnographic research in New York City and San Francisco, Hanhardt traces the entwined histories of LGBT activism, urban development, and U.S. policy in relation to poverty and crime over the past fifty years. She highlights the formation of a mainstream LGBT movement, as well as the very different trajectories followed by radical LGBT and queer grassroots organizations. Placing LGBT activism in the context of shifting liberal and neoliberal policies, Safe Space is a groundbreaking exploration of the contradictory legacies of the LGBT struggle for safety in the city.

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Admiral Paul von Hintze arrived in Mexico in the spring of 1911 to serve as Germany’s ambassador to a country in a state of revolution. Germany’s emperor Wilhelm II had selected Hintze as his personal eyes and ears in Mexico (and concomitantly the neighboring United States) during the portentous years leading up to the First World War. The ambassador benefited from a network of informers throughout Mexico and was closely involved in the country’s political and diplomatic machinations as the violent revolution played out. Murder and Counterrevolution in Mexico presents Hintze’s eyewitness accounts of these turbulent years. Hintze’s diary, telegrams, letters, and other records, translated, edited, and annotated by Friedrich E. Schuler, offer detailed insight into Victoriano Huerta’s overthrow and assassination of Francisco Madero and Huerta’s ensuing dictatorship and chronicle the U.S.-supported resistance. Showcasing the political relationship between Germany and Mexico, Hintze’s suspenseful, often daily diary entries provide new insight into the turmoil of the Mexican Revolution, including U.S. diplomatic maneuvers and subterfuge, as well as an intriguing backstory to the infamous 1917 Zimmermann Telegram, which precipitated U.S. entry into World War I.

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During the late eighteenth and early nineteenth centuries, the North West and Hudson’s Bay companies extended their operations beyond the Rocky Mountains to the Pacific Ocean. There they encountered a mild and forgiving climate and abundant natural resources and, with the aid of Native traders, branched out into farming, fishing, logging, and mining. Following its merger with the North West Company in 1821, the Hudson’s Bay Company set up its headquarters at Fort Vancouver on the lower Columbia River. From there, the company dominated much of the non-Native economy, sending out goods to markets in Hawaii, Sitka, and San Francisco.Trading Beyond the Mountains looks at the years of exploration between 1793 and 1843 leading to the commercial development of the Pacific coast and the Cordilleran interior of western North America. Mackie examines the first stages of economic diversification in this fur trade region and its transformation into a dynamic and distinctive regional economy. He also documents the Hudson’s Bay Company’s employment of Native slaves and labourers in the North West coast region.

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A captivating debut following a cross-country road trip that will make you believe in the goodness of people, Off the Books sheds light on the power in humanity during the most troubled of times.Recent Dartmouth dropout Mei, in search of a new direction in life, drives a limo to make ends meet. Her grandfather convinces her to allow her customers to pay under the table, and before she knows it, she is working as a routine chauffeur for sex workers. Mei does her best to mind her own business, but her knack for discretion soon leads her on a life changing trip from San Francisco to Syracuse with a new client.Handsome and reserved, Henry piques Mei's interest. Toting an enormous black suitcase with him everywhere he goes, he's more concerned with taking frequent breaks than making good time on the road. When Mei discovers Henry''s secret, she does away with her usual close-lipped demeanor and decides she has no choice but to confront him. What Henry reveal

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Shortlisted for the Information Book Awards 2023Come on an eye-catching adventure!Masterpieces in Pieces takes you on a journey through great art from all around the world and across the ages. Some of the masterpieces are famous, some may surprise you. Explore the themed galleries or just plunge in anywhere and enjoy the visual feast.From early cave paintings to Grayson Perry, see the exciting developments of art throughout history and look for connections that can be made across each masterpiece. This truly global collection will widen the eyes to many different cultures and approaches to art from across Europe, North and South America, Africa, Asia and Australia.Features artwork by Kerry James Marshall, Georges Seurat, John Singer Sargent, Francisco de Goya, Su Hanchen, Andreas Gursky, Diego Rivera, Natalia Goncharova, Rembrandt, Cristóvão Estevão Canhavato, Faith Ringgold, Pablo Picasso, Ford Maddox Brown, Farrukh Beg, Dorothea Tanning, Zheng Zhong, Njideka Akunyili Crosby, Henri Matisse, Vincent Van Gogh, Franz Marc, Emily Kame Kngwarreye, Wassily Kandinsky, Alice Neel, and many, many more.Find out how to look at and take great art to pieces - and decide for yourself what makes a masterpiece."I love this book. For anyone at any age who is as obsessed with the nuances of art history as I am, this book is for you, inspiring, fascinating, and thought-provoking, this book is your personal archaeologist, gently revealing new ways to see and look at art."Russell Tovey, actor "The wide and refreshing choice of artworks, the focus on revealing often surprising details and the lively and informative commentaries throughout, make this an essential book for any art-loving family."Louisa Buck, writer, and broadcaster"Zoom in and take art apart! This book focuses in on areas of surprising storytelling and amazing skill. How and why art is created has been made visible through loving inspection of some wonderful art works. This is a totally enjoyable book for children but also for parents, enabling conversations about ideas pictured in art."Bob & Roberta Smith RA, artist "Fun, engaging, and beautifully illustrated. Masterpieces in Pieces is a totally inspired way of looking at art history - I wish it had existed when I was young!" Jonathan Baldock, artist"This is a lovely book that looks at art from many angles. It is infinitely clever and knowledgeable, and at the same time innocent, in the best way." Matthew Collings, artist, writer, and broadcaster

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Ordered to join the Pacific Squadron in 1854, the sloop of war Decatur sailed from Norfolk, Virginia, through the Strait of Magellan to Valparaiso, Honolulu, and Puget Sound, then on to San Francisco, Panama, Nicaragua, and Costa Rica, while serving in the Pacific until 1859, the eve of the Civil War. Historian Lorraine McConaghy presents the ship, its officers, and its crew in a vigorous, keenly rendered case study that illuminates the forces shaping America's antebellum navy and foreign policy in the Pacific, from Vancouver Island to Tierra del Fuego. One of only five ships in the squadron, the Decatur participated in numerous imperial adventures in the Far West, enforcing treaties, fighting Indians, suppressing vigilantes, and protecting commerce. With its graceful lines and towering white canvas sails, the ship patrolled the sandy border between ocean and land. Warship under Sail focuses on four episodes in the Decatur's Pacific Squadron mission: the harrowing journey from the Atlantic to the Pacific Ocean through the Strait of Magellan; a Seattle war story that contested American treaties and settlements; participation with other squadron ships on a U.S. State Department mission to Nicaragua; and more than a year spent anchored off Panama as a hospital ship. In a period of five years, more than 300 men lived aboard ship, leaving a rich record of logbooks, medical and punishment records, correspondence, personal journals, and drawings. Lorraine McConaghy has mined these records to offer a compelling social history of a warship under sail. Her research adds immeasurably to our understanding of the lives of ordinary men at sea and American expansionism in the antebellum Pacific West.

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In the late nineteenth century, an era in which social mobility was measured almost exclusively by the success of men, Irish American women were leading their ethnic group into the lower middle class occupations of civil service, teaching, and health care. Unlike their immigrant mothers who became servants of the rich, Irish American daughters became servants of the poor by teaching in public school classrooms. The remarkable success of Irish American women was tied to their educational achievements. Unlike many of their contemporaries, the daughters of Irish America attended four-year academic programs in high schools, followed by two to three years of normal school training. By the first decade of the twentieth century, Irish American women were the largest single ethnic group among public elementary school teachers in cities such as Boston, Chicago, and San Francisco. Janet Nolan argues that the roots of this female-driven mobility can be traced to immigrant women's education in Ireland. Armed with the literacy and numeracy learned in Irish schools, Irish immigrant women in America sent their daughters, more than their sons, to school in preparation for professional careers. As a result, Nolan contends, Irish American women entered white-collar work at least a generation before their brothers. Servants of the Pooris a pioneering work which looks at the teaching profession at the turn of the century from the perspective of the women who taught in Irish and American classrooms. Drawing on previously unpublished archival and manuscript sources, including memoirs and letters, Servants of the Poor will be of considerable value to those interested in Irish, Irish American, educational, and women's history.

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Mountains Beyond Mountains meets Tattoos On the Heart in this unforgettable, powerful, and stunningly-told memoir of a struggling veterinarian saving animals and humans on the streets of California - and how he discovered what bonds all living creatures.Dr. Kwane Stewart was questioning his career as a veterinarian when he saw a homeless man with a flea-infested dog outside of a convenience store. In a moment of spontaneous generosity, he offered to examine the dog and treat him for free. It was the first step in a now nine-year journey that has taken Dr. Kwane from Skid Row to San Francisco and beyond to care for pets and their humans who are living on the streets.In What It Takes to Save a Life, Dr. Kwane shows how our four-legged, feathered, scaled, and swimming family members—these dogs, cats, birds, reptiles, and other animals that live side by side with us—provide more than companionship. They offer essential love, hope, and a sense of security.Written with striking honesty and rich detail, Dr. Kwane looks back on his childhood, how he discovered his appreciation for animals and his calling, and offers a frank assessment of the state of veterinary medicine today, where compassion fatigue, burnout, and suicide are facts of life. Full of warm and inspiring stories of human-animal relationships, this powerful and eye-opening book is a reminder that we are all members of a wider family. It is also a clarion call for each of us to help those in need—especially our most vulnerable brothers and sisters—and the animals who are their families. Wise and warm, Dr. Stewart's story is a reminder that one life can make an immeasurable difference.

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This book tells the story of the various Allied operations and schemes instigated to keep Spain and Portugal out of WWII, which included the widespread bribery of high ranking Spanish officials and the duplicity of Admiral Wilhelm Canaris, head of the Abwehr.Ian Fleming and Alan Hillgarth were the architects of Operation Golden Eye, the sabotage and disruption scheme that would be put in place had Germany invaded Spain. Fleming visited the Iberian Peninsula and Tangiers several times during the war, arguably his greatest achievement in WWII and the closest he came to being a real secret agent. It was these visits which supplied much of the background material for his fiction – Fleming even called his home on Jamaica where he created 007 'Goldeneye'.The book begins with Hitler's dilemma about which way to move, and his meeting with Francisco Franco at Hendaye in October 1940, a major turning point in the war when an alliance between Germany and Spain seemed possible. Simmons explores the British reaction to this, with Operation Tracer being created by Admiral Godfrey, head of Naval Intelligence. This was a plan to leave a listening and observation post buried in the Rock of Gibraltar should it have fallen to the Germans. A chapter is also devoted to Portugal – the SIS and SOE operations there and the vital Wolfram wars. Operation Golden Eye was eventually put on standby in 1943 as the risk of the Nazis occupying Spain was much reduced. Simmons consulted Foreign Office, SOE, CIA and OKW files when writing this book.

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A fascinating account of the growing "Yes in My Backyard" urban movement The exorbitant costs of urban housing and the widening gap in income inequality are fueling a combative new movement in cities around the world. A growing number of influential activists aren’t waiting for new public housing to be built. Instead, they’re calling for more construction and denser cities in order to increase affordability. Yes to the City offers an in-depth look at the “Yes in My Backyard” (YIMBY) movement. From its origins in San Francisco to its current cadre of activists pushing for new apartment towers in places like Boulder, Austin, and London, Max Holleran explores how urban density, once maligned for its association with overpopulated slums, has become a rallying cry for millennial activists locked out of housing markets and unable to pay high rents.Holleran provides a detailed account of YIMBY activists campaigning for construction, new zoning rules, better public transit, and even candidates for local and state office. YIMBY groups draw together an unlikely coalition, from developers and real estate agents to environmentalists, and Holleran looks at the increasingly contentious battles between market-driven pragmatists and rent-control idealists. Arguing that advocates for more housing must carefully weigh their demands for supply with the continuing damage of gentrification, he shows that these individuals see high-density urbanism and walkable urban spaces as progressive statements about the kind of society they would like to create.Chronicling a major shift in housing activism during the past twenty years, Yes to the City considers how one movement has reframed conversations about urban growth.

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Fifteen-year-old Elena lives in a church attic in San Francisco’s Richmond neighborhood, where she is cared for by her guardian, a kind Russian priest named Father Al. Six days a week, Father Al sends her out of Our Lady, across the meadows and ponds of Golden Gate Park, and all the way to Baba Vera’s house on Taraval Street for Baba’s version of school.Unlike regular school, however, Elena’s learning is unnerving. Baba Vera’s preposterous demands, dizzying antics, and house—which is full of skeletons, brooms, strange implements, and guinea pigs, among other oddities—seem straight out of a Russian fairy tale Father Al used to read to Elena . . . not life in 2020. If not for her beloved doll, Kukla—bequeathed to her by the mother she never got to know, but of whom she often dreams—Elena would be overwhelmed. Yet she works hard at every task given her, understanding intuitively that there is a purpose to every one of her grandmother’s strange assignments.Frank, a young taxi driver, enters Elena’s world on the day he delivers a strange, witch-like woman named Anya to Our Lady. Upon meeting Anya and Elena, a dream-world begins to spin for him—and he feels a deep, protective pull toward Elena. In the days that follow, Frank devotes himself to saving her from the harm he is sure Anya intends toward her. What he comes to understand, as he enters more deeply into Elena’s story, is that she has magic of her own. He thought he was supposed to save her—but in the end, the two of them may just save each other.

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A San Francisco Chronicle Bestseller • An NPR Best Book of the YearThe New York Times’s Global Economics Correspondent masterfully reveals how billionaires’ systematic plunder of the world—brazenly accelerated during the pandemic—has transformed 21st-century life and dangerously destabilized democracy.“Davos Man will be read a hundred years from now as a warning.” —Evan Osnos“Excellent. A powerful, fiery book, and it could well be an essential one.” —NPR.orgThe history of the last half century in America, Europe, and other major economies is in large part the story of wealth flowing upward. The most affluent people emerged from capitalism’s triumph in the Cold War to loot the peace, depriving governments of the resources needed to serve their people, and leaving them tragically unprepared for the worst pandemic in a century.Drawing on decades of experience covering the global economy, award-winning journalist Peter S. Goodman profiles five representative “Davos Men”—members of the billionaire class—chronicling how their shocking exploitation of the global pandemic has hastened a fifty-year trend of wealth centralization. Alongside this reporting, Goodman delivers textured portraits of those caught in Davos Man’s wake, including a former steelworker in the American Midwest, a Bangladeshi migrant in Qatar, a Seattle doctor on the front lines of the fight against COVID, blue-collar workers in the tenements of Buenos Aires, an African immigrant in Sweden, a textile manufacturer in Italy, an Amazon warehouse employee in New York City, and more.Goodman’s revelatory exposé of the global billionaire class reveals their hidden impact on nearly every aspect of modern society: widening wealth inequality, the rise of anti-democratic nationalism, the shrinking opportunity to earn a livable wage, the vulnerabilities of our health-care systems, access to affordable housing, unequal taxation, and even the quality of the shirt on your back. Meticulously reported yet compulsively readable, Davos Man is an essential read for anyone concerned about economic justice, the capacity of societies to grapple with their greatest challenges, and the sanctity of representative government.

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A detailed history of the commemorations of US activist involvement in the Spanish Civil War, based on a combination of archival and ethnographic evidence. Nostalgia can serve as a vital tool in the emotional reconstitution and preservation of suppressed histories, rather than sentimentally privileging the past at the expense of present concerns and limiting a culture's progressive potential. Between 1936 and 1938, responding to a military coup in Spain led by Francisco Franco with the support of both Hitler and Mussolini, over 2700 US anti-fascists joined 30,000 volunteers from around the world to form the International Brigade. They came together to defend the democratically elected Spanish government against this early manifestation of the fascist Axis. After three bloody years, Franco's rebellion succeeded, and his dictatorship lasted until his death in 1975. From the moment the first American volunteers returned home, and to this day, they have been holding commemorative events recalling the struggle. For nearly seventy years, the Veterans of the Abraham Lincoln Brigade have cited and re-cited their activist past in theatrically eclectic, highly emotional commemorative performances, a site for both nostalgia and progressive politics. Literary recitations, scripted dramatic pieces, songs, films, photographs, and celebrity appearances have been juxtaposed with speeches, fundraising, and a rigorous attention to pressing political and social concerns of the day. The history and content of these events isdetailed and analyzed here based on a combination of archival and ethnographic evidence. The exemplary role of songs from the war, as both nostalgic triggers and historical artifacts, is also examined. Commemorations of theSpanish Civil War have provided necessary anchors for a period in U.S. history when views now thought extreme were an accepted part of mass political discourse. Through this rich, inter-generational performance practice, a marginalized, vernacular political minority has deployed radical nostalgia as a necessary corrective to an official culture disinterested in America's leftist past, and threatened by its implications. Peter Glazer is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley.

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Walking the Stations of the Cross, the Christian faithful re-create the Passion, following the sorrowful path of Jesus Christ from condemnation to crucifixion. While this devotion, now so popular in the Catholic Church and many Protestant denominations, first emerged in Jerusalem and began spreading through Western Europe in the fourteenth century, it did not assume its current form, and earn the Church’s formal recognition, until almost three centuries later. It was at this time, in the last decades of the seventeenth century, that a Franciscan friar in colonial Mexico translated a devotional guide to the Stations of the Cross into the native Nahuatl. This little handbook, Fray Agustin de Vetancurt’s Via crucis en mexicano, proved immensely popular, going through two editions, but survives today only in a copy made by a native scribe from Central Mexico. Reproduced here in Nahuatl and English, Vetancurt’s handbook offers unique insight into the history, the practice, and the meaning of the Stations of the Cross in the New World and the Old. With the Via crucis en mexicano as a starting point, John F. Schwaller explores the history of the development and spread of the Stations of the Cross, placing the devotion in the context of the Catholic Reformation and the Baroque, the two trends that exalted this type of religious expression. He describes how the devotion, exported to New Spain in the sixteenth century, was embraced by Spanish and natives alike. For the native Americans, Schwaller suggests, the Via crucis resonated because of its performative aspects, reminiscent of rituals and observances from before the arrival of the Spanish. And for missionaries, the devotion offered a means of deepening the faith of the newly converted. In Schwaller’s deft analysis—which extends from the origins of the devotion, to the processions and public rituals of the Mexica (Aztecs), to the text and illustrations of the Vetancurt manuscript—the Via crucis en mexicano opens a window on the practice and significance of the Stations of the Cross—and of private devotions generally—in Mexico, Hispanic America, and around the world.

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“She’d told herself, and her husband Tom, that she was coming to rescue Vicky. And she was. She would. She’d been rescuing her sister her entire life. But she’d never done anything remotely this extreme. She knew the region had been evacuated, and yet somehow hadn’t pictured everyone literally gone. . .The stark, devastated landscape heightened all her senses, as if her fear made the colors deeper, the smells headier, the sounds crisper. She couldn’t give in to the terror; if she did, it might never end. She had no choice but to finish what she’d begun.”A devastating earthquake has just hit the San Francisco Bay Area, cutting off the outside world completely. When Lily decides to fly from Nebraska to California and make the treacherous journey into the Bay Area to find her sister, she knows she's headed for a disaster zone, but nothing prepares her for what she finds.Those who survived and didn’t evacuate are making shelters, running meals programs, rigging their own technologies—and redefining the very meaning of community. Lily bands together with a couple of feral kids, a steadfast activist, and a bonobo researcher, among others, to forge a new life.A piercing, unforgettable story of hope in the face of crisis, The Evolution of Love asks what does it take for people to come together, what dangers must they fend off in their bid for survival, and what lengths will they go to rebuild home.

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Through a fascinating discussion of religion's role in the rhetoric of American civilizing empire, The Imperial Church undertakes an exploration of how Catholic mission histories served as a useful reference for Americans narrating US settler colonialism on the North American continent and seeking to extend military, political, and cultural power around the world. Katherine D. Moran traces historical celebrations of Catholic missionary histories in the upper Midwest, Southern California, and the US colonial Philippines to demonstrate the improbable centrality of the Catholic missions to ostensibly Protestant imperial endeavors. Moran shows that, as the United States built its continental and global dominion and an empire of production and commerce in the Gilded Age and Progressive Era, Protestant and Catholic Americans began to celebrate Catholic imperial pasts. She demonstrates that American Protestants joined their Catholic compatriots in speaking with admiration about historical Catholic missionaries: the Jesuit Jacques Marquette in the Midwest, the Franciscan Junípero Serra in Southern California, and the Spanish friars in the Philippines. Comparing them favorably to the Puritans, Pilgrims, and the American Revolutionary generation, commemorators drew these missionaries into a cross-confessional pantheon of US national and imperial founding fathers. In the process, they cast Catholic missionaries as gentle and effective agents of conquest, uplift, and economic growth, arguing that they could serve as both origins and models for an American civilizing empire. The Imperial Church connects Catholic history and the history of US empire by demonstrating that the religious dimensions of American imperial rhetoric have been as cross-confessional as the imperial nation itself.

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In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)

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Costume jewellery is commonly understood to mean fashionable yet affordable adornments made from non-precious material. Originating in in mid-1700s France with the rise of the bourgeoise, the earliest 'costume jewellery' mimicked fine jewellery styles. Since then, costume jewellery has always been evolving. From Victorian sentimentalism to the mass-produced ornaments available today, costume jewellery has developed into an artform in its own right. An encyclopaedic study of its history is long overdue. Flush with expert information, identification tips and historical anecdotes, Adorning Fashion explores the development of costume jewellery across the past four centuries. The styles of each era - Victorian, Edwardian, Arts & Crafts, Jugenstil, Art Nouveau, and each decade of the twentieth century - are given individual attention. Production methods are also explained in depth. Alloys and gilded electroplating can mimic silver and gold, while the refraction index of treated glass can, to the untrained eye, be mistaken for diamond. Adorning Fashion discusses the contributions of a remarkable roster of designers and innovators, including Kokichi Mikimoto, Arthur L. Liberty, Carlo Giuliano, René Lalique, Elizabeth Bonté, the Castellani brothers, Jean Fouquet, Jean Després, Fulco di Verdura, Jean Schlumberger, Salvador Dalí, Miriam Haskell, Lina Baretti, Countess Cissy Zoltowska, Line Vautrin, Kenneth Jay Lane, Francisco Rebajes, Diane Love, Christian Dior, Balenciaga, Chanel, Van Cleef & Arpels, Paco Rabanne, Yves Saint Laurent, Napier, Haskell, Trifari, Brania, Bulgari, Versace and more.

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For over forty years now there has been a steady stream of interest in Richard Hooker. This renaissance in Hooker Studies began with the publication of the Folger Library Edition of the Works of Richard Hooker. With this renaissance has come a growing recognition that it is anachronistic to classify Hooker simply as an Anglican thinker, but as yet, no generally agreed-upon alternative label, or context for his thought, has replaced this older conception; in particular, the question of Hooker's Reformed identity remains hotly contested. Given the relatively limited engagement of Hooker scholarship with other branches of Reformation and early modern scholarship to date, there is a growing recognition that Hooker must be evaluated not only against the context of English puritanism and conformism but also in light of his broad international Reformed context. At the same time, it has become clear that, if this is so, scholars of continental Reformed orthodoxy must take stock of Hooker's work as one of the landmark theological achievements of the era.This volume aims to facilitate this long-needed conversation, bringing together a wide range of scholars to consider Richard Hooker's theology within the full context of late 16th- and early 17th-century Reformed orthodoxy, both in England and on the Continent. The essays seek to bring Hooker into conversation not merely with contemporaries familiar to Hooker scholarship, such as William Perkins, but also with such contemporaries as Jerome Zanchi and Franciscus Junius, predecessors such as Heinrich Bullinger, and successors such as John Davenant, John Owen, and Hugo Grotius. In considering how these successors of Hooker identified themselves in relation to his theology, these essays will also shed light on how Hooker was perceived within 17th-century Reformed circles. The theological topics touched on in the course of these essays include such central issues as the doctrine of Scripture, predestination, Christology, soteriology, the sacraments, and law. It is hoped that these essays will continue to stimulate further research on these important questions among a wide community of scholars.

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If Harvard can be said to have a literature all its own, then few universities can equal it in scope. Here lies the reason for this anthology—a collection of what Harvard men (teachers, students, graduates) have written about Harvard in the more than three centuries of its history. The emphasis is upon entertainment, upon readability; and the selections have been arranged to show something of the many variations of Harvard life.For all Harvard men—and that part of the general public which is interested in American college life—here is a rich treasury. In such a Harvard collection one may expect to find the giants of Harvard’s last 75 years—Eliot, Lowell, and Conant—attempting a definition of what Harvard means. But there are many other familiar names—Henry Dunster, Oliver Wendell Holmes, James Russell Lowell, Henry Adams, Charles M. Flandrau, William and Henry James, Owen Wister, Thomas Wolfe, John P. Marquaud. Here is Mistress Eaton’s confession about the bad fish served to the wretched students of Harvard’s early years; here too is President Holyoke’s account of the burning of Harvard Hall; a student’s description of his trip to Portsmouth with that aged and Johnsonian character, Tutor Henry Flynt; Cleveland Amory’s retelling of the murder of Dr. George Parkman; Mayor Quiney’s story of what happened in Cambridge when Andrew Jackson came to get an honorary degree; Alistair Cooke’s commentary on the great Harvard–Yale cricket match of 1951. There are many sorts of Harvard men in this book—popular fellows like Hammersmith, snobs like Bertie and Billy, the sensitive and the lonely like Edwin Arlington Robinson and Thomas Wolfe, and independent thinkers like John Reed. Teachers and pupils, scholars and sports, heroes and rogues pass across the Harvard stage through the struggles and the tragedies to the moments of triumph like the Bicentennial or the visit of Winston Churchill.And speaking of visits, there are the visitors too—the first impressions of Harvard set down by an assortment of travelers as various as Dickens, Trollope, Rupert Brooke, Harriet Martineau, and Francisco de Miranda, the “precursor of Latin American independence.”For the Harvard addict this volume is indispensable. For the general reader it is the sort of book that goes with a good living-room fire or the blissful moments of early to bed.

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Leopold Kerney was one of the most influential diplomats of twentieth-century Irish history. This book presents the first comprehensive biography of Kerney's career in its entirety from his recruitment to the diplomatic service to his time in France, Spain, Argentina, and Chile. Barry Whelan’s work provides fascinating new perceptions of Irish diplomatic history at seminal periods of the twentieth century, including the War of Independence, the Irish Civil War, the Anglo-Irish Economic War, the Spanish Civil War, and World War II, from an eyewitness to those events. Drawing on over a decade of archival research in repositories in France, Germany, Britain, Spain, and Ireland, as well as through unique and unrestricted access to Kerney's private papers, Whelan successfully challenges previously published analyses of Kerney's work and debunks many of the perceived controversies surrounding his career. Ireland's Revolutionary Diplomat brings to life Kerney's connections with leading Irish figures from the revolutionary generation including Michael Collins, Ernest Blythe, George Gavan Duffy, Desmond FitzGerald, Arthur Griffith, and Seán T. O’Kelly, as well as his diplomatic colleagues in the service. More importantly, the book illuminates the decades-long friendship Kerney enjoyed with Éamon de Valera—the most important Irish political figure of the twentieth century—and shows how the "Chief" trusted and rewarded his friend throughout their long association. The book offers a fresh understanding of the Department of External Affairs and critically assesses the roles of Joseph Walshe, secretary of the department, as well as Colonel Dan Bryan, director of G2 (Irish Army Military Intelligence), who both conspired to destroy Kerney's reputation and career during and after World War II. Whelan sheds new light on other events in Kerney's career, such as his confidential reports from fascist Spain that exposed General Francisco Franco's crimes against his people. Whelan challenges other events previously seen by some historians as controversial, including Kerney’s major role in the Frank Ryan case, his contact with senior Nazi figures, especially Dr. Edmund Veesenmayer and German military intelligence, and his libel case against an acclaimed Irish historian Professor Desmond Williams. This book offers new observations on how Nazi Germany tried to utilize Kerney, unsuccessfully, as a liaison between the Irish government and Hitler’s regime. Captured German documents reveal the extent of this secret plan to alter Irish neutrality during World War II, which concerned both Adolf Hitler and the leading Nazis of his regime.

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The feel-good romantic comedy hit! Perfect for fans of Sophie Kinsella, Lindsey Kelk and Sophie Ranald.Readers can't stop raving about The Prenup! ⭐ ⭐ ⭐ ⭐ ⭐ 'Sweet, sassy, sparkling!''My absolute favourite''A perfect easy-reading, cheer-you-up, read''Lauren's books take you on a journey of love, laughter and unexpected twists''The sweetest and most amazing book''There are books that make you want to stay curled up until you finish them, and this is one of those'....................................................................LOVE WASN'T PART OF THE DEAL FOR THIS MARRIAGE...My name is Charlotte Spencer and, ten years ago, I married my brother's best friend. I haven't seen him since. Charlotte Spencer grew up on the blue-blooded Upper East Side of Manhattan but she never wanted the sit-still-look-pretty future her parents dictated for her. Enter Colin Walsh, her brother's quiet, brooding, man-bun-sporting best friend, and with him a chance to escape. He's far from Charlotte's dream guy but they need each other for one thing: marriage. One courthouse wedding later, Charlotte's inheritance is hers to start a business in San Francisco and Irish-born Colin has a Green Card. Ten years later, Colin drops a bombshell: the terms of their prenup state that before either can file for divorce, they have to live under the same roof for three months. Suddenly this match made in practicality is about to take on whole new meaning.......................................................................More raves for The Prenup!'Layne does it again with this sexy, sassy romantic comedy with all the feels!' JENNIFER PROBST'Utterly charming. With non-stop wit, this feel-good romance pays homage to the old-school rom-coms we all loved so much' RS GREY'Layne's best work yet' RACHEL VAN DYKEN'One beautifully written bundle of fun wit and real emotion' NOELLE ADAMS'Lauren Layne's voice sparkles in The Prenup. With its sharp humor, easy banter and toe-curling sexual tension, it's the ultimate LL experience' JESSICA LEMMONWant more fun, fresh, flirty and very sexy rom-com? Check out all of Lauren's books! Don't miss:You, AgainMade In ManhattanTo Sir, With LoveThe Central Park Pact seriesOxford seriesWedding Belles seriesI Do, I Don't seriesLove, Unexpectedly series

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A rare collection of more than 200 full-color and black-and-white souvenir photographs and memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s, compiled by Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive interviews with Quincy Jones, Sonny Rollins, Robin Givhan, Jason Moran, and Dan Morgenstern.In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin’ In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre—Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others—were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.Sittin’ In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern.Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.

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"So persuasive are Yoon's powers of invention that I went searching for his Solla Island somewhere off the mainland of South Korea—not realizing that it exists only in this breathtaking collection of eight interlinked stories...Yoon's writing results in a fully formed, deftly executed debut. The lost lives, while heartbreaking, prove illuminating in Yoon's made-up world, so convincing and real. To read is truly to believe."—San Francisco Chronicle “Paul Yoon writes stories the way Fabergé made eggs: with untold craftsmanship, artistry, and delicacy. Again and again another layer of intricacy is revealed, proving that something as small as a story can be as satisfying and moving as a Russian novel.”—Ann Patchett “These are lovely stories, rendered with a Chekhovian elegance. They span from post–World War II to the new millennium, with characters of different ethnicities, yet each story has a timelessness and relevance that's haunting and unforgettable. Yoon is a sparkling new writer to welcome and celebrate.”—Don Lee “These are splendid stories, at once lyrical and plain-spoken and full of unusual realities. Once the Shore is a kind of fantastic Korean gazetteer that tours us confidently through unpredictable incidents and often startling conversations—Paul Yoon’s writing is erotic, haunting, original and worldly.”—Howard Norman Spanning over half a century—from the years just before the Korean War to the present—the eight stories in this collection reveal an intricate and unforgettable portrait of a single island in the South Pacific. Novelistic in scope, daring in its varied environments, Once the Shore introduces a remarkable new voice in international fiction. Publishers Weekly starred review: "Yoon's collection of eight richly textured stories explore the themes of family, lost love, silence, alienation and the effects of the Japanese occupation and the Korean War on the poor communities of a small South Korean island. In the namesake story, a lonely young waiter connects with an American widow who has come to find the cave where her husband claimed to have carved their initials during his tour of duty in Korea. The narrator shifts between Jim coping with the loss of his big brother, a fisherman killed by a surfacing American submarine, and the sorrow of the widow. In "Among the Wreckage," aging parents Bey and Soni hope to recover the body of their son, Karo, killed in a U.S. military bombing test on what was thought to be a deserted island. The sad journey provides Bey an opportunity to examine his inability to show affection to his wife and only child. Yoon's stories are introspective and tender while also painting with bold strokes the details of the lives of the invisible."

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One week after Ronald Reagan announced his candidacy for governor of California, the San Francisco Chronicle gibed: "It was simply a flagrant example of miscasting." Reagan was tanking, and his businessmen backers panicked. Their bold experiment was about to fail. Then a think-tank friend suggested the expertise of two UCLA social pyschologists. Kenneth Holden and Stanley Plog agreed to take the job only if they could have three full days alone with Reagan. The candidate and his backers agreed, and the three men disappeared into a Malibu beach house. Those three days remade the bumbling neophyte into an articulate, confident politician whose devastating sound bites shredded the opposition. Holden or Plog remained by Reagan's side for the rest of the campaign, feeding him information about California's problems, teaching him to handle the press, writing his position papers, and helping develop the programs he offered, all while battling factions of the campaign team who seemed determine to sabotage their own man. Not everyone who voted for Reagan supported his positions, but voters preferred his honesty and forthrightness to the waffling of other politicians. Reagan won by a landslide. Holden and Plog had shaped an actor into a governor, but they were also turning a governor into a president. Here is the untold story of how they did it.

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The untold history of slavery and resistance in California, from the Spanish missions, indentured Native American ranch hands, Indian boarding schools, Black miners, kidnapped Chinese prostitutes, and convict laborers to victims of modern trafficking “A searing survey of ‘250 years of human bondage’ in what is now the state of California. . . . Readers will be outraged.”—Publishers Weekly California owes its origins and sunny prosperity to slavery. Spanish invaders captured Indigenous people to build the chain of Catholic missions. Russian otter hunters shipped Alaska Natives—the first slaves transported into California—and launched a Pacific slave triangle to China. Plantation slaves were marched across the plains for the Gold Rush. San Quentin Prison incubated California’s carceral state. Kidnapped Chinese girls were sold in caged brothels in early San Francisco. Indian boarding schools supplied new farms and hotels with unfree child workers. By looking west to California, Jean Pfaelzer upends our understanding of slavery as a North-South struggle and reveals how the enslaved in California fought, fled, and resisted human bondage. In unyielding research and vivid interviews, Pfaelzer exposes how California gorged on slavery, an appetite that persists today in a global trade in human beings lured by promises of jobs but who instead are imprisoned in sweatshops and remote marijuana grows, or sold as nannies and sex workers. Slavery shreds California’s utopian brand, rewrites our understanding of the West, and redefines America’s uneasy paths to freedom.

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An investigation of two manuals of inquisition reveals much about the practice in action. The Inquisition played a central role in European history. It moulded societies by enforcing religious and intellectual unity; it helped develop the judicial and police techniques which are the basis of those used today; and it helped lay the foundations for the persecution of witches. An understanding of the Inquisition is therefore essential to the late medieval and early modern periods. This book looks at how the philosophy and practice of Inquisition developed in the fourteenth century. It saw the proliferation of heresies defined by the Church (notably the Spiritual Franciscans and Beguines) and the classifcation of many more magical practices as heresy.The consequentialwidening of the Inquisition's role in turn led to it being seen as an essential part of the Church and the guardian of all the Church's doctrinal boundaries; the inclusion of magic in particular also changed the Inquisition's attitude towards suspects, and the use of torture became systematised and regularised. These changes are charted here through close attention to the inquisitorial manuals of Bernard Gui and Nicholas Eymerich, using other sourceswhere available. Gui's and Eymerich's personalities were important factors. Gui was a successful insider, Eymerich a maverick, but Eymerich's work had the greater long-term influence. Through them we can see the Inquisition in action. DEREK HILL gained his PhD from the University of London.

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A brief meeting with a Buddhist nun in India made a deep impression on Christine Toomey. It sent her on a two-year, 60,000-mile odyssey to learn more about the contemporary women choosing in their thousands to become part of a long tradition of female spirituality that stretches back through the centuries and now embraces the radical possibility that the next Dalai Lama could be female. In The Saffron Road, Toomey follows in the footsteps of earlier generations of Buddhist nuns to trace the routes by which the philosophy has spread from a solitary order in a remote area of India in the 5th century BC, via 1950s San Francisco where Zen was popularised by the Beat generation, to the globally-renowned practitioners of mindfulness of today. Beginning her journey in the Himalayas, close to the birthplace of the Buddha, Toomey travels from Nepal, to India, through Burma, Japan and on to North America and Europe, along the way visiting contemporary nunneries to meet the women who practise there. Amongst those she talks to are a group of "kung fu" nuns, an acclaimed novelist, a princess, a concert violinist, a former BBC journalist, and a one-time Washington political aide. Through these conversations, the daily reality of the Buddhist existence is gradually revealed, together with the diverse spiritual paths leading these women towards nirvana. Combining travelogue, history, interviews and personal reflection, The Saffron Road opens the door to a rarely glimpsed world of ritual, discipline and enlightenment.

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Freeman's: Family is the second literary anthology in the series reviewers are calling 'illuminating' (National Public Radio) and 'sure to become a classic in years to come' (San Francisco Chronicle). Following a debut issue on the theme arrival, Freeman circles a new topic that affects us all: family. Often family is a conduit into the past. In an essay called 'Crossroads,' Aminatta Forna muses on the legacy of slavery and her childhood in Sierra Leone as she settles her family in Washington, DC, where she is constantly accused of cutting in line whenever she stands next to her white husband. Families are hardly stable entities, so many writers discover. Award-winning novelist Claire Vaye Watkins delivers a stunning portrait of a woman in the throes of postpartum depression. Booker Prize winner Marlon James takes the focus off absent fathers to write about his mother, who calls to sing him happy birthday every year. Even in the darkest moments, humour abounds. In Claire Messud's home there are two four-legged tyrants; Sandra Cisneros writes about her extended family of past lovers; and Aleksandar Hemon tells the story of his uncle's desperate attempt to remain a communist despite decades in the Soviet gulag. With fiction, nonfiction and poetry from literary heavyweights and up-and-coming writers alike, Freeman's: Family collects the most amusing, heartbreaking and probing stories about family life emerging today.

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To date, lesbian and gay history has focused largely on the East and West coasts, and on urban settings such as New York and San Francisco. The American South, on the other hand, identified with religion, traditional gender roles, and cultural conservatism, has escaped attention. Southerners celebrate their past; lesbians and gays celebrate their new-found visibility; historians celebrate the South—yet rarely have the three crossed paths. John Howard's groundbreaking anthology casts its net widely, examining lesbian and gay experiences in Mississippi, South Carolina, Georgia, Florida, Louisiana, and Tennessee. James Schnur, by virtue of a Freedom of Information Act query, sheds light on the sinister machinations of the Johns Committee, whose clandestine duty it was to ferret out suspected homosexuals during the McCarthy years. In his essay on the great Southern writer William Alexander Percy, William Armstrong Percy provides tangible evidence that Southern citizens, historians, and archivists have long sought to repress or obscure certain individuals within what C. Vann Woodward described as the perverse section. Moving chronologically through America's past, from the antebellum and postbellum periods, through the Jim Crow era and the Cold War, to the present, this volume introduces an important new framework to the field of lesbian and gay history—that of regional history.

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...we are fixed to perpetrate the species-- I meant perpetuate--as if our duty? were coupled with our terror. As if beauty itself were but a syllabus of errors. Troy Jollimore's first collection of poems won the National Book Critics Circle Award, was hailed by the New York Times as "a snappy, entertaining book," and led the San Francisco Chronicle to call him "a new and exciting voice in American poetry." And his critically acclaimed second collection expanded his reputation for poems that often take a playful approach to philosophical issues. While the poems in Syllabus of Errors share recognizable concerns with those of Jollimore's first two books, readers will also find a voice that has grown more urgent, more vulnerable, and more sensitive to both the inevitability of tragedy and the possibility of renewal. Poems such as "Ache and Echo," "The Black-Capped Chickadees of Martha's Vineyard," and "When You Lift the Avocado to Your Mouth" explore loss, regret, and the nature of beauty, while the culminating long poem, "Vertigo," is an elegy for a lost friend as well as a fantasia on death, repetition, and transcendence (not to mention the poet's favorite Hitchcock film). Ingeniously organized into sections that act as reflections on six quotations about birdsong, these poems are themselves an answer to the question the poet asks in "On Birdsong": "What would we say to the cardinal or jay, / given wings that could mimic their velocities?"

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For decades, millions of music fans have gathered every summer in parks and fields to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe evolve into glamorous pop culture events, and how are they changing our relationship to music, leisure, and public culture? In Everyone Loves Live Music, Fabian Holt looks beyond the marketing hype to show how festivals and other institutions of musical performance have evolved in recent decades, as sites that were once meaningful sources of community and culture are increasingly subsumed by corporate giants. Examining a diverse range of cases across Europe and the United States, Holt upends commonly-held ideas of live music and introduces a pioneering theory of performance institutions. He explores the fascinating history of the club and the festival in San Francisco and New York, as well as a number of European cities. This book also explores the social forces shaping live music as small, independent venues become corporatized and as festivals transform to promote mainstream Anglophone culture and its consumerist trappings. The book further provides insight into the broader relationship between culture and community in the twenty-first century. An engaging read for fans, industry professionals, and scholars alike, Everyone Loves Live Music reveals how our contemporary enthusiasm for live music is more fraught than we would like to think.

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“Smart, thought-provoking, and unique… readers won’t want to put this eye-opening, explosive story down.” —School Library Journal "Jeremy Scott brings his familiar snark from his CinemaSins YouTube channel to the book’s epic battles, plot-twists and super-villains.”—San Francisco Book Review Three years after the showdown with Finch razed their hometown of Freepoint and changed their lives forever, Phillip & the rest of The Ables gang find another school year interrupted by a growing threat. Relations with the government have never been more strained and the political rhetoric has shifted to a more hostile tone when discussing those with special abilities. A new branch of Homeland Security has been empowered to investigate custodial acts of heroism and even detain suspects indefinitely. While juggling his leadership responsibilities over the dozens of Ables members, a new crush, and a growing anxiety problem... Phillip will have to decide how much of The Ables' time will be spent training for simulation games and how much will be spent stepping into the real-world crime-fighting holes created by the custodians that have disappeared--presumed to be imprisoned or worse. Confronted with a mysterious new villain wielding a previously unknown power, Phillip, Bentley, & Henry will be forced to stretch their abilities and their bonds further than ever before.

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From 1944 to 1946, as the world pivoted from the Second World War to an unsteady peace, Americans in more than two hundred cities and towns mobilized to chase an implausible dream. The newly-created United Nations needed a meeting place, a central place for global diplomacy—a Capital of the World. But what would it look like, and where would it be? Without invitation, civic boosters in every region of the United States leapt at the prospect of transforming their hometowns into the Capital of the World. The idea stirred in big cities—Chicago, San Francisco, St. Louis, New Orleans, Denver, and more. It fired imaginations in the Black Hills of South Dakota and in small towns from coast to coast. Meanwhile, within the United Nations the search for a headquarters site became a debacle that threatened to undermine the organization in its earliest days. At times it seemed the world’s diplomats could agree on only one thing: under no circumstances did they want the United Nations to be based in New York. And for its part, New York worked mightily just to stay in the race it would eventually win. With a sweeping view of the United States’ place in the world at the end of World War II, Capital of the World tells the dramatic, surprising, and at times comic story of hometown promoters in pursuit of an extraordinary prize and the diplomats who struggled with the balance of power at a pivotal moment in history.

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Marco Polo USA Map: the ideal map for your trip Let the Marco Polo USA Map guide you around this incredible country. Plan your great American road trip from New York to LA and everywhere in between with this highly durable overview map of the whole of the United States. It folds away easily and is always on standby to help when you're stuck. Perfect overview map - the scale is 1 : 4 000 000* ideal to help you plan your overall route and navigate the main highways by car, RV or campervan Easy to use - the super clear mapping in strong colours and clear text will help you navigate the region Includes 11 city maps - detailed street maps of Atlanta, Boston, Chicago, Denver, Los Angeles, Miami, New Orleans, New York, San Francisco, Seattle and Washington D. C. are included USA highlights - major sights and key points of interest are marked on the map by numbered stars and these are listed in the index booklet with a brief description to help you pick the best places to see en route Extensive index - the thorough index is fully cross-referenced to the map to help you pinpoint your destination quickly For the big trips and the little detours, trust Marco Polo's clear mapping and thorough index to guide you across the USA *(1: 4 000 000 / 1cm=40km / 1inch=63 miles)

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Explore the beauty of Northern California’s natural landscape with this guide to 80 of the best easy-to-walk day hikes located throughout Northern California.From hikes just outside of San Francisco to long strolls in the Sierra Nevada, here are the 80 best easy day hikes in Northern California, perfect for aging baby boomers, seniors, those traveling with small children, and anyone else interested more in a stroll than a climb.Hikes include: Lady Bird Johnson Grove • McCloud Falls Trail • Pomo Canyon Trail • Table Rock • South Yuba Independence Trail • Tomales Point Trail • Purisima Redwoods Loop • Sardine Lakes Trail • Devils Postpile • Rainbow Falls • and more!Written in a personal but informative tone by outdoors expert Ann Marie Brown, The Creaky Knees Guide Northern California is a perfect resource anyone can use to explore the beauty of Northern California without breaking too much of a sweat.In addition to a full-trip description, each hike includes:• Clear, up-to-date driving directions• Elevation gains• Topographical map• Mileage and estimated hiking time• Trail conditions, effort level, best season, map references, exploring options, access, permits required, and where to find more information.Other titles in Creaky Knees easy hike series include Creaky Knees Oregon, Creaky Knees Washington, and Creaky Knees Arizona.

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