Search results for ""Author Francis"

Part One of the two-part Angels in America, Tony Kushner's epic drama set during the Reagan years in America - now recognised as one of the greatest plays of the twentieth century. Prior, visited by ghosts of his ancestors and abandoned by his lover after his diagnosis with AIDS, is wondering if he is still sane when the angels select him to be their prophet. Powerbroker Roy Cohn also has the virus - but he believes that only the powerless can have that particular illness, and so kicks back against his diagnosis. In the 'melting pot where nothing melted' of modern America, the nation's reaction to the sickness – and its sufferers – is laid bare. Millennium Approaches was premiered in May 1991 by the Eureka Theatre Company, San Francisco, directed by David Esbjornson. In London it was premiered in January 1992 in a National Theatre production at the Cottesloe Theatre, directed by Declan Donnellan. The play received many awards, including Best Play at the 1992 Evening Standard Awards, Best New Play at the 1992 Critics' Circle Awards, Best Play at the 1993 Tony Awards and the 1993 Pulitzer Prize for Drama.

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A Filipino-American take on Depression-era noir featuring mistaken identities, speakeasies, and lost love. The year is 1929 and Bobot is just another migrant worker in rural California. Or rather, a migrant worker with a law degree from the Philippines reduced to manual labor in America. Bobot, like so many other young Filipinos, finds himself bunking in the fields, picking fruit by day. When his cousin writes claiming to have spotted his estranged wife in nearby San Francisco, he swipes a co-worker s favorite nightclub suit and heads to the big city to find her. What follows is classic noir with seedy dives, mouthy pool sharks, and obsession. Rina Ayuyang indulges her passion for old Hollywood and elaborate movie musicals while exploring her immigrant roots in a playful and mysterious drama, creating something she never saw but always had hoped for a classic tale about people who looked just like her. The Man in the McIntosh Suit is a gripping, romantic, and psychological exploration of a fledgling community chasing the American dream in an unwelcoming society heightened by racial hostility and the bubbling undercurrent of the coming Great Depression.

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Few musicians shaped Iberian jazz more than pianist Vicenç "Tete" Montoliu i Massana (1933-97). Fascinated by the modernist aesthetics of mid-century jazz, Montoliu was known for a carefully crafted mix of lyricism and dissonance, a penchant for discordant crashes, and a development of highly original compositions. Over the course of his career, he boasted some 100 recordings spanning Denmark, Germany, Holland, Spain, and the United States, and performed with the most notable jazz luminaries including Lionel Hampton, Rahsaan Roland Kirk, Dexter Gordon, and Archie Shepp. In drawing from the Black American jazz form, Montoliu fashioned an adjacent critical space shaped by his experiences as a Catalan and a person with congenital visual impairment living under the dictatorship of Francisco Franco. Beyond Sketches of Spain: Tete Montoliu and the Construction of Iberian Jazz explores the artist's life, musical production, and international reception within a cultural studies framework, invoking Fumi Okiji's notion of gathering in difference. In its investigation of this impressive and often overlooked transnational jazz legend, the book moves beyond mere sketches of Spanish nationhood, challenges conventional scholarly narratives, and recovers links between the United States, Barcelona, Catalonia, Spain, and Europe.

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"The maps themselves are things of beauty...a document of its time, of our time." -Sadie Stein, New York Times "One is invited to fathom the many New Yorks hidden from history's eye...thoroughly terrific." -Maria Popova, Brain Pickings Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts-from linguists to music historians, ethnographers, urbanists, and environmental journalists-amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan's playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City's unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York's buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more. Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA

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If you think meditation is only for monks, think again. Today's world seems to be growing more and more stressful by the minute--for all of us. So now, as a teacher of Tibetan Buddhist practice and a 21st-century woman, Lama Tsomo offers us time-tested tools for getting underneath our everyday worries and making our lives richer and more fulfilling with the release of Why Is the Dalai Lama Always Smiling? Reviewers deem the book "a sympathetic, personalized text" (Foreword Reviews), and recommend it "to those who want to learn more about Buddhism, meditation, or just how to live a more peaceful lifestyle" (Readers' Favorite). Why Is the Dalai Lama Always Smiling? is a lively, approachable guide for using the ancient traditions and practices of Tibetan Buddhism to find happiness and peace in this modern world. Well received and praised, the book was honored with several awards in 2016, including winner of the Spirituality category at the Paris Book Awards, runner-up at the San Francisco Book Festival, and Silver medal recipient in the Independent Publisher Book Awards. Through step-by-step instructions, photographs, and helpful explanations, Lama Tsomo recounts her personal and spiritual journey to greater happiness, and teaches how we can experience the many benefits of meditation. She offers proven techniques for sharpening our focus, enhancing relationships, and living each day more mindfully and joyfully. Laced with humor, compassion, and stories from Lama Tsomo's own life, Why Is the Dalai Lama Always Smiling? meets us where we are and guides us onto the path to a deeper awareness of the world and ourselves. This is a journey well worth taking. As Lama Tsomo invites in the book's prologue, "Won't you come along?" Featuring an introductory letter from H.H. Dalai Lama, Why Is the Dalai Lama Always Smiling? includes a set of beautifully illustrated meditation cards, "Science Tidbits," a glossary of Buddhist terms, and lessons used in Namchak Foundation eCourses and retreats. Learn more about the book and Lama Tsomo at Namchak.org.

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In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.

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Filipinos are now the second largest Asian American immigrant group in the United States, with a population larger than Japanese Americans and Korean Americans combined. Surprisingly, there is little published on Filipino Americans and their religion, or the ways in which their religious traditions may influence the broader culture in which they are becoming established. Filipino American Faith in Action draws on interviews, survey data, and participant observation to shed light on this large immigrant community. It explores Filipino American religious institutions as essential locations for empowerment and civic engagement, illuminating how Filipino spiritual experiences can offer a lens for viewing this migrant community’s social, political, economic, and cultural integration into American life. Gonzalez examines Filipino American church involvement and religious practices in the San Francisco Bay Area and in the Phillipines, showing how Filipino Americans maintain community and ethnic and religious networks, contra assimilation theory, and how they go about sharing their traditions with the larger society.

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Filipinos are now the second largest Asian American immigrant group in the United States, with a population larger than Japanese Americans and Korean Americans combined. Surprisingly, there is little published on Filipino Americans and their religion, or the ways in which their religious traditions may influence the broader culture in which they are becoming established. Filipino American Faith in Action draws on interviews, survey data, and participant observation to shed light on this large immigrant community. It explores Filipino American religious institutions as essential locations for empowerment and civic engagement, illuminating how Filipino spiritual experiences can offer a lens for viewing this migrant community’s social, political, economic, and cultural integration into American life. Gonzalez examines Filipino American church involvement and religious practices in the San Francisco Bay Area and in the Phillipines, showing how Filipino Americans maintain community and ethnic and religious networks, contra assimilation theory, and how they go about sharing their traditions with the larger society.

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This coloring book is like no other on the market. It's a celebration of chromatic homes, the alluring and ornate structures that grace our most charming and beautiful cities, such as Louisville, Cincinnati, San Francisco, New Orleans, and Miami, and have been around for centuries in far-flung places such as Havana, Venice, Amsterdam, Brazil, and Moscow. This captivating collection also teaches and explores the art and science of the use of color in historic preservation, architecture, neighborhood design, and planning.As this book illustrates, color is a powerful tool - it enlightens, entertains, and transforms - and when color graces chromatic homes, it can enhance, revive, and regenerate a community. This vibrant, engaging, and inviting book provides an escape to a world of inspiration, artistic fulfillment, and appreciation for these homes. Containing fifty-seven pages of illustrations, this edition is an effective and fun-filled way to enjoy and appreciate the homes' beauty, while also encouraging imagination and the creation of a unique work of art.

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Gray Malin is the artist of the moment for the Hollywood and fashion elite. His awe-inspiring aerial photographs of beaches around the world are shot from doorless helicopters, creating playful and stunning celebrations of light, shape, and perspective, as well as summer bliss. Combining the spirit of travel, adventure, luxury and artistry, Malin built his eponymous lifestyle brand from a deep passion for photography and interior design. His work forges the synergy between wanderlust and adventure, creating the ultimate visual escape. Beaches features more than twenty cities across six continents: Australia: Sydney; North America: Santa Monica, Miami, San Francisco, Kaua’i, Chicago, The Hamptons, and Cancun; South America: Rio de Janeiro; Europe: Capri, Rimini, Forte dei Marmi, Viareggio, Amalfi Coast, Barcelona, Lisbon and Saint-Tropez; Africa: Cape Town; Asia: Dubai

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How craigslist champions openness, democracy, and other vanishing principles of the early webBegun by Craig Newmark as an e-mail to some friends about cool events happening around San Francisco, craigslist is now the leading classifieds service on the planet. It is also a throwback to the early internet. The website has barely seen an upgrade since it launched in 1996. There are no banner ads. The company doesn't profit off your data. An Internet for the People explores how people use craigslist to buy and sell, find work, and find love—and reveals why craigslist is becoming a lonely outpost in an increasingly corporatized web.Drawing on interviews with craigslist insiders and ordinary users, Jessa Lingel looks at the site's history and values, showing how it has mostly stayed the same while the web around it has become more commercial and far less open. She examines craigslist's legal history, describing the company's courtroom battles over issues of freedom of expression and data privacy, and explains the importance of locality in the social relationships fostered by the site. More than an online garage sale, job board, or dating site, craigslist holds vital lessons for the rest of the web. It is a website that values user privacy over profits, ease of use over slick design, and an ethos of the early web that might just hold the key to a more open, transparent, and democratic internet.

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How craigslist champions openness, democracy, and other vanishing principles of the early webBegun by Craig Newmark as an e-mail to some friends about cool events happening around San Francisco, craigslist is now the leading classifieds service on the planet. It is also a throwback to the early internet. The website has barely seen an upgrade since it launched in 1996. There are no banner ads. The company doesn't profit off your data. An Internet for the People explores how people use craigslist to buy and sell, find work, and find love—and reveals why craigslist is becoming a lonely outpost in an increasingly corporatized web.Drawing on interviews with craigslist insiders and ordinary users, Jessa Lingel looks at the site's history and values, showing how it has mostly stayed the same while the web around it has become more commercial and far less open. She examines craigslist's legal history, describing the company's courtroom battles over issues of freedom of expression and data privacy, and explains the importance of locality in the social relationships fostered by the site. More than an online garage sale, job board, or dating site, craigslist holds vital lessons for the rest of the web. It is a website that values user privacy over profits, ease of use over slick design, and an ethos of the early web that might just hold the key to a more open, transparent, and democratic internet.

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This masterful history encompasses the heart of the Pacific War—the period between mid-1942 and mid-1944—when parallel Allied counteroffensives north and south of the equator washed over Japan's far-flung island empire like a "conquering tide," concluding with Japan's irreversible strategic defeat in the Marianas. It was the largest, bloodiest, most costly, most technically innovative and logistically complicated amphibious war in history, and it fostered bitter interservice rivalries, leaving wounds that even victory could not heal. Often overlooked, these are the years and fights that decided the Pacific War. Ian W. Toll's battle scenes—in the air, at sea, and in the jungles—are simply riveting. He also takes the reader into the wartime councils in Washington and Tokyo where politics and strategy often collided, and into the struggle to mobilize wartime production, which was the secret of Allied victory. Brilliantly researched, the narrative is propelled and colored by firsthand accounts—letters, diaries, debriefings, and memoirs—that are the raw material of the telling details, shrewd judgment, and penetrating insight of this magisterial history. This volume—continuing the "marvelously readable dramatic narrative" (San Francisco Chronicle) of Pacific Crucible—marks the second installment of the Pacific War Trilogy, which will stand as the first history of the entire Pacific War to be published in at least twenty-five years.

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Gracefully written and brilliantly illustrated, this handsome new volume captures the vision, the wit, and the down-to-earth inventiveness of one of the most influential and beloved architects of the early 20th century. Raised in Greenwich Village and trained in Paris, Maybeck spent most of his long career in northern California. An irrepressible bohemian with no desire to run a large office, he spent much of his time designing houses for friends and family, as well as for other patrons so loyal that they often hired him to design more than one house. Maybeck also created two of the most beautiful buildings in all of California: the exhilarating Church of Christ, Scientist, in Berkeley, and the gloriously romantic Palace of Fine Arts, in San Francisco. This incisive overview-the first to feature colour reproductions of Maybeck's exquisite interiors and exteriors-analyses every aspect of his life and work. Not only his architecture but also his furniture, his lighting designs, and his innovations in fire-resistant construction are thoroughly discussed and illustrated. The book is also enlivened by documentary photographs, by clearly drawn plans, and by several of Maybeck's dazzling, previously unpublished visionary drawings. Bernard Maybeck is a major study of an internationally significant architect whose environmentally responsive work has much to offer today's designers and whose houses have given enormous pleasure to those fortunate enough to visit or dwell in them.

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Beginning with the restoration of the Bourbon monarchy in 1875 and ending with the death of General Francisco Franco in 1975, this book explores the intersection of education and nationalism in Spain. Based on a broad range of archival and published sources, including parliamentary and ministerial records, pedagogical treatises and journals, teachers' manuals, memoirs, and a sample of over two hundred primary and secondary school textbooks, the study examines ideological and political conflict among groups of elites seeking to shape popular understanding of national history and identity through the schools, both public and private. A burgeoning literature on European nationalisms has posited that educational systems in general, and an instrumentalized version of national history in particular, have contributed decisively to the articulation and transmission of nationalist ideologies. The Spanish case reveals a different dynamic. In Spain, a chronically weak state, a divided and largely undemocratic political class, and an increasingly polarized social and political climate impeded the construction of an effective system of national education and the emergence of a consensus on the shape and meaning of the Spanish national past. This in turn contributed to one of the most striking features of modern Spanish political and cultural life--the absence of a strong sense of Spanish, as opposed to local or regional, identity. Scholars with interests in modern European cultural politics, processes of state consolidation, nationalism, and the history of education will find this book essential reading.

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Essays and stories to inspire us to nurture diverse, meaningful relationships with gardens and landscapes. The garden is a powerful, generous way of looking at the world. As beautiful spaces, gardens fill us with hope and wonder. As gathering places, they nurture friendships and communities. Thoughtfully crafted, they make us pause and appreciate our surroundings. Full of edible plants, they nourish us. Full of diversity – human and non-human – they connect us with the polychromatic world in which we live. They make us feel at home in our own bodies, in our cities, and on our planet. Through stories and essays, The Calming Garden invites readers on a journey to understand gardens as places where we build mutually beneficial relationships with the living world around us. Each chapter in the book is dedicated to a specific idea or element of the garden, from places where gardens grow (i.e. a driveway in San Francisco, a bathtub as a planter, etc.) to garden management (why some lawns need watering every few days, and some gardens can go almost a full year without irrigation), to color and texture (i.e. how fine-textured plants like grasses can be used to unify a space), and everything in between. Perfect for home gardeners, landscape designers, or as a gift for the gardener in your life, The Calming Garden is an ode to the wonders, designs, and habitats that live within a garden, and an inspiration to nurture diverse, meaningful relationships with the gardens and landscapes around us.

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Biocapital is a major theoretical contribution to science studies and political economy. Grounding his analysis in a multi-sited ethnography of genomic research and drug development marketplaces in the United States and India, Kaushik Sunder Rajan argues that contemporary biotechnologies such as genomics can only be understood in relation to the economic markets within which they emerge. Sunder Rajan conducted fieldwork in biotechnology labs and in small start-up companies in the United States (mostly in the San Francisco Bay area) and India (mainly in New Delhi, Hyderabad, and Bombay) over a five-year period spanning 1999 to 2004. He draws on his research with scientists, entrepreneurs, venture capitalists, and policymakers to compare drug development in the two countries, examining the practices and goals of research, the financing mechanisms, the relevant government regulations, and the hype and marketing surrounding promising new technologies. In the process, he illuminates the global flow of ideas, information, capital, and people connected to biotech initiatives.Sunder Rajan’s ethnography informs his theoretically sophisticated inquiry into how the contemporary world is shaped by the marriage of biotechnology and market forces, by what he calls technoscientific capitalism. Bringing Marxian theories of value into conversation with Foucaultian notions of biopolitics, he traces how the life sciences came to be significant producers of both economic and epistemic value in the late twentieth century and early twenty-first.

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This collection highlights and nuances some of the recent critical advances in scholarship on death and disease, across and beyond the pre-modern Mediterranean world, Christian, Islamic and Jewish healing traditions. Across and beyond the pre-modern Mediterranean world, Christian, Islamic and Jewish healing traditions shared inherited medical paradigms containing similar healthy living precepts and attitudes toward body, illness and mortality. Yet, as the chapters collected here demonstrate, customs of diagnosing, explaining and coping with disease and death often diverged with respect to knowledge and practice. Offering a variety of disciplinary approaches to a broad selection of material emerging from England to the Persian Gulf, the volume reaches across conventional disciplinary and historiographical boundaries. Plague diagnoses in pre-Black Death Arabic medical texts, rare, illustrated phlebotomy instructions for plague patients, and a Jewish plague tract utilising the Torah as medicine reflect critical re-examinations of primary sources long thought to have nothing new to offer. Novel re-interpretations of Giovanni Villani's "New Chronicle", canonisation inquests and saints' lives offer fresh considerations of medieval constructions of epidemics, disabilities, and the interplay between secular and spiritual healing. Cross-disciplinary perspectives recast late medieval post-mortem diagnoses in Milan as a juridical - rather than strictly medical - practice, highlight the aural performativity of the Franciscan deathbed liturgy, explore the long evolution of lapidary treatments for paediatric and obstetric diseases and thrust us into the Ottoman polychromatic sensory world of disease and death. Finally, considerations of the contributions of modern science alongside historical primary sources generates important new ways to understand death and disease in the past. Overall, the contributions juxtapose and interlace similarities and differences in their local and historical contexts, while highlighting and nuancing some of the recent critical advances in scholarship on death and disease - two historiographical subfields long approached separately.

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Wilma Mankiller, the first woman to be elected as Principal Chief of the Cherokee Nation. Growing up, little Wilma was surrounded by her Cherokee heritage. Her parents taught her to be proud of who she was, and all that had come before her. But when the family moved from Oklahoma’s Rocky Mountains to the city of San Francisco, it was a big change, and Wilma fully realised how unfairly the world treated Native Americans. As an adult, she became a leader in the fight for Native American rights, and rose to become the first woman to ever be elected as a Chief of a Cherokee Nation. This inspiring book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the pioneering Native American leader and activist. ​Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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A young secular writer's journey along ancient religious pilgrimage routes in Spain, Japan and Ukraine leads to a surprise family reconciliation in this literary memoir Gideon Lewis-Kraus arrived in free-spirited Berlin from San Francisco as a young writer in search of a place to enjoy life to the fullest, and to forget the pain his father, a gay rabbi, had caused his family when he came out in middle age and emotionally abandoned his sons. But Berlin offers only unfocused dissipation, frustration and anxiety; to find what he is looking for (though he's not quite sure what it is), Gideon undertakes three separate ancient pilgrimages, travelling hundreds of miles: the thousand-year old Camino de Santiago in Spain with a friend, a solo circuit of eighty-eight Buddhist temples on the Japanese island of Shikoku, and finally, with his father and brother, a migration to the tomb of a famous Hassidic mystic in the Ukraine. It is on this last pilgrimage that Gideon reconnects with his father, and discovers that the most difficult and meaningful quest of all was the journey of his heart. A beautifully written, throught-provoking, and very moving meditation on what gives our lives a sense of purpose, and how we travel between past and present in search of hope for our future. "Beautiful, often very funny... a story that is both searching and purposeful, one that forces the reader, like the pilgrim, to value the journey as much as the destination." New Yorker "If David Foster Wallace had written Eat, Pray, Love it might have come close to approximating the adventures of Gideon Lewis-Kraus" Gary Shteyngart "Gideon Lewis-Kraus has written a very honest, very smart, very moving book about being young and rootless and even wayward. With great compassion and zeal he gets at the question: why search the world to solve the riddle of your own heart?" Dave Eggers Gideon Lewis-Kraus has written for numerous US publications, including Harper's, The Believer, The New York Times Book Review, Los Angeles Times Book Review, Slate and others. A 2007-08 Fulbright scholarship brought him to Berlin, a hotbed of contemporary restlessness where he conceived this book. He now lives in New York, but continues to find himself frequently on the road to other places.

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Following the 1957 season, two of baseball’s most famous teams, the Brooklyn Dodgers and the New York Giants, left the city they had called home since the 19th century and headed west. The Dodgers went to Los Angeles and the Giants to San Francisco. Those events have entered baseball lore, and indeed the larger culture, as acts of betrayal committed by greedy owners Walter O’Malley of the Dodgers and Horace Stoneham of the Giants. The departure of these two teams, but especially the Dodgers, has not been forgotten by those communities. Even six decades later, it is not hard to find older Brooklynites who are still angry about losing the Dodgers. This is one side of the story. Baseball Goes West seeks to tell another side. Lincoln A. Mitchell argues that the moves to California, second only to Jackie Robinson’s debut in 1947, forged Major League Baseball (MLB) as we know it today. By moving two famous teams with national reputations and many well-known players, MLB benefited tremendously, increasing its national profile and broadening its fan base. This was particularly important following a decade that, despite often being described as baseball’s golden age, was plagued with moribund franchises, low wages for many players, and a difficult dismantling of the apartheid system that had been part of big league baseball since its inception.In the years immediately following the moves, the two most iconic players of the 1960s, Sandy Koufax and Willie Mays, had their best years, bringing even greater status and fame to their respective ball clubs. The Giants played an instrumental role in the first phase of baseball’s globalization by leading the effort to bring players from Latin America to the big leagues, while the Dodgers set attendance records and pioneered new ways to market the game. Sports historians, baseball fans, and historians of American culture on a broader scale will appreciate Mitchell’s reframing of baseball’s move west and his insights into the impacts felt throughout baseball and beyond.

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"[This book] deserves to be in everyone’s library. . . . It’s loaded with great information, and it can save your life or the life of someone you love."—Dr. Joseph Mercola "This book is life-changing for those trying to understand their own bodies, or those of loved ones, and it’s truly transformative in the hands of medical professionals, especially young doctors."—Foreword Reviews Thomas Cowan was a 20-year-old Duke grad—bright, skeptical, and already disillusioned with industrial capitalism—when he joined the Peace Corps in the mid-1970s for a two-year tour in Swaziland. There, he encountered the work of Rudolf Steiner and Weston A. Price—two men whose ideas would fascinate and challenge him for decades to come. Both drawn to the art of healing and repelled by the way medicine was—and continues to be—practiced in the United States, Cowan returned from Swaziland, went to medical school, and established a practice in New Hampshire and, later, San Francisco. For years, as he raised his three children, suffered the setback of divorce, and struggled with a heart condition, he remained intrigued by the work of Price and Steiner and, in particular, with Steiner’s provocative claim that the heart is not a pump. Determined to practice medicine in a way that promoted healing rather than compounded ailments, Cowan dedicated himself to understanding whether Steiner’s claim could possibly be true. And if Steiner was correct, what, then, is the heart? What is its true role in the human body? In this deeply personal, rigorous, and riveting account, Dr. Cowan offers up a daring claim: Not only was Steiner correct that the heart is not a pump, but our understanding of heart disease—with its origins in the blood vessels—is completely wrong. And this gross misunderstanding, with its attendant medications and risky surgeries, is the reason heart disease remains the most common cause of death worldwide. In Human Heart, Cosmic Heart, Dr. Thomas Cowan presents a new way of understanding the body’s most central organ. He offers a new look at what it means to be human and how we can best care for ourselves—and one another.

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With a low rate of immigration and a high rate of interracial marriage, Japanese Americans today compose the Asian ethnic group with the largest proportion of mixed-race members. Within Japanese American communities, increased participation by mixed-race members, along with concerns about overassimilation, has led to a search for cultural authenticity, giving new answers to the question, Who is Japanese American? In Pure Beauty, Rebecca Chiyoko King-O’Riain tackles this question by studying a cultural institution: Japanese American community beauty pageants in San Francisco, Los Angeles, Seattle, and Honolulu. King-O’Riain employs rich ethnographic fieldwork to discover how these pageants seek to maintain racial and ethnic purity amid shifting notions of cultural identity. She uses revealing in-depth interviews with candidates, queens, and community members, her experiences as a pageant committee member, and archival research—including Japanese and English newspapers, museum collections, private photo albums, and mementos—to establish both the importance and impossibility of racial purity. King-O’Riain examines racial eligibility rules and tests, which encompass not only ancestry but also residency, community service, and culture, and traces the history of pageants throughout the United States. Pure Beauty shows how racial and gendered meanings are enacted through the pageants, and reveals their impact on Japanese American men, women, and children. King-O’Riain concludes that the mixed-race challenge to racial understandings of Japanese Americanness does not necessarily mean an end to race as we know it and asserts that race is work—created and re-created in a social context. Ultimately, she determines that the concept of race, fragile though it may be, is still one of the categories by which Japanese Americans are judged.Rebecca Chiyoko King-O’Riain is lecturer in sociology at the National University of Ireland, Maynooth.

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A NEW YORK TIMES NOTABLE BOOK A “thoroughly captivating biography” (The San Francisco Chronicle) of American icon Arthur Ashe—the Jackie Robinson of men’s tennis—a pioneering athlete who, after breaking the color barrier, went on to become an influential civil rights activist and public intellectual.Born in Richmond, Virginia, in 1943, by the age of eleven, Arthur Ashe was one of the state’s most talented black tennis players. He became the first African American to play for the US Davis Cup team in 1963, and two years later he won the NCAA singles championship. In 1968, he rose to a number one national ranking. Turning professional in 1969, he soon became one of the world’s most successful tennis stars, winning the Australian Open in 1970 and Wimbledon in 1975. After retiring in 1980, he served four years as the US Davis Cup captain and was inducted into the International Tennis Hall of Fame in 1985. In this “deep, detailed, thoughtful chronicle” (The New York Times Book Review), Raymond Arsenault chronicles Ashe’s rise to stardom on the court. But much of the book explores his off-court career as a human rights activist, philanthropist, broadcaster, writer, businessman, and celebrity. In the 1970s and 1980s, Ashe gained renown as an advocate for sportsmanship, education, racial equality, and the elimination of apartheid in South Africa. But from 1979 on, he was forced to deal with a serious heart condition that led to multiple surgeries and blood transfusions, one of which left him HIV-positive. After devoting the last ten months of his life to AIDS activism, Ashe died in February 1993 at the age of forty-nine, leaving an inspiring legacy of dignity, integrity, and active citizenship. Based on prodigious research, including more than one hundred interviews, Arthur Ashe puts Ashe in the context of both his time and the long struggle of African-American athletes seeking equal opportunity and respect, and “will serve as the standard work on Ashe for some time” (Library Journal, starred review).

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The Chinese leadership anticipates that one hundred million people will move from rural areas to China's cities between 2014 and 2020-perhaps the greatest migration in human history. Property ownership and use rights, compensation for when rural land is taken for urban development, and who should receive the increment in value (betterment) are among the most contentious policy issues facing China today. Property rights in China vary from place to place, are often ambiguous, and are changing rapidly. In this remarkable book Tongji University professor Li Tian provides a comprehensive description of China's property rights, betterment, and compensation landscape. Tian reviews Western property rights, betterment and compensation theory and practice and offers her own synthesis and policy recommendations. This is a must-read book for land economists, urban planners, policy makers, and anyone interested in China's development.'- Richard LeGates, San Francisco State University, USLand value capture has long been a hotly debated topic, and it has influenced a wide variety of land ownership regimes. Property Rights, Land Values and Urban Development examines the role and impact of government intervention on land markets in China. It reveals that the state has taken selective advantage of the ambiguous definition of property rights in pursuit of the objective of rapid urban growth.Through detailed empirical analysis and case studies, the book develops approaches that are specifically designed to assess the extent of issues engendered by government activities at both macro and micro levels. It also presents a comprehensive and international review on betterment and compensation. Taking the land market of China as an example, it applies the theoretical framework of New Institutional Economics to analyze institutional arrangements at the national, municipal and project levels. It concludes with the implications of property rights reform to promote the sustainable development of land markets.The issues discussed in this book will be of particular interest to academics and researchers in land economics, Asian studies and development studies.

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A collection of more than 100 extraordinary desserts—all with photos and meticulous instructions—by Cenk Sönmezsoy, creator of the internationally acclaimed blog Cafe Fernando. Written, styled, photographed, and designed by Cenk Sönmezsoy, The Artful Baker shares the inspiring story of a passionate home baker, beginning with his years after graduate school in San Francisco and showcasing the fruits of a baking obsession he cultivated after returning home to Istanbul. Sönmezsoy’s stories and uniquely styled images, together with his original creations and fresh take on traditional recipes, offer a thoughtful and emotional window into the life of this luminary artist. The Artful Baker is comprised of almost entirely new content, with a few updated versions of readers’ favorites from his blog, such as Brownie Wears Lace, his signature brownies topped with blond chocolate ganache and bittersweet chocolate lace (originally commissioned by Dolce & Gabbana and awarded “Best Original Baking and Desserts Recipe” by Saveur magazine); Raspberry Jewel Pluot Galette, a recipe inspired by Chez Panisse’s 40th year anniversary celebrations; and Devil Wears Chocolate, his magnificent devil’s food cake that graces the cover of the book. Each chapter highlights a variety of indulgences, from cookies to cakes and tarts to ice creams, including recipes like Pistachio and Matcha Sablés; Tahini and Leblebi (double-roasted chickpeas) Swirl Brownies; Sakura Madeleines; Sourdough Simit, the beloved ring-shaped Turkish bread beaded with sesame seeds; Isabella Grape and Kefir Ice Cream; Pomegranate Jam; and Blanche, a berry tart named after the Golden Girl Blanche Devereaux. Every recipe in The Artful Baker has gone through a meticulous development phase, tested by an army of home bakers having varying levels of skill, equipment, and access to ingredients, and revised to ensure that they will work flawlessly in any kitchen. Measurements of ingredients are provided in both volume and weight (grams). Where a volume measurement isn’t useful, weight measurements are provided in both ounces and grams.

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How do we represent the experience of being a gender and sexual outlaw? In Queer Forms, Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation—including consciousness-raising, separatism, and coming out of the closet—were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called “normal” gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments—from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth—and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind’s eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms, including the sequential format of comic strip serials, the stock figures or character-types of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist film, literature, and visual culture including Mart Crowley’s The Boys in the Band (1970), Armistead Maupin’s Tales of the City (1976–1983), Lizzy Borden’s Born in Flames (1983), and Tony Kushner’s Angels in America (1989–1991), Fawaz shows how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern United States. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities, Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions.

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AftŸer a long period of comparative neglect, starting almost immediately upon his death in 1900, John Ruskin began to attract, from the 1960s onwards, a remarkable degree of critical interest. Although the formidably ample Library Edition of Ruskin’s works will always constitute the primary basis for interpretation, there is also newly available source material, in the form of letters and (in part) diaries, as well as a scintillating body of modern comment to which the present study seeks to contribute.Ruskin had an extraordinary ability to bring together aesthetics, religion, ecology, and social issues in a unitary, overarching vision, all expressed in a prose style worthy of comparison with any in the English language. All Great Art is Praise focuses especially on the themes of art and religion, for Aidan Nichols takes the view that Ruskin’s writings on art cannot be appreciated without taking into account at many points his approach to religion. This volume offers an analytic account of Ruskin’s principal writings on art, viewed through the lens of Ruskin’s religious claims.For readers new to Ruskin, an opening chapter provides an overview of his work in the context of a life that combined public celebrity with private sorrow. Succeeding chapters consider his comments on art andreligion in broadly chronological order, ending with the highly innovative open letters to working men, and his moving autobiography which was leŸ unfinished at the time of his descent into madness and death.Ruskin’s evaluations of (among others) Turner and the Pre-Raphaelites, the Italian Primitives, and the artists of the high Renaissance, gave the Victorians eyes to see. But his writings call for comment not only from literary scholars and art historians but also from students of ideas since they address a wide range of issues in both theology and philosophy.The volume looks especially closely at Ruskin’s changing attitudes to Catholicism. The son of a stoutly Bible-Protestant mother and a father politically opposed to the civil emancipation of Catholics, Ruskinfound it increasingly difficult to combine his inherited anti-Catholicism with his appreciation of Byzantine-Venetian, Renaissance-humanist, and Franciscan-evangelical art and the program for living these contained or implied. The rumors in late life of his immanent conversion to Rome proved unfounded, but they were not implausible. All Great Art is Praise seeks to show why.

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Condensing centuries of history into one volume, "Cities of the World" traces the historic form and special character of the world's greatest cities through a breathtaking collection of maps and panoramic views. Peter Whitfield focuses on more than sixty cities - from Athens to Brasilia, Washington to Moscow, San Francisco to Saigon, and Venice to Lhasa. He presents an extremely wide range of maps, historic prints, and photographs from many periods that show how the architectural form and the social life of our cities have been shaped--not only by their geographical setting, but also by religion, royal power, commerce, social ideals, and occasionally artistic vision. These images illustrate the historic heart of the cities: the ancient harbors, the hilltop fortresses, the encircling walls, and the houses, churches, and palaces that have been added over the centuries. For the armchair traveler or anyone passionate about the history of human civilization, this beautiful, unique book captures the richness of the urban fabric and reflects the collective memory of each metropolis. Cities of the World demonstrates how the city was linked to the birth and progress of civilization itself, how it has acted as a focus for ideas and technologies, arts and sciences, and even religious devotion. It shows the ways that some cities grew slowly into haphazard, unplanned beauties, while others were shaped by the will of masterful individuals. Whitfield chose the cities featured here not only because they are richly and beautifully illustrated, but also because they demonstrate a notion of spirit--an outward and inward uniqueness. Many of these historic maps have a pictorial quality that vanished long ago from the functional town-plan. Depicting the classical city-state, the medieval fortress, the baroque capital, and the industrial metropolis, the sumptuous illustrations in this book chronicle how simple outlines found on Babylonian clay tablets evolved into the stylized pictures of medieval times and spectacular bird's-eye panoramic views, finally culminating in the highly functional mass-produced maps of the nineteenth and twentieth centuries. Wonderfully evocative of the places they depict and the artistic tastes of their time, these maps shed new light on civilization itself, with all of its contradictions, shortcomings, energy, and aspirations.

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Gasoline & Vestal Lady on Brattle is volume number 8 in the City Lights Pocket Series. "Open this book as you would a box of crazy toys, take in your hands a refinement of beauty out of a destructive atmosphere. These combinations are imaginary and pure, in accordance with Corso's individual (therefore universal) desire." --Allen Ginsberg "Gregory is a gambler. He suffers reverses, like every man who takes chances. But his vitality and resilience always shine through, with a light that is more than human: The immortal light of his muse." --William S. Burroughs "...A touch young kid from the Lower East Side who rose like an angel over the rooftops and sang Italian songs as sweet as Caruso and Sinatra, but in words...Amazing and Beautiful Gregory Corso, The one and only Gregory the Herald. Read slowly and see."--Jack Kerouac "[M]ore than fifty years on from when it was first published in 1958, Gasoline (City Lights, 1958) by Beat poet Gregory Corso is a seminal book in the birth of that particular literary generation." --Paul Stubbs, 3AM Magazine Gregory Corso's first book of poetry, The Vestal Lady on Brattle, was published by City Lights Press in 1955. Born in New York City and raised in Little Italy, Gregory Corso was an American Poet and the youngest of the iconic Beat Generation writers. Homeless and family-less, Corso was arrested at 13 for petty theft and larcenry and spent some time in New York's infamous jail "The Tombs." He was arrested again, but was admitted to Bellevue Hospital Center. On the night of his 18th birthday, he was arrested again and convicted as an adult, resulting in being detained in Clinton State Prison. Gasoline is dedicated to "the Angels of Clinton Prison..." Corso met Allen Ginsberg in 1951 and Ginsberg recognized Corso as "spiritually gifted." Together they traveled from New York to San Francisco to Paris where Corso wrote some of his most famous poems Bombs and Marriage. His journey to, in, and around Paris resulted in his third book of poetry which included poems The Happy Birthday of Death, Minutes to Go, The American Express, and Long LIve Man. He returned to New York in 1958 only to discover he and the other Beat writers had become famous literary figures. Corso and Ginsberg traveled to college campuses and read their famous works Howl and Bomb and Marriage. On January 17, 2001, Corso died from prostate cancer.

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At the end of World War II, the once-isolationist American Catholic Church appointed 'consultants' to the U.S. delegation to the 1945 United Nations Conference on International Organization at San Francisco (UNCIO), a parley which had been mandated by the Big Three to draft a charter for the projected world organization. This analysis, based primarily on archival sources from the U.S. State Department, the National Catholic Welfare Conference (NCWC), and the Catholic Association for International Peace (CAIP), focuses on the bid by these international affairs specialists from the NCWC and the CAIP to modify the Dumbarton Oaks and Yalta proposals along the lines suggested by Pius XII's 'Five Point Peace Program' and the American hierarchy's statements, On International Order and On Organizing World Peace. In this crusade to 'liberalize' the UN Charter, this study proposes, the American Catholic Church realized only partial success. This limited accomplishment was, nevertheless, sufficient impetus for its progression from public hostility to cautious promotion of the UN. Co-published with Catholic University, Department of Church History.

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This book was inspired by San Rafael Illustrated & Described, a rare promotional brochure published by W. W. Elliott & Co. in 1884. The brochure's purpose was to attract new residents and investors to San Rafael by showcasing prominent homes and businesses and emphasizing the natural beauty of the area. It also highlights modern amenities of the day including the train and ferry systems. The illustrations are original stone lithographs made from the sketches of Mr. Chris Jorgensen, a teacher at the San Francisco Art School. From 2016 through 2017, Marin County historian and photographer Michelle Kaufman photographed the same views depicted in the 1884 lithographs and researched their history in collaboration with the staff at the Anne T. Kent California Room. Kaufman's modern views of San Rafael are presented alongside their 1884 counterparts. The Anne T. Kent California Room, located in the Frank Lloyd Wright-designed Marin County Civic Center in San Rafael, is an archive dedicated to collecting and preserving information on the history and culture of Marin County. The California Room's digital archive can be found at marinlibrary.org/californiaroom.

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Distributed by the University of Nebraska Press for Whale and Star Press With rare clarity and restraint, Martínez Celaya explores loss, alienation, foreignness and beauty as well as new ways to think about the art object and the problems it raises. What emerges is a body of work radically concerned with meaning. Loss and its transcendence through consciousness is the pervasive theme in Unbroken Poetry: The Work of Enrique Martínez Celaya. Martínez Celaya's world is revealed through an introspective essay by San Francisco writer and curator, Anne Trueblood Brodzky. Drawing from the artist's sketchbooks, personal interviews with the artist and the works of Martínez Celaya, Brodzky describes his impetus and methods in a conceptual volume of exceptional beauty and voice. The artist's disciplined joint pursuit of physics and art fuels conversations with New York artist Donald Baechler and Caltech physicist, Amnon Yariv. In Unbroken Poetry, we are invited to stand close to the visions of Enrique Martínez Celaya, not only to observe and empathize with his world but also to acknowledge the images brought forth from our own.

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The seemingly unlimited reach of powerful biotechnologies and the attendant growth of the multibillion-dollar industry have raised difficult questions about the scientific discoveries, political assumptions, and cultural patterns that gave rise to for-profit biological research. Given such extraordinary stakes, a history of the commercial biotechnology industry must inquire far beyond the predictable attention to scientists, discovery, and corporate sales. It must pursue how something so complex as the biotechnology industry was born, poised to become both a vanguard for contemporary world capitalism and a focal point for polemic ethical debate. In Biotech, Eric J. Vettel chronicles the story behind genetic engineering, recombinant DNA, cloning, and stem-cell research. It is a story about the meteoric rise of government support for scientific research during the Cold War, about activists and student protesters in the Vietnam era pressing for a new purpose in science, about politicians creating policy that alters the course of science, and also about the release of powerful entrepreneurial energies in universities and in venture capital that few realized existed. Most of all, it is a story about people—not just biologists but also followers and opponents who knew nothing about the biological sciences yet cared deeply about how biological research was done and how the resulting knowledge was used. Vettel weaves together these stories to illustrate how the biotechnology industry was born in the San Francisco Bay area, examining the anomalies, ironies, and paradoxes that contributed to its rise. Culled from oral histories, university records, and private corporate archives, including Cetus, the world's first biotechnology company, this compelling history shows how a cultural and political revolution in the 1960s resulted in a new scientific order: the practical application of biological knowledge supported by private investors expecting profitable returns eclipsed basic research supported by government agencies.

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Museums in the Digital Age: Changing Meanings of Place, Community, and Culture showcases how the use of technology in museums should be understood as factors directly related to the museums’ notion of community, local culture, and place, whether these places are in mid-America, urban metropolises, or ethnically diverse and underserved communities. Here, museum expert Susana Smith Bautista brings more than twenty years of experience in cultural institutes in Los Angeles, New York, and Greece to propose a social understanding of why museums should be adopting technology, and how it should be adapted based on their particular missions, communities, and places. This book is timely because we are in the midst of the digital age, which is rapidly changing due to rapidly changing developments in technology and society as well, with social adaptations of technology. Theory is always racing to catch up with practice in the digital age, but theory remains a critical - and often neglected - component to accompany the practical application of technology in museums. In order to illustrate these points, the book presents five case studies of the most technologically advanced art museums in the United States today: ·The Indianapolis Museum of Art ·The Walker Art Center ·The San Francisco Museum of Modern Art ·The Museum of Modern Art ·The Brooklyn Museum Each case study ends with a Lessons Learned section to bring these points home. While the case studies focus on museums in the United States, and also on art museums, this book is relevant to all types of museums and to museums all over the world, as they equally face the challenge of incorporating technology into their institutions. Although these case studies are all well-established and well-endowed museums, Bautista reveals valuable insight into the difficulties they face and the questions they are asking which are relevant to even the smallest museum or community cultural center.

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Ordered to join the Pacific Squadron in 1854, the sloop of war Decatur sailed from Norfolk, Virginia, through the Strait of Magellan to Valparaiso, Honolulu, and Puget Sound, then on to San Francisco, Panama, Nicaragua, and Costa Rica, while serving in the Pacific until 1859, the eve of the Civil War. Historian Lorraine McConaghy presents the ship, its officers, and its crew in a vigorous, keenly rendered case study that illuminates the forces shaping America's antebellum navy and foreign policy in the Pacific, from Vancouver Island to Tierra del Fuego. One of only five ships in the squadron, the Decatur participated in numerous imperial adventures in the Far West, enforcing treaties, fighting Indians, suppressing vigilantes, and protecting commerce. With its graceful lines and towering white canvas sails, the ship patrolled the sandy border between ocean and land. Warship under Sail focuses on four episodes in the Decatur's Pacific Squadron mission: the harrowing journey from the Atlantic to the Pacific Ocean through the Strait of Magellan; a Seattle war story that contested American treaties and settlements; participation with other squadron ships on a U.S. State Department mission to Nicaragua; and more than a year spent anchored off Panama as a hospital ship. In a period of five years, more than 300 men lived aboard ship, leaving a rich record of logbooks, medical and punishment records, correspondence, personal journals, and drawings. Lorraine McConaghy has mined these records to offer a compelling social history of a warship under sail. Her research adds immeasurably to our understanding of the lives of ordinary men at sea and American expansionism in the antebellum Pacific West.

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In the late nineteenth century, an era in which social mobility was measured almost exclusively by the success of men, Irish American women were leading their ethnic group into the lower middle class occupations of civil service, teaching, and health care. Unlike their immigrant mothers who became servants of the rich, Irish American daughters became servants of the poor by teaching in public school classrooms. The remarkable success of Irish American women was tied to their educational achievements. Unlike many of their contemporaries, the daughters of Irish America attended four-year academic programs in high schools, followed by two to three years of normal school training. By the first decade of the twentieth century, Irish American women were the largest single ethnic group among public elementary school teachers in cities such as Boston, Chicago, and San Francisco. Janet Nolan argues that the roots of this female-driven mobility can be traced to immigrant women's education in Ireland. Armed with the literacy and numeracy learned in Irish schools, Irish immigrant women in America sent their daughters, more than their sons, to school in preparation for professional careers. As a result, Nolan contends, Irish American women entered white-collar work at least a generation before their brothers. Servants of the Pooris a pioneering work which looks at the teaching profession at the turn of the century from the perspective of the women who taught in Irish and American classrooms. Drawing on previously unpublished archival and manuscript sources, including memoirs and letters, Servants of the Poor will be of considerable value to those interested in Irish, Irish American, educational, and women's history.

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Mountains Beyond Mountains meets Tattoos On the Heart in this unforgettable, powerful, and stunningly-told memoir of a struggling veterinarian saving animals and humans on the streets of California - and how he discovered what bonds all living creatures.Dr. Kwane Stewart was questioning his career as a veterinarian when he saw a homeless man with a flea-infested dog outside of a convenience store. In a moment of spontaneous generosity, he offered to examine the dog and treat him for free. It was the first step in a now nine-year journey that has taken Dr. Kwane from Skid Row to San Francisco and beyond to care for pets and their humans who are living on the streets.In What It Takes to Save a Life, Dr. Kwane shows how our four-legged, feathered, scaled, and swimming family members—these dogs, cats, birds, reptiles, and other animals that live side by side with us—provide more than companionship. They offer essential love, hope, and a sense of security.Written with striking honesty and rich detail, Dr. Kwane looks back on his childhood, how he discovered his appreciation for animals and his calling, and offers a frank assessment of the state of veterinary medicine today, where compassion fatigue, burnout, and suicide are facts of life. Full of warm and inspiring stories of human-animal relationships, this powerful and eye-opening book is a reminder that we are all members of a wider family. It is also a clarion call for each of us to help those in need—especially our most vulnerable brothers and sisters—and the animals who are their families. Wise and warm, Dr. Stewart's story is a reminder that one life can make an immeasurable difference.

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This book tells the story of the various Allied operations and schemes instigated to keep Spain and Portugal out of WWII, which included the widespread bribery of high ranking Spanish officials and the duplicity of Admiral Wilhelm Canaris, head of the Abwehr.Ian Fleming and Alan Hillgarth were the architects of Operation Golden Eye, the sabotage and disruption scheme that would be put in place had Germany invaded Spain. Fleming visited the Iberian Peninsula and Tangiers several times during the war, arguably his greatest achievement in WWII and the closest he came to being a real secret agent. It was these visits which supplied much of the background material for his fiction – Fleming even called his home on Jamaica where he created 007 'Goldeneye'.The book begins with Hitler's dilemma about which way to move, and his meeting with Francisco Franco at Hendaye in October 1940, a major turning point in the war when an alliance between Germany and Spain seemed possible. Simmons explores the British reaction to this, with Operation Tracer being created by Admiral Godfrey, head of Naval Intelligence. This was a plan to leave a listening and observation post buried in the Rock of Gibraltar should it have fallen to the Germans. A chapter is also devoted to Portugal – the SIS and SOE operations there and the vital Wolfram wars. Operation Golden Eye was eventually put on standby in 1943 as the risk of the Nazis occupying Spain was much reduced. Simmons consulted Foreign Office, SOE, CIA and OKW files when writing this book.

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A fascinating account of the growing "Yes in My Backyard" urban movement The exorbitant costs of urban housing and the widening gap in income inequality are fueling a combative new movement in cities around the world. A growing number of influential activists aren’t waiting for new public housing to be built. Instead, they’re calling for more construction and denser cities in order to increase affordability. Yes to the City offers an in-depth look at the “Yes in My Backyard” (YIMBY) movement. From its origins in San Francisco to its current cadre of activists pushing for new apartment towers in places like Boulder, Austin, and London, Max Holleran explores how urban density, once maligned for its association with overpopulated slums, has become a rallying cry for millennial activists locked out of housing markets and unable to pay high rents.Holleran provides a detailed account of YIMBY activists campaigning for construction, new zoning rules, better public transit, and even candidates for local and state office. YIMBY groups draw together an unlikely coalition, from developers and real estate agents to environmentalists, and Holleran looks at the increasingly contentious battles between market-driven pragmatists and rent-control idealists. Arguing that advocates for more housing must carefully weigh their demands for supply with the continuing damage of gentrification, he shows that these individuals see high-density urbanism and walkable urban spaces as progressive statements about the kind of society they would like to create.Chronicling a major shift in housing activism during the past twenty years, Yes to the City considers how one movement has reframed conversations about urban growth.

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Fifteen-year-old Elena lives in a church attic in San Francisco’s Richmond neighborhood, where she is cared for by her guardian, a kind Russian priest named Father Al. Six days a week, Father Al sends her out of Our Lady, across the meadows and ponds of Golden Gate Park, and all the way to Baba Vera’s house on Taraval Street for Baba’s version of school.Unlike regular school, however, Elena’s learning is unnerving. Baba Vera’s preposterous demands, dizzying antics, and house—which is full of skeletons, brooms, strange implements, and guinea pigs, among other oddities—seem straight out of a Russian fairy tale Father Al used to read to Elena . . . not life in 2020. If not for her beloved doll, Kukla—bequeathed to her by the mother she never got to know, but of whom she often dreams—Elena would be overwhelmed. Yet she works hard at every task given her, understanding intuitively that there is a purpose to every one of her grandmother’s strange assignments.Frank, a young taxi driver, enters Elena’s world on the day he delivers a strange, witch-like woman named Anya to Our Lady. Upon meeting Anya and Elena, a dream-world begins to spin for him—and he feels a deep, protective pull toward Elena. In the days that follow, Frank devotes himself to saving her from the harm he is sure Anya intends toward her. What he comes to understand, as he enters more deeply into Elena’s story, is that she has magic of her own. He thought he was supposed to save her—but in the end, the two of them may just save each other.

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Spain is a notable exception to the implicit rules of late twentieth-century democratization: after the death of General Francisco Franco in 1975, the recovering nation began to consolidate democracy without enacting any of the mechanisms promoted by the international transitional justice movement. There were no political trials, no truth and reconciliation commissions, no formal attributions of blame, and no apologies. Instead, Spain's national parties negotiated the Pact of Forgetting, an agreement intended to place the bloody Spanish Civil War and the authoritarian excesses of the Franco dictatorship firmly in the past, not to be revisited even in conversation. Formalized by an amnesty law in 1977, this agreement defies the conventional wisdom that considers retribution and reconciliation vital to rebuilding a stable nation. Although not without its dark side, such as the silence imposed upon the victims of the Civil War and the dictatorship, the Pact of Forgetting allowed for the peaceful emergence of a democratic state, one with remarkable political stability and even a reputation as a trailblazer for the national rights and protections of minority groups. Omar G. Encarnación examines the factors in Spanish political history that made the Pact of Forgetting possible, tracing the challenges and consequences of sustaining the agreement until its dramatic reversal with the 2007 Law of Historical Memory. The combined forces of a collective will to avoid revisiting the traumas of a difficult and painful past and the reliance on the reformed political institutions of the old regime to anchor the democratic transition created a climate conducive to forgetting. At the same time, the political movement to forget encouraged the embrace of a new national identity as a modern and democratic European state. Demonstrating the surprising compatibility of forgetting and democracy, Democratization Without Justice in Spain offers a crucial counterexample to the transitional justice movement. The refusal to confront and redress the past did not inhibit the rise of a successful democracy in Spain; on the contrary, by leaving the past behind, Spain chose not to repeat it.

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Amnon Weinstein, an Israeli master luthier (violin maker), began a project more than years ago that may be one of the most creative, effective, and magnificent approaches to education on the topic of the Holocaust. Trained by three of the most revered Cremona, Italian luthiers of the twentieth century, Weinstein’s vision was to restore violins that survived the concentration camps and the ghettos, even when their owners often did not. To date, more than seventy violins have been restored to their highest playable condition. Following restoration, these hauntingly beautiful instruments have been used in performances by symphonies in Berlin, Cleveland, Istanbul, London, Quebec, Paris, San Francisco, and many other cities across the world. Purposefully, Weinstein makes certain that young musicians as well as members of some of the world’s most famed orchestras perform on them to packed concert halls. In doing so, it’s as if the past owners of the instruments return to fill the listener-observer’s mind and body.In Violins and Hope, Daniel Levin has made the most compelling and beautiful series of photographs documenting Weinstein’s collection of violins, his workshop in Tel Aviv, and his processes for restoration. This book is not a document of place, as much as it is a document of the ethereal. For what Weinstein has done with these lost violins has been to transform tragic loss into triumph in the most inciteful and powerful way imaginable. The care that Levin has taken to hone in on the idiosyncrasies of Amnon’s workshop, and his uncanny ability to celebrate the beauty of light, is nothing short of remarkable.The book’s foreword is written by arguably the most well-suited individual anywhere. Born in Austria, Franz Welser-Möst is one of the most acclaimed conductors of the twenty-first century. He has been Music Director of the Cleveland Orchestra since 2002, and, under his direction, The Cleveland, as it has been fondly named by The New York Times, has had twenty international tours, with shimmering reviews. All too aware of his ancestry, Welser-Möst takes on our mutual history as no one else could. And the book concludes with Levin’s interview with Assi Weinstein, Amnon’s wife, who talks about the Violins of Hope project and its enduring legacy.

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There was no more polarizing manager in baseball than the hot-tempered, hard-drinking, risk-taking Billy Martin. Under absentee and apathetic owner Charlie Finley, there was not a more neglected baseball franchise on the verge of death than the Oakland A’s of the late 1970s. Martin was the firebrand everyone wanted and Finley was the owner A’s fans hated. But when Finley tapped the fifty-one-year-old Martin to manage his A’s in February 1980, it sparked a major-league renaissance in the San Francisco-Bay Area. Baseball’s two most colorful personalities had joined forces. So began the winning era of “Billy Ball,” Martin’s daring, unpredictable, base-stealing, aggressive style of play driven by young players like future superstar Rickey Henderson. Time magazine would feature Martin on the cover of its May 1981 issue. Billy Ball translated into wins and propelled the A’s to the top of the standings, eventually leading them to the American league West crown in 1981 before falling to the Yankees in the ALCS that season. But Billy Ball had made its mark in baseball lore. During a time of economic uncertainty and dying baseball interest in Oakland, Billy Ball filled the stands, rejuvenated fans, and saved professional baseball in the city.

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Lachlan Smith won widespread critical acclaim for his first novel in the Leo Maxwell series, Bear Is Broken, which won the Shamus Award for Best First PI Novel. In the tense and twist-filled third novel, Fox Is Framed, private attorney Leo Maxwell is forced to contend with a family drama that has haunted him--and his elder brother, Teddy--since childhood. Faced with evidence of stunning prosecutorial misconduct, a San Francisco judge has ordered a new trial for the Maxwell brothers' father, Lawrence, who has spent two decades in San Quentin for the murder of their mother. Teddy has always been convinced of their father's innocence, but Leo is less sure. The new case is almost derailed at the outset when a fellow inmate comes forward claiming that Lawrence confessed to the murder in prison. The snitch soon turns up dead, with Lawrence again the prime suspect. His doubts mounting, Leo teams up with hotshot attorney Nina Schuyler to defend Lawrence against murder charges both old and new. Working the streets while Nina handles the action in the courtroom, Leo must confront the darkness at the center of his life as he follows a trail of corruption and danger that leads to the very steps of City Hall.

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This is what we know, this is the truth: CSI is a global television phenomenon. It began in 2000 with "CSI: Crime Scene Investigation", a dark procedural drama about forensic science set within the neon escapism of Las Vegas, in which Grissom and his team search within the very vitals of the murder victims they investigate. Nearly 17 million viewers tuned in each week and "CSI: Crime Scene Investigation" fast became America's number one show. The success of the series moved it into franchise territory, continuing in 2002 with the body beautifuls and dismembereds of "CSI: Miami" (now the world's biggest television show) and again in 2004 extending the francise to the melancholic noir of post-9/11 New York with "CSI: NY". "Reading 'CSI'" pieces together the evidence in order to understand what the CSI shows mean to contemporary television culture, both in America and beyond. The varied, intellectually curious and often polemic responses to CSI from critics, journalists and industry professionals focus on a range of issues from the pornographic quality of the CGI effects, the relationship of characters to their narratives, and the reaction of the fans, to the semiotics of Horatio Caine's sunglasses. This in depth, compulsive read also includes a full episode guide.

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A gorgeously illustrated debut graphic memoir about belonging, identity, and making a home in the remote American West, by New Yorker cartoonist Navied Madhavian. Before Navied Mahdavian moved from San Francisco in November 2016 to an off-grid cabin rural Idaho, one of the most remote and wild areas of the American West, he had never fished, gardened, hiked, hunted, or lived in a snowy place. But there, he could own land and start a family - the millennial dream. Over the course of the next three years, he leaned into the wonders of the natural landscape and found himself adjusting to and enjoying a slower pace of living. But beyond the boundaries of his six acres, he was confronted with the realities of America's political shifts and forced to confront the question: Do I belong here? Funny, deeply perceptive, and attentive to the dynamics of culture, environment, and identity in America, Mahdavian's gorgeously self-illustrated and often hilariously written graphic memoir charts his growth and struggles as an artist, citizen, and new father. It celebrates his love of place and honors the relationships he makes in rural America, even as it articulates the difficult moments of racism and brutality he found there as a Middle Eastern American. With wit and compassion, Mahdavian's insider perspective offers a unique portrait of a place many people hear or know nothing about.

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Told with humor and flair, this is the autobiography of one transsexual's wild ride from boyhood as Alfred Brevard ("Buddy") Crenshaw in rural Tennessee to voluptuous female entertainer in Hollywood. Aleshia Brevard, as she is now known, underwent transitional surgery in Los Angeles in 1962, one of the first such operations in the United States. (The famous sexual surgery pioneer Harry Benjamin himself broke the news to Brevard's parents.)Under the stage name Lee Shaw, Brevard worked as a drag queen at Finocchio's, a San Francisco club, doing Marilyn Monroe impersonations. (Like Marilyn, she sought romance all the time and had a string of entanglements with men.) Later, she worked as a stripper in Reno and as a Playboy Bunny at the Sunset Strip hutch.After playing opposite Don Knotts in the movie The Love God, Brevard appeared in other films and broke into TV as a regular on the Red Skelton Show. She created the role of Tex on the daytime soap opera One Life To Live. As a woman, Brevard returned to teach theater at East Tennessee State, the same university she had attended as a boy.This memoir is a rare pre-Women's Movement account of coming to terms with gender identity. Brevard writes frankly about the degree to which she organized her life around pleasing men, and how absurd it all seems to her now.

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