Search results for ""Author Francis"

The reputation of Francis I, king of France (1515-47 ) has fluctuated over the centuries. Acclaimed as ’noble’ and ’great’ in the sixteenth century, he came to be unfairly denigrated under the Bourbon kings and the republic. But, in the twentieth century, research based on archival material has restored his standing as one of the most important rulers of his age. The present volume brings together seventeen articles by Robert Knecht published over several decades on particular aspects of the reign, with three specially translated from French into English. They examine the period in more depth than was possible in the author's 1994 biography of Francis I, and include studies of the Concordat of 1516 with the papacy, the Field of Cloth of Gold in 1520, the lit-de-justice of 1527, and the visit to France of the Emperor Charles V in 1540. Other articles consider the king’s attitude to the Reformation, his court, his relations with Paris and visits to Aquitaine, his patronage of architecture as demonstrated by his building of the château of Fontainebleau, and his relations with his mother, Louise of Savoy, and sister, Marguerite d’Angoulême. The king’s love of books and the political advice he received from scholars are also considered as well as the extent of his ’absolutism’. Two articles compare the English and French Reformations and the nobilities of the two countries. The volume is intended as a contribution to the celebration of the 500th anniversary of Francis I’s accession. (CS1055).

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Franci Rabinek Epstein was born in Prague, Czechoslovakia in 1920 and educated at the Ecole Francaise, Lycee de Prague, and the Deutsches Staatsrealgymnasium before dropping out to apprentice in her mother's haute couture Salon. At 18, Franci became the owner of the Salon, though the family were eventually forced to 'aryanize' their Jewish business. A newlywed when she arrived at Terezin, she regarded the Nazi concentration camps as her university. After liberation by the British in April 1945, Franci would finally return to Prague, the only immediate member of her family to have survived. She married Kurt Epstein in 1946 and then, after the Communist takeover of Czechoslovakia in 1948, she emigrated to New York City and established a new fashion salon on the Upper West Side. She lectured at universities on her experience during the war before dying of a brain aneurysm in 1989. Her daughter, journalist Helen Epstein, has written the afterword for Franci's War.

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Illness and Authority examines the lived experience and early stories about St. Francis of Assisi through the lens of disability studies. This new approach recentres Francis’ illnesses and infirmities and highlights how they became barriers to wielding traditional modes of masculine authority within both the Franciscan Order he founded and the church hierarchy. Members of the Franciscan leadership were so concerned about his health that the future saint was compelled to seek out medical treatment and spent the last two years of his life in the nearly constant care of doctors. Unlike other studies of Francis’ ailments, Illness and Authority focuses on the impact of his illnesses on his autonomy and secular power, rather than his spiritual authority. Whether downplaying the comfort Francis received from music to omitting doctors from the narratives of his life, early biographers worked to minimize the realities of his infirmities. When they could not do so, they turned the saint’s experiences into teachable moments that demonstrated his saintly and steadfast devotion and his trust in God. Illness and Authority explores the struggles that early authors of Francis’ vitae experienced as they tried to make sense of a figure whose life did not fit the traditional rhythms of a founder saint.

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“The Francis Effect was about proposing something completely absurd, as absurd as borders are. If Immigrant Movement was for the thousands of people who went there, The The Francis Effect was just for one person, the pope. But the more people that participated, the more personal it became.” –Tania Bruguera Stemming from a performance that originated at the Guggenheim Museum, The Francis Effect explores Tania Bruguera’s work as an artist, activist, and Cuban immigrant to the US engaging the tension between art’s pragmatic, activist, and aesthetic possibilities. The performance of The Francis Effect follows the guise of a political campaign, aiming to request that the Pope grant Vatican City citizenship to all immigrants and refugees. As a conversational, collaborative project, the resulting book mirrors Bruguera’s artistic practice with essays and conversations from the the curators and Bruguera. In addition, the book-project is embiggened by socially-engaged commissioned essays from art historian Our Literal Speed, sociologist Saskia Sassen, and historian Nicolas Terpstra. A groundbreaking interdisciplinary discussion of borders, Pangaea, sociology, and religious studies, The Francis effect offers art as a vehicle for social change, placing this work in the context of its creative and critical reception.

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During his 60-odd years as a painter Francis Bacon fearlessly tackled the unruly imagery of life, remaining defiantly committed to giving this purposeless existence a meaning. His insistence on depicting the mysteries of human experience had been rare in an age dominated by abstraction. Now, with the international resurgence of figurative imagery, the pivotal importance of his work has become more obvious than ever before. The power and magnitude of his life's work are vividly conveyed by this thorough evaluation written by Hugh Davies and Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls the mysteries of appearance, Bacon confronts us with emotional images that demand an emotional response. About Abbeville's Modern Masters series: With informative, enjoyable texts and over 100 illustrations-approximately 48 in full colour-this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artists life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museum goer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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This lyrical picture book from Tony award–winning producer Ashlee Latimer models joyful self-acceptanceFrancis loves learning new words. At school, when her class is reviewing words that begin with the letter “F,” someone sneers “Fat, like Francis.” Francis always thought “fat” was a warm word—like snuggling with Mama or belly rubs for her puppy. But now “fat” feels cold, and Francis feels very small. After school, Baba takes Francis to the park. She chooses the bench instead of the swing set, and gets very quiet. But when Baba uses the word “possible,” Francis wants to know what it means. They explore the park together, discovering what’s “possible” around them. Is it like airplanes, hovering in the sky? Or does it look like planting and how some things take a long time to grow? “Possible” makes Francis feel warm and big—like “fat,” before someone else made her feel small. This ode to self-acceptance will model for child readers what “possible” might mean in their own lives.

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Saint Francis of Assisi is one of the most beloved and inspirational figures in the history of Christianity. The stunning illustrations of award-winning author, Demi, bring to life the story of this son of a rich merchant, who abandoned all his worldly goods in order to follow the teachings of Jesus Christ. Inspired by the remarkable example of his holiness, Saint Francis is venerated by millions of Christians around the world, no matter their denomination.

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Francis Bacon: Shadows continues in the revelatory mode established by Inside Francis Bacon. It comprises six essays on diverse topics, interpretative as well as factual, which cumulatively present an abundance of fresh ideas and information about Bacon. The fundamental aim of the series – to rethink Bacon’s art from new perspectives – is impressively fulfilled by the eminent authors. Martin Harrison opens the book with some hitherto unseen Bacon-related photographs and includes a tribute to the great Bacon scholar, David Boxer (1946–2017). Christopher Bucklow turns his attention to the contrast between Bacon's art and the art of our own times, setting Bacon in the context of Romantic Modernism's confidence in the unconscious as a source. Amanda Harrison’s essay explores imagery in Bacon’s paintings that relates to esoteric, mythological and alchemical themes, while Stefan Haus draws on the ideas of philosophers from Plato to Hegel to consider the impact of Bacon’s art. Hugh Davies’s unexpurgated 1973 Bacon Diaries are published here in their entirety for the first time, revealing a more complete view of Bacon as both man and artist. Sophie Pretorius examines Tate's Barry Joule Archive, a collection of working materials and drawings attributed to Bacon. Finally, Martin Harrison explores Francis Bacon's Lost Paintings – works Bacon dubbed 'failures', but preserved by his Estate and published here for the very first time.With 120 illustrations in colour

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Spend a month in the company of St Francis, with sixty-two reflections to enrich your mornings and evenings. ‘[Francis received] the unhealed everlasting wounds that heal the world.’ - G. K. Chesterton, St. Francis of Assisi Praise for the A Month with series: ‘This series helps us to be properly nurtured by the living, radical Christian tradition of faith.’ - Mark Oakley, author and Chancellor of St Paul’s Cathedral, London St Francis of Assisi, the founder of the Franciscan Order, lived in early thirteenth-century Italy and is known as the patron saint of animals.

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Widely regarded as the best British painter since Turner, very little is known about Francis Bacon's life. In this, the first-ever book to be written about him, Daniel Farson, friend and confidant to Bacon for over forty years, gives a highly personal, first-hand account of the man as he knew him. From his sexual adventures to his rise from obscurity to international fame, Farson gives us unique insight into Bacon's genius.

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A new and controversial biography of Sir Francis Bacon succinctly putting forward the theory that he was one of Elizabeths illegitimate offspring and the writer of Shakespeares plays.

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The many wonderful stories about St Francis of Assisi have been loved for over seven hundred years, and yet the power of them is undiminished.This concise book includes key stories, retold by master storyteller Jakob Streit, to introduce children to the works of the great saint.Suitable for children aged six and up.

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Francis Bacon (1561-1626), commonly regarded as one of the founders of the Scientific Revolution, exerted a powerful influence on the intellectual development of the modern world. He also led a remarkably varied and dramatic life as a philosopher, writer, lawyer, courtier, and statesman. Although there has been much recent scholarship on individual aspects of Bacon's career, Perez Zagorin's is the first work in many years to present a comprehensive account of the entire sweep of his thought and its enduring influence. Combining keen scholarly and psychological insights, Zagorin reveals Bacon as a man of genius, deep paradoxes, and pronounced flaws. The book begins by sketching Bacon's complex personality and troubled public career. Zagorin shows that, despite his idealistic philosophy and rare intellectual gifts, Bacon's political life was marked by continual careerism in his efforts to achieve advancement. He follows Bacon's rise at court and describes his removal from his office as England's highest judge for taking bribes. Zagorin then examines Bacon's philosophy and theory of science in connection with his project for the promotion of scientific progress, which he called "The Great Instauration." He shows how Bacon's critical empiricism and attempt to develop a new method of discovery made a seminal contribution to the growth of science. He demonstrates Bacon's historic importance as a prophetic thinker, who, at the edge of the modern era, predicted that science would be used to prolong life, cure diseases, invent new materials, and create new weapons of destruction. Finally, the book examines Bacon's writings on such subjects as morals, politics, language, rhetoric, law, and history. Zagorin shows that Bacon was one of the great legal theorists of his day, an influential philosopher of language, and a penetrating historian. Clearly and beautifully written, the book brings out the richness, scope, and greatness of Bacon's work and draws together the many, colorful threads of an extraordinarily brilliant and many-sided mind.

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Exploring the life, imagery and lasting appeal of Saint Francis of Assisi (1182–1226), this landmark book features a core of important historic paintings representing the saint by Giotto, Sassetta, Caravaggio, Zurbarán and El Greco. From his native Umbria, Saint Francis’s image spread rapidly to become a global phenomenon and a continuous source of artistic fascination. His commitment to the poor, powerful appeals for peace, openness to dialogue with other religions and embryonic environmentalism radically impacted the Church and society of his time, and still hold great interest today. Spanning seven centuries and ranging from the earliest, relic-like objects to contemporary art in a variety of media, including works by Antony Gormley, Giuseppe Penone and a new commission from Richard Long, Saint Francis of Assisi reflects on the lasting legacy of Saint Francis – an inherently modern figure who retains a universal appeal. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London, 6 May–30 July 2023

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A new selected writings from the Californian abstract expressionist famed for his colorful lyricism and dynamic painting This volume beautifully combines the artist's writing with his works on paper in an elegantly designed book. Focusing on principles expressed in his acclaimed Saturated Blue, this volume includes writings from Francis' journals that have never been published before. Sam Francis (1923–94) painted images with words as well as pigments. He approached art as a mediation between divine inspiration and human existence, and a guiding notion was the philosopher's stone, or Lapis Philosophorum. His writings took the form of aphorisms, poetry, dream memories and prose, each providing insight into his visual art. His publishing project, the Lapis Press, allowed Francis to pursue his love of writing and discover new ways to marry the brilliance of words with the visual. That ethos is reflected in the superb design of this collection. The production used a new seven-color print technology to create plates with added vibrancy and color density.

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Some people want to know why I wished to be called Francis. For me, Francis of Assisi is the man of poverty, the man of peace, the man who loves and protects creation. Pope Francis, March 16, 2013 By taking the name of one of the most widely respected figures in history, Pope Francis set a high bar for his papacy. The legacy of St Francis is epic: a breath-taking testament to divine love and the human capacity for compassion and joy. Since his election in March 2013, the pope’s Franciscan ‘accent’ has become increasingly evident. His optimism, creativity, courage, and playful sense of humour are reminiscent of the beloved saint.

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In 2013, the white smoke of the Vatican announced to the world the election of the first Latin American Pope. That day, Father Jorge became Francis, but a few weeks earlier, he had been walking the streets of his native Buenos Aires, always close to the needy. Discover the origins of a man who, by setting such an example of love and humility, may succeed in bringing change to the Church, and perhaps the whole world.

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The unnamed narrator of Francis Bacon’s Armchair has just been released from an extended stay at a psychiatric hospital and now has only one objective: to shut himself away in his apartment and contemplate the best way to restart his life. But his obsession with Cathie, a young woman he met during his convalescence, drives him out of his bedroom one night in search of a telephone—which leads him two floors below into the apartment of his morbidly obese neighbor, Sauvage. Sauvage is a translator overwhelmed by his current project, The Dictionary of Rare and Incurable Diseases, and by the inherent difficulties of his profession. The narrator begins paying regular visits to his mysterious neighbor, and the two isolated men develop a bizarre relationship dominated by fear, jealousy, and mutual fascination. A hypnotic and philosophically dense novel, Francis Bacon’s Armchair deftly weaves between explorations of loneliness, language, and obsession.

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It was in Paris in 1927, at an exhibition dedicated to Picasso, that Francis Bacon grasped his vocation as a painter. In 1946, he moved to Monaco on the French Riviera where he lived for four years, his time in the Principality marking a turning point in his art; with his popes series, he became a painter of the human figure. In Paris he befriended artists and intellectuals, such as Giacometti and Leiris, whilst the city would become the setting for the crystalisation of his reputation in 1971 with the retrospective at the Grand Palais. In 1975, Bacon would take a studio in the Marais district. This bilingual publication co-published by Albin Michel and The Francis Bacon MB Art Foundation tells of Bacon s deep ties with France and Monaco, and has been overseen by Martin Harrison, author of Francis Bacon: Catalogue Raisonne and curator of the coinciding exhibition Francis Bacon, Monaco et la culture franc aise which runs at Grimaldi Forum, Monaco from 2 July 2016 until 4 September 2

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How well do you know the life of one of Britain’s great maritime heroes? Discover the truth behind a man who remains a legendary figure of history more than four hundred years after his death.Sir Francis Drake’s career is one of the most colourful on record. The most daring of the corsairs who raided the West Indies and Spanish Main, he led the English into the Pacific, and cirumnavigated the world to bring home the Golden Hind laden with Spanish treasure. His attacks on Spanish cities and ships transformed his private war into a struggle for surivival between Protestant England and Catholic Spain, in which he became Elizabeth I's most prominent admiral and marked the emergence of England as major maritime nation.‘Excellent...It deserves to become the standard Drake life. His scholarship is impeccable’ Frank McLynn, Sunday Telegraph

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Francis Bacon is considered one of the most important painters of the twentieth century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work – not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: ‘Bullfighting is like boxing,’ Bacon once said. ‘A marvellous aperitif to sex.’ Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication – a significant addition to the literature on Bacon – expert authors discuss Bacon’s approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition. Images below, left to right: Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo Maertens Francis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates Ltd Francis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates Ltd All images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.

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When the American art world turned toward abstract art and action painting, Francis Cunningham remained focused on figurative art and the human form. His interest never waned. This book chronicles his development over an astonishing seven decades. Presented in a nonlinear order, the arc of his work is there for the discerning eye to see. Landscapes, still life, and human forms are interrelated. Cunningham’s work reveals the connection between abstraction and representation. Their coexististence is the material and subject of this book, disclosing a new understanding of American painting by a living artist. Accompanying over 180 high quality reproductions, the artist's many facets are explored in essays by art historians and art critics, including Christopher Knight, Edward Lifson, John Walsh, and Valentina De Pasca, as well through the reminiscences of one of his life models, Regina Hawkins-Balducci. Cunningham attended the Art Students League of New York, where he studied drawing and anatomy with Robert Beverly Hale and painting with Edwin Dickinson. He became an influential master instructor, cofounding the New Brooklyn School of Life Drawing, Painting and Sculpture (1977-1983) and the New York Academy of Art in 1983. At his current age of 90, he continues to paint in his studio in Manhattan and in the rural western part of Massachusetts, known as the Berkshires. This is the first monograph devoted to his work.

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This book opens an exciting and extensive archive of fashion illustration by Francis Marshall (1901-1980), held at the Victoria and Albert Museum, London. Marshall's career coincided with the golden age of fashion illustration and commercial art. Active from the 1920s until the 1960s, his work was published widely, from Vogue magazine to the more accessible and widely read pages of the Daily Mail. Marshall also worked extensively in advertising, for companies such as Jaeger and Elizabeth Arden, and released several books - ranging from manuals on drawing fashion and ballet, to the nostalgic records of fashionable society London West and An Englishman in New York. Francis Marshall: Drawing Fashion shines a light on a sometimes-forgotten master, at a time when fashion illustration is very much in style.

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Acclaimed as one of the most influential and innovative American directors, Francis Ford Coppola is also lionized as a maverick auteur at war with Hollywood's power structure and an ardent critic of the postindustrial corporate America it reflects. However, Jeff Menne argues that Coppola exemplifies the new breed of creative corporate person and sees the director's oeuvre as vital for reimagining the corporation in the transformation of Hollywood. Reading auteur theory as the new American business theory, Menne reveals how Coppola's vision of a new kind of company has transformed the worker into a liberated and well-utilized artist, but has also commodified individual creativity at a level unprecedented in corporate history. Coppola negotiated the contradictory roles of shrewd businessman and creative artist by recognizing the two roles are fused in a postindustrial economy. Analyzing films like The Godfather (1970) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family--and how his studio American Zoetrope came to represent a new brand of auteurism and the model for post-Fordist Hollywood.

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Founded in 1895 under the aegis of R.H. Lea, the company originally built cycles and motorcycles but, by the 1920s, was established as a manufacturer of high quality sporting cars. From the 1930s to the 1960s, Lea-Francis specialized in medium-sized cars built with care and the best quality components. Successful in motorsports, "Leaf" was an innovative company, but a lack of regard for good business principles led to fluctuating fortunes throughout the company's long life. This text tells the story of the firm.

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A one-of-a-kind mini Pope Francis bobblehead!From the moment Pope Francis became the Bishop of Rome, he has been a much admired and respected figure traveling all over the world to spread peace and goodwill. Included in this kit is a collectible mini-size Pope Francis bobblehead and a full-color, 32-page book with photos, quotes, and bio about the man who is adored by millions.

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The Times Art Book of the Year 2021 FINALIST FOR THE PLUTARCH AWARD 2022 ‘Must surely be the definitive life of Francis Bacon … A biography that no Bacon fan – or indeed foe – can afford to overlook … Mesmerising’ THE TIMES ‘A magnificent triumph … I was captivated by every line’ OBSERVER A decade in the making, based upon hundreds of interviews and extensive new material, Pulitzer Prize winners Mark Stevens and Annalyn Swan have written a startlingly original portrait – rich, complex, and subtle – of a commanding modern figure. Bacon concealed many important aspects of his life. He described himself as an asthmatic child in Ireland with foxhunting parents and a tyrannical father, but he was also rescued by a series of formidable women – women who in this biography emerge in their own right. He was never just a dissolute young man but was also a passionate reader, largely self-taught. Early on, influenced by Eileen Gray, he became a hard-working and ambitious designer, a brief career explored here in detail for the first time. He dreamed of remaking the modern room. Bacon worked no less hard or ambitiously as a painter, at first with little success. Throughout the 1930s and early ’40s he suffered ongoing failures, growing isolated and often ill. His health issues throughout his life were far more significant than he revealed. Then came his astonishing breakthrough in 1944, with Three Studies for Figures at the Base of a Crucifixion. In the following decades, he emerged as one of the great iconoclasts and bon vivants of his time, a Wildean figure whom one friend called ‘a terrific grandee.’ Bacon was typically celebrated as a sexual adventurer who liked rough trade, but he never stopped longing for a serious committed relationship, however painful. He continued to make disturbing images of the strangeness within, but developed into a more varied artist than has been recognised, creating in particular an extraordinary series of self-portraits. He was an artist who believed in chance and paradox: the iconoclast eventually became an icon. This is a story, deeply researched and masterfully told, of a sickly boy who became one of the great figures of his time. The twentieth century does not know itself without Bacon.

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Francis Bacon’s portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacon’s oeuvre. Markus Rath embeds the painting into Bacon’s visual world for the first time. The English painter reveals a biographically oriented representationalism in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure – these are pioneering approaches to composition that shaped his late work decisively.

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This book highlights a theme that preoccupied Francis Bacon throughout his career: the relationship between two people, both physical and psychological. At its heart are two of the most uninhibited images that Bacon ever painted: Two Figures (1953) and Two Figures in the Grass (1954). After completing these interrelated works, Bacon did not return to the subject until 1967, the year that homosexual acts in private were decriminalized in England and Wales, when he painted Two Figures on a Couch, also featured in this volume. In Bacon s paintings, the human presence is evoked sometimes viscerally, at other times more fleetingly, in the form of a shadow or a blurred, watchful figure. In certain instances, the portrayal takes the form of a composite in which male and female bodily traits are transposed or fused. A number of the works in Couplings were inspired by Bacon s own fraught relationships. Francis Bacon: Couplings features an introductory text by Richard Calvocoressi; a new essay and plate texts by Martin Harrison; and a never-before-published interview with Bacon by Richard Francis and Ian Morrison; as well as studio ephemera and working documents that illuminate Bacon s process.

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What happens when the pastor of a mega church loses his faith?Pastor Chase Falson has lost his faith in God, the Bible, evangelical Christianity, and his super-sized megachurch. When he falls apart, the church elders tell him to go away: as far away as possible. Join Chase on his life-changing journey to Italy where, with a curious group of Franciscan friars, he struggles to resolve his crisis of faith by retracing the footsteps of Francis of Assisi, a saint whose simple way of loving Jesus changed the history of the world. Read this riveting story and then begin your own life-changing journey through the pilgrim’s guide included in this powerful novel. Hidden in the past lies the future of the churchWhen his elders tell him to take some time away from his church, broken pastor Chase Falson crosses the Atlantic to Italy to visit his uncle, a Franciscan priest. There he is introduced to the revolutionary teachings of Saint Francis of Assisi and finds an old, but new way offollowing Jesus that heals and inspires. Chase Falson’s spiritual discontent mirrors the feelings of a growing number of Christians who walk out of church asking, Is this all there is? They are weary of celebrity pastors, empty calorie teaching, and worship services wherethe emphasis is more on Lights, Camera, Action than on Father, Son, and Holy Spirit while the deepest questions of life remain unaddressed in a meaningful way. Bestselling author Ian Morgan Cron masterfully weaves lessons from the life of Saint Francis into the story of Chase Falson to explore the life of a saint who 800 years ago breathed new life into disillusioned Christians and a Church on the brink of collapse. Chasing Francis is a hopeful and moving story with profound implications for those who yearn for a more vital relationship with God and the world.journey of your own through the pilgrim's guide included in this book.

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Francis Bacon was one of most elusive and enigmatic creative geniuses of the twentieth century. However much his avowed aim was to simplify both himself and his art, he remained a deeply complex person. Bacon was keenly aware of this underlying contradiction, and whether talking or painting, strove consciously towards absolute clarity and simplicity, calling himself ‘simply complicated’. Until now, this complexity has rarely come across in the large number of studies on Bacon’s life and work. Francis Bacon: Studies for a Portrait shows a variety of Bacon’s many facets, and questions the accepted views on an artist who was adept at defying categorization. The essays and interviews brought together here span more than half a century. Opening with an interview by the author in 1963, the year that he met Bacon, there are also essays written for exhibitions, memoirs and reflections on Bacon’s late work, some published here for the first time. Included are recorded conversations with Bacon in Paris that lasted long into the night, and an overall account of the artist’s sources and techniques in his extraordinary London studio. This is an updated edition of Francis Bacon: Studies for a Portrait (2008), published for the first time in a paperback reading book format. It brings this fascinating artist into closer view, revealing the core of his talent: his skill for marrying extreme contradictions and translating them into immediately recognizable images, whose characteristic tension derives from a life lived constantly on the edge.With 14 illustrations, 7 in colour

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The second in a series of books that seeks to illuminate Francis Bacon’s art and motivations, and to open up fresh and stimulating ways of understanding his paintings.Francis Bacon is one of the most important artists of the 20th century. His works continue to puzzle and unnerve viewers, raising complex questions about their meaning. Over recent decades, two theoretical approaches to Bacon’s work have come to hold sway: firstly, that Bacon is an existentialist painter, depicting an absurd and godless world; and secondly, that he is an anti-representational painter, whose primary aim is to bring his work directly onto the spectator’s ‘nervous system’. Francis Bacon: Painting, Philosophy, Psychoanalysis brings together some of today’s leading philosophers and psychoanalytic critics to go beyond established readings of Bacon and to open up radically new ways of thinking about his art. The essays bring Bacon into dialogue with figures such as Aristotle, Hegel, Freud, Lacan, Adorno and Heidegger, as well as situating his work in the broader contexts of modernism and modernity. The result is a timely and thought-provoking collection that will be essential reading for anyone interested in Bacon, modern art and contemporary aesthetics.

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A bold and brilliant short work by the author of Grief is the Thing with Feathers and Lanny.Madrid. Unfinished.Man Dying.A great painter lies on his deathbed.Max Porter translates into seven extraordinary written pictures the explosive final workings of the artist's mind.

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This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together an extensive collection of Bacon's writing - the major prose in full, together with sixteen other pieces not otherwise available - to give the essence of his work and thinking. Although he had a distinguished career as a lawyer and statesman, Francis Bacon's lifelong goal was to improve and extend human knowledge. In The Advancement of Learning (1605) he made a brilliant critique of the deficiencies of previous systems of thought and proposed improvements to knowledge in every area of human life. He conceived the Essays (1597, much enlarged in 1625) as a study of the formative influences on human behaviour, psychological and social. In The New Atlantis (1626) he outlined his plan for a scientific research institute in the form of a Utopian fable. In addition to these major English works this edition includes 'Of Tribute', an important early work here printed complete for the first time, and a revealing selection of his legal and political writings, together with his poetry. A special feature of the edition is its extensive annotation which identifies Bacon's sources and allusions, and glosses his vocabulary. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Among the most beloved saints in the Catholic tradition, Francis of Assisi (c. 1181–1226) is popularly remembered for his dedication to poverty, his love of animals and nature, and his desire to follow perfectly the teachings and example of Christ. During his lifetime and after his death, followers collected, for their own purposes, numerous stories, anecdotes, and reports about Francis. As a result, the man himself and his own concerns became lost in legend. In this authoritative and engaging new biography, Augustine Thompson, O.P., sifts through the surviving evidence for the life of Francis using modern historical methods. The result is a complex yet sympathetic portrait of the man and the saint. Francis emerges from this account as very much a typical thirteenth-century Italian layman, but one who, when faced with unexpected crises in his personal life, made decisions so radical that they challenge his own society—and ours. Unlike the saint of legend, this Francis never had a unique divine inspiration to provide him with rules for following the teachings of Jesus. Rather, he spent his life reacting to unexpected challenges, before which he often found himself unprepared and uncertain. The Francis who emerges here is both more complex and more conflicted than that of older biographies. His famed devotion to poverty is found to be more nuanced than expected, perhaps not even his principal spiritual concern. Thompson revisits events small and large in Francis's life, including his troubled relations with his father, his contacts with Clare of Assisi, his encounter with the Muslim sultan, and his receiving the Stigmata, to uncover the man behind the legends and popular images. A tour de force of historical research and biographical writing, Francis of Assisi: A New Biography is divided into two complementary parts—a stand alone biographical narrative and a close, annotated examination of the historical sources about Francis. Taken together, the narrative and the survey of the sources provide a much-needed fresh perspective on this iconic figure. "As I have worked on this biography," Thompson writes, "my respect for Francis and his vision has increased, and I hope that this book will speak to modern people, believers and unbelievers alike, and that the Francis I have come to know will have something to say to them today."

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A bold and brilliant short work by the author of Grief is the Thing with Feathers and Lanny.'A little masterpiece.' Irish Times'Luminous.' Observer'One of our most exciting writers.' The SpectatorMadrid. Unfinished. Man dying.A great painter lies on his deathbed. In seven extraordinary written pictures, untethered from reality, Max Porter translates the explosive final workings of the artist's mind.

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Published to accompany the first Francis Bacon retrospective in Paris for twenty years, this catalogue analyses Bacon’s works from 1971 onwards in light of his relationship to literature. Bacon always vigorously opposed over-analysis of his paintings, preferring to interpret them in purely illustrative or symbolic terms; he admitted, however, that literature was a powerful stimulus to his imagination. The artist was inspired by the images conjured up by certain texts: Aeschylus’ phrase ‘the reek of human blood smiles out at me’ in particular haunted Bacon, while his 1978 work Painting refers to T. S. Eliot’s seminal poem The Waste Land. The inventory of Bacon’s personal library has identified more than 1,300 books, ranging from Bataille and Conrad to Nietzsche and Leiris. Including twelve of Bacon’s renowned triptychs, this lavish publication features eleven gatefolds and some sixty paintings created by Bacon between 1971 and his death in 1992. Reproduced here with analyses of Bacon’s paintings in the light of some of his most admired authors, these specially commissioned texts reveal new ways of understanding some of the most powerful works in the modern canon.

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A unique portrait of one of the creative geniuses of the 20th century, by the distinguished critic David Sylvester. Controversial in both life and art, Francis Bacon was one of the most important painters of the 20th century. His monumental, unsettling images have an extraordinary power to disturb, shock and haunt the spectator, ‘to unlock the valves of feeling and therefore return the onlooker to life more violently’. Drawing on his personal knowledge of Bacon’s inspirations, intentions and working methods, David Sylvester surveys the development of the work from 1933 to the early 1990s, and discusses critically a number of its crucial aspects. He also reproduces previously unpublished extracts from his celebrated conversations with Bacon in which the artist speaks about himself, modern painters and the art of the past. Finally, Sylvester gives a brief account of Bacon’s life, correcting certain errors that elsewhere have been presented as facts. Divided into the sections ‘Review’, ‘Reflections’, ‘Fragments of Talk’ and ‘Biographical Note’, Looking Back at Francis Bacon is a unique portrait of one of the creative geniuses of our age by a writer of comparable distinction.

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From the moment Pope Francis stepped on to the balcony of St Peter's Basilica for the first time, a global audience sensed that not only the Catholic Church but the world at large could be entering a new spiritual, political and social age. In the days following Pope Francis' election, there would be further early signs of the simplicity worthy of the first apostles and the leader that inspired them. Not since John XIII appeared on the scene half a century earlier had a new Pope opened the windows of the Church in such a way as to let in some much needed fresh air. Nevertheless, for the excitement generated by the first Latin American Pope and a man who claimed to want to put the poor back at the centre of the Church's social teaching, people could still only guess where it might be all be leading.Francis: Pope of Good Promise is neither an instant media job, nor a hagiography based on authorised interviews, but the product of diligent investigation across a wide range of official and independent sources - a measured, objective portrait of a man who, in circumstances that he neither sought nor foresaw, found himself handed the highest office at a time of crisis not just for the Church but for long established institutions worldwide from banks to political parties.

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**LONGLISTED FOR THE RATHBONES FOLIO PRIZE 2019****SHORTLISTED FOR THE CATHOLIC HERALD BOOK AWARDS 2019**A life of St Francis in verseThroughout her career Ann Wroe has constantly confounded expectations, following her own unique path. Now, in Francis, she turns to verse to tell the life of St Francis of Assisi. This is a sequence only Ann Wroe could write, combining a troubadour's musicality with full grasp of the moment, and a luminous sense of Francis as both myth and man, across history and culture, in nature and community. It is a remarkable and immensely beautiful book.St Francis was one of the most compelling spirits the world has seen. He was also a poet, a musician and a dancer. His world was coloured by troubadour lays, brightened by birdsong, ordered by the bells and chants of the Church and transfigured by the angel-lyres he heard about him. For Ann Wroe, this seems a good reason to write his life in songs. It is also an excuse to record, in songs, the many ways his presence and his music still linger round us. They surprise us in chance encounters in city streets; they waylay us amid the humdrum banalities of working life; they persist in the beauties of nature. Great spirits never leave us. They echo on and on.

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The perfect introduction to the life and work of Francis Bacon

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