Search results for ""Author Francis"

A contributor to Donald Allen's seminal New American Poetry anthology, John Wieners was on the periphery of many of the twentieth century's most important avant-garde poetry scenes, from Black Mountain and the Boston Renaissance to the New York School and the SF Renaissance. Having achieved cult status among poets, Wieners has also become known for the compelling nature of his journals, a mixture of early drafts of poems, prose fragments, lists, and other fascinating minutiae of the poet's imagination. Stars Seen in Person: Selected Journals of John Wieners collects four of his previously unpublished journals from the period between 1955 and 1969. The first journal depicts a young, openly gay, self-described "would-be poet" dashing around bohemian Boston with writer and artist friends, pre-drugs and pre-fame. By the last book, decimated by repeated institutionalization (the first for drug-related psychosis, the rest the consequence of the first) and personal tragedies, Wieners is broken down and in great pain, but still writing honestly and with detail about the life he's left with. These journals capture a post-war bohemian world that no longer exists, depicted through the prism of Wieners' sense of glamour. Praise for Stars Seen in Person: "Like Rimbaud in Season in Hell, or Baudelaire with Intimate Journals, there's an unguarded spark and trust in John Wieners because impulse and imagination reign supreme. In 1955 he writes, "I shall try the only true thing I want to do. I shall go to my poems." Predating The Hotel Wentley Poems, moving through Ace of Pentacles, and ushering us into his life before Nerves, Stars Seen in Person further illuminates John as our future/former best unkept secret."--Micah Ballard "Thanks to Michael Seth Stewart's editorial legerdemain, at long last we have the magnificent John Wieners here before us, in his full undressed splendor: poet, stargazer, philosopher, shaman, flaneur, survivor. His journals----an inspiring monument, filled with taut provocations and purple illuminations----are valuable as cultural history, as lyric performance, as uninhibited autobiography, and as a motley, genre-defying epitome of gesamtkunstwerk aesthetic possibilities that seem as fresh and enticing as anything being dreamt up today." --Wayne Koestenbaum "These pages of notebooks and poetry--so exhaustively exhumed and returned to light and breath--are equivalent to Rilke's Letters to a Young Poet, but in reverse. John Wieners (forever young) evolved through his prose notes towards a sustained poetics of adolescence, holding that tormented phase on a long unyielding band-wave, resisting the sop of adult living with all his might and undergoing the inevitable punishments that such persistence brings."--Fanny Howe "John Wieners remains one of the best poets of my generation. His work & life continue to influence younger poets. These journals reveal his deep commitment to poetry & the poem; they contextualize his constant questing & devotion to the art. I knew John during many of the periods his journals cover &, as always, remain amazed & moved by his deeply examined honesty & purity."--David Meltzer John Wieners studied with Charles Olson at Black Mountain College, and later edited the small magazine Measure. He lived for a year and a half in San Francisco, where he wrote his breakthrough book, Hotel Wentley Poems (1958). In the early seventies he settled into an apartment on Boston's Beacon Hill, where he lived and wrote until his death in 2002.

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'Generous but unflinching, sweeping but intimate, fictional but true' KAREN JOY FOWLER. 'A brilliant requiem for our generation and all our dreams' GEORGE R.R. MARTIN. What happened to the idealism of the 1960s? This question has haunted a generation. Outside the Gates of Eden follows two men from their first meeting in high school to their final destination in the 21st century. Alex is torn between his father's business empire and his own artistic yearnings. Cole, constantly uprooted in his childhood, finds his calling at a Bob Dylan concert in 1965. From the Summer of Love in San Francisco to the Woodstock festival in upstate New York, from campus protests to the Soho art scene, from a communal farm in Virginia to the mariachis of Guanajuato, Mexico, the novel charts the rise and fall of the counterculture – and what came after. Using the music business as a window into the history of half a century, Outside the Gates of Eden is both epic and intimate, starkly realistic and ultimately hopeful, a War and Peace for the Woodstock generation. 'Shiner displays the panoramic historical consciousness of a Pynchon or DeLillo, and yet every page is suffused with a humble and scrupulous humanity... You simply live with his people and know them and love them' JONATHAN LETHEM. 'A page-turning tour de force. Anyone with a passion for rock and roll storytelling at its very best must not deny themselves the opportunity to read this tale. A masterpiece' IAIN MATTHEWS. 'A history of a generation seen through the lens of music' JOHN KESSEL.

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Since its initial publication, Loft Living has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of “creative city” policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists’ districts—trailing the success of SoHo in New York—have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict loft districts where they made their home.Prescient and dramatic, Loft Living shows how a declining downtown Manhattan became a popular “scene,” how loft apartments became hot commodities for the middle class, and how investors, corporations, and rich elites profited from deindustrializing the city’s factory districts and turning them into trendy venues for art galleries, artisanal restaurants, and bars. However, this edition points out that the artists who led the trend are now priced out of the loft market. Even in New York, where the loft living market was born, artists have no legal claim on loft districts, nor do they get any preferential treatment in the harsh real estate market.From the story of SoHo in Lower Manhattan to SoWa in Boston and SoMa in San Francisco, Zukin explains how once-edgy districts are transformed into high-price neighborhoods, and how no city can restrain the juggernaut of rising property values.

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DIVINE ILLUMINATION “An important and ground-breaking study which links growing interest in Augustine and medieval philosophy with cutting-edge questions in contemporary philosophy of religion, particularly concerning epistemology and the ‘rationality’ of religion.” Janet Soskice, University of Cambridge “In this lucidly argued and solidly documented study, Schumacher uncovers the roots of problems notoriously besetting modern theories of knowledge in conflicting medieval interpretations of Augustine’s assumptions about knowledge as divine illumination: an intriguing thesis, which she handles with delicacy and flair.” Fergus Kerr, O.P. University of Edinburgh “Challenges the traditional history of theories of knowledge. A bold and provocative reading.” Olivier Boulnois, École Pratique des Hautes Études (University of Paris, Sorbonne) Divine Illumination offers an original interpretation of Augustine’s theory of knowledge, tracing its development in the work of medieval thinkers such as Anselm, Bonaventure, Thomas Aquinas, and John Duns Scotus. Although Scotus is often deemed responsible for finally pronouncing Augustine’s longstanding illumination account untenable, Schumacher shows that he only rejected a version that was the byproduct of a shift in the understanding of illumination and knowledge more generally within the thirteenth-century Franciscan school of thought. To reckon with the challenges in contemporary thought on knowledge that were partly made possible by this shift, Schumacher recommends relearning a way of thinking about knowledge that was familiar to Augustine and those who worked in continuity with him. Her book thus anticipates a new approach to dealing with debates in contemporary epistemology, philosophy of religion, and theology, even while correcting some longstanding assumptions about Augustine and his most significant medieval readers.

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The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).

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Taking its name from a line in the Wallace Stevens’ poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. By a process of intimate and often extended engagement, Soth’s portraits and images of his subject’s surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer. “After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped traveling and photographing people. I barely took any pictures at all. When I returned to photography, I wanted to strip the medium down to its primary elements. Rather than trying to make some sort of epic narrative about America, I wanted to simply spend time looking at other people and, hopefully, briefly glimpse their interior life. In order to try and access these lives, I made all of the photographs in interior spaces. While these rooms often exist in far-flung places, it’s only to emphasize that these pictures aren’t about any place in particular. Whether a picture is made in Odessa or Minneapolis, my goal was the same: to simply spend time in the presence of another beating heart.” – Alec Soth Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Includes interview with Alec Soth by Hanya Yanagihara.

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Award-winning journalist Simran Sethi explores the history and cultural importance of our most beloved tastes, paying homage to the ingredients that give us daily pleasure, while providing a thoughtful wake-up call to the homogenization that is threatening the diversity of our food supply. Food is one of the greatest pleasures of human life. Our response to sweet, salty, bitter, or sour is deeply personal, combining our individual biological characteristics, personal preferences, and emotional connections. Bread, Wine, Chocolate illuminates not only what it means to recognize the importance of the foods we love, but also what it means to lose them. Award-winning journalist Simran Sethi reveals how the foods we enjoy are endangered by genetic erosion-a slow and steady loss of diversity in what we grow and eat. In America today, food often looks and tastes the same, whether at a San Francisco farmers market or at a Midwestern potluck. Shockingly, 95% of the world's calories now come from only thirty species. Though supermarkets seem to be stocked with endless options, the differences between products are superficial, primarily in flavor and brand. Sethi draws on interviews with scientists, farmers, chefs, vintners, beer brewers, coffee roasters and others with firsthand knowledge of our food to reveal the multiple and interconnected reasons for this loss, and its consequences for our health, traditions, and culture. She travels to Ethiopian coffee forests, British yeast culture labs, and Ecuadoran cocoa plantations collecting fascinating stories that will inspire readers to eat more consciously and purposefully, better understand familiar and new foods, and learn what it takes to save the tastes that connect us with the world around us.

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Lyrical and unforgettable, part elegy and part memoir, we present a previously unpublished masterpiece from the Beat Generation icon. Simultaneously released with an expanded edition of di Prima's classic Revolutionary Letters on the one-year anniversary of her passing.In the autumn of 1964, Diane di Prima was a young poet living in New York when her dearest friend, dancer, choreographer, and Warhol Factory member, Freddie Herko, leapt from the window of a Greenwich Village apartment to a sudden, dramatic, and tragic death at the age of 29. In her shock and grief, di Prima began a daily practice of writing to Freddie. For a year, she would go to her study each day, light a stick of incense, and type furiously until it burned itself out.The narrative ranges over the decade from 1954—the year di Prima and Herko first met—to 1965, with occasional forays into di Prima's memories of growing up in Brooklyn. Lyrical, elegant, and nakedly honest, Spring and Autumn Annals is a moving tribute to a friendship, and to the extraordinary innovation and accomplishments of the period. Masterfully observed and passionately recorded, it offers a uniquely American portrait of the artist as a young woman in the heyday of bohemian New York City.One of The Millions' Most Anticipated Books of 2021.Praise for Spring and Autumn Annals:"The book is a treasure. Moving between the East Village, San Francisco, Topanga Canyon and Stinson Beach with young children, di Prima's life is unbelievably rich. She studies Greek, writes, prepares dinners and feasts, and co-edits Floating Bear magazine. Diane di Prima is one of the greatest writers of her generation, and this book offers a window into its lives."—Chris Kraus"Extolled by a writer who radically devoted herself to the experiential truth of beauty and intellect, in poverty and grace, in independent dignity, and in the community of Beat consciousness, Diane di Prima's Spring and Autumn Annals arrives as a long-lost charm of illuminated meditations to love, life, death, eros and selflessness. An essential 1960s text of visionary rapaciousness."—Thurston Moore"Freddie Herko wished for a third love before he died; and what a love is in this book's beholding, saying, and release. Di Prima's dancing narrative, propelled and circling at the speed of thought, picking up every name and detailed perception as a rolling tide, fills me with gratitude for the truth of her eye. Nothing gets past it, not even the 'ballet slippers letting in the snow.'"—Ana Božičević"A masterpiece of literary reflection, as quest to archive her dancer friend's life, to make art at all costs and the price dearly paid. Di Prima's observational capacity is profound, her devotion and loyalty assures her deserved place as a national treasure. She generously instills in us the call of poetic remembrance as an act of resistance, and gives voice to the marginalized participants in experimental cultural movements that carried courage in creative rebellion while envisioning freedom of the human spirit. Di Prima’s poetic memoir of the artist journey is a triumph. A must read and reread for years to come."—Karen Finley

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"Surprisingly readable and studded with nuggets of insight." —The Daily Yomiuri "This insightful, well-written, fascinating book offers new understandings, not only of Japan, but also of American culture. It is essential for those in anthropology, psychology, sociology, and psychiatry who are interested in culture, as well as those in law and the business community who deal with Japan." —Paul Ekman, Ph.D.,Director, Human Interaction Laboratory, Langley Porter Institute, University of California, San Francisco "[A] thoughtful cross-cultural study of development...His work can only enhance the still evolving psychoanalytic theory of preoedipal development as it is being derived mostly from psychoanalytic research on child-parent interaction in American families." —Calvin F. Settlage, M.D. "Johnson's ambitious and exhaustive synthesis of anthropological and psychological treatments of dependency raises interesting questions. . . Johnson alerts the reader to issues of universalism and relativity and leads us to ask, 'What would psychoanalysis be like, if it had originated in Japan?'" —Merry I. White, Edwin O. Reischauer Institute of Japanese Studies, Harvard University ". . . Johnson's erudite and critical re-examination of human dependence succeeds to re-profile dependence meaningfully and revives our interest in this major aspect of human experience. Indeed, much food for thought for both psychoanalysts and anthropologists." —Henri Parens, M.D., Philadelphia Psychoanalytic Institute Western ideologies traditionally emphasize the concepts of individualism, privacy, freedom, and independence, while the prevailing ethos relegates dependency to a disparaged status. In Japanese society, the divergence from these western ideals can be found in the concept of amae (perhaps best translated as indulgent dependency) which is part of the Japanese social fiber and pervades their experience. For the Western reader, the concept of amae is somewhat alien and unfamiliar, but in order to understand the Japanese fully, it is essential to acquire a familiarity with the intensity that accompanies interdependent affiliations within their culture. To place amae in the proper context, Johnson critically examines the western attitudes toward dependency from the perspectives of psychoanalysis, psychiatry, developmental psychology, and anthropology. Johnson traces the development of the concept and uses of the term dependency in academic and developmental psychology in the West, including its recent eclipse by more operationally useful terms attachment and interdependency. This timely books makes use of the work of Japanese psychiatrist Takeo Doi, whose book The Anatomy of Dependence introduced the concept of amae to the West. Johnson goes on to illuminate the collective manner in which Japanese think and behave which is central to their socialization and educational practices, especially as seen in the stunning success of Japanese trading practices during the past twenty years. A major emphasis is placed upon the positive aspects of amae, which are compared and contrasted with attitudes toward dependency seen among other nationalities, cultures, and groups in both Western and Asian societies. Complete with a glossary of Japanese terms, Dependency and Japanese Socialization provides a comprehensive investigation into Japanese behavior.

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"I listen and gather people's stories. Then I write them down in a way that I hope will communicate something to others, so that seeing these stories will give readers something of value. I tell myself that this isn't going to be done unless I do it, just because of who I am. It's a way of making my mark, leaving something behind . . . not that I'm planning on going anywhere right now." So explains Stephen Murphy-Shigematsu in this touching, introspective, and insightful examination of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu uses his personal journey of identity exploration and discovery of his diverse roots to illuminate the journeys of others. Throughout the book, his reflections are interspersed among portraits of persons of biracial and mixed ethnicity and accounts of their efforts to answer a seemingly simple question: Who am I? Here we meet Norma, raised in postwar Japan, the daughter of a Japanese woman and an American serviceman, who struggled to make sense of her ethnic heritage and national belonging. Wei Ming, born in Australia and raised in the San Francisco of the 1970s and 1980s, grapples as well with issues of identity, in her case both ethnic and sexual. We also encounter Rudy, a "Mexipino"; Marshall, a "Jewish, adopted Korean"; Mitzi, a "Blackinawan"; and other extraordinary people who find how connecting to all parts of themselves also connects them to others. With its attention on people who have been regarded as "half" this or "half" that throughout their lives, these stories make vivid the process of becoming whole.

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Forever immortalized in the television series Mad Men, the mid-twentieth century marketing world influenced nearly every aspect of American culture--music, literature, politics, economics, consumerism, race relations, gender, and more. In Engineered to Sell, Jan Logemann traces the transnational careers of consumer engineers in advertising, market research and commercial design who transformed capitalism, from the 1930s through the 1960s. He argues that the history of marketing consumer goods is not a story of American exceptionalism. Instead, the careers of immigrants point to the limits of the "Americanization" paradigm. First, Logemann explains the rise of a dynamic world of goods by emphasizing changes in marketing approaches increasingly tailored to consumers. Second, he looks at how and why consumer engineering was shaped by transatlantic exchanges. From Austrian psychologists and little-known social scientists to the illustrious Bauhaus artists, the migr s at the center of this story illustrate the vibrant cultural and commercial connections between metropolitan centers: Vienna and New York; Paris and Chicago; Berlin and San Francisco. These mid-century consumer engineers crossed national and disciplinary boundaries not only within arts and academia but also between governments, corporate actors, and social reform movements. By focusing on the transnational lives of migr consumer researchers, marketers, and designers, Engineered to Sell details the processes of cultural translation and adaptation that mark both the mid-century transformation of American marketing and the subsequent European shift to "American" consumer capitalism.

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In 1893, after a major British bank failure, a run on U.S. gold reserves, and a late-June stock-market crash, America was in the throes of a serious economic depression. Unemployment rose, foreclosures climbed, and popular unrest mounted. By the following spring, businessman and Populist agitator Jacob S. Coxey was fed up with government inactivity in the face of the crisis. With the help of eccentric showman Carl Browne, he led a group of several hundred unemployed wage earners, small farmers, and crossroads merchants on a march from Massillon, Ohio, to Washington, D.C., to present a "petition in boots" for government-financed jobs building and repairing the nation's roads. On May 1, the Coxeyites descended on the center of government, where Coxey attempted to deliver a speech on the Capitol steps. The police attacked, a melee ensued, and Coxey and Browne spent a month in jail. Meanwhile, other Coxey-inspired contingents were on their way east from places as far away as San Francisco and Portland. Some of them even hijacked trains along the way. Who was Coxey, and what motivated him-along with the angry marchers who joined his cause? What did other Americans think of the protesters? Was there ever any chance that the protesters' demands would be met? Where did the agitators fit in with the politics of their day, and how did their actions jibe with the other labor-related protests happening that year? In this concise and gripping narrative, Benjamin F. Alexander contextualizes the march by vividly describing the misery wrought by the Panic of '93. Alexander brings both Coxey and his fellow leaders to life, along with the reporters and spies who traveled with them and the diverse group of captivated newspaper readers who followed the progress of the marches and train heists. Coxey's Army explains how the demands of the Coxeyites-far from being the wild schemes of a small group of cranks-fit into a larger history of economic theories that received serious attention long before and long after the Coxey march. Despite running a gauntlet of ridicule, the marchers laid down a rough outline of what, some forty years later, emerged as the New Deal.

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**Winner of the Pulitzer Prize in History** “Extraordinary…a great American biography” (The New Yorker) of the most important African American of the 19th century: Frederick Douglass, the escaped slave who became the greatest orator of his day and one of the leading abolitionists and writers of the era.As a young man Frederick Douglass (1818–1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. His very existence gave the lie to slave owners: with dignity and great intelligence he bore witness to the brutality of slavery. Initially mentored by William Lloyd Garrison, Douglass spoke widely, using his own story to condemn slavery. By the Civil War, Douglass had become the most famed and widely travelled orator in the nation. In his unique and eloquent voice, written and spoken, Douglass was a fierce critic of the United States as well as a radical patriot. After the war he sometimes argued politically with younger African Americans, but he never forsook either the Republican party or the cause of black civil and political rights. In this “cinematic and deeply engaging” (The New York Times Book Review) biography, David Blight has drawn on new information held in a private collection that few other historian have consulted, as well as recently discovered issues of Douglass’s newspapers. “Absorbing and even moving…a brilliant book that speaks to our own time as well as Douglass’s” (The Wall Street Journal), Blight’s biography tells the fascinating story of Douglass’s two marriages and his complex extended family. “David Blight has written the definitive biography of Frederick Douglass…a powerful portrait of one of the most important American voices of the nineteenth century” (The Boston Globe). In addition to the Pulitzer Prize, Frederick Douglass won the Bancroft, Parkman, Los Angeles Times (biography), Lincoln, Plutarch, and Christopher awards and was named one of the Best Books of 2018 by The New York Times Book Review, The Wall Street Journal, The Boston Globe, The Chicago Tribune, The San Francisco Chronicle, and Time.

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THE ICONIC CLASSIC, WINNER OF THE PULITZER PRIZEONE OF THE BBC '100 NOVELS THAT SHAPED OUR WORLD''A lush celebration of all that it means to be a black female. I love that The Color Purple doesn't try to soften its blows but is also courageous enough to hold on to a wonderfully affirming faith in possibility, in forgiveness and kindness and hope' Chimamanda Ngozi Adichie'The Color Purple is my go-to comfort novel. Every single time I read this book, I walk away as a slightly better person than I was when I picked it up' Tayari Jones'I think that The Color Purple was the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South' Jesmyn Ward 'I got the book and read it, in one day, when it came out. And then I went back, the next day, and bought every copy they had' Oprah Winfrey A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown.Abused repeatedly by the man she calls 'father', Celie has two children taken away from her and is trapped into an ugly marriage. But then she meets the glamorous Shug Avery, singer and magic-maker - a woman who has taken charge of her own destiny. And gradually Celie discovers the power and joy of her own spirit, freeing her from her past and reuniting her with those she loves.Beloved by generations of readers, The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love.'One of the most haunting books you could ever wish to read. It is stunning - moving, exciting and wonderful' Lenny Henry'The Color Purple needs no category other than the fact that it is superb' Rita Mae Brown'The great irony about The Color Purple is that it transcends colour. One of the greatest books of all time' Benjamin Zephaniah 'A unique blend of serenity and immediacy that makes your senses ache' Helen Dunmore'A genuinely mind-expanding book' Patrick Ness'Indelibly affecting... Alice Walker is a lavishly gifted writer' New York Times'One of the great books of our time' Essence Magazine'A work to stand beside literature of any time and place' San Francisco Chronicle

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From Lonely Planet, the world's leading travel guide publisher Durable and waterproof, with a handy slipcase and an easy-fold format, Lonely Planet USA Planning Map is your conveniently-sized passport to traveling with ease. Get more from your map and your trip with images and information about top country attractions, itinerary suggestions, a transport guide, planning information, themed lists and practical travel tips. With this easy-to-use, full colour navigation tool in your back pocket, you can truly get to the heart of the USA, so begin your journey now! Durable and waterproof Easy-fold format and convenient size Handy slipcase Full colour and easy-to-use Before-you-go info Beautiful imagery Tailored itineraries Can't-miss regional highlights Detailed town index Transport planner Themed lists Covers New York City, Washington, DC, Boston, New England, Walt Disney World, Miami, The Everglades, New Orleans, Nashville, Blue Ridge Parkway, Las Vegas, Grand Canyon National Park, Austin & San Antonio, Los Angeles, Pacific Coast Highways, San Francisco, Seattle, Chicago, Yellowstone National Park, Rocky Mountains, Route 66, Great Lakes Check out Lonely Planet USA, our most comprehensive guidebook to the country, covering the top sights and most authentic off-beat experiences. Or check out Lonely Planet Best of USA, a handy-sized guide focused on the can't-miss experiences for a quick trip. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times

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A lavishly illustrated account of the buildings of the friars in the Middle Ages, bringing them vividly to life. with contributions from Ian M. Betts, Jens Röhrkasten, Mark Samuel, and Christian Steer. Nominated for the Current Archaeology Book of the Year Award 2019 The friaries of medieval London formed an important partof the city's physical and spiritual landscape between the thirteenth and sixteenth centuries. These urban monasteries housed 300 or more preacher-monks who lived an enclosed religious life and went out into the city to preach. The most important orders were the Dominican Black friars and the Franciscan Grey friars but London also had houses of Augustine, Carmelite and Crossed friars, and, in the thirteenth century, Sack and Pied friars. This book offers an illustrated interdisciplinary study of these religious houses, combining archaeological, documentary, cartographic and architectural evidence to reconstruct the layout and organisation of nine priories. After analysing anddescribing the great churches and cloisters, and their precincts with burial grounds and gardens, it moves on to examine more general historical themes, including the spiritual life of the friars, their links to living and dead Londoners, and the role of the urban monastery. The closure of these friaries in the 1530s is also discussed, along with a brief revival of one friary in the reign of Mary. NICK HOLDER is a historian and archaeologist atEnglish Heritage and the University of Exeter. He has written extensively on medieval and early modern London. IAN M. BETTS is a building materials specialist at Museum of London Archaeology; JENS ROHRKASTEN was Lecturerin Medieval History at the University of Birmingham; MARK SAMUEL is an independent architectural historian; CHRISTIAN STEER is an independent historian, specialising in burials in medieval churches.

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The Lightning Thief: the first book in Rick Riordan's Percy Jackson series.Look, I didn't want to be a half-blood. I never asked to be the son of a Greek god. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends and generally trying to stay alive. This is the one where Zeus, God of the Sky, thinks I've stolen his lightning bolt - and making Zeus angry is a very bad idea . . .Rick Riordan has now sold an incredible 55 million copies of his books worldwidePraise for the Percy Jackson series:'Witty and inspired. Gripping, touching and deliciously satirical...This is most likely to succeed Rowling. Puffin is on to a winner' - Amanda Craig, The Times'Puns, jokes and subtle wit, alongside a gripping storyline' - Telegraph'Perfectly paced, with electrifying moments chasing each other like heartbeats' - New York TimesRick Riordan is an award-winning mystery writer. For the past fifteen years he has taught at middle schools in the San Francisco Bay area and in Texas. Rick lives in San Antonio, Texas, with his wife and two sons. Percy Jackson and the Lightning Thief, the overall winner of the Red House Children's Book Award, was Rick's first novel featuring the heroic young demigod.The Percy Jackson series:The Lightning Thief; The Sea of Monsters; The Battle of the Labyrinth; The Titan's Curse; The Last Olympian Heroes of Olympus:The Lost Hero; The Son of Neptune; The Mark of AthenaThe Kane Chronicles:The Red Pyramid; The Throne of Fire; The Serpent's Shadow

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Spain’s American empire began as the serendipitous outgrowth of the search for a shortcut to China. That search derived from two mid-fifteenth-century developments: the Ming Dynasty’s decision to adopt a silver standard for its medium of exchange and the Ottoman Turks’ capture of Constantinople in 1453. China’s great demand for silver and the disruption of the Silk Road drove the need to find alternative access to China. King John II of Portugal sent explorers southward along the coast of Africa and thence to the Orient, but Ferdinand and Isabella sent Christopher Columbus westward, believing he would find a shorter route.A persistent if disorderly push by Spanish conquistadors led to the discovery of previously unknown civilizations, including the empires of the Aztecs and the Incas. The search for a short-cut to China became bound up with the seizure of the riches held by native populations. Although the conquistadors were vastly outnumbered, their superior technology—steel swords, armor, war horses, and firearms—concomitant with diseases that accompanied them, enabled them to subdue native American peoples and confiscate their wealth.The aftermath was fraught with complications and strife. Crown- appointed governors came into conflict with the conquistadors. Distances were great, and the governors tended to place their interests over those of the King. Cortez conquered the Aztecs despite the governor’s attempts to prevent his campaign. Bureaucratic interference bedeviled Francisco Pizzaro’s campaign against the Incas, which, nonetheless, contributed more to the wealth of his country than any other conquistador’s exploits. Ultimately, the vast wealth of the Americas would fuel Spain and its Empire for nearly two centuries.

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Ranging from fatherhood to machismo and from public health to housework, Changing Men and Masculinities in Latin America is a collection of pioneering studies of what it means to be a man in Latin America. Matthew C. Gutmann brings together essays by well-known U.S. Latin Americanists and newly translated essays by noted Latin American scholars. Historically grounded and attuned to global political and economic changes, this collection investigates what, if anything, is distinctive about and common to masculinity across Latin America at the same time that it considers the relative benefits and drawbacks of studies focusing on men there. Demonstrating that attention to masculinities does not thwart feminism, the contributors illuminate the changing relationships between men and women and among men of different ethnic groups, sexual orientations, and classes.The contributors look at Mexico, Argentina, Ecuador, Brazil, Colombia, Peru, Venezuela, Chile, and the United States. They bring to bear a number of disciplines—anthropology, history, literature, public health, and sociology—and a variety of methodologies including ethnography, literary criticism, and statistical analysis. Whether analyzing rape legislation in Argentina, the unique space for candid discussions of masculinity created in an Alcoholics Anonymous group in Mexico, the role of shame in shaping Chicana and Chicano identities and gender relations, or homosexuality in Brazil, Changing Men and Masculinities highlights the complex distinctions between normative conceptions of masculinity in Latin America and the actual experiences and thoughts of particular men and women.Contributors. Xavier Andrade, Daniel Balderston, Peter Beattie, Stanley Brandes, Héctor Carrillo, Miguel Díaz Barriga, Agustín Escobar, Francisco Ferrándiz, Claudia Fonseca, Norma Fuller, Matthew C. Gutmann, Donna Guy, Florencia Mallon, José Olavarría, Richard Parker, Mara Viveros

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In The Americas Revealed, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA’s mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the “American exceptionalism” of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors’ own point of view.In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-López, Ronda Kasl, Gabriel Pérez-Barreiro, Berit Potter, Mari Carmen Ramírez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.

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Pedro de Alvarado is best known as the right-hand man of Hernando Cortés in the conquest of Mexico (1519–21) and the ruthless conqueror of Guatemala some years later. Far less known is his intent to intrude in the conquest of Peru and lay claim to Quito, a wealthy domain in the far north of the Inca Empire. To this end, Alvarado constructed a massive fleet, which sailed south from Central America to what is now Ecuador, making landfall on 25 February 1534.Engaging both the European and Indigenous contexts in which Alvarado operated, George Lovell illuminates this gap in the record, narrating a dramatic story of greed and hubris. Upon reaching Ecuador, Alvarado’s formidable entourage – some five hundred Spanish combatants and two thousand Indigenous conscripts – marched from the Pacific coast to the Andean sierra. Though Quito was his intended destination, he never made it. During a treacherous transit across the mountains, Alvarado’s party was engulfed by heavy snowfall and numbing cold, which proved the expedition’s undoing. Those who survived the ordeal discovered that other Spaniards – Diego de Almagro and Sebastián de BeLalcázar, acting in allegiance with Francisco Pizarro – had reached Quito before them, thereby claiming first right of conquest. Believing he had no option, if strife between rival sides was to be avoided, Alvarado sold his costly machinery of war – men, horses, weaponry, and ships – to those who had beaten him to the prize. All but ruined, he returned humiliated to Central America.Death in the Snow brings to light the delusions of one headstrong conquistador and mourns the loss of untold Indigenous lives, casualties of Alvarado’s lust for fame and fortune.

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A heartbreaking, lyrical story for all of those who have fantasised about escaping their daily lives and starting over.Michael Kabongo is a British-Congolese teacher living in London on the cusp of two identities. On paper, he seems to have it all - he's loved by his students, popular with his colleagues, and enjoys the pride of his mother who emigrated from the Congo. But behind closed doors, he's been struggling with the overwhelming sense that he can't improve the injustices he sees - from his efforts to change the lives of his students, to his attempts to transcend the violence that marginalises young Black men around the world.Then Michael suffers a devastating loss, and his life is thrown into a tailspin. As he struggles to find a way forward, memories of his fathers' violent death, the weight of being a refugee, and an increasing sense of dread threaten everything he's worked so hard to achieve.Longing to escape the shadows in his mind and start anew, Michael decides to spontaneously pack up and go to America, the mythical 'land of the free,' where he imagines everything will be better, easier - a place where he can become someone new, someone without a past filled with pain. On this transformative journey, Michael travels from New York City to San Francisco, partying with new friends, sparking fleeting romances, and splurging on big adventures.In the back of his mind, Michael has a plan: follow his dreams until the money in his bank account runs out, and then he will decide if his life is truly worth living...Written in spellbinding prose, with Bola's trademark, magnetic storytelling, The Selfless Act of Breathing is a heart-wrenching and deeply emotional novel about mental health, masculinity and the power of love. Perfect for fans of Rainbow Milk and the works of Derek Owusu.What people are saying about The Selfless Act of Breathing:'Well, wow. The writing in this book was so lyrical and beautiful... I really couldn't put this book down and finished it in two days... The last page had me on the verge of tears.' NetGalley Reviewer'I knew from the opening that this book was going to break my heart. Breathless and gripping, it is a masterclass in empathy.' Yvonne Battle-Felton'Heartfelt and searing... Devastating and insightful... Readers will be swept up in the sheer beauty of Bola's writing.' The i'Possessed by a daring turn of phrase and at times a beautifully powerful sense of personal poignancy... Should be pushed into the hands of friends accompanied by the question: do you feel this too?' Big Issue'Absolutely stunning.' Elizabeth Day'I loved this book - I lost my whole day reading - just couldn't bear to put it down!' NetGalley Reviewer'Wonderfully tender... Bola's vulnerable, delicate writing conveys so much truth and heart about the quiet pain in our hearts.' Nikesh Shukla'Arresting... Important and emotive... Powerfully raw.' Guardian'A bold work with a broad scope, bravely tackling masculinity, hopelessness and despair with force and directness.' Okechukwu Nzelu'A beautiful, absorbing read. By turns searing and quietly devastating.' Irenosen Okojie'An emotive, brave novel that ultimately holds out the prospect of salvation, without sacrificing any of its power.' Daily Mail'Providing a spark of hope.' Observer'Narrated with haunting lyricism... An intimate journey through the darkest of human impulses to the gleaming flickers of love and radical hope.' Susan Abulhawa'Bola's insightful, intimate and lyrical work has been entrancing readers... Reminiscent of Paul Beatty and Ralph Ellison.' The Bookseller

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A heartbreaking, lyrical story for all of those who have fantasised about escaping their daily lives and starting over.Michael Kabongo is a British-Congolese teacher living in London on the cusp of two identities. On paper, he seems to have it all - he's loved by his students, popular with his colleagues, and enjoys the pride of his mother who emigrated from the Congo. But behind closed doors, he's been struggling with the overwhelming sense that he can't improve the injustices he sees - from his efforts to change the lives of his students, to his attempts to transcend the violence that marginalises young Black men around the world.Then Michael suffers a devastating loss, and his life is thrown into a tailspin. As he struggles to find a way forward, memories of his fathers' violent death, the weight of being a refugee, and an increasing sense of dread threaten everything he's worked so hard to achieve.Longing to escape the shadows in his mind and start anew, Michael decides to spontaneously pack up and go to America, the mythical 'land of the free,' where he imagines everything will be better, easier - a place where he can become someone new, someone without a past filled with pain. On this transformative journey, Michael travels from New York City to San Francisco, partying with new friends, sparking fleeting romances, and splurging on big adventures.In the back of his mind, Michael has a plan: follow his dreams until the money in his bank account runs out, and then he will decide if his life is truly worth living...Written in spellbinding prose, with Bola's trademark, magnetic storytelling, The Selfless Act of Breathing is a heart-wrenching and deeply emotional novel about mental health, masculinity and the power of love. Perfect for fans of Rainbow Milk and the works of Derek Owusu.What people are saying about The Selfless Act of Breathing:'Well, wow. The writing in this book was so lyrical and beautiful... I really couldn't put this book down and finished it in two days... The last page had me on the verge of tears.' NetGalley Reviewer'I knew from the opening that this book was going to break my heart. Breathless and gripping, it is a masterclass in empathy.' Yvonne Battle-Felton'Heartfelt and searing... Devastating and insightful... Readers will be swept up in the sheer beauty of Bola's writing.' The i'Possessed by a daring turn of phrase and at times a beautifully powerful sense of personal poignancy... Should be pushed into the hands of friends accompanied by the question: do you feel this too?' Big Issue'Absolutely stunning.' Elizabeth Day'I loved this book - I lost my whole day reading - just couldn't bear to put it down!' NetGalley Reviewer'Wonderfully tender... Bola's vulnerable, delicate writing conveys so much truth and heart about the quiet pain in our hearts.' Nikesh Shukla'Arresting... Important and emotive... Powerfully raw.' Guardian'A bold work with a broad scope, bravely tackling masculinity, hopelessness and despair with force and directness.' Okechukwu Nzelu'A beautiful, absorbing read. By turns searing and quietly devastating.' Irenosen Okojie'An emotive, brave novel that ultimately holds out the prospect of salvation, without sacrificing any of its power.' Daily Mail'Providing a spark of hope.' Observer'Narrated with haunting lyricism... An intimate journey through the darkest of human impulses to the gleaming flickers of love and radical hope.' Susan Abulhawa'Bola's insightful, intimate and lyrical work has been entrancing readers... Reminiscent of Paul Beatty and Ralph Ellison.' The Bookseller

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In this lavishly illustrated volume, Laura Lee introduces the art of Tokyo-based digital art collective teamLab, which has soared to global fame with its electrifying immersive and interactive installations. The first of its kind, Worlds Unbound: The Art of teamLab provides a comprehensive overview of teamLab’s artistic vision and achievements from its beginnings to its twentieth anniversary in 2021, and illuminates the remarkable scope of teamLab’s groundbreaking art and its fundamental contribution to the pivotal field of new media art. This original new book, the first scholarly monograph on this popular group, unpacks the popularity and success of the digital immersive environments created worldwide by the Tokyo-based collective, teamLab, from multiple perspectives and addresses the lack of critical appreciation of their work. The book includes an extensive interview with teamLab. teamLab launched in January 2001 with five members and now comprises more than 600 individuals in a multidisciplinary collaboration of engineers, computer graphics animators, mathematicians, graphic designers, architects, artists and computer programmers. The digital art collective has attained international celebrity for its electrifying installations that transcend boundaries between gallery, public space and popular entertainment and, judging from press coverage, ticket sales and prolific production, it seems clear teamLab’s success is only on the rise. In 2018, the collective opened the MORI Building DIGITAL ART MUSEUM: teamLab Borderless, a massive technological environment in Tokyo that recorded 2.3 million visitors in its first year of operation – the world’s largest annual number of visitors of any single-artist museum. The same year saw numerous other high-profile immersive exhibitions, including teamLab: Massless in Helsinki, Au-delà des limites in Paris, and teamLab Planets TOKYO, a second exhibition in Tokyo. These were quickly followed by two new museums, teamLab Borderless Shanghai in 2019 and, in 2020, teamLab SuperNature in Macao. The vast sea of selfies that have emerged from these venues index the collective’s soaring global popularity. At the same time, teamLab’s works have found art market success and have been exhibited in major museums worldwide, including the National Gallery of Art in Washington DC and Los Angeles County Museum of Art (LACMA), and they are part of the permanent collection of The Art Gallery of New South Wales, the Asian Art Museum of San Francisco, and Amos Rex in Helsinki, among numerous others. This canonization of teamLab’s art belies the fact that the group did not have a traditional gallery start, and in fact teamLab has always engaged in software development and corporate work, in addition to creating artworks. The collective thus boasts an enigmatic status, spanning conventional categories and defying traditional art world pedigree. In so doing it has produced a tremendously rich body of work that speaks to several overlapping issues pertinent to contemporary art while advancing a unique artistic vision. Primary readership will include artists, art historians and visual studies scholars who are particularly interested in the most recent media art and Japanese contemporary art. It will be an essential resource for students and scholars working in Japanese art, global contemporary art, digital art, augmented reality, expanded cinema and installation art and related fields. It will also be of more general interest to those who have visited, or hope to visit, teamLab environments worldwide.

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What does a writer do when he's got a family that includes a blacklisted member of the Hollywood Ten, the brains behind Tony the Tiger and the Marlboro Man, a trio of gay puppeteers, the world's leading birdwatcher, sixties hippies, a Dutch stowaway who served in an all-black regiment during the American Civil War, a mother of unusual compassion and understanding, and a convicted murderer? He tells their stories and secrets, illuminating 150 years of American life along the way.Dan Bessie begins the journey through his family history with his great-grandfather in the cargo hold of a ship bound for New York on the storm-tossed Atlantic. What follows are stories of his grandfather's various entrepreneurial schemes (including a folding butter box business), a grandmother who was voted "New York's Prettiest Shop Girl" (and who resisted the recruitment efforts of various city madams), and his uncle Harry's Turnabout Theater in Los Angeles (a renowned puppet theater drawing patrons as diverse as Shirley Temple, Ray Bradbury, and Albert Einstein).Through inherited journals and literary effects, Bessie comes to a new understanding of his father, Alvah. An actor and writer, he fought in the Lincoln Brigade during the Spanish Civil War. When he returned to the States, he headed to the Warner back lots to begin a screenwriting career. But as congress began investigating radicals in the film industry, Alvah was blacklisted for his Communist sympathies and was soon sent to jail as one of the Hollywood Ten.His grandmother's cousin, Sidney Lenz, wrote Lenz on Bridge, a classic guide to the game of contract bridge. Bessie describes what was billed as the Bridge Battle of the Century, a 1931 match between Lenz and an upstart opponent that was covered by journalists from all over the world. Bessie's brother-in-law Wes Wilson designed rock and roll posters for the Fillmore Auditorium in San Francisco during the 1960s, living a counterculture existence vastly different from the bridge-mad Depression Era.Cousin Michael was heir to the compulsive storytelling characterizing many of the Bessies. He found his niche in publishing, co-founding the Atheneum Press and shaping books by people such as Anwar Sadat, Edward Albee, and Aldous Huxley. With an equally impressive career, Uncle Leo built the country's fifth largest advertising agency. A passion of a different sort led cousin Phoebe Snetsinger to travel from Webster Groves, Missouri, to the far corners of Africa and Asia. The world's leading birder, she sighted 8,400 different birds-nearly 85 percent of the species known to exist.An extraordinary strain of creativity runs through the Bessie and Burnett clans, and Rare Birds celebrates the colorful diversity of a remarkable and accomplished family. While their choices and professions run the gamut of the American experience in the twentieth century, the history of the nation can be traced in these people's lives. Bessie's passionate birds of a feather gather to sing their unique song across decades and generations. Dan Bessie has been a film writer, director, producer, and animator since apprenticing on Tom and Jerry cartoons at MGM in 1956.

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The Wild, Wild East recounts the adventures of late-onset Texan and international businessman Tom Meurer over a span of 55 years, from the Cold War to the War on Terrorism. As a freshly commissioned Air Force lieutenant, Tom experienced a build-up to war. But it was only after billionaire H. Ross Perot wooed him into the seemingly starchy world of software engineering that Meurer traveled to wartime Vietnam and Laos, searching for evidence of 1,600 missing U.S. prisoners of war. He found himself negotiating with drug-runners, brothel owners, gold smugglers, and dangerously high-ranking diplomats. What started as a privately funded international spy-ring, ended with a privately funded tickertape parade and star-studded weekend reception in San Francisco. Years later, he returned to Vietnam, looking for oil instead of prisoners.Between trips to Southeast Asia, Meurer began working with the Nixon White House as a presidential advance man. Beyond the obvious challenges of anti-war and civil rights protests, Meurer recounts the perils of camera angles, college football fans, bathroom visits, exotic helicopter rides, and the devastating 1970 Peruvian earthquake, which killed more than 80,000 people.Meurer tells of his longtime friendship and business career with Ray Hunt, of Hunt Oil Company, and the game-changing discovery of oil in Yemen – a country "storming out of the 14th century." Ever the fish-out-of-water, he describes his travels, negotiations, and business developments in "Red China" as it began to turn capitalist in 1979. Through his role in Chinese oil exploration, private equity, personal friendships, and the nascent beef industry, Meurer witnessed the People's Republic of China's meteoric rise over the following 35 years. Along the way, we find him pranking communist border guards, breaking out of curfew-imposed war zone hotels and into U.S. embassies, nearly crash landing in Siberia, arrested for jogging in Albania, vacationing with the family in Karl-Marx-Stadt, and ingesting unspeakably exotic foods. He watched leaders, luminaries, lending practices, and landscapes change and change again (and then again), while collecting hotel soap, memberships to airline VIP lounges, and frequent flyer miles. He often found himself in rooms with presidents, prime ministers, sheikhs, and village chiefs as history was happening.In true Forest Gumpian fashion, The Wild, Wild East is a study in best-case scenario of wit + energized wonder + proximity to wealth. Through the opportunities presented by Perot and Hunt, Dallas billionaires who were employers but became dear family friends, Meurer found himself living his best life, one of worldwide adventure while simply having fun, making an honest living, and helping the truest of people and best of friends.These are stories of one man's life – the career, adventures, and impressive people, friends, axioms, discoveries, events, cultures, and institutions he encountered along the way.

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THE TOP TEN BESTSELLER'Candid, brilliant and bizarre' Guardian'Stories about the frontman and his bandmates are legion ... [like] Peter Kay with menaces' The Sunday TimesAs lead singer of Happy Mondays and Black Grape, Shaun Ryder was the Keith Richards and Mick Jagger of his generation. A true rebel, who formed and led not one but two seminal bands, he's had number-one albums, headlined Glastonbury, toured the world numerous times, taken every drug under the sun, been through rehab - and come out the other side as a national treasure.Now, for the first time, Shaun lifts the lid on the real inside story of how to be a rock star. With insights from three decades touring the world, which took him from Salford to San Francisco, from playing working men's clubs to headlining Glastonbury and playing in front of the biggest festival crowd the world has ever seen, in Brazil, in the middle of thunderstorm. From recording your first demo tape to having a number-one album, Shaun gives a fly-on-the-wall look at the rock 'n' roll lifestyle - warts and all: how to be a rock star - and also how not to be a rock star. From numerous Top of the Pops appearances to being banned from live TV, from being a figurehead of the acid-house scene to hanging out backstage with the Rolling Stones, Shaun has seen it all. In this book he pulls the curtain back on the debauchery of the tour bus, ridiculous riders, run-ins with record companies, drug dealers and the mafia, and how he forged the most remarkable comeback of all time.'There are enough stories about Happy Mondays to keep people talking about them forever. Bands live on through the myth really, myth and legend' (Steve Lamacq)

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Abenaki children’s book icon Joseph Bruchac tells the stirring history of the 1969 Occupation of Alcatraz by Native Americans, which established a precedent for Indian activismOn November 20, 1969, a group of 89 Native Americans—most of them young activists in their twenties, led by Richard Oakes, LaNada Means, and others—crossed San Francisco Bay under the cover of darkness. They called themselves the “Indians of All Tribes.” Their objective was to occupy the abandoned prison on Alcatraz Island (“The Rock”), a mile and a half across the treacherous waters. Under the 1868 Treaty of Fort Laramie between the US and the Lakota tribe, all retired, abandoned, or out-of-use federal land was supposed to be returned to the Indigenous peoples who once occupied it. As Alcatraz penitentiary was closed by that point, activists sought to reclaim that land, and more broadly, bring greater attention to the lies and injustices of the federal government when it came to Indian policy.Their initial success resulted in international attention to Native American rights and the continuing presence of present-day Indigenous peoples, who refused to accept being treated as a “vanishing race.” Over the protestors’ 19-month occupation, one key way of raising awareness to issues in Native life was through Radio Free Alcatraz, which touched on: the forced loss of ancestral lands, contaminated water supply on reservations, sharp disparities in infant mortality and life expectancy among Native Americans compared to statistics in white communities, and many other inequalities. From acclaimed Abenaki children’s book legend Joseph Bruchac, this middle-grade nonfiction book tells the riveting story of that 1969 takeover, which inspired a whole generation of Native activists and ignited the modern American Indian Movement. The Occupation of Alcatraz had a direct effect on federal Indian policy and, with its visible results, established a precedent for Indian activism.

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One may visit famous gardens in Tokyo, Kyoto, or Osaka—or one may visit Japanese-styled gardens in New York, San Francisco, Philadelphia, Berlin, London, Paris, São Paulo, or Singapore. We often view these gardens as representative of the essence of Japanese culture. Christian Tagsold argues, however, that the idea of the Japanese garden has less do to with Japan's history and traditions, and more to do with its interactions with the West. The first Japanese gardens in the West appeared at the world's fairs in Vienna in 1873 and Philadelphia in 1876 and others soon appeared in museums, garden expositions, the estates of the wealthy, and public parks. By the end of the nineteenth century, the Japanese garden, described as mystical and attuned to nature, had usurped the popularity of the Chinese garden, so prevalent in the eighteenth century. While Japan sponsored the creation of some gardens in a series of acts of cultural diplomacy, the Japanese style was interpreted and promulgated by Europeans and Americans as well. But the fashion for Japanese gardens would decline in inverse relation to the rise of Japanese militarism in the 1930s, their rehabilitation coming in the years following World War II, with the rise of the Zen meditation garden style that has come to dominate the Japanese garden in the West. Tagsold has visited over eighty gardens in ten countries with an eye to questioning how these places signify Japan in non-Japanese geographical and cultural contexts. He ponders their history, the reasons for their popularity, and their connections to geopolitical events, explores their shifting aesthetic, and analyzes those elements which convince visitors that these gardens are "authentic." He concludes that a constant process of cultural translation between Japanese and Western experts and commentators marked these spaces as expressions of otherness, creating an idea of the Orient and its distinction from the West.

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Thom Gunn has been described as 'one of the most singular and compelling poets in English during the past half-century' (TLS). This Selected Poems, compiled by his friend Clive Wilmer and accompanied by insightful notes, is the first edition to represent the full arc of Gunn's inimitable career. 'The poetry of Thom Gunn was much admired in his lifetime, and at the same time often misunderstood and underestimated. The scale of his achievement, and its uniqueness - a masterful Elizabethan lyric poet writing in the second half of the twentieth century - is just now becoming properly appreciated. Anonymous in voice, even in the service of the most intimate subject matter, acute in observation, particularly the urban experience, with San Francisco the principal site, Gunn is not merely the poet of the druggy '60s in California or the plague of the AIDS epidemic, but of the deeper-running themes, shared by Shakespeare, Baudelaire, William Carlos Williams and all his greatest exemplars, of the artist's moral and imaginative engagement with the world as it actually is, in the broadest possible sense, not as contemporary fashion might have it be. Which strikes me, who knew and loved the man and poet, as a kind of heroism.' August Kleinzahler'Thom Gunn smuggled the lyric tradition out of post-war Britain, and gave it cool, gracious renaissance in California. His poetry evokes the wild life of the body with madrigal-like elegance.' Fiona Sampson'Gunn's work illustrates with unusual clarity some of the debates poetry in English has pursued in [the twentieth] century - form versus improvisation, diction versus talk, the American way versus the English tradition, even, at times, authenticity versus art. To contain these contradictory impulses and . . . to have generated a body of work which anybody wanting to understand the period and identify some of its best poems will find essential reading - this is quite an achievement.' Sean O'Brien

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The phenominal million-copy bestselling novel by Martha Hall Kelly.'Harrowing ... Lilac illuminates.' People'A compelling, page-turning narrative ... It's smart, thoughtful and also just an old-fashioned good read.' Fort Worth Star, Telegram'A powerful story for readers everywhere ... A novel that brings to life what these women and many others suffered ... I was moved to tears.' San Francisco Book Review__________or three women living through World War II, the threat of war poses very separate issues - that is, until their lives become intertwined in the most tragic of circumstances.New York socialite Caroline Ferriday has her hands full with her post at the French consulate and a new love on the horizon. But Caroline's world is forever changed when Hitler's army invades Poland in September 1939-and then sets its sights on France.An ocean away from Caroline, Kasia Kuzmerick, a Polish teenager, senses her carefree youth disappearing as she is drawn deeper into her role as courier for the underground resistance movement. In a tense atmosphere of watchful eyes and suspecting neighbors, one false move can have dire consequences.For the ambitious young German doctor, Herta Oberheuser, an ad for a government medical position seems her ticket out of a desolate life. Once hired, though, she finds herself trapped in a male-dominated realm of Nazi secrets and power.The lives of these three women are set on a collision course when the unthinkable happens and Kasia is sent to Ravensbrück, the notorious Nazi concentration camp for women. Their stories cross continents-from New York to Paris, Germany, and Poland-as Caroline and Kasia strive to bring justice to those whom history has forgotten.__________'[A] compelling first novel . . . This is a page-turner demonstrating the tests and triumphs civilians faced during war, complemented by Kelly's vivid depiction of history and excellent characters.' Publishers Weekly'Kelly vividly re-creates the world of Ravensbrück.' Kirkus Reviews'Martha Hall Kelly has woven together the stories of three women during World War II that reveal the bravery, cowardice, and cruelty of those days.' Lisa See'Lilac Girls is the best book I've read all year. It will haunt you.' Jamie Ford'I can't remember the last time I read a novel that moved me so deeply.' Beatriz Williams

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Deepen your understanding of how to adapt to international travellers' different needs and backgrounds. Harness the burgeoning levels of tourism and learn everything you need to engage travellers with your business and spending money. The modern traveller is complex, even more so in a post-pandemic world. International consumers are in search of memorable experiences that make them feel special and, ideally, share those experiences with others and bring those feelings home with them. While wanting to be more adventurous, they also want to make their trip safe and special while minimizing their impact on the environment. Leading Travel and Tourism Retail is an invaluable guide for any professional involved in the world of retail, including consumer brands, retailers, hospitality, landlords, politicians, airports, transportation and technology groups. Engaging and accessible, this book covers everything from assessing the competitive market situation to product adaptation, ESG, human talent management, accessing funding, political considerations, and the role of technology and data. It offers a unique glimpse behind the inner workings of some of the best-known brands in the world across airports, shopping malls, and city centre locations. Delivering invaluable insight through fascinating interviews from high-profile leaders, including the President of LVMH Retail Asia, the CEO of Harrods, the President of CHANEL Perfumes & Cosmetics worldwide, this is a must-have book for those who want to drive profits. LIST OF INTERVIEWS Sir Tony Blair, former British Prime Minister, UK Pierre-Hugues Schmit, Chief Commercial & Operations Officer at Vinci Airports Group, France Ravi Thakran, Group Chairman of LVMH Asia, Singapore Michael Ward, Managing Director of Harrods, UK Jacques Stern, CEO of Global Blue, Switzerland Vasiliki Petrou, CEO of Unilever Prestige, UK Andrea d'Avack, President of the CHANEL Foundation, France Pallak Seth, CEO of PDS Apparel Manufacturing, India Louis de Bourgoing, International Chairman of WHSmith, UK Jose-Antonio Lasanta, CEO of Prosegur Cash, Spain Dan Cockerell, former Vice President of Disney's Magic Kingdom, USA Tine Arentsen Willumsen, CEO of Above & Beyond Group, Founder of The Diversity Council, Denmark Paul Samuels, Executive Vice President of AEG Entertainment Group, UK Hugo Brady, Vice President of AEG Entertainment Group, UK Malik Fernando, Director of Dilmah Tea, MJF Hotels and Holdings, Sri Lanka Jonathan Chippindale, CEO of Holition Technologies, UK Ben Zifkin, President of Hubba, Canada Desirée Bollier, Chair and Chief Merchant of Value Retail, UK Stewart Wingate, CEO of London Gatwick Airport, UK Craig Robins, Founder and Owner of Miami Design District Development, USA Taylor Safford, President and CEO of Pier 39, San Francisco, USA Frances O'Grady, Secretary General of the Trades Union Congress, UK Christine Comaford, business and leadership coach Baroness Nicky Morgan former Secretary of State for Digital, Culture, Media, and Sport, UK Professor Ian Woodward at INSEAD, Singapore Professor Steve Jarding, Harvard University, USA Lesley Batchelor OBE, Director General of The Institute for Export & International Trade, UK Jason Holt, Chair of the Apprenticeship Ambassador Network, Chairman of Holts Group, UK Julia Simpson, President & CEO of World Travel & Tourism Council (WTTC)

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Nominated for the Edgar Award for Best Novel * Nominated for the ITW Thriller Award for Best Young Adult NovelA BookPage Best Book of the Year * A People Magazine Best Book of Summer * A Parade Best Book of Summer * A Crime Reads Most Anticipated Book of Summer"Powerful...a breathtaking read, with flawed and authentic characters who hit so close to home that at times it is impossible not to root for them." — San Francisco Chronicle A body burns in the high desert hills. A boy walks into a fire station, pale with the shock of discovery. A middle school teacher worries when her colleague is late for work. By day’s end, when the body is identified as local math teacher Adam Merkel, a small Nevada town will be rocked to its core. Adam Merkel left a university professorship in Reno to teach middle school in Lovelock seven months before he died. A quiet, seemingly unremarkable man, he connected with just one of his students: Sal Prentiss, a lonely sixth grader who lives with his uncles on a desolate ranch in the hills. The two outcasts developed a tender, trusting friendship that brought each of them hope in the wake of tragedy. But it is Sal who finds Adam’s body, charred almost beyond recognition, half a mile from his uncles’ compound. Nora Wheaton, the middle school’s social studies teacher, dreamed of a life far from Lovelock only to be dragged back on the eve of her college graduation to care for her disabled father, a man she loves but can’t forgive. She sensed in the new math teacher a kindred spirit--another soul bound to Lovelock by guilt and duty. After Adam’s death, she delves into his past for clues to who killed him and finds a dark history she understands all too well. But the truth about his murder may lie closer to home. For Sal Prentiss’s grief seems heavily shaded with fear, and Nora suspects he knows more than he’s telling about how his favorite teacher died. As she tries to earn the wary boy’s trust, she finds he holds not only the key to Adam’s murder, but an unexpected chance at the life she thought she’d lost. Weaving together the last months of Adam’s life, Nora’s search for answers, and a young boy’s anguished moral reckoning, this unforgettable thriller brings a small American town to vivid life, filled with complex, flawed characters wrestling with the weight of the past, the promise of the future, and the bitter freedom that forgiveness can bring.

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La justice est-elle une illusion? Si tel etait le cas, que penser de l'Etat de droit contemporain, lui qui resulte d'une longue et continuelle recherche de la justice par les penseurs occidentaux? Avec Platon, la philosophie occidentale a en effet debute sa longue quete d'un modele pour batir la cite. Le modele de Platon, la justice transcendante ou naturelle (to; fuvsei divkaion), fut accueilli a Rome par Ciceron. Cette phase inaugurale de l'histoire de la philosophie politique occidentale est etudiee dans le premier volume de cette etude: "Platonisme politique et theorie du droit naturel. Contributions a une archeologie de la culture politique europeenne. Le platonisme dans l'antiquite", Louvain-Paris, Ed. Peeters, 1995.Le present volume etudie la reception chretienne de la doctrine de Platon, du Veme au XVIIeme siecle. Le lecteur rencontrera d'abord Augustin d'Hippone: l'eveque accueille, puis rejette la theorie platonicienne. Durant le Moyen Age latin, les juristes et le theologien Thomas d'Aquin assoient solidement cette doctrine dans la pensee chretienne en s'opposant a l'augustinisme religieux. De la Renaissance au XVIIeme siecle, Marsile Ficin, Jean Bodin, Jean de Serres, Francisco Suarez, Hugo Grotius, Samuel Pufendorf et John Locke retravaillent encore la notion platonico-chretienne de justice: contre le volontarisme, la pensee theocratique, puis la doctrine de Thomas Hobbes au XVIIeme siecle, cette tradition philosophique met la justice naturelle au fondement de la republique. Au bout de cette histoire se profilent les premieres declarations des Droits de l'homme, que cet etude envisage dans le sillage du platonisme politique et de l'un de ses heritiers majeurs, John Locke.Cette etude retrace pour la premiere fois la reception de Platon considere comme un penseur politique. Elle ouvre de fait une nouvelle perspective dans l'histoire de la philosophie politique. Elle corrige enfin les histoires anterieures du jusnaturalisme chretien, dans la mesure ou celles-ci ignoraient l'impact de la pensee platonicienne. L'etude est accompagnee de traductions francaises inedites: un ensemble de textes qui temoignent de la presence du platonisme politique dans la pensee occidentale.

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Timothy Isaiah ""Longhair Jim"" Courtright operated on both sides of the law and became a legend in his lifetime and after his death. One of the most colorful characters from the wild and woolly days of Fort Worth's Hell's Half Acre, Courtright was at various times city marshal, deputy sheriff, deputy U.S. marshal, private detective, hired killer, and racketeer. Today, he is almost forgotten, either as a gunfighter or a lawman, except in Fort Worth. Little is known about Courtright's early life, though he apparently served in the Union army during the Civil War, But when he arrived in the West, Courtright seemed to attract trouble. He was involved in a shootout during the 1886 railroad strikes and was accused of murder in New Mexico. Deputies were sent to Fort Worth to escort him to New Mexico to stand trial. His escape from them, complete with guns hidden under a restaurant table, is one of Fort Worth's most colorful stories. Finally, he was killed in a shootout that he apparently provoked with gambler and gunman Luke Short. To this day nobody is sure what provoked that feud, but Courtright was honored with the longest funeral procession Fort Worth had ever seen. The myth of Courtright as legendary gunfighter was built in two previous biographies - one by a novelist and the other by a Franciscan priest. After exhaustive research into contemporary newspapers and other accounts and close study of the previous two books, historian Robert K. DeArment deconstructs the myth of Longhair Jim and reconstructs the gunfighter as a real human being, complex, flawed, often courageous, usually both honorable and dishonorable. This book is a must for all those interested in the legends of the West, its lawmen, and its outlaws.

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Rebecca Valette’s Clitso Dedman, Navajo Carver is the first biography of artist Clitso Dedman (1876–1953), one of the most important but overlooked Diné (Navajo) artists of his generation. Dedman was born to a traditional Navajo family in Chinle, Arizona, and herded sheep as a child. He was educated in the late 1880s and early 1890s at the Fort Defiance Indian School, then at the Teller Institute in Grand Junction, Colorado. After graduation Dedman moved to Gallup, New Mexico, where he worked in the machine shop of the Atchison, Topeka, and Santa Fe Railway before opening his first of three Navajo trading posts in Rough Rock, Arizona. After tragedy struck his life in 1915, he moved back to Chinle and abruptly changed careers to become a blacksmith and builder. At age sixty, suffering from arthritis, Dedman turned his creative talent to wood carving, thus initiating a new Navajo art form. Although the neighboring Hopis had been carving Kachina dolls for generations, the Navajos traditionally avoided any permanent reproduction of their Holy People, and even of human figures. Dedman was the first to ignore this proscription, and for the rest of his life he focused on creating wooden sculptures of the various participants in the Yeibichai dance, which closed the Navajo Nightway ceremony. These secular carvings were immediately purchased and sold to tourists by regional Indian traders. Today Dedman’s distinctive and highly regarded work can be found in private collections, galleries, and museums, such as the Navajo Nation Museum at Window Rock, the California Academy of Sciences in San Francisco, and the Arizona State Museum in Tucson. Clitso Dedman, Navajo Carver, with its extensive illustrations, is the story of a remarkable and underrecognized figure of twentieth-century Navajo artistic creation and innovation.

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Grace, Predestination, and the Permission of Sin seeks to analyze a revi­sionist movement within Thomism in the 20th century over and against the traditional or classical Thomistic commentatorial treatment of phys­ical premotion, grace, and the permission of sin, especially as these re­late to the mysteries of predestination and reprobation.The over-arching critique leveled by the revisionists against the clas­sic treatment is that Bañezian scholasticism had disregarded the dissym­metry between the line of good (God’s causation of salutary acts) and the line of evil (God’s permission of defect and sin).The teaching of St. Thomas is explored via intimate consideration of his texts. The thought of St. Thomas is then compared with the work of Domingo Bañez and the foremost ‘Bañezian’ of the 20th century, Reginald Garrigou-Lagrange. The work then shifts to a consideration of the major players of the revisionist treatment, including Francisco Marín-Sola, Jacques Maritain, and Bernard Lonergan. Jean-Herve Nico­las is also taken up as one who had held both accounts during his life­time. O’Neil analyzes and critiques the revisionist theories according to the fundamental tenets of the classical account. Upon final analysis, it seeks to show that the classical account sufficiently distances God’s causal role in regard to free salutary acts and His non-causal role in re­gard to free sinful acts. Moreover, the revisionist account presents sig­nificant metaphysical problems and challenges major tenets of classical theism, such as the divine omnipotence, simplicity, and the exhaustive nature of divine providence.Finally, the implications of the traditional view are considered in light of the spiritual life. It is argued that the classical account is the only one which provides an adequate theological foundation for the Church’s robust mystical and spiritual tradition, and in particular, the abandon­ment to divine providence.

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« Pensée de lumignons », tel est le sobriquet forgé par Pierre Magnard pour désigner la si brillante pensée des Lumières. Un lumignon peut être conçu comme une lumière réduite non consciente de sa source. La réduction de la Lumière véritable à la lumière naturelle et finie de l’intelligence humaine serait-elle l’écueil d’après Pierre Magnard de certains penseurs des dites « Lumières » ? Si cette réduction a bien eu lieu notamment au sein du mouvement des Lumières mais aussi ailleurs et à d’autres époques, elle est l’inverse de la reductio médiévale qui est reconduction et concentration plus que réduction simplificatrice. Pour mieux le comprendre, le livre que vous tenez entre vos mains propose un parcours, grâce au fil rouge de la lumière, dans l’œuvre d’un grand auteur médiéval, Giovanni da Fidanza (env. 1217-1274), italien d’origine, devenu par vocation frère mineur sous le nom de Bonaventure, étudiant à Paris, oeuvrant ensuite comme ministre général de l’Ordre franciscain. Le Docteur séraphique (ainsi l’a baptisé l’Eglise catholique) exprime dans tout son Œuvre que le vocable « lumière » ne peut être utilisé uniquement pour parler de la raison humaine, « lumière naturelle », mais qu’il permet bien aussi, et peut-être surtout, de désigner l’être divin, Lumière véritable et unique, présent sous diverses modalités en chaque chose dont l’intelligence humaine. Il perçoit, scrute, pense et nous aide à penser, certes, le rôle épistémique, cosmologique, « esthétique », physique et métaphysique de la lumière mais avec l’évangile, il montre aussi l’importance de la lumière dans la constitution de la théologie et, par la christologie, dans l’anthropologie. Bonaventure, frère de saint François d’Assise, nommé « alter Christus », renvoie ainsi, et pour cause, assez souvent son lecteur ou son auditoire au Christ, si bien nommé dans le quatrième évangile « Lumière du monde ». Que les héritiers de conceptions relayées entre autres par certains modernes qui se sont auto-proclamés « Lumières » parfois jusqu’à la négation de la lumière divine (humanisme athée), héritiers que nous sommes tous, puissent redécouvrir l’origine de toute lumière dont leur propre « lumière naturelle » afin de rayonner d’humilité et de cesser d’être des « lumignons » : tel pourrait être un des nombreux apports de cet ouvrage.

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Kamala Harris: Quotes to Live By is a life-affirming collection of over 150 quotes from one of the world's most admired, relevant and exciting public figures today. As the daughter of immigrant parents from India and Jamaica, she rose to become district attorney of San Francisco, attorney general of California, United States senator and finally to achieve the pinnacle of all her firsts: the first female Black and Asian-American Vice President of the United States.Throughout her distinguished career, she has been recognized for speaking the truth, standing up to the powerful, fighting against injustice and inequality and advocating for those who could not defend themselves. Her support for Black Lives Matter and women's rights, as well as healthcare and immigration, along with her courage and determination, has made her a powerful force in politics and on the world stage.'But while I may be the first woman in this office, I will not be the last, because every little girl watching tonight sees that this is a country of possibilities.' Vice President-Elect acceptance speech, 7 November 2020'We're experiencing a moral reckoning with racism and systemic injustice that has brought a new coalition of conscience to the streets of our country.' First appearance as the nominee for Vice President, Wilmington, Delaware, 12 August 2020'There will be resistance to your ambition. There will be people who say to you, 'You are out of your lane'. They are burdened by only having the capacity to see what has always been, instead of what can be.' Black Girls Lead 2020 conference, 1 August 2020'Here's the truth people need to understand: To tackle the challenges of the twenty-first century, we must empower women and families. If we do not lift up women and families, everyone will fall short.' National Partnership for Women and Families Gala, 15 June 2017'Mr Vice President, I'm speaking. I'm speaking.' Vice Presidential Debate, 7 October 2020

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"If this book feels like it’s sounding the alarm on the state of American motherhood, well, that’s because it is." -- San Francisco ChronicleIn this timely and necessary book, New York Times opinion writer Jessica Grose dismantles two hundred years of unrealistic parenting expectations and empowers today’s mothers to make choices that actually serve themselves, their children, and their communitiesClose your eyes and picture the perfect mother. She is usually blonde and thin. Her roots are never showing and she installed that gleaming kitchen backsplash herself (watch her TikTok for DIY tips). She seamlessly melds work, wellness and home; and during the depths of the pandemic, she also ran remote school and woke up at 5 a.m. to meditate.You may read this and think it’s bananas; you have probably internalized much of it.Journalist Jessica Grose sure had. After she failed to meet every one of her own expectations for her first pregnancy, she devoted her career to revealing how morally bankrupt so many of these ideas and pressures are. Now, in Screaming on the Inside, Grose weaves together her personal journey with scientific, historical, and contemporary reporting to be the voice for American parents she wishes she’d had a decade ago.The truth is that parenting cannot follow a recipe; there’s no foolproof set of rules that will result in a perfectly adjusted child. Every parent has different values, and we will have different ideas about how to pass those values along to our children. What successful parenting has in common, regardless of culture or community, is close observation of the kind of unique humans our children are. In thoughtful and revelatory chapters about pregnancy, identity, work, social media, and the crisis of the Covid-19 pandemic, Grose explains how we got to this moment, why the current state of expectations on mothers is wholly unsustainable, and how we can move towards something better.

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"... a gorgeous compilation of interiors from the homes of famous artists past and present as a way of exhibiting each creator's 'power and legacy' - Publishers Weekly An inspiring collection of the extraordinary private spaces of 250 of the world's most creative people, past and present Life Meets Art presents an unparalleled, global, behind-the-scenes tour through 250 beautiful interiors from the homes of the most creative people in art, architecture, design, fashion, literature, music, film and theatre. These inspiring, unique spaces show us the spaces where the greatest creatives in history lived their lives, honed their crafts and, in many cases, produced some of the world's most celebrated masterpieces - providing an intimate and insightful perspective on the masters that define artistic history. Organized alphabetically by artist, each interior features a color photograph and a short descriptive text, including details on whether the house is open to the public or private. This book will inspire everyone fascinated by stylish living, creative interior design, and the myriad possibilities for home décor, as well as those fascinated by the personal and professional lives of their cultural heroes. Life Meets Art includes homes from creative masters of past centuries such as artists da Vinci, Raphael and Rubens, composers Handel, Lizst, and Verdi and writers Dickens, Byron, and Coleridge. The book also showcases the extraordinary interiors of many twentieth century stars and epoch-defining talents such as architects Frank Lloyd Wright, Eileen Gray, Le Corbusier, and Walter Gropius, artists Pablo Picasso, Marc Chagall, and Henry Moore, writers Ernest Hemingway, William Faulkner, and Agatha Christie and musicians Louis Armstrong, Frank Sinatra, and Elvis Presley. Homes from some of the most celebrated talents of today are also featured, including artists Francisco Clemente, Cornelia Parker, and Gilbert and George, fashion designers Alexander McQueen, Marc Jacobs, and Diane von Furstenberg, designers Marc Newson and Es Devlin and musicians Moby, Jimmy Page, and David Bowie.

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Whether you're camping among towering redwoods, along rugged coastline, or in the High Sierra, you'll always find your perfect campsite with Moon Northern California Camping.*A Campsite for Everyone: Pick the right tent or motorhome site with options ranging from secluded Sierra hike-ins to convenient roadside stopovers, including dog-friendly, family-friendly, and wheelchair accessible options, and strategic lists of the best campgrounds for hiking, swimming, and more*Ratings and Essentials: All campgrounds are rated on a scenic scale and marked with amenities like restrooms, trailhead access, picnic areas, laundry, piped water, showers, and playgrounds*Recreation Highlights: Discover nearby hiking, swimming, fishing, cycling, water-skiing, white water rafting, and hot springs*Maps and Directions: Easy-to-use maps and detailed driving directions for each campground*Skip the Crowds: Moon Northern California Camping contains many secluded spots and campgrounds that aren't available in the state's online reservation system*Trailhead Access Campgrounds: Find sites that offer access to the John Muir Trail, the Pacific Crest Trail, and more, plus essential information on hiking*Expert Advice: Expert outdoorsman Tom Stienstra knows his stuff; he's hiked 25,000 miles in and around these campgrounds for over 30 years*Tips and Tools: Information on equipment, food and cooking, first aid, and insect protection, plus background on the climate, landscape, and history of the campsitesWhether you're a veteran or a first-time camper, Moon's comprehensive coverage and local insight will have you gearing up for your next adventure. Exploring more of the Golden State? Try Moon California Camping. Full coverage of: Redwood Empire, Shasta and Trinity, Lassen and Modoc, Mendocino and Wine Country, Sacramento and Gold Country, Tahoe and the Northern Sierra, the San Francisco Bay Area, Monterey and Big Sur, the San Joaquin Valley, Yosemite and Mammoth Lakes, and Sequoia and Kings Canyon

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Salvage Work examines contemporary literary responses to the law’s construction of personhood in the Americas. Tracking the extraordinary afterlives of the legal slave personality from the nineteenth century into the twenty-first, Angela Naimou shows the legal slave to be a fractured but generative figure for contemporary legal personhood across categories of race, citizenship, gender, and labor. What emerges is a compelling and original study of how law invents categories of identification and how literature contends with the person as a legal fiction. Through readings of Francisco Goldman’s The Ordinary Seaman, Edwidge Danticat’s Krik?Krak!, Rosario Ferre’s Sweet Diamond Dust (Maldito Amor), Gayl Jones’s Song for Anninho and Mosquito, and John Edgar Wideman’s Fanon, Naimou shows how literary engagements with legal personhood reconfigure formal narrative conventions in Black Atlantic historiography, the immigrant novel, the anticolonial romance, the trope of the talking book, and the bildungsroman. Revealing links between colonial, civic, slave, labor, immigration, and penal law, Salvage Work reframes debates over civil and human rights by revealing the shared hemispheric histories and effects of legal personhood across seemingly disparate identities—including the human and the corporate person, the political refugee and the economic migrant, and the stateless person and the citizen. In depicting the material remains of the legal slave personality in the de-industrialized neoliberal era, these literary texts develop a salvage aesthetic that invites us to rethink our political and aesthetic imagination of personhood. Questioning liberal frameworks for civil and human rights as well as what Naimou calls death-bound theories of personhood—in which forms of human life are primarily described as wasted, disposable, bare, or dead in law—Salvage Work thus responds to critical discussions of biopolitics and neoliberal globalization by exploring the potential for contemporary literature to reclaim the individual from the legal regimes that have marked her.

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A "deeply empathetic" (Publishers Weekly, starred review) "must-read" (Marion Nestle) that "weaves lyrical storytelling and fascinating research into a compelling narrative" (San Francisco Chronicle) to look at dietary differences along class lines and nutritional disparities in America, illuminating exactly how inequality starts on the dinner plate.Inequality in America manifests in many ways, but perhaps nowhere more than in how we eat. From her years of field research, sociologist and ethnographer Priya Fielding-Singh brings us into the kitchens of dozens of families from varied educational, economic, and ethnoracial backgrounds to explore how-and why-we eat the way we do. We get to know four families intimately: the Bakers, a Black family living below the federal poverty line; the Williamses, a working-class white family just above it; the Ortegas, a middle-class Latinx family; and the Cains, an affluent white family.Whether it's worrying about how far pantry provisions can stretch or whether there's enough time to get dinner on the table before soccer practice, all families have unique experiences that reveal their particular dietary constraints and challenges. By diving into the nuances of these families' lives, Fielding-Singh lays bare the limits of efforts narrowly focused on improving families' food access. Instead, she reveals how being rich or poor in America impacts something even more fundamental than the food families can afford: these experiences impact the very meaning of food itself.Packed with lyrical storytelling and groundbreaking research, as well as Fielding-Singh's personal experiences with food as a biracial, South Asian American woman, How the Other Half Eats illuminates exactly how inequality starts on the dinner plate. Once you've taken a seat at tables across America, you'll never think about class, food, and public health the same way again.

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In 1841 a Japanese fishing vessel sinks. Its crew is forced to swim to a small, unknown island, where they are rescued by a passing American ship. Japan’s borders remain closed to all Western nations, so the crew sets off to America, learning English on the way.Manjiro, a 14-year-old boy, is curious and eager to learn everything he can about this new culture. Eventually the captain adopts Manjiro and takes him to his home in New England. The boy lives there for some time and then heads to San Francisco to pan for gold. After many years, he makes it back to Japan, only to be imprisoned as an outsider. With his hard-won knowledge of the West, Manjiro is in a unique position to persuade the emperor to ease open the boundaries around Japan; he may even achieve his unlikely dream of becoming a samurai.Heart of a Samurai is a 2011 Newbery Honor Book.Accolades and Praise for Heart of a Samurai2011 Newbery Honor BookNew York Times BestsellerNPR Backseat Book Club pick"A terrifc biographical novel by Margi Preus." -Wall Street Journal*STARRED REVIEW*"It’s a classic fish-out-of-water story (although this fish goes into the water repeatedly), and it’s precisely this classic structure that gives the novel the sturdy bones of a timeless tale. Backeted by gritty seafaring episodes—salty and bloody enough to assure us that Preus has done her research—the book’s heart is its middle section, in which Manjiro, allegedly the first Japanese to set foot in America, deals with the prejudice and promise of a new world. By Japanese tradition, Manjiro was destined to be no more than a humble fisherman, but when his 10-year saga ends, he has become so much more."--Booklist, starred review*STARRED REVIEW*"Illustrated with Manjiro’s own pencil drawings in addition to other archival material and original art from Tamaki, this is a captivating fictionalized (although notably faithful) retelling of the boy’s adventures. Capturing his wonder, remarkable willingness to learn, the prejudice he encountered and the way he eventually influenced officials in Japan to open the country, this highly entertaining page-turner."--Kirkus Reviews, starred review*STARRED REVIEW*"Stunning debut novel. Preus places readers in the young man’s shoes, whether he is on a ship or in a Japanese prison. Her deftness in writing is evident in two poignant scenes, one in which Manjiro realizes the similarities between the Japanese and the Americans and the other when he reunites with his Japanese family."--School Library Journal, starred review*STARRED REVIEW*"Preus mixes fact with fiction in a tale that is at once adventurous, heartwarming, sprawling, and nerve-racking in its depictions of early anti-Asian sentiment. She succeeds in making readers feel every bit as “other” as Manjiro, while showing America at its best and worst through his eyes."--Publishers Weekly, starred review"First-time novelist Preus turns the true story of Manjiro into an action-packed boy's adventure tale."--Horn Book

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Combining immersive photography with expertly researched travel writing, this is the ultimate guidebook for LGBTQ+ travelers-whether you're planning your next getaway, daydreaming from the comfort of your armchair, or seeking to learn about queer culture in other parts of the world. This swoon-worthy guide to the best places and events the queer world has to offer spans the globe, taking you from metropolitan must-sees, like the Castro in San Francisco or the Leslie Lohman Museum in New York, to lesser-known gems like the McIver Ladies' Baths in Sydney or the first gay bar in Nepal. Maartje Hensen and a diverse team of international travel writers have put together information on the best drag shows, Pride parades, and film festivals all around the world, as well as resources regarding laws, restrictions, and cultural attitudes-ensuring that travelers can safely enjoy their sojourns and find community wherever they go. Whether you're looking for relaxation, romance, or adventure, The Pride Atlas will help you plan your next gaycation. SERIOUS EYE CANDY: Bursting at the seams with full-color photographs, The Pride Atlas is a colorful addition to any bookshelf or coffee table. It offers an immersive, take-me-there reading experience, as well as the nuts-and-bolts practical information that will transform armchair travel into actual trip planning. INCLUSIVE AND INFORMATIVE: Whether you are a drag show fanatic, a gay couple in search of international community, an ally planning an ethical and informed vacation, or a cohort of queers looking for a good time-this is the travel book for you. With information on both festivities for and frustrations facing queer travelers, written by a diverse team of LGBTQ+ travel bloggers, The Pride Atlas is a unique and valuable resource. Perfect for: • LGBTQ+ vacation planners and armchair travelers • Informed, ethical travelers who want to know about LGBTQ+ rights and culture in the places they visit • A practical and inspiring birthday, graduation, wedding, bon voyage, or special occasion gift for all who love to explore

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This pocket-sized travel guide to Porto is a convenient, quick-reference companion to discovering what to do, what to see and how to get around Porto. It covers top attractions like Torre Dos Clerigos, Port Wine Cellars, The Se, Igreja de Sao Francisco, Palacio da Bolsa, Jardim do Palacio de Cristal or City of Bridges. Our Porto guide book will save you time, and enhance your exploration of this fascinating city. This Porto travel guide has been fully updated post-COVID-19. This Mini Rough Guide to Porto covers: Ribeira, the Se, Baixa, Miragaia and Massarelos, Boavista and Serralves, Vila Nova de Gaia.In this guide book to Porto you will find: RECOMMENDATIONS FOR EVERY TYPE OF TRAVELLER Experiences selected for every kind of trip to Porto, from cultural explorations in Baixa to family activities in child-friendly places, like World of Discoveries, Sea Life and Jardim do Palácio de Cristal or chilled-out breaks in popular tourist areas like Cais da RibeiraTOP TEN ATTRACTIONSThis Porto travel guide covers the destination's top ten attractions not to miss, including Torre dos Clerigos, Port Wine Cellars, Serralves, City of Bridges, Estacao de Sao Bento, Lello, Jardim do Palacio de Cristal and a Perfect Day itinerary suggestions.COMPACT FORMATCompact, concise, and packed with essential information, with a sharp design and colour-coded sections, this guide book to Porto is the perfect on-the-move companion when you're exploring Porto.HISTORICAL AND CULTURAL INSIGHTSIncludes an insightful overview of landscape, history and culture.WHAT TO DODetailed description of entertainment, shopping, nightlife, festivals and events, and children's activities.PRACTICAL MAPSHandy colour maps on the inside cover flaps of this travel guide to Porto will help you find your way around.PRACTICAL TRAVEL INFORMATIONPractical information on eating out, including a handy glossary and detailed restaurant listings, as well as a comprehensive A-Z of travel tips on everything from getting around to health and tourist information.STRIKING PICTURESInspirational colour photography throughout.FREE EBOOK Free eBook download with every purchase of Porto guide book to access all content from your phone or tablet for on-the-road exploration.

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The Art of Darkness is a visually rich sourcebook featuring eclectic artworks that have been inspired and informed by the morbid, melancholic and macabre. Throughout history, artists have been obsessed with darkness – creating works that haunt and horrify, mesmerise and delight and play on our innermost fears. Gentileschi took revenge with paint in Judith Slaying Holofernes while Bosch depicted fearful visions of Hell that still beguile. Victorian Britain became strangely obsessed with the dead and in Norway Munch explored anxiety and fear in one of the most famous paintings in the world (The Scream, 1893). Today, the Chapman Brothers, Damien Hirst and Louise Bourgeois, as well as many lesser known artists working in the margins, are still drawn to all that is macabre. From Dreams & Nightmares to Matters of Mortality, Depravity & Destruction to Gods & Monsters – this book introduces sometimes disturbing and often beautiful artworks that indulge our greatest fears, uniting us as humans from century to century. But, while these themes might scare us – can’t they also be heartening and beautiful? Exploring and examining the artworks with thoughtful and evocative text, S. Elizabeth offers insight into each artist’s influences and inspirations, asking what comfort can be found in facing our demons? Why are we tempted by fear and the grotesque? And what does this tell us about the human mind? Of course, sometimes there is no good that can come from the sensibilities of darkness and the sickly shivers and sensations they evoke. These are uncomfortable feelings, and we must sit for a while with these shadows – from the safety of our armchairs. Artists covered include Pablo Picasso, Georgia O'Keeffe, Francisco de Goya, Leonora Carrington, John Everett Millais, Tracey Emin, Vincent van Gogh, Barbara Hepworth, Paul Cezanne and Salvador Dalí, as well as scores more. With over 200 carefully curated artworks from across the centuries, The Art of Darkness examines all that is dark in a bid to haunt and hearten. This book is part of the Art in the Margins series, following up on The Art of the Occult, which investigates representations of the mystical, esoteric and occult in art from across different times and cultures.

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