Search results for ""yale university press""

American photographer Donald Blumberg (b. 1935) began his career making black-and-white photographs of the streets and people of New York. He first gained national attention and widespread recognition for his 1965–67 series In Front of Saint Patrick’s Cathedral, published in 1973. In these thought-provoking photographs, Blumberg innovatively captured worshippers exiting the cavernous threshold of the famed Roman Catholic cathedral on Fifth Avenue. The figures often seem to defy scale and perspective, clustered in the corners of the frame or gathered in blurry crowds. This revised and expanded edition of Blumberg’s pioneering project features a new sequence that includes previously unpublished images and select contact sheets from the project, all printed in rich duotones. Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery (08/21/15–11/22/15)

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An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists—John Singleton Copley, Benjamin West, and Gilbert Stuart, among others—with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term “American,” which she sees as provisional—the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art

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An ambitious, landmark history of the Scientific Revolution, from the age of Columbus to the age of Cook In 1492 Columbus set out across the Atlantic; in 1776 American colonists declared their independence. Between these two events old authorities collapsed—Luther’s Reformation divided churches, and various discoveries revealed the ignorance of the ancient Greeks and Romans. A new, empirical worldview had arrived, focusing now on observation, experiment, and mathematical reasoning. This engaging book takes us along on the great voyage of discovery that ushered in the modern age. David Knight, a distinguished historian of science, locates the Scientific Revolution in the great era of global oceanic voyages, which became both a spur to and a metaphor for scientific discovery. He introduces the well-known heroes of the story (Galileo, Newton, Linnaeus) as well as lesser-recognized officers of scientific societies, printers and booksellers who turned scientific discovery into public knowledge, and editors who invented the scientific journal. Knight looks at a striking array of topics, from better maps to more accurate clocks, from a boom in printing to medical advancements. He portrays science and religion as engaged with each other rather than in constant conflict; in fact, science was often perceived as a way to uncover and celebrate God’s mysteries and laws. Populated with interesting characters, enriched with fascinating anecdotes, and built upon an acute understanding of the era, this book tells a story as thrilling as any in human history.

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A dazzling translation by Lydia Davis of the first volume of Michel Leiris’s masterwork, perhaps the most important French autobiographical enterprise of the twentieth century Michel Leiris, a French intellectual whose literary works inspired high praise from the likes of Simone de Beauvoir and Claude Lévi-Strauss, began the first volume of his autobiographical project at the age of 40. It was the beginning of an endeavor that ultimately required 35 years and three additional volumes. In Volume 1, Scratches, Leiris proposes to discover a savoir vivre, a mode of living that would have a place for both his poetics and his personal morality. “I can scarcely see the literary use of speech as anything but a means of sharpening one’s consciousness in order to be more—and in a better way—alive," he declares. He begins the project of uncovering memories, returning to moments and images of childhood—his father’s recording machine, the letters of the alphabet coming to life—and then of his later life—Paris under the Occupation, a journey to Africa, and a troubling fear of death.

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This magnificently illustrated people’s history celebrates the extraordinary feats of cultivation by the working class in Britain, even if the land they toiled, planted, and loved was not their own. Spanning more than four centuries, from the earliest records of the laboring classes in the country to today, Margaret Willes's research unearths lush gardens nurtured outside rough workers’ cottages and horticultural miracles performed in blackened yards, and reveals the ingenious, sometimes devious, methods employed by determined, obsessive, and eccentric workers to make their drab surroundings bloom. She also explores the stories of the great philanthropic industrialists who provided gardens for their workforces, the fashionable rich stealing the gardening ideas of the poor, alehouse syndicates and fierce rivalries between vegetable growers, flower-fanciers cultivating exotic blooms on their city windowsills, and the rich lore handed down from gardener to gardener through generations. This is a sumptuous record of the myriad ways in which the popular cultivation of plants, vegetables, and flowers has played—and continues to play—an integral role in everyday British life.

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An important new look at Rome's earliest buildings and their context within the broader tradition of Mediterranean culture This groundbreaking study traces the development of Roman architecture and its sculpture from the earliest days to the middle of the 5th century BCE. Existing narratives cast the Greeks as the progenitors of classical art and architecture or rely on historical sources dating centuries after the fact to establish the Roman context. Author John North Hopkins, however, allows the material and visual record to play the primary role in telling the story of Rome’s origins, synthesizing important new evidence from recent excavations. Hopkins’s detailed account of urban growth and artistic, political, and social exchange establishes strong parallels with communities across the Mediterranean. From the late 7th century, Romans looked to increasingly distant lands for shifts in artistic production. By the end of the archaic period they were building temples that would outstrip the monumentality of even those on the Greek mainland. The book’s extensive illustrations feature new reconstructions, allowing readers a rare visual exploration of this fragmentary evidence.

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A leading legal scholar explores how the constitutional right to seek justice has been restricted by the Supreme Court The Supreme Court’s decisions on constitutional rights are well known and much talked about. But individuals who want to defend those rights need something else as well: access to courts that can rule on their complaints. And on matters of access, the Court’s record over the past generation has been almost uniformly hostile to the enforcement of individual citizens’ constitutional rights. The Court has restricted who has standing to sue, expanded the immunity of governments and government workers, limited the kinds of cases the federal courts can hear, and restricted the right of habeas corpus. Closing the Courthouse Door, by the distinguished legal scholar Erwin Chemerinsky, is the first book to show the effect of these decisions: taken together, they add up to a growing limitation on citizens’ ability to defend their rights under the Constitution. Using many stories of people whose rights have been trampled yet who had no legal recourse, Chemerinsky argues that enforcing the Constitution should be the federal courts’ primary purpose, and they should not be barred from considering any constitutional question.

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A prominent scholar explores King Arthur’s historical development, proposing that he began as a fictional character developed in the ninth century According to legend, King Arthur saved Britain from the Saxons and reigned over it gloriously sometime around A.D. 500. Whether or not there was a “real” King Arthur has all too often been neglected by scholars; most period specialists today declare themselves agnostic on this important matter. In this erudite volume, Nick Higham sets out to solve the puzzle, drawing on his original research and expertise to determine precisely when, and why, the legend began. Higham surveys all the major attempts to prove the origins of Arthur, weighing up and debunking hitherto claimed connections with classical Greece, Roman Dalmatia, Sarmatia, and the Caucasus. He then explores Arthur’s emergence in Wales—up to his rise to fame at the hands of Geoffrey of Monmouth. Certain to arouse heated debate among those committed to defending any particular Arthur, Higham’s book is an essential study for anyone seeking to understand how Arthur’s story began.

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A lavishly illustrated global exploration of the vast array of styles and most significant practitioners of tattoo from ancient times to today Tattoo art and practice has seen radical changes in the 21st century, as its popularity has exploded. An expanding number of tattoo artists have been mining the past for lost traditions and innovating with new technology. An enormous diversity of styles, genres, and techniques has emerged, ranging from geometric blackwork to vibrant, painterly styles, and from hand-tattooed works to machine-produced designs. With over 700 stunning color illustrations, this volume considers historical and contemporary tattoo practices in Europe, the Americas, the Middle East, North and Sub-Saharan Africa, Asia, Australia, and the Pacific Islands. Each section, dedicated to a specific geographic region, features fascinating text by tattoo experts that explores the history and traditions native to that area as well as current styles and trends. The World Atlas of Tattoo also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs. The work of 100 notable artists from around the globe is showcased in this definitive reference on a widespread and intriguing art practice.

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Samuel Palmer (1805–1881) was one of the leading British landscape painters of the 19th century. Inspired by his mentor, the artist and poet William Blake, Palmer brought a new spiritual intensity to his interpretation of nature, producing works of unprecedented boldness and fervency. Pre-eminent scholar William Vaughan—who organized the Palmer retrospective at the British Museum and The Metropolitan Museum of Art in 2005—draws on unpublished diaries and letters, offering a fresh interpretation of one of the most attractive and sympathetic, yet idiosyncratic, figures of the 19th century. Far from being a recluse, as he is often presented, Palmer was actively engaged in Victorian cultural life and sought to exert a moral power through his artwork. Beautifully illustrated with Palmer's visionary and enchanted landscapes, the book contains rich studies of his work, influences, and resources. Vaughan also shows how later, enthralled by the Pre-Raphaelite movement, Palmer manipulated his own artistic image to harmonize with it. Little appreciated in his lifetime, Palmer is now hailed as a precursor of modernism in the 20th century.Published for the Paul Mellon Centre for Studies in British Art

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Caterina Corner, a Venetian noblewoman and the last Queen of Cyprus, led a complex and remarkable life. In 1468, Corner married King Jacques II Lusignan of Cyprus at the behest of her family, whose ambitions matched those of the Venetian republic anxious to extend its empire. In the first year of her reign, pregnant and widowed, she became regent for the kingdom. This study considers for the first time the strategies of her reign, negotiating Venetian encroachment, family pressures, and the challenges of female rule. Using previously understudied sources, such as her correspondence with Venetian magistracies, the book shows how Corner marshalled her royal authority until and beyond her forced abdication in 1489. The unique perspective of Corner’s life reveals new insights into Renaissance imperialism, politics, familial ambition, and conventions of ideal womanhood as revealed in the portraits, poetry, and orations dedicated to her.

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A compelling argument for broad-based profit sharing and employee ownership in keeping with the economic vision of America’s Founders The idea of workers owning the businesses where they work is not new. In America’s early years, Washington, Adams, Jefferson, and Madison believed that the best economic plan for the Republic was for citizens to have some ownership stake in the land, which was the main form of productive capital. This book traces the development of that share idea in American history and brings its message to today's economy, where business capital has replaced land as the source of wealth creation. Based on a ten-year study of profit sharing and employee ownership at small and large corporations, this important and insightful work makes the case that the Founders’ original vision of sharing ownership and profits offers a viable path toward restoring the middle class. Blasi, Freeman, and Kruse show that an ownership stake in a corporation inspires and increases worker loyalty, productivity, and innovation. Their book offers history-, economics-, and evidence-based policy ideas at their best.

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The issue of how to represent God is a concern both ancient and contemporary. In this wide-ranging and authoritative study, renowned biblical scholar Mark Smith investigates the symbols, meanings, and narratives in the Hebrew Bible, Ugaritic texts, and ancient iconography, which attempt to describe deities in relation to humans. Smith uses a novel approach to show how the Bible depicts God in human and animal forms—and sometimes both together. Mediating between the ancients’ theories and the work of modern thinkers, Smith’s boldly original work uncovers the foundational understandings of deities and space.

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Florence Cathedral, familiarly called Il Duomo, is an architectural masterpiece and home to celebrated works of art. The interrelationship between the brilliant art and architecture and the Cathedral’s musical program is explored in depth in this beautiful book. Perhaps the most beloved example is Luca della Robbia’s sculptural program for the organ loft, comprising ten sculptural relief panels that depict children singing, dancing, and making music. Luca’s charming sculptures are examined alongside luxurious illuminated manuscripts commissioned for musical performances. Essays by distinguished scholars provide new insights into the original function and meaning of Luca’s sculptures; organs and organists during the 15th century; the roles played by women and girls—as well as men and boys—in making music throughout Renaissance Florence; and the Cathedral’s illuminated choir books. Published in association with the High Museum of Art, AtlantaExhibition Schedule:High Museum of Art, Atlanta(10/25/14–01/11/15)Detroit Institute of Arts(02/06/15–05/17/15)

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A portrayal of the unique and vibrant city of Calcutta, shown in an intriguing array of captivating and visually arresting photographs Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. There she has devoted her perceptive vision to picturing layers of history, culture, religion, and class as they appear in private heritage homes and public markets, in lively street festivals, and in the faces of city dwellers in Calcutta (also known as Kolkata). This exquisitely produced book features a selection of McPhee’s works made in and around India’s former capital. Here we glimpse courtyards, living spaces, temples, and altars as both vestiges of the past and elements of contemporary urban existence. McPhee’s images sensitively penetrate the surface to show the blurred boundaries between social classes, the blending of public and private life, and the resonance between India and other parts of the world. Also included are a foreword by Amitav Ghosh on the historical divisions inherent in the city’s culture and on the nature of McPhee’s work, and an essay by art historian Romita Ray on the ways McPhee captures and distills the remnants of colonial Calcutta in her photographs of the contemporary city.

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The first available textbook on the rapidly growing and increasingly important field of government analytics This first textbook on the increasingly important field of government analytics provides invaluable knowledge and training for students of government in the synthesis, interpretation, and communication of “big data,” which is now an integral part of governance and policy making. Integrating all the major components of this rapidly growing field, this invaluable text explores the intricate relationship of data analytics to governance while providing innovative strategies for the retrieval and management of information.

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The first comprehensive guide to Elizabethan ideas about the mind What is the mind? How does it relate to the body and soul? These questions were as perplexing for the Elizabethans as they are for us today—although their answers were often startlingly different. Shakespeare and his contemporaries believed the mind was governed by the humours and passions, and was susceptible to the Devil’s interference. In this insightful and wide-ranging account, Helen Hackett explores the intricacies of Elizabethan ideas about the mind. This was a period of turbulence and transition, as persistent medieval theories competed with revived classical ideas and emerging scientific developments. Drawing on a wealth of sources, Hackett sheds new light on works by Shakespeare, Marlowe, Sidney, and Spenser, demonstrating how ideas about the mind shaped new literary and theatrical forms. Looking at their conflicted attitudes to imagination, dreams, and melancholy, Hackett examines how Elizabethans perceived the mind, soul, and self, and how their ideas compare with our own.

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British Royal Navy Captain James Cook’s voyages of exploration across and around the Pacific Ocean were a marvel of maritime achievement, and provided the first accurate map of the Pacific. The expeditions answered key scientific, economic, and geographic questions, and inspired some of the most influential images of the Pacific made by Europeans. Now readers can immerse themselves in the adventure through the collections of London’s National Maritime Museum, which illuminate every aspect of the voyages: oil paintings of lush landscapes, scientific and navigational instruments, ship plans, globes, charts and maps, rare books and manuscripts, coins and medals, ethnographic material, and personal effects. Each artifact holds a story that sheds light on Captain Cook, the crews he commanded, and the effort’s impact on world history. Showcasing one of the richest resources of Cook-related material in the world, this publication invites readers to engage with the extraordinary voyages—manifested in material culture—and their continuing significance today. Published in association with the National Maritime Museum, Greenwich, LondonExhibition Schedule:National Maritime Museum, Greenwich, London (Permanent Gallery, opens fall 2018)

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A compact and accessible edition of Hume’s political and moral writings with essays by a distinguished set of contributors A key figure of the Scottish Enlightenment, David Hume was a major influence on thinkers ranging from Kant and Schopenhauer to Einstein and Popper, and his writings continue to be deeply relevant today. With four essays by leading Hume scholars exploring his complex intellectual legacy, this volume presents an overview of Hume’s moral, political, and social philosophy. Editors Angela Coventry and Andrew Valls bring together a selection of writings from Hume’s most important works, with contributors placing them in their appropriate context and offering a lively discourse on the relevance of Hume’s thought to contemporary subjects like reason’s dependence on emotion and the importance of social convention in political and economic behavior. Perfect for classroom use, this volume is an invaluable companion for anyone studying an important thinker who advanced the development of moral philosophy, economics, cognitive science, and many other fields of the Western tradition.

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The first book length-work on Afa Ajura and translation of his complete poems This is the first English translation of and commentary on the collected poems of Alhaj Yūsuf Ṣāliḥ Ajura (1910–2004), a northern Ghanaian orthodox Islamic scholar, poet, and polemicist known as Afa Ajura, or “scholar from Ejura.” The poems, all handwritten in Arabic script, mainly in the Ghanaian language of Dagbani and also Arabic, explore the author’s socio‑religious beliefs. In the accompanying introduction, the translator examines the diverse themes of the poems and how they challenge Tijāniyyah Sufi clerics and traditional practices such as idol worship.

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This is the essential companion to the architecture of Cambridgeshire, fully revised for the first time in sixty years and featuring superb new photography. Half of the book is devoted to the famous university city, with its astonishingly rich and varied inheritance of college buildings including striking post-war additions. A combination of boldness and innovation may be found at Ely Cathedral, one of the greatest achievements of English medieval design. By comparison, the rest of the county remains surprisingly little known. Its largely unspoiled landscapes vary from the northern flat fen country to the rolling chalk uplands of the south and east; its architecture encompasses rewarding village churches, distinctive vernacular building in timber, stone, and brick, the former monastic sites at Denny and Anglesey, and the magnificent aristocratic seat of Wimpole Hall.

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A celebrated novelist and an acclaimed historian of ideas, father and daughter, unravel the chain of words at the core of Jewish life, history, and culture Why are words so important to so many Jews? Novelist Amos Oz and historian Fania Oz-Salzberger roam the gamut of Jewish history to explain the integral relationship of Jews and words. Through a blend of storytelling and scholarship, conversation and argument, father and daughter tell the tales behind Judaism’s most enduring names, adages, disputes, texts, and quips. These words, they argue, compose the chain connecting Abraham with the Jews of every subsequent generation. Framing the discussion within such topics as continuity, women, timelessness, and individualism, Oz and Oz-Salzberger deftly engage Jewish personalities across the ages, from the unnamed, possibly female author of the Song of Songs through obscure Talmudists to contemporary writers. They suggest that Jewish continuity, even Jewish uniqueness, depends not on central places, monuments, heroic personalities, or rituals but rather on written words and an ongoing debate between the generations. Full of learning, lyricism, and humor, Jews and Words offers an extraordinary tour of the words at the heart of Jewish culture and extends a hand to the reader, any reader, to join the conversation.

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Can anything prevent China surpassing the United States and becoming the world’s superpower? While dozens of recent books and articles have predicted the near-certainty of China’s rise to global supremacy, this book boldly counters such widely-held assumptions. Timothy Beardson brings to light the daunting array of challenges that today confront China, as well as the inadequacy of the policy responses. Threats to China come on many fronts, Beardson shows, and by their number and sheer weight these problems will thwart any ambition to become the world’s “Number One power.” Drawing on extensive research and experience living and working in Asia over the last 35 years, the author spells out China’s situation: an inexorable demographic future of a shrinking labor force, relentless aging, extreme gender disparity, and even a falling population. Also, the nation faces social instability, a devastated environment, a predominantly low-tech economy with inadequate innovation, the absence of an effective welfare safety net, an ossified governance structure, and radical Islam lurking at the borders. Beardson’s nuanced, first-hand look at China acknowledges its historic achievements while tempering predictions of its imminent hegemony with a no-nonsense dose of reality.

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An accessible survey of the history of European overseas empires in the seventeenth and eighteenth centuries based on new scholarship In this thematic survey, Gabriel Paquette focuses on the evolution of the Spanish, Portuguese, English, French, and Dutch overseas empires in the seventeenth and eighteenth centuries. He draws on recent advances in the field to examine their development, from efficacious forms of governance to coercive violence. Beginning with a narrative overview of imperial expansion that incorporates recent critiques of older scholarly approaches, Paquette then analyzes the significance of these empires, including their political, economic, and social consequences and legacies. He makes the multifaceted history of Europe’s globe‑spanning empires in this crucial period accessible to new readers.

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Celebrating the fortieth anniversary of this seminal book, this new edition includes an illuminating foreword by Carlos Eire and Ronald K. Rittges The seeds of the swift and sweeping religious movement that reshaped European thought in the 1500s were sown in the late Middle Ages. In this book, Steven Ozment traces the growth and dissemination of dissenting intellectual trends through three centuries to their explosive burgeoning in the Reformations—both Protestant and Catholic—of the sixteenth century. He elucidates with great clarity the complex philosophical and theological issues that inspired antagonistic schools, traditions, and movements from Aquinas to Calvin. This masterly synthesis of the intellectual and religious history of the period illuminates the impact of late medieval ideas on early modern society. With a new foreword by Carlos Eire and Ronald K. Rittgers, this modern classic is ripe for rediscovery by a new generation of students and scholars.

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In the cold winter months that followed Franklin Roosevelt’s election in November 1940 to an unprecedented third term in the White House, he confronted a worldwide military and moral catastrophe. Almost all the European democracies had fallen under the ruthless onslaught of the Nazi army and air force. Great Britain stood alone, a fragile bastion between Germany and American immersion in war. In the Pacific world, Japan had extended its tentacles deeper into China. Susan Dunn dramatically brings to life the most vital and transformational period of Roosevelt’s presidency: the hundred days between December 1940 and March 1941, when he mobilized American industry, mustered the American people, initiated the crucial programs and approved the strategic plans for America’s leadership in World War II. As the nation began its transition into the preeminent military, industrial, and moral power on the planet, FDR laid out the stunning blueprint not only for war but for the American Century.

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An exuberant history of American dance, told through the lives of virtuoso performers who have defined the art The history of American dance reflects the nation’s tangled culture. Dancers from wildly different backgrounds learned, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Using the stories of tapper Bill "Bojangles" Robinson, Ginger Rogers and Fred Astaire, ballet and Broadway choreographer Agnes de Mille, choreographer Paul Taylor, and Michael Jackson, Megan Pugh shows how freedom—that nebulous, contested American ideal—emerges as a genre-defining aesthetic. In Pugh’s account, ballerinas mingle with slumming thrill-seekers, and hoedowns show up on elite opera house stages. Steps invented by slaves on antebellum plantations captivate the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the issues of race and class that haunt everyday life shadow American dance as well. Deftly narrated, America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement.

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Language proficiency emerges not solely as mastery of discrete skills, but also through one’s ability to express ideas fully in a variety of cultural contexts. This innovative French‑language textbook employs a holistic approach that integrates listening, reading, writing, and conversation—placing communication at the heart of the learning experience. It provides intermediate‑level students with the interpretive tools necessary for literary and cultural studies. There are interactions with a variety of texts and media, including short stories, poems, essays, images, and podcasts.

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From one of America’s most distinguished constitutional scholars, an intriguing exploration of America’s most famous political tract and its relevance to today’s politics In An Argument Open to All, renowned legal scholar Sanford Levinson takes a novel approach to what is perhaps America’s most famous political tract. Rather than concern himself with the authors as historical figures, or how The Federalist helps us understand the original intent of the framers of the Constitution, Levinson examines each essay for the political wisdom it can offer us today. In eighty-five short essays, each keyed to a different essay in The Federalist, he considers such questions as whether present generations can rethink their constitutional arrangements; how much effort we should exert to preserve America’s traditional culture; and whether The Federalist’s arguments even suggest the desirability of world government.

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Published in its entirety for the first time, a candid conversation with Susan Sontag at the height of her brilliant career“A humanizing interview with the late cultural icon, who was often perceived as a fiercely aggressive and polarizing intellect.”—Kirkus Reviews Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1978 Jonathan Cott, a founding contributing editor of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. Only a third of their twelve hours of discussion ever made it to print. Published more than three decades later, this book provides the entire transcript of Sontag’s remarkable conversation, accompanied by Cott’s preface and recollections. Sontag’s musings and observations reveal the passionate engagement and breadth of her critical intelligence and curiosities at a moment when she was at the peak of her powers. Nearly a decade after her death, these hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist." “I really believe in history, and that’s something people don’t believe in anymore. I know that what we do and think is a historical creation. . . .We were given a vocabulary that came into existence at a particular moment. So when I go to a Patti Smith concert, I enjoy, participate, appreciate, and am tuned in better because I’ve read Nietzsche.” “There’s no incompatibility between observing the world and being tuned into this electronic, multimedia, multi-tracked, McLuhanite world and enjoying what can be enjoyed. I love rock and roll. Rock and roll changed my life. . . .You know, to tell you the truth, I think rock and roll is the reason I got divorced. I think it was Bill Haley and the Comets and Chuck Berry that made me decide that I had to get a divorce and leave the academic world and start a new life.”

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This advanced level course book teaches stylistic variations of modern French grammar using examples from films and interviews as well as other authentic texts. Written entirely in French, it focuses on the most difficult grammar points and their usage, rather than on their formation. Variations stylistiques includes an abundance of oral and written exercises that are practical, relevant, creative, and fun, encouraging students to use the grammar in meaningful contexts. By highlighting the many linguistic variants employed by native speakers, Dansereau provides an engaging alternative to traditional French grammar textbooks. An ancillary Web site features quizzes and other valuable resources for instructors.

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In his lifetime Robert Southey was very much the equal of his fellow “Lake poets,” Coleridge and Wordsworth, but since his death his reputation has been overshadowed by their success. In this new biography W. A. Speck argues that if Southey's poetry is no longer considered as significant, his other writings were more salient and his political views far more influential than those of his fellow poets. He was, as Byron conceded, England's “only existing entire man of letters.”The book engages with Southey's voluminous publications, weaving discussion of them into the narrative of his life. Speck also explores Southey's entire correspondence, not only that which appeared in the editions edited by his descendants, and finds a man of considerably greater emotional complexity than previously assumed. The first fully rounded chronicle of Southey's life in sixty years, Speck's account sets Southey in historical context and restores him to the map of English literature.

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This account of the final years of Britain's long war against Revolutionary and Napoleonic France places the conflict in a new—and wholly modern—perspective. Rory Muir looks beyond the purely military aspects of the struggle to show how the entire British nation played a part in the victory. His book provides a total assessment of how politicians, the press, the crown, civilians, soldiers, and commanders together defeated France. Beginning in 1807 when all of continental Europe was under Napoleon's sway, the author traces the course of the war through the Spanish uprising of 1808, the campaigns of the Duke of Wellington and Sir John Moore in Portugal and Spain, and the crossing of the Pyrenees by the British army, to the invasion of southern France and the defeat of Napoleon at the Battle of Waterloo. Muir sets Britain's military operations on the Iberian Peninsula within the context of the wider European conflict, and he examines how diplomatic, financial, military, and political considerations combined to shape policy and priorities. Just as political factors influenced strategic military decisions, Muir contends, fluctuations of the war affected British political decisions. The book is based on a comprehensive investigation of primary and secondary sources, and on a thorough examination of the vast archives left by the Duke of Wellington. Muir offers vivid new insights on the personalities of Canning, Castlereagh, Perceval, Lord Wellesley, Wellington, and the Prince Regent, along with fresh information on the financial background of Britain's campaign. This vigorous narrative account will appeal to general readers and enthusiasts of the Napoleonic era, as well as academics with an interest in early nineteenth-century British political or military history.

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A special edition of the international bestseller that is “sumptuously illustrated. . . . Perfect for reading to alert and curious children, but it’s even better as a secret pleasure, read alone, with no children in sight.” (Philip Kennicott, Washington Post) E. H. Gombrich’s A Little History of the World, an engaging and lively book written for readers both young and old, vividly brings the full span of human experience on Earth to life, from the stone age to the atomic age. Gombrich’s text paints a colorful picture of wars and conquests; of grand works of art; of the advances and limitations of science; of remarkable people and remarkable events. But Gombrich was, first and foremost, the best-known art historian of his time; his beloved Little History suggests illustrations on every page. Featuring more than two hundred illustrations—most in color—this beautiful edition incorporates a wide range of images, showing us the earliest cave paintings, the classic sculptures of the ancient Greeks, beautiful Islamic calligraphy, oil portraits of the mighty through the ages, and much more. With a high-grade design, fine paper, and classic binding, this enhanced edition will have an important place on family bookshelves for many years to come.

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From small timber-framed houses to sprawling manors, this comprehensive guide to west Suffolk presents an impressive range of buildings from across the centuries. At its center lies the town of Bury St. Edmunds, site of one of Norman England’s most powerful abbeys, whose monolithic gates remain as a local landmark. Other towns boast impressive architecture as well, including Newmarket, where the racetrack and other unique structures support its role as a historic and international center for horse breeding and racing. Also attesting to the remarkable variation of west Suffolk’s buildings are a number of impressively grand residences, such as the fine Elizabethan manors of Long Melford, Majarajah Duleep Singh’s palace at Elveden, and the extraordinary circular mansion of Ickworth.

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The American realist artist John Sloan (1871–1951) is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn, and George Luks. Sloan’s artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career—at newspapers like the Philadelphia Press and later for mass-market magazines—and which he pursued even after he turned his focus to painting. In John Sloan: Drawing on Illustration, Michael Lobel explores the impact of Sloan’s illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism.

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A fresh translation of quaestiones from the Summa theologiae of Thomas Aquinas, edited by Robert Miner. This volume provides direct access to the medieval theologian’s deepest thinking about the supreme goal of human life—blessedness—and the virtue most intimately related to this goal—charity. The edition also contains Aquinas’s treatment of charity’s effects—love, joy, peace, and mercy—and the vices opposed to them, such as hatred, envy, and war. Featuring five supplementary essays by noted Aquinas scholars, the volume will enable readers to engage more thoroughly with the thought of Thomas Aquinas.

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A thrilling new biography of Pyotr Ilyich Tchaikovskycomposer of some of the world's most popular orchestral and theatrical music

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Shortlisted for the Wolfson History Prize 2018 This book is the first to offer a full account of the varied contributions of German Jews to Imperial Germany’s endeavors during the Great War. Historian Tim Grady examines the efforts of the 100,000 Jewish soldiers who served in the German military (12,000 of whom died), as well as the various activities Jewish communities supported at home, such as raising funds for the war effort and securing vital food supplies. However, Grady’s research goes much deeper: he shows that German Jews were never at the periphery of Germany’s warfare, but were in fact heavily involved. The author finds that many German Jews were committed to the same brutal and destructive war that other Germans endorsed, and he discusses how the conflict was in many ways lived by both groups alike. What none could have foreseen was the dangerous legacy they created together, a legacy that enabled Hitler’s rise to power and planted the seeds of the Holocaust to come.

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A much-needed practical guide, particularly suited for readers with engineering or science backgrounds, that provides the financial decision-making skills needed in the business world​ For engineers with little or no business background this book provides the financial decision-making skills necessary for a management career. Based on materials used by students in a Masters of Engineering and Management program at Case Western Reserve University and informed by both classroom and industry experience, this essential guide can be used in courses or independent study. The chapters introduce and integrate key concepts relevant to basic management, accounting, and finance that will enhance the critical thinking and confidence necessary for success as a chief technology officer or in any business career.

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This beautifully illustrated catalogue showcases 126 Spanish and Portuguese artworks from the 17th and 18th centuries, all highlights from the dazzling collection of Roberta and Richard Huber. Featuring works in a variety of mediums and from far-flung places, including paintings, silver, and furniture from South America and sculptures in ivory from the Spanish Philippines and from Portuguese territories in India.Distinguished experts shed light on these significant objects, many of which have not been previously published and which illustrate the unparalleled artistic exchanges between and within these colonial empires. The Andean painters Melchor Pérez Holguín (1660–1732) and Gaspar Miguel de Berrío (c. 1706–c. 1762) inventively interpreted European iconographies, while similar adaptations took place in Asia, where native craftsmen, carved Christian images in ivory. These works traveled along the trade routes connecting Europe to Asia and the Americas, thus influencing the development of a new visual culture.Published in association with the Philadelphia Museum of ArtExhibition Schedule:Philadelphia Museum of Art(02/16/13–05/19/13)

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Painting in Latin America, 1550–1820: From Conquest to Independence surveys the diverse styles, subjects, and iconography of painting in Latin America between the 16th and 19th centuries. While European art forms were widely disseminated, copied, and adapted throughout Latin America, colonial painting is not a derivative extension of Europe. The ongoing debate over what to call it—mestizo, hybrid, creole, indo-hispanic, tequitqui—testifies to a fundamental yet unresolved question of identity. Comparing and contrasting the Viceroyalties of New Spain, with its center in modern-day Mexico, and Peru, the authors explore the very different ways the two regions responded to the influence of the Europeans and their art. A wide range of art and artists are considered, some for the first time. Rich with new photography and primary research, this book delivers a wealth of new insight into the history of images and the history of art. Published in association with Ediciones El Viso

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A beautiful book that argues artists were fascinated by still life painting considerably earlier than previously thought This eloquent and generously illustrated book asserts that artists were fascinated by and extremely skilled at still life significantly earlier than previously thought. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work. Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist’s career. Featured works include radiant paintings from Renaissance greats such as Da Vinci, Dürer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barthélemy d’Eyck and Ortolano.

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From a Pulitzer Prize–winning historian, a riveting account of the great expeditions of Antarctica's Heroic Age that restores their status as grand scientific enterprises Published to coincide with the centenary of the first expeditions to reach the South Pole, An Empire of Ice presents a fascinating new take on Antarctic exploration. Retold with added information, it's the first book to place the famed voyages of Norwegian explorer Roald Amundsen, his British rivals Robert Scott and Ernest Shackleton, and others in a larger scientific, social, and geopolitical context.Efficient, well prepared, and focused solely on the goal of getting to his destination and back, Amundsen has earned his place in history as the first to reach the South Pole. Scott, meanwhile, has been reduced in the public mind to a dashing incompetent who stands for little more than relentless perseverance in the face of inevitable defeat. An Empire of Ice offers a new perspective on the Antarctic expeditions of the early twentieth century by looking at the British efforts for what they actually were: massive scientific enterprises in which reaching the South Pole was but a spectacular sideshow. By focusing on the larger purpose, Edward Larson deepens our appreciation of the explorers' achievements, shares little-known stories, and shows what the Heroic Age of Antarctic discovery was really about.

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In this beautifully illustrated volume, published in celebration of the Renwick Gallery's fortieth anniversary, author Nicholas Bell highlights forty artists (all under the age of forty) actively engaged in creating objects that are transforming contemporary craft. 40 Under 40 investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as sculpture, industrial design, installation art, fashion, and sustainable manufacturing. Viewing craft's heritage as a set of flexible tools rather than a rigid structure, Bell shows how this exciting group of young artists has produced work that not only breaks boundaries, but also uses an expanded conceptual framework, establishing craft's important role in the world of contemporary art and culture today.Distributed for the Smithsonian American Art MuseumExhibition Schedule:Smithsonian American Art Museum(07/20/12–02/3/13)

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A chilling biography of the head of Nazi Germany’s terror apparatus, Reinhard Heydrich—a key player in the Third Reich whose full story has never before been told“Gerwarth dispassionately examines Heydrich’s rise and assassination, which resulted in a horrific series of Nazi reprisals in Czechoslovakia. The best account of Heydrich.”—Jacob Heilbrunn, The Daily Beast “Meticulously takes us inside the Third Reich, . . . revealing as few texts do how the bureaucracy of evil worked.”—Kirkus Reviews Reinhard Heydrich is widely recognized as one of the great iconic villains of the twentieth century, an appalling figure even within the context of the Nazi leadership. Chief of the Nazi Criminal Police, the SS Security Service, and the Gestapo, ruthless overlord of Nazi-occupied Bohemia and Moravia, and leading planner of the "Final Solution," Heydrich played a central role in Hitler's Germany. He shouldered a major share of responsibility for some of the worst Nazi atrocities, and up to his assassination in Prague in 1942, he was widely seen as one of the most dangerous men in Nazi Germany. Yet Heydrich has received remarkably modest attention in the extensive literature of the Third Reich.Robert Gerwarth weaves together little-known stories of Heydrich's private life with his deeds as head of the Nazi Reich Security Main Office. Fully exploring Heydrich's progression from a privileged middle-class youth to a rapacious mass murderer, Gerwarth sheds new light on the complexity of Heydrich's adult character, his motivations, the incremental steps that led to unimaginable atrocities, and the consequences of his murderous efforts toward re-creating the entire ethnic makeup of Europe.

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How a popular religious war erupted on the Dutch-German border, despite the ideals of religious tolerance proclaimed by the Enlightenment In a remote village on the Dutch-German border, a young Catholic woman named Cunegonde tries to kidnap a baby to prevent it from being baptized in a Protestant church. When she is arrested, fellow Catholics stage an armed raid to free her from detention. These dramatic events of 1762 triggered a cycle of violence, starting a kind of religious war in the village and its surrounding region. Contradicting our current understanding, this war erupted at the height of the Age of Enlightenment, famous for its religious toleration. Cunegonde’s Kidnapping tells in vivid detail the story of this hitherto unknown conflict. Drawing characters, scenes, and dialogue straight from a body of exceptional primary sources, it is the first microhistorical study of religious conflict and toleration in early modern Europe. In it, award-winning historian Benjamin J. Kaplan explores the dilemmas of interfaith marriage and the special character of religious life in a borderland, where religious dissenters enjoy unique freedoms. He also challenges assumptions about the impact of Enlightenment thought and suggests that, on a popular level, some parts of eighteenth-century Europe may not have witnessed a “rise of toleration.”

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Frederick Douglass’s only work of fiction—an imaginative retelling of the most successful slave revolt in American history—accompanied by an interpretive introduction, notes, and a selection of related writings by Douglass and others First published nearly a decade prior to the Civil War, The Heroic Slave is the only fictional work by abolitionist, orator, author, and social reformer Frederick Douglass, himself a former slave. It is inspired by the true story of Madison Washington, who, along with eighteen others, took control of the slave ship Creole in November 1841 and sailed it to Nassau in the British colony of the Bahamas, where they could live free. This new critical edition, ideal for classroom use, includes the full text of Douglass’s fictional recounting of the most successful slave revolt in American history, as well as an interpretive introduction; excerpts from Douglass’s correspondence, speeches, and editorials; short selections by other writers on the Creole rebellion; and recent criticism on the novella.

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