Search results for ""yale university press""

The East Sussex volume of The Buildings of England covers an area ranging from the High Weald in the north of the county to the massive ridge of the South Downs and the resort towns and ancient ports of the coast. Its coastal resorts are particularly distinguished, none more so than Brighton and Hove, where John Nash’s oriental Pavilion for the Prince Regent sets the tone. Elsewhere castles at Camber, Bodiam and fortified town walls at Rye and Winchelsea attest to its military past and Battle Abbey to its medieval endowments. The towns and villages are especially rich in timber-framed, brick and tile houses for which the county is famous. The twentieth century makes its mark in the exhilarating De La Warr Pavilion at Bexhill, and the uncompromising forms of the 1960s University of Sussex campus.

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A celebration of the American painter's life and work in the region he loved best In 1883 American artist Winslow Homer (1836–1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new American modernism, inspiring the artists who followed him.This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subject of so many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings.Published in association with the Portland Museum of ArtExhibition Schedule:Portland Museum of Art(09/22/12-12/30/12)

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The offering of gifts is a practice nearly as ancient and widespread as human culture itself. At courts throughout the Islamic world, the exchange of lavish gifts and endowments intimately linked art with diplomacy and royal ambitions, religion, and personal relationships.This beautifully illustrated book explores the complex interplay between artistic production and gift-based patronage by discussing works of great aesthetic refinement that were either commissioned or repurposed as gifts. By tracing the unique histories of certain artworks, the author reveals how the exchange of luxury objects was central to the circulation, emulation, and assimilation of artistic forms both within and beyond the Islamic world. The catalogue features seventy illustrations of artworks from the 8th to the 20th century. These include some of the most beautiful and least-known objects from the Islamic world, such as jewelry, armor and weaponry, enormous and ornate carpets, and illustrated copies of the Qur'an.Distributed for the Museum of Islamic Art, Doha, in association with the Los Angeles County Museum of ArtExhibition Schedule:Museum of Islamic Art, Doha(03/19/12-06/02/12)

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Around 1515, Raphael (1483-1520) designed a set of tapestries for Leo X, the first Medici pope. Each was sumptuously woven in gold, silver, and silk, and depicted scenes from classical mythology with inventive grotesques. Now lost, these spectacular, grand-scale textiles are reconstructed in Raphael’s Tapestries and set among a series of unprecedented decorative projects that Pope Leo commissioned from the artist. Likely produced by the Brussels weaver Pieter van Aelst, the tapestries pioneered a new all’antica style analogous with contemporary painted and sculpted interior programs. Tapestries played a central role at Leo’s court, as spectacle and as propaganda, and the Grotesques of Leo X would inform tapestry design for the next three centuries. Their beauty and complexity rivaled those of contemporary painting, and their luxurious materials made them highly prized. With this new study, the Grotesques take their rightful place as Renaissance masterworks and as documents of the fervent humanist culture of early 16th-century Rome.

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From Yale's English Monarchs series, the most authoritative picture yet of King Stephen"King has written a masterpiece that reveals how a medieval political community can both consume and then reconstitute itself and offers readers a king emblematic of his truncated, troubled age."—Choice King Stephen's reign (1135–1154), with its “nineteen long winters” of civil war, made his name synonymous with failed leadership. After years of work on the sources, Edmund King shows with rare clarity the strengths and weaknesses of the monarch. Keeping Stephen at the forefront of his account, the author also chronicles the activities of key family members and associates whose loyal support sustained Stephen’s kingship. In 1135 the popular Stephen was elected king against the claims of the empress Matilda and her sons. But by 1153, Stephen had lost control over Normandy and other important regions, England had lost prestige, and the weakened king was forced to cede his family’s right to succession. A rich narrative covering the drama of a tumultuous reign, this book focuses well-deserved attention on a king who lost control of his destiny.

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Who ought to govern? Why should I obey the law? How should conflict be controlled? What is the proper education for a citizen and a statesman? These questions probe some of the deepest and most enduring problems that every society confronts, regardless of time and place. Today we ask the same crucial questions about law, authority, justice, and freedom that Plato, Aristotle, Machiavelli, Hobbes, Locke, Rousseau, and Tocqueville faced in previous centuries. In this lively and enlightening book, Professor Steven B. Smith introduces the wide terrain of political philosophy through the classic texts of the discipline. Works by the greatest thinkers illuminate the permanent problems of political life, Smith shows, and while we may not accept all their conclusions, it would be a mistake to overlook the relevance of their insights.

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There is one thing we can be sure of: we are all going to die. But once we accept that fact, the questions begin. In this thought-provoking book, philosophy professor Shelly Kagan examines the myriad questions that arise when we confront the meaning of mortality. Do we have reason to believe in the existence of immortal souls? Or should we accept an account according to which people are just material objects, nothing more? Can we make sense of the idea of surviving the death of one’s body? If I won’t exist after I die, can death truly be bad for me? Would immortality be desirable? Is fear of death appropriate? Is suicide ever justified? How should I live in the face of death?Written in an informal and conversational style, this stimulating and provocative book challenges many widely held views about death, as it invites the reader to take a fresh look at one of the central features of the human condition—the fact that we will die.

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Novelist, poet, playwright, and short story writer Joaquim Maria Machado de Assis (1839–1908) is widely regarded as Brazil’s greatest writer, although his work is still too little read outside his native country. In this first comprehensive English-language examination of Machado since Helen Caldwell’s seminal 1970 study, K. David Jackson reveals Machado de Assis as an important world author, one of the inventors of literary modernism whose writings profoundly influenced some of the most celebrated authors of the twentieth century, including José Saramago, Carlos Fuentes, and Donald Barthelme. Jackson introduces a hitherto unknown Machado de Assis to readers, illuminating the remarkable life, work, and legacy of the genius whom Susan Sontag called “the greatest writer ever produced in Latin America” and whom Allen Ginsberg hailed as “another Kafka.” Philip Roth has said of him that “like Beckett, he is ironic about suffering.” And Harold Bloom has remarked of Machado that “he’s funny as hell.”

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From the prizewinning Jewish Lives series, an insightful study of the inner life of David Ben-Gurion, the Zionist leader responsible for the creation of the state of Israel"The most intimate yet unflinching portrait to date. . . . Shapira may be the last truly qualified person to unpack some of the mysteries of Israel’s George Washington."—Ilene Prusher, New York Times Book Review"Keenly observed . . . Shed(s) light on the inner life of the man whom fellow Zionist leader Berl Katznelson called 'history’s gift to the Jewish people.'"—Liel Leibovitz, Wall Street Journal David Ben-Gurion cast a great shadow during his lifetime, and his legacy continues to be sharply debated to this day. There have been many books written about the life and accomplishments of the Zionist icon and founder of modern Israel, but this new biography by eminent Israeli historian Anita Shapira strives to get to the core of the complex man who would become the face of the new Jewish nation. Shapira tells the Ben-Gurion story anew, focusing especially on the period after 1948, during the first years of statehood. As a result of her extensive research and singular access to Ben-Gurion’s personal archives, the author provides fascinating and original insights into his personal qualities and those that defined his political leadership. As Shapira writes, “Ben-Gurion liked to argue that history is made by the masses, not individuals. But just as Lenin brought the Bolshevik Revolution into the world and Churchill delivered a fighting Britain, so with Ben-Gurion and the Jewish state. He knew how to create and exploit the circumstances that made its birth possible.” Shapira’s portrait reveals the flesh-and-blood man who more than anyone else realized the Israeli state. About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: "Excellent" –New York Times "Exemplary" –Wall St. Journal "Distinguished" –New Yorker "Superb" –The Guardian

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In her performances, videos, and installations, Sharon Hayes (b. 1970) explores the nexus between politics, history, speech, and desire. Her works modify or appropriate the language and tools of political dissent, creating unexpected affinities between important historical events and the present. Highlighted in this volume is the video installation Symbionese Liberation Army (SLA) Screeds #13, 16, 20 & 29 (2003)—a work in which Hayes memorized the famous taped speeches by Patty Hearst and her kidnappers, the leftist radical group the Symbionese Liberation Army, and then reads them to an audience who corrects her mistakes. It is in these slippages between memory and history that the meaning of Hayes's work resides. This book also includes a group of new site-specific works that addresses the Whitney's role in the historic development of process-based, performative art and its engagement with politics that took place in the late 1960s and early 1970s.This book serves as document of Hayes’s thinking process, featuring original contributions from Hayes and some two-dozen other writers, artists, and activists, which provide insight into the motivations and development of her projects. The catalogue includes images carefully selected by the artist—photographs, vinyl LP covers, fliers, images of Hayes’s own work—and a short text response by each of the contributors. Contributors include: Dennis Adams, Lauren Berlant, Saramina Berman, Claire Bishop, Juli Carson, Kabir Carter, Christhian Diaz, Saeed Taji Farouky, Malik Gaines, Andrea Geyer, Leah Gilliam, Michela Griffo, Sharon Hayes, Holly Hughes, Chrissie Iles, Iman Issa, Hans Kuzmich, Cristobal Lehyt, Ralph Lemon, Brooke O’Harra, Jenni Olson, Dean Spade, Lynne Tillman, What, How & For Whom/WHW, Craig Willse.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art(06/21/12–09/09/12)

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A fresh exploration of the category Jewish Christianity, from its invention in the Enlightenment to contemporary debates For hundreds of years, historians have been asking fundamental questions about the separation of Christianity from Judaism in antiquity. Matt Jackson-McCabe argues provocatively that the concept “Jewish Christianity,” which has been central to scholarly reconstructions, represents an enduring legacy of Christian apologetics. Freethinkers of the English Enlightenment created this category as a means of isolating a distinctly Christian religion from what otherwise appeared to be the Jewish culture of Jesus and the apostles. Tracing the development of this patently modern concept of a Jewish Christianity from its origins to early twenty-first-century scholarship, Jackson-McCabe shows how a category that began as a way to reimagine the apologetic notion of an authoritative “original Christianity” continues to cause problems in the contemporary study of Jewish and Christian antiquity. He draws on promising new approaches to Christianity and Judaism as socially constructed terms of identity to argue that historians would do better to leave the concept of Jewish Christianity behind.

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In recent decades archaeological discoveries across northern China have brought to light unexpected and significant works of extraordinary beauty. These artifacts express the dynamic changes taking place in this region from the fifth to eleventh century, helping to redefine our understanding of ancient Chinese cultures.Unearthed showcases recently excavated artifacts from Shanxi and Gansu provinces, many of which have never been exhibited outside China. These objects range from fantastical tomb guardian-beasts, to luxury goods reflecting the lucrative "Silk Road" trade, to objects designed for religious or ritual purposes, to a magnificent stone sarcophagus in the shape of a traditional Chinese house. Detailed essays discuss tradition and innovation in Chinese art; China's interactions with the outside world through trade and invasion; artistic techniques and styles; and cultural traditions. The acquisition of the artifacts is contextualized within the major developments in Chinese archaeology over the past hundred years, with particular attention to the intense periods after 1950 and its status today.Distributed for the Sterling and Francine Clark Art InstituteExhibition Schedule:Sterling and Francine Clark Art Institute(06/16/12–10/21/12)

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A study of the fast-growing Victorian suburbs as places of connection, creativity, and professional advance, especially for women Literature has, from the start of the nineteenth century, cast the suburbs as dull, vulgar, and unimaginative margins where, by definition, nothing important takes place. Sarah Bilston argues that such attitudes were forged to undermine the cultural authority of the emerging middle class and to reinforce patriarchy by trivializing women’s work. Resisting these stereotypes, Bilston reveals that suburban life offered ambitious women, especially writers, access to supportive communities and opportunities for literary and artistic experimentation as well as professional advancement. Bilston interprets both familiar figures (sensation novelist Mary Elizabeth Braddon) and less well-known writers (including interior design journalist Jane Ellen Panton and garden writer Jane Loudon) to reveal how women and society at large navigated a fast‑growing, rapidly changing landscape. Far from being a cultural dead end, the new suburbs promised women access to the exciting opportunities of modernity.

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A new translation and commentary on the book of Amos, forgoing speculation about his life to provide an innovative analysis of the book itself As part of the Hebrew Bible, the Book of Amos has been studied for more than two thousand years. This much-needed new edition includes an updated English translation of the Hebrew text and an insightful commentary. While previous scholarship speculated on reconstructions of the life of Amos, Eidevall analyzes this prophetic book as a literary composition, rejecting the conventional view of the book of Amos’s origin and providing a new rationalization for the form and meaning of the text.

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An acclaimed scholar provides the most comprehensive examination available of the Islamic scientific tradition and its relationship to religion and philosophy In this wide-ranging and masterful work, Ahmad Dallal examines the significance of scientific knowledge and situates the culture of science in relation to other cultural forces in Muslim societies. He traces the ways in which the realms of scientific knowledge and religious authority were delineated historically. The realization of a discrepancy between tradition and science often led to demolition and rebuilding and, most important, to questioning whether scientific knowledge should take precedence over religious authority in a matter where their realms clearly overlap.Dallal frames his inquiry around three concerns: What cultural forces provided the conditions for debate over the primacy of religion or science? How did these debates emerge? And how were they sustained? His primary objectives are to study science in Muslim societies within its larger cultural context and to trace the epistemological distinctions between science and philosophy, on the one hand, and science and religion, on the other. He looks at religious and scientific texts and situates them in the contexts of religion, philosophy, and science. Finally, Dallal describes the relationship negotiated in the classical (medieval) period between the religious, scientific, and philosophical systems of knowledge that is central to the Islamic scientific tradition and shows how this relationship has changed radically in modern times.

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A grand and fascinating figure in Victorian politics, the charismatic Lord Palmerston (1784–1865) served as foreign secretary for fifteen years and prime minister for nine, engaged in struggles with everyone from the Duke of Wellington to Lord John Russell to Queen Victoria and Prince Albert, engineered the defeat of the Russians in the Crimean War, and played a major role in the development of liberalism and the Liberal Party. This comprehensive biography, informed by unprecedented research in the statesman’s personal archives, gives full weight not only to Palmerston’s foreign policy achievements, but also to his domestic political activity, political thought, life as a landlord, and private life and affairs. Through the lens of the milieu of his times, the book pinpoints for the first time the nature and extent of Palmerston’s contributions to the making of modern Britain.

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A major reassessment of a critical moment in the work of one of the 20th century’s most important artists The works that Henri Matisse (1869–1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artist’s oeuvre, or as singular responses to Cubism or World War I, Matisse: Radical Invention, 1913–1917 reveals the deep connections among them and their critical role in an ambitious, cohesive project that took the act of creation itself as its main focus.This book represents the first sustained examination of Matisse’s output from this important period, revealing fascinating information about his working method, experimental techniques, and compositional choices uncovered through extensive new historical, technical, and scientific research. The lavishly illustrated volume is published to accompany a major exhibition consisting of approximately 125 paintings, sculptures, drawings, and prints. It features in-depth studies of individual works such as Bathers by a River and The Moroccans, which Matisse himself counted as among the most pivotal of his career, and facilitates a greater understanding of the artist’s innovative process and radical stylistic evolution.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (March 20 – June 6, 2010)Museum of Modern Art, New York (July 18 – October 11, 2010)

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A radical new perspective on the dynamics of urban life in Renaissance Italy The cities of Renaissance Italy comprised a network of forces shaping both the urban landscape and those who inhabited it. In this illuminating study, those complex relations are laid bare and explored through the lens of contemporary urban theory, providing new insights into the various urban centers of Italy’s transition toward modernity. The book underscores how the design and structure of public space during this transformative period were intended to exercise a certain measure of authority over its citizens, citing the impact of architecture and street layout on everyday social practices. The ensuing chapters demonstrate how the character of public space became increasingly determined by the habits of its residents, for whom the streets served as the backdrop of their daily activities. Highlighting major hubs such as Rome, Florence, and Bologna, as well as other lesser-known settings, Street Life in Renaissance Italy offers a new look at this remarkable era.

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A collection of writings showcasing Stanley Tigerman's indispensable contributions to architectural thought and culture Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural practice. Since 1964 Tigerman has made an indelible mark on his hometown and on cities across the globe, with projects ranging from the Five Polytechnic Institutes in Bangladesh to the Holocaust Memorial Foundation Museum in Skokie, Illinois. This collection of essays, most previously unpublished, spans the course of Tigerman's career. Included are writings on the history of Chicago architecture, architectural theory, and commentary on contemporaries. Tigerman's engaging words, at times humorous and humble, at times biting and cantankerous, will captivate students and scholars as well as the general reader.Published in association with the Yale School of Architecture

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“Best in Show” — 2014 AAM Museum Publications Design Competition Between 1950 and 1975, some of the postwar era’s most innovative artists flocked to a very unexpected place: New Jersey. Appreciating what others tended to ignore or mock, they gravitated to the state’s most desolate peripheries: its industrial wastescapes, crumbling cities, crowded highways, and banal suburbs. There they produced some of the most important work of their careers. The breakthroughs in land, conceptual, performance, and site-specific art that New Jersey helped catalyze are the subject of New Jersey as Non-Site, whose title evokes the mixed-media sculptures that Robert Smithson began to create in 1968 while driving the state’s highways with Nancy Holt. This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Allan Kaprow, Gordon Matta-Clark, and George Segal. Organized around three themes—ruin, cooperation, and displacement—Kelly Baum’s essay considers their work in relationship to seismic shifts in the world of art and equally dramatic changes to New Jersey’s economy, infrastructure, landscape, demography, and social stability.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum(10/05/13–01/04/14)

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A new look at the legacy of WWI, a war fought for peace yet followed by a century of devastating violence “The war to end all wars” rings out a bitter mockery of the First World War, often viewed as the seminal catastrophe of the twentieth century, the crucible from which Soviet, Fascist, and Nazi dictatorships emerged. Today’s conventional wisdom is that the Great War attuned the world to large-scale slaughter, that post-war efforts directed by the Treaty at Versailles were botched, that unbridled new nationalisms made the Second World War inevitable. This provocative book refutes such interpretations, arguing instead that the first two decades of the twentieth century—and the First World War in particular—played an essential part in the construction of a peaceful new order on a global scale. Historian William Mulligan takes an entirely fresh look at the aspirations of statesmen, soldiers, intellectuals, and civilians who participated in the war and at the new ideas about peace that were forged. While the hope for ultimate peace may have legitimized and even intensified the violence of the war, it also broadened conventional ideas about international politics and led to the emergence of such institutions as the League of Nations and the International Labour Organization. The experience of the First World War reinforced humanitarian concerns in political life and focused attention on building a better and more peaceful world order, Mulligan shows. Such issues resonate still in the political and diplomatic debates of today.

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An intimate and exhilarating journey through the world of books by the internationally celebrated author In this major collection of his essays, Alberto Manguel, whom George Steiner has called “the Casanova of reading,” argues that the activity of reading, in its broadest sense, defines our species. “We come into the world intent on finding narrative in everything,” writes Manguel, “landscape, the skies, the faces of others, the images and words that our species create.” Reading our own lives and those of others, reading the societies we live in and those that lie beyond our borders, reading the worlds that lie between the covers of a book are the essence of A Reader on Reading.The thirty-nine essays in this volume explore the crafts of reading and writing, the identity granted to us by literature, the far-reaching shadow of Jorge Luis Borges, to whom Manguel read as a young man, and the links between politics and books and between books and our bodies. The powers of censorship and intellectual curiosity, the art of translation, and those “numinous memory palaces we call libraries” also figure in this remarkable collection. For Manguel and his readers, words, in spite of everything, lend coherence to the world and offer us “a few safe places, as real as paper and as bracing as ink,” to grant us room and board in our passage.

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The Swami Vivekananda's speech to the World's Parliament of Religions in Chicago in 1893 is the centerpiece of Indian artist Jitish Kallat's new work, Public Notice 3. The installation went on view at the Art Institute of Chicago on September 11, 2010, exactly 108 years after Vivekananda delivered his groundbreaking address calling for an end to "bigotry and fanaticism." The text of the speech appears on the risers of the Art Institute of Chicago's Grand Staircase where it is illuminated in the five colors—red, orange, yellow, blue, and green—designated by the United States Homeland Security Advisory System to signify threat levels. This companion book, which documents the installation, is the first full-scale exploration of Kallat's work published by a North American institution. Along with an interview with the artist, essays contextualize Public Notice 3 within the space of the installation and evaluate Kallat's oeuvre within an international context.Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago(09/11/10-09/11/11)

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From “the man on whom nothing was lost,” a unique guide to the elements of statecraft, presented through spirited interpretations of classic literary works “The international world of states and their modern system is a literary realm,” writes Charles Hill in this powerful work on the practice of international relations. “It is where the greatest issues of the human condition are played out.”A distinguished lifelong diplomat and educator, Hill aims to revive the ancient tradition of statecraft as practiced by humane and broadly educated men and women. Through lucid and compelling discussions of classic literary works from Homer to Rushdie, Grand Strategies represents a merger of literature and international relations, inspired by the conviction that “a grand strategist . . . needs to be immersed in classic texts from Sun Tzu to Thucydides to George Kennan, to gain real-world experience through internships in the realms of statecraft, and to bring this learning and experience to bear on contemporary issues.”This fascinating and engaging introduction to the basic concepts of the international order not only defines what it is to build a civil society through diplomacy, justice, and lawful governance but also describes how these ideas emerge from and reflect human nature.

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Now in paperback, in the tradition of E. H. Gombrich's A Little History of the World, a lively journey through the story of language With a language disappearing every two weeks and neologisms springing up almost daily, an understanding of the origins and currency of language has never seemed more relevant. In this charming volume, a narrative history written explicitly for a young audience, expert linguist David Crystal proves why the story of language deserves retelling.From the first words of an infant to the peculiar modern dialect of text messaging, A Little Book of Language ranges widely, revealing language’s myriad intricacies and quirks. In animated fashion, Crystal sheds light on the development of unique linguistic styles, the origins of obscure accents, and the search for the first written word. He discusses the plight of endangered languages, as well as successful cases of linguistic revitalization. Much more than a history, Crystal’s work looks forward to the future of language, exploring the effect of technology on our day-to-day reading, writing, and speech. Through enlightening tables, diagrams, and quizzes, as well as Crystal’s avuncular and entertaining style, A Little Book of Language will reveal the story of language to be a captivating tale for all ages.

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A stunning celebration of the architect’s residential masterpieces Louis Kahn (1901–1974), one of the most important architects of the postwar period, is widely admired for his great monumental works, including the Kimbell Art Museum, the Salk Institute, and the National Assembly Complex in Bangladesh. However, the importance of his houses has been largely overlooked. This beautiful book is the first to look at Kahn’s nine major private houses. Beginning with his earliest encounters with Modernism in the late 1920s and continuing through his iconic work of the 1960s and 1970s, the authors trace the evolution of the architect’s thinking, which began and matured through his design of houses and their interiors, a process inspired by his interactions with clients and his admiration for vernacular building traditions.Richly illustrated with new and period photographs and original drawings, as well as previously unpublished materials from personal interviews, archives, and Kahn’s own writings, The Houses of Louis Kahn shows how his ideas about domestic spaces challenged conventions, much like his major public commissions, and were developed into one of the most remarkable expressions of the American house.

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The religious buildings of the Jewish community in Britain have never been explored in print. Lavishly illustrated with previously unpublished images and photographs taken specially by English Heritage, this book traces the architecture of the synagogue in Britain and Ireland from its discreet Georgian- and Regency-era beginnings to the golden age of the grand "cathedral synagogues" of the High Victorian period. Sharman Kadish sheds light on obscure and sometimes underappreciated architects who designed synagogues for all types of worshipers--from Orthodox and Reform congregations to Yiddish-speaking immigrants in the 1900s. She examines the relationship between architectural style and minority identity in British society and looks at design issues in the contemporary synagogue.Published for the Paul Mellon Centre for Studies in British Art

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A comprehensive guide to the buildings of Cheshire in all their variety, from Pennine villages to coastal plains and seaside resorts. Chester, the regional capital and cathedral city, is famous for its Roman walls and black-and-white timber architecture, its noble Neoclassical monuments, and its unique medieval shopping 'rows' with their upper walkways. But Cheshire is also a major industrial county, with spectacular and internationally significant mills and canal structures. Specialist settlements include the famous railway borough of Crewe, the salt towns of Nantwich, Northwich and Middlewich, and Lord Leverhulme's celebrated garden suburb at Port Sunlight.

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Fragile, gritty, and vital to an extraordinary degree, St. Petersburg is one of the world’s most alluring cities—a place in which the past is at once ubiquitous and inescapably controversial. Yet outsiders are far more familiar with the city’s pre-1917 and Second World War history than with its recent past. In this beautifully illustrated and highly original book, Catriona Kelly shows how creative engagement with the past has always been fundamental to St. Petersburg’s residents. Weaving together oral history, personal observation, literary and artistic texts, journalism, and archival materials, she traces the at times paradoxical feelings of anxiety and pride that were inspired by living in the city, both when it was socialist Leningrad, and now. Ranging from rubbish dumps to promenades, from the city’s glamorous center to its grimy outskirts, this ambitious book offers a compelling and always unexpected panorama of an extraordinary and elusive place.

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France’s great heroine and England’s great scourge: whether a lunatic, a witch, a religious icon, or a skilled soldier and leader, Joan of Arc’s contemporaries found her as extraordinary and fascinating as the legends that abound about her today. But her life has been so endlessly cast and recast that we have lost sight of the remarkable girl at the heart of it—a teenaged peasant girl who, after claiming to hear voices, convinced the French king to let her lead a disheartened army into battle. In the process she changed the course of European history. In The Virgin Warrior, Larissa Juliet Taylor paints a vivid portrait of Joan as a self-confident, charismatic and supremely determined figure, whose sheer force of will electrified those around her and struck terror into the hearts of the English soldiers and leaders. The drama of Joan’s life is set against a world where visions and witchcraft were real, where saints could appear to peasants, battles and sieges decided the fate of kingdoms and rigged trials could result in burning at the stake. Yet in her short life, Joan emboldened the French soldiers and villagers with her strength and resolve. A difficult, inflexible leader, she defied her accusers and enemies to the end. From her early years to the myths and fantasies that have swelled since her death, Taylor teases out a nuanced and engaging story of the truly irresistible "ordinary" girl who rescued France.

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This new and moving translation of the Brahma's Net Sutra also includes translations of ancillary materials not previously available. Translated and introduced by the well-known teacher and author Martine Batchelor, this should become a classic for all those who aspire to the compassion of the Buddha. "The Buddha gave clear instructions about how a boddhisattva should preserve and nurture the altruistic aspiration to enlightenment that are contained in the scriptures of the various Mahayana traditions. The Boddhisattva Precepts found in the Brahma's Net Sutra of the Chinese and Korean traditions have laid the foundation of an ethical way of life and the essential ground to a life of compassion for many Buddhists in East Asia since ancient times. We live in an era in which I believe it is extremely important to foster harmony and respect among all religious traditions. Therefore, I believe it is significant that such a seminal text be made more widely in an English translation and I congratulate the translator, the International Sacred Literature Trust and AltaMira Press for making this book, The Path of Compassion, available. Readers, whether or not they are Buddhist, will find that these precepts encourage us, in a very practical way, to protect life in all its forms and work towards a more peaceful and understanding world; goals that we all can admire." —from the foreword by H. H. The Dalai Lama

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A renowned historian eludes the pitfalls of partisanship and tackles one of the world’s most perplexing and divisive issues “What is so striking about Morris’s work as a historian is that it does not flatter anyone’s prejudices, least of all his own,” David Remnick remarked in a New Yorker article that coincided with the publication of Benny Morris’s 1948: A History of the First Arab-Israeli War. With the same commitment to objectivity that has consistently characterized his approach, Morris now turns his attention to the present-day legacy of the events of 1948 and the concrete options for the future of Palestine and Israel. The book scrutinizes the history of the goals of the Palestinian national movement and the Zionist movement, then considers the various one- and two-state proposals made by different streams within the two movements. It also looks at the willingness or unwillingness of each movement to find an accommodation based on compromise. Morris assesses the viability and practicality of proposed solutions in the light of complicated and acrimonious realities. Throughout his groundbreaking career, Morris has reshaped understanding of the Israeli-Arab conflict. Here, once again, he arrives at a new way of thinking about the discord, injecting a ray of hope in a region where it is most sorely needed.

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Set at the beginning of the nineteenth century, when idleness was still looked upon by Russia’s serf-owning rural gentry as a plausible and worthy goal, Ivan Goncharov’s Oblomov follows the travails of an unlikely hero, a young aristocrat incapable of making a decision. Indolent, inattentive, incurious, given to daydreaming and procrastination, Oblomov clearly predates the ideal of the industrious modern man, yet he is impossible not to admire through Goncharov’s masterful prose. Translator Marian Schwartz breathes new life into this Russian masterpiece in this, the first translation from the generally recognized definitive edition of the original, as well the first to attempt to replicate in English Goncharov’s wry humor and all-embracing humanity. Replete with ingenious social satire and cutting criticism of nineteenth-century Russian society, this edition of Oblomov will introduce new readers to the novel that Leo Tolstoy praised as “a truly great work, the likes of which one has not seen for a long, long time.”

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Welcome to Encounters, a groundbreaking Chinese language program that features a dramatic series filmed entirely in China. The program’s highly communicative approach immerses learners in the Chinese language and culture through video episodes that directly correspond to units in the combination textbook-workbook. By combining a compelling story line with a wealth of educational materials, Encounters weaves a tapestry of Chinese language and culture rich in teaching and learning opportunities.Encounters follows a carefully structured and cumulative approach. Students progress from listening and speaking to the more difficult skills of reading and writing Chinese characters, building grammar, vocabulary, and pronunciation skills along the way.The Encounters program includes:• Two Full-color Student Books for introductory Chinese study • Annotated Instructor’s Editions with answer keys and suggested class activities • Two Character Writing Workbooks linked directly to the Student Book • Ten hours of video materials, comprising dramatic episodes, cultural segments, and animations, all integrated with the Student Books • A total of 200 minutes of audio material, linked to the Student Books, for listening and speaking practice • A website, www.encounterschinese.com, providing access to all audiovisual material of the program upon adoptionEach new, print copy of a Student Book comes with a 10-digit access code which provides one year of complimentary access to the website and its media. Students who purchase an eBook, or who are looking to extend their access to the website material, must buy a new access code. These codes are available at http://yalebooks.com/yupbooks/encounters.asp.

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The foundational text for the acclaimed international best seller Reading Lolita in Tehran“Empathetic, incisive. . . . A sweeping overview of Nabokov's major works. . . . Graceful [and] discerning.”—Kirkus Reviews The ruler of a totalitarian state seeks validation from a former schoolmate, now the nation’s foremost thinker, in order to access a cultural cache alien to his regime. A literary critic provides commentary on an unfinished poem that both foretells the poet’s death and announces the critic’s secret identity as the king of a lost country. The greatest of Vladimir Nabokov’s enchanters—Humbert—is lost within the antithesis of a fairy story, in which Lolita does not hold the key to his past but rather imprisons him within the knowledge of his distance from that past. In this precursor to her international best seller Reading Lolita in Tehran, Azar Nafisi deftly explores the worlds apparently lost to Nabokov’s characters, their portals of access to those worlds, and how other worlds hold a mirror to Nabokov’s experiences of physical, linguistic, and recollective exile. Written before Nafisi left the Islamic Republic of Iran, and now published in English for the first time and with a new introduction by the author, this book evokes the reader’s quintessential journey of discovery and reveals what caused Nabokov to distinctively shape and reshape that journey for the author.

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Treating the symptoms of global ecological stress isn’t enough; we need to think about sustainability in an entirely different light The developed world, increasingly aware of “inconvenient truths” about global warming and sustainability, is turning its attention to possible remedies—eco-efficiency, sustainable development, and corporate social responsibility, among others. But such measures are mere Band-Aids, and they may actually do more harm than good, says John Ehrenfeld, a pioneer in the field of industrial ecology. In this deeply considered book, Ehrenfeld challenges conventional understandings of “solving” environmental problems and offers a radically new set of strategies to attain sustainability.The book is founded upon this new definition: sustainability is the possibility that humans and other life will flourish on Earth forever. There are obstacles to this hopeful vision, however, and overcoming them will require us to transform our behavior, both individually and collectively. Ehrenfeld identifies problematic cultural attributes—such as the unending consumption that characterizes modern life—and outlines practical steps toward developing sustainability as a mindset. By focusing on the “being” mode of human existence rather than on the unsustainable “having” mode we cling to now, he asserts, a sustainable world is within our reach.

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A new and fascinating perspective on the earliest phases of European exploration across the Atlantic Ocean The first landings in the Atlantic World generated striking and terrifying impressions of unknown peoples who were entirely foreign to anything in European explorers’ experience. From the first recorded encounters with the native inhabitants of the Canary Islands in 1341 to Columbus's explorations in 1492 and Cabral's discovery of Brazil in 1500, western Europeans struggled to make sense of the existence of the peoples they met. Were they Adam's children, of a common lineage with the peoples of the Old World, or were they a separate creation, the monstrous races of medieval legend? Should they govern themselves? Did they have the right to be free? Did they know God? Could they know God?Emphasizing contact between peoples rather than the discovery of lands, and using archaeological findings as well as eyewitness accounts, David Abulafia explores the social lives of the New World inhabitants, the motivations and tensions of the first transactions with Europeans, and the swift transmutation of wonder to vicious exploitation. Lucid, readable, and scrupulously researched, this is a work of humane engagement with a period in which a tragically violent standard was set for European conquest across the world.

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Commemorating the 400th anniversary of Henry Hudson’s voyage and the lasting legacy of Dutch culture in New York, this book explores the life and times of a fascinating woman, her family, and her things. Margrieta was born in the Netherlands but lived at the extremes of the Dutch colonial world, in Malacca on the Malay Peninsula and in Flatbush, Brooklyn. When she came to New York in 1686 with her husband and set up a shop, she brought an astonishing array of Eastern goods, many of which were documented in an inventory made after her death in 1695. Extensive archival research has enabled a collaborative team to reconstruct her story and establish the depth of her connection to Dutch trading establishments in Asia. This is a groundbreaking contribution to the histories of New York City, the Dutch overseas empire, women, and material culture. Exhibition Schedule:Bard Graduate Center, New York, 9/17/09 – 1/3/10)

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This stunning volume represents a major photo-historical discovery: it is the first book on Homer Page (1918–1985), a brilliant but overlooked photographer active in the late 1940s and 50s. It focuses on his previously unpublished photographs of New York taken while a Guggenheim Fellow from 1949 to 1950. First recognized by Ansel Adams in 1944, California-born Page exhibited in a major show of young artists at the Museum of Modern Art, New York, in 1946. Four years later, he was invited to participate in MoMA’s seminal photography symposium, alongside 10 other prominent photographers, including Walker Evans, Irving Penn, and Aaron Siskind. In photographs that echo those of Walker Evans, Dorothea Lange, and Robert Frank, Page uniquely synthesized documentary and artistic concerns. His work as a Guggenheim Fellow––which depicts pedestrians in motion, friends and family members conversing, commuters, children playing, political rallies and protests, and isolated figures resting and watching––offers a fascinating look at New York during the late 1940s and represents the culmination of Page’s most important work. The Photographs of Homer Page features a plate section of these compelling and often poignant images together with texts by the artist, a bibliography, and an essay by noted scholar Keith F. Davis examining Page’s life and career––including his connections with Lange, Nancy and Beaumont Newhall, and Edouard Steichen. Distributed for The Nelson-Atkins Museum of ArtExhibition Schedule:The Nelson-Atkins Museum of Art (February 14–June 7, 2009)

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As featured on the cover of Tikkun magazine How do we articulate a religious vision that embraces evolution and human authorship of Scripture? Drawing on the Jewish mystical traditions of Kabbalah and Hasidism, path-breaking Jewish scholar Arthur Green argues that a neomystical perspective can help us to reframe these realities, so they may yet be viewed as dwelling places of the sacred. In doing so, he rethinks such concepts as God, the origins and meaning of existence, human nature, and revelation to construct a new Judaism for the twenty-first century.

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American Moderns on Paper presents a selection of approximately 100 of the finest watercolors, pastels, and drawings by leading American modernists from the Wadsworth Atheneum’s renowned collection of American art. Works by Sloan, O’Keeffe, Hopper, Marin, Dalí, and Wyeth, among many others, serve as notable examples of the various styles and subjects pursued by artists in America from 1910 to 1960. The catalogue entries are accompanied by artist biographies. Organized chronologically, and generously illustrated throughout, the catalogue is introduced by two essays exploring the historical significance of the collection and the importance to American modernists of working on paper, rather than canvas. Providing a rich history of the collection, the volume illuminates not only its historic roots, but also the concurrent national evolution of interest in watercolor and drawings.Published in association with the Wadsworth Atheneum Museum of ArtExhibition Schedule:Amon Carter Museum, Fort Worth, TX (2/27/10–5/30/10)Portland Museum of Art, Portland, ME (6/22/10–9/12/10)Wadsworth Atheneum Museum of Art, Hartford, CT (10/2/10–1/2/11)

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In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. The rich textures of that sound continue today, emanating from beneath the sidewalk grating, to anonymously reach an individual’s ears as if one has stumbled upon a secret. Known as Times Square, the celebrated installation was restored in 2002 with support from Dia Art Foundation, which further commissioned a site-specific piece, Time Piece Beacon, from Neuhaus in 2006 for its museum in Beacon, New York. This stunning book—the only volume in print dedicated solely to the work of Neuhaus—takes these two projects as a point of departure from which to consider the singular impact this artist has had in establishing sound as a medium in contemporary art. An interview with Neuhaus is complemented with essays by multidisciplinary scholars who investigate and situate his work within a historical context. Distributed for Dia Art Foundation

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From the author of Lakota America, an award-winning history of the rise and decline of the vast and imposing Comanche empire “Cutting-edge revisionist western history.”—Larry McMurtry, New York Review of Books “A landmark study that will make readers see the history of southwestern America in an entirely new way.”—David J. Weber, author of Bárbaros In the eighteenth and early nineteenth centuries, a Native American empire rose to dominate the fiercely contested lands of the American Southwest, the southern Great Plains, and northern Mexico. This powerful empire, built by the Comanche Indians, eclipsed its various European rivals in military prowess, political prestige, economic power, commercial reach, and cultural influence. Yet until now the Comanche empire has gone unrecognized in American history. This compelling and original book uncovers the lost story of the Comanches. It is a story that challenges the idea of Indigenous peoples as victims of European expansion and offers a new model for the history of colonial expansion, colonial frontiers, and Native-European relations in North America and elsewhere. Pekka Hämäläinen shows in vivid detail how the Comanches built their unique empire and resisted European colonization, and why they fell to defeat in 1875. With extensive knowledge and deep insight, the author brings into clear relief the Comanches’ remarkable impact on the trajectory of history.

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The first major study of one of the most important architects of the postwar era Equally admired and maligned for his remarkable Brutalist buildings, Paul Rudolph (1918–1997) shaped both late modernist architecture and a generation of architects while chairing Yale’s department of architecture from 1958 to 1965. Based on extensive archival research and unpublished materials, The ArchitectureofPaul Rudolph is the first in-depth study of the architect, neglected since his postwar zenith. Author Timothy M. Rohan unearths the ideas that informed Rudolph’s architecture, from his Florida beach houses of the 1940s to his concrete buildings of the 1960s to his lesser-known East Asian skyscrapers of the 1990s. Situating Rudolph within the architectural discourse of his day, Rohan shows how Rudolph countered the perceived monotony of mid-century modernism with a dramatically expressive architecture for postwar America, exemplified by his Yale Art and Architecture Building of 1963, famously clad in corrugated concrete. The fascinating story of Rudolph’s spectacular rise and fall considerably deepens longstanding conceptions about postwar architecture: Rudolph emerges as a pivotal figure who anticipated new directions for architecture, ranging from postmodernism to sustainability.

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The first single-volume history of Reformed Protestantism from its sixteenth-century origins to the present This briskly told history of Reformed Protestantism takes these churches through their entire 500-year history—from sixteenth-century Zurich and Geneva to modern locations as far flung as Seoul and São Paulo. D. G. Hart explores specifically the social and political developments that enabled Calvinism to establish a global presence. Hart’s approach features significant episodes in the institutional history of Calvinism that are responsible for its contemporary profile. He traces the political and religious circumstances that first created space for Reformed churches in Europe and later contributed to Calvinism’s expansion around the world. He discusses the effects of the American and French Revolutions on ecclesiastical establishments as well as nineteenth- and twentieth-century communions, particularly in Scotland, the Netherlands, the United States, and Germany, that directly challenged church dependence on the state. Raising important questions about secularization, religious freedom, privatization of faith, and the place of religion in public life, this book will appeal not only to readers with interests in the history of religion but also in the role of religion in political and social life today.

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In the first terrifying hours of the London Blitz, when the skies rained bombs from hundreds of German planes, the British people were galvanized and the nation’s future was changed On September 7, 1940, the long-feared and anticipated attack by the German Luftwaffe plunged London into a cauldron of fire and devastation. This compelling book recreates that day in all its horror, using rich archival sources and first-hand accounts, many never before published. Eminent historian Peter Stansky weaves together the stories of people who recorded their experiences of the opening hours of the Blitz. Then, exploring more deeply, the author examines what that critical day meant to the nation at the time, and what it came to mean in following years. Much of the future of Britain was determined in the first twelve hours of bombing, Stansky contends. The Blitz set in motion a range of responses that contributed to ultimate victory over Germany and to a transformation of British society. The wave of terror, though designed to quash morale, instead inspired stoicism, courage, and a new camaraderie. The tragic London bombing can reveal much of relevance to our own violent times, Stansky concludes: both the effectiveness of modern terror and its ultimate failure are made powerfully clear by the events of September 7, 1940.

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The genre of Rajput painting flourished between the 16th and 19th centuries in the kingdoms that ruled what is now the Indian state of Rajasthan (place of rajas). Rajput paintings depicted the nobility and court spectacle as well as scenes from Krishna’s life, the Hindu epics, and court poetry. Many Rajput kingdoms developed distinct styles, though they shared common conventions. This important book surveys the overall tradition of Indian Rajput painting, while developing new methods to ask unprecedented questions about meaning. Through a series of in-depth studies, Aitken shows how traditional formal devices served as vital components of narrative meaning, expressions of social unity, and rich sources of intellectual play. Supported by beautiful full-color illustrations of rare and often inaccessible paintings, Aitken’s study spans five centuries, providing a comprehensive and innovative look at the Rajasthan’s court painting traditions and their continued relevance to contemporary art.

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