Search results for ""yale university press""

A fresh and engaging look at the groundbreaking work of contemporary artist Mona Hatoum The work of London-based artist Mona Hatoum (b. 1952) addresses the growing unease of an ever-expanding world that is as technologically networked as it is fractured by war and exile. Best known for sculptures that transform domestic objects such as kitchen utensils or cribs into things strange and threatening, Hatoum conducts multilayered investigations of the body, politics, and gender that express a powerful and pervasive sense of precariousness. Her works are never simple and often elicit conflicting emotions, such as fascination and fear, desire and revulsion. This copiously illustrated presentation of Hatoum’s oeuvre offers critical and art historical essays by Michelle White and Anna C. Chave and imaginative texts by Rebecca Solnit and Adania Shibli, which contextualize the artist’s work and its relationship to Surrealism, Minimalism, feminism, and politics. With extensive discussions on a selection of significant sculptures and installations, some of which are previously unpublished, Mona Hatoum: Terra Infirma provides an insightful look at one of the most exciting and influential artists working today.Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (10/13/17–02/25/18)Pulitzer Arts Foundation, St. Louis (04/06/18–08/11/18)

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When the inscription “Made by Nathan Lumbard Apl 20th 1800” was found in the late 1980s on a chest of drawers, the identity of an unknown craftsman suddenly surfaced. Crafting Excellence introduces the striking achievements of cabinetmaker Nathan Lumbard (1777−1847) and a small group of craftsmen associated with him. Working initially in the village of Sturbridge, Massachusetts, these artisans fashioned an array of objects that rank among the most colorful and creative of Federal America. Recent scholarship has revealed Lumbard’s connection with the cabinetmaker Oliver Wight, from whom he likely learned his trade and gained an understanding of neoclassicism. Careful study of objects linked to Lumbard, Wight, and nearby artisans has produced a framework for identifying their work. The discovery of Lumbard’s name three decades ago led the authors on a pioneering journey, culminating in this handsome volume, an insightful contribution to American furniture history. Distributed for the Winterthur Museum, Garden & Library

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The first volume of a world-renowned scholar’s long-awaited Qur’an commentary, now available in English Angelika Neuwirth’s six-volume commentary, published originally in Germany, offers a historical and philological analysis of the form, structure, and semantic message of each of the 114 Qur’anic suras. It brings together the fruits of the past hundred years of modern scholarship and provides access to the aesthetic, theological, linguistic, and semantic background required to appreciate the unique novelty, force, and historical position of the Qur’an. Contextualizing the Qur’anic message in the broader world of late antiquity, it bridges the gaps between the inner-Islamic scholarly world and the academy. Skillfully translated by Samuel Wilder, this first volume focuses on the Meccan suras, the earliest and often the most aesthetically striking and compelling part of the corpus of Qur’anic proclamations.

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Published in association with the Royal Academy of Arts, London Animated by an unprecedented study of its collections, this book tells the story of the Royal Academy of Arts, London, and illuminates the history of art in Britain over the past two and a half centuries. Thousands of paintings, sculptures, drawings, and engravings, as well as silver, furniture, medals, and historic photographs, make up this monumental collection, featured here in stunning illustrations, and including an array of little-studied works of art and other objects of the highest quality. The works of art complement an archive of 600,000 documents and the first library in Britain dedicated to the fine arts. This fresh history reveals the central role of the Royal Academy in British national life, especially during the 19th century. It also explores periods of turmoil in the 20th century, when the Academy sought either to defy or to come to terms with modernism, challenging linear histories and frequently held notions of progress and innovation.Published in association with the Paul Mellon Centre for Studies in British Art and Royal Academy of Arts, London

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An incisive analysis of Islamist movements in the Middle East A political, social, and cultural battle is currently raging in the Middle East. On one side are the Islamists, those who believe Islam should be the region’s primary identity. In opposition are nationalists, secularists, royal families, military establishments, and others who view Islamism as a serious threat to national security, historical identity, and a cohesive society. This provocative, vitally important work explores the development of the largest, most influential Islamic groups in the Middle East over the past century. Tarek Osman examines why political Islam managed to win successive elections and how Islamist groups in various nations have responded after ascending to power. He dissects the alliances that have formed among Islamist factions and against them, addressing the important issues of Islamism’s compatibility with modernity, with the region’s experiences in the twentieth century, and its impact on social contracts and minorities. He explains what Salafism means, its evolution, and connections to jihadist groups in the Middle East. Osman speculates on what the Islamists’ prospects for the future will mean for the region and the rest of the world.

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Once you accept that the impossible is really possible, what happens in Russia makes perfect sense “A few pages into David Satter’s truly terrifying book, one realizes that his title is smack-on accurate: modern Russia is a frightening member of the world community to an extent of which most persons are blissfully unaware.”—Joseph C. Goulden, Washington Times “Satter . . . persuasively supplies evidence for his claim that a series of residential bombings in 1999 were part of an elaborate conspiracy orchestrated by Vladimir Putin, who used them as a smoke screen to invade Chechnya and catapult himself to the presidency.”—Publisher’s Weekly In December 2013, David Satter became the first American journalist to be expelled from Russia since the Cold War. The Moscow Times said it was not surprising he was expelled, “it was surprising it took so long.” Satter is known in Russia for having written that the apartment bombings in 1999, which were blamed on Chechens and brought Putin to power, were actually carried out by the Russian FSB security police. In this book, Satter tells the story of the apartment bombings and how Boris Yeltsin presided over the criminalization of Russia, why Vladimir Putin was chosen as his successor, and how Putin has suppressed all opposition while retaining the appearance of a pluralist state. As the threat represented by Russia becomes increasingly clear, Satter’s description of where Russia is and how it got there will be of vital interest to anyone concerned about the dangers facing the world today.

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Covering 13.8 billion years in some 100 pages, a calculatedly concise, wryly intelligent history of everything, from the Big Bang to the advent of human civilization With wonder, wit, and flair—and in record time and space—geophysicist David Bercovici explains how everything came to be everywhere, from the creation of stars and galaxies to the formation of Earth’s atmosphere and oceans, to the origin of life and human civilization. Bercovici marries humor and legitimate scientific intrigue, rocketing readers across nearly fourteen billion years and making connections between the essential theories that give us our current understanding of topics as varied as particle physics, plate tectonics, and photosynthesis. Bercovici’s unique literary endeavor is a treasure trove of real, compelling science and fascinating history, providing both science lovers and complete neophytes with an unforgettable introduction to the fields of cosmology, geology, genetics, climate science, human evolution, and more.

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The diverse and beautiful art of Qajar Iran (1779–1925) has long been understudied and underappreciated. This insightful publication reassesses Qajar art, particularly its four principal mediums—lacquer, painting and drawing on paper, lithography, and photography—and their intertwined development. The Qajar era saw the rise of new technologies and the incorporation of mass-produced items imported from Europe, Russia, and India. These cultural changes sparked a shift in the Iranian art world, as artists produced printed and photographic images and also used these widely disseminated mediums as sources for their paintings on paper and in lacquer. Technologies of the Image illustrates dozens of Qajar works, including sketches and designs from Harvard’s extraordinary album of artists’ drawings, photographs by Ali Khan Vali, and stunning Persian lacquer from private collections. The book considers Qajar art as the product of a rapidly changing art world in which images moved across and between media, highlighting objects that span contexts of production and patronage, from royal to sub-royal. Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums (08/26/17–01/07/18)

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On the African continent, images of mothers and children are found wherever the visual arts are, from early rock-art sites in Egypt and the Sahara to the contemporary arts of South Africa. Discovered in a variety of materials, from stone, ivory, and metals to beadwork, wood, and even paintings, images of maternity enliven virtually every type of object made in the region. Defining maternity as a biological and cultural phenomenon, the author goes beyond obvious notions of fertility to consider the importance of maternity in thought, ritual action, and worldview. Maternity images of all eras evoke deep and significant messages – well beyond what meets the eye. Distributed for Mercatorfonds

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An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet’s Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic “other.” Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet’s reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane “New Negro” portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet’s and Matisse’s depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices. Featuring over 175 illustrations and profiles of several models, Posing Modernity illuminates long-obscured figures and proposes that a history of modernism cannot be complete until it examines the vital role of the black female muse within it.Published in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New YorkExhibition Schedule:Miriam and Ira D. Wallach Art Gallery, Columbia University, New York (10/24/18–02/10/19)Musée d’Orsay (03/25/19–07/14/19)

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Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography.The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered. Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum (10/07/17–01/07/18)Davis Museum, Wellesley College (02/07/18–06/03/18)Portland Museum of Art, Maine (06/30/18–09/16/18)Cleveland Museum of Art (10/21/18–01/21/19)

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A lyrical tribute to the diversity of trees, their physical beauty, their special characteristics and uses, and their ever-evolving meanings Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols. In this beautifully illustrated volume Fiona Stafford offers intimate, detailed explorations of seventeen common trees, from ash and apple to pine, oak, cypress, and willow. The author also pays homage to particular trees, such as the fabled Ankerwyke Yew, under which Henry VIII courted Anne Boleyn, and the spectacular cherry trees of Washington, D.C. Stafford discusses practical uses of wood past and present, tree diseases and environmental threats, and trees’ potential contributions toward slowing global climate change. Brimming with unusual topics and intriguing facts, this book celebrates trees and their long, long lives as our inspiring and beloved natural companions.

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The essential five-volume resource on the painting and sculpture of one of the world’s foremost contemporary artists For more than 60 years, Jasper Johns (b. 1930) has remained a singular figure in contemporary art. His most widely influential work—depictions of everyday objects and signs such as flags, targets, flashlights, and lightbulbs—helped change the face of the art world in the 1950s by introducing subject matter that stood in contrast to the prevailing style of Abstract Expressionism. In subsequent decades, Johns’s art has increasingly engaged issues of memory and mortality, often incorporating references to admired artistic predecessors. This definitive 5-volume catalogue raisonné documents the entire body of painting and sculpture made by Johns from 1954 through 2014, encompassing 355 paintings and 86 sculptures. Each work is illustrated with a full-page reproduction, nearly all of which were commissioned expressly for this publication. A decade of research underpins the project, with thorough documentation of each object and an overarching monograph that represents the most comprehensive study of the artist’s work to date. All facets of the catalogue reflect the input of the artist, who worked closely with the author at all stages.

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A groundbreaking, informative, and thought-provoking exploration of fur’s fashionable and controversial history The first and only book of its kind, Fur: A Sensitive History looks at the impact of fur on society, politics, and, of course, fashion. This material has a long, complex, and rich history, culminating in recent and ongoing anti-fur debates. Jonathan Faiers discusses how fur—long praised for its warmth, softness, and connotation of status—became so controversial, at the center of campaigns against animal cruelty and the movement toward ethical fashion. At the same time, fake fur now faces a backlash of its own, given the environmental impact of its manufacture and its links to fast fashion. Divided into five sections—dedicated to hair, pelt, coat, skin, and fleece—the book surveys not only the politics of fur but also its centrality to western fashion, the tactile pleasure it gives, and its use in literature, art, and film. This thoughtfully reasoned, eloquently written, and spectacularly illustrated examination of fur is both timely and essential, filling a gap in fashion scholarship and appealing to a broad audience.

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From the prizewinning Jewish Lives series, a fascinating biography of a revolutionary American artist ripe for rediscovery as a photographer and champion of other artists Alfred Stieglitz (1864–1946) was an enormously influential artist and nurturer of artists even though his accomplishments are often overshadowed by his role as Georgia O’Keeffe’s husband. This new book from celebrated biographer Phyllis Rose reconsiders Stieglitz as a revolutionary force in the history of American art. Born in New Jersey, Stieglitz at age eighteen went to study in Germany, where his father, a wool merchant and painter, insisted he would get a proper education. After returning to America, he became one of the first American photographers to achieve international fame. By the time he was sixty, he gave up photography and devoted himself to selling and promoting art. His first gallery, 291, was the first American gallery to show works by Picasso, Rodin, Matisse, and other great European modernists. His galleries were not dealerships so much as open universities, where he introduced European modern art to Americans and nurtured an appreciation of American art among American artists. About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: "Excellent" –New York Times "Exemplary" –Wall St. Journal "Distinguished" –New Yorker "Superb" –The Guardian

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A New American Sculpture, 1914–1945 is the first publication to situate the individual contributions of Gaston Lachaise, Robert Laurent, Elie Nadelman, and William Zorach into a compelling constellation of artists with shared aesthetic and social concerns. Although each European-born, American artist cultivated his own distinct style, their creative priorities were all deeply rooted in quiet composition, synthetic approaches to anatomy, and architectural unity of curves and volume. At a time when abstract forms were popular, Lachaise, Laurent, Nadelman, and Zorach were all ultimately in favor of maintaining the integrity of the human body to explore modernist styles. This handsome book underscores their unrelenting search for a novel American visual tradition at the intersection of modernism, historic visual culture, and contemporary popular imagery. Distributed for the Portland Museum of ArtExhibition Schedule:Portland Museum of Art (05/26/17–09/08/17)Memphis Brooks Museum of Art, Memphis, Tennessee (10/14/17–01/07/18)Amon Carter Museum of American Art (02/17/18–05/13/18)

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The story of the notorious Jewish gangster who ascended from impoverished beginnings to the glittering Las Vegas strip "[A] brisk-reading chronicle of Siegel’s life and crimes."—Tom Nolan, Wall Street Journal"Fast-paced and absorbing. . . . With a keen eye for the amusing, and humanizing detail, [Shnayerson] enlivens the traditional rise-and-fall narrative."—Jenna Weissman Joselit, New York Times Book Review In a brief life that led to a violent end, Benjamin “Bugsy” Siegel (1906–1947) rose from desperate poverty to ill‑gotten riches, from an early‑twentieth‑century family of Ukrainian Jewish immigrants on the Lower East Side to a kingdom of his own making in Las Vegas. In this captivating portrait, author Michael Shnayerson sets out not to absolve Bugsy Siegel but rather to understand him in all his complexity. Through the 1920s, 1930s, and most of the 1940s, Bugsy Siegel and his longtime partner in crime Meyer Lansky engaged in innumerable acts of violence. As World War II came to an end, Siegel saw the potential for a huge, elegant casino resort in the sands of Las Vegas. Jewish gangsters built nearly all of the Vegas casinos that followed. Then, one by one, they disappeared. Siegel’s story laces through a larger, generational story of eastern European Jewish immigrants in the early‑ to mid‑twentieth century.

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The best single-volume analysis of Burma, its checkered history, and its attempts to reform Burma is one of the largest countries in Southeast Asia and was once one of its richest. Under successive military regimes, however, the country eventually ended up as one of the poorest countries in Asia, a byword for repression and ethnic violence. Richard Cockett spent years in the region as a correspondent for The Economist and witnessed firsthand the vicious sectarian politics of the Burmese government, and later, also, its surprising attempts at political and social reform. Cockett’s enlightening history, from the colonial era on, explains how Burma descended into decades of civil war and authoritarian government. Taking advantage of the opening up of the country since 2011, Cockett has interviewed hundreds of former political prisoners, guerilla fighters, ministers, monks, and others to give a vivid account of life under one of the most brutal regimes in the world. In many cases, this is the first time that they have been able to tell their stories to the outside world. Cockett also explains why the regime has started to reform, and why these reforms will not go as far as many people had hoped. This is the most rounded survey to date of this volatile Asian nation.

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A revised and updated edition of a classic book that defines the field of historical ecologyPeople and the Land through Time, first published in 1997, remains the only introduction to the field of historical ecology from the perspective of ecology and ecosystem processes. Widely praised for its emphasis on the integration of historical information into scientific analyses, it will be useful to an interdisciplinary audience of students and professionals in ecology, conservation, history, archaeology, geography, and anthropology. This up-to-date second edition addresses current issues in historical ecology such as the proposed geological epoch, the Anthropocene; historical species dispersal and extinction; the impacts of past climatic fluctuations; and trends in sustainability and conservation.

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An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photography, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile—forced or voluntary—as an agent for both trauma and ingenuity. The introduction outlines the history and perception of exile in art over the past 200 years, and the book’s four sections explore its aesthetic impact through the themes of home and mobility, nostalgia, transfer and adjustment, and identity. Essays and catalogue entries in each section showcase diverse artists, including not only European ones—like Jacques-Louis David, Paul Gauguin, George Grosz, and Kurt Schwitters—but also female, African American, East Asian, Latin American, and Middle Eastern artists, such as Elizabeth Catlett, Harold Cousins, Mona Hatoum, Lotte Jacobi, An-My Lê, Matta, Ana Mendieta, Abelardo Morell, Mu Xin, and Shirin Neshat.Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery (09/01/17–12/31/17)

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Album Picabia is an inspiring, artistic chronicle of Francis Picabia’s life (1879–1953) as seen through the eyes of his last wife and creative protégée, Olga Mohler Picabia. Begun in 1936, four years before their marriage, and left unfinished in 1951, two years before Picabia’s death, the album is a collection of souvenirs, sketches, newspaper clippings, photographs, and annotations that document the artist’s public and private lives with acute affection and appreciation. This rich visual account grants us entry into one of the greatest, yet one of the least known, creative and romantic partnerships of the 20th century. Distributed for Mercatorfonds

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Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II’s daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents’ writings to relate, in an exhilarating parallel narrative, the events across every theater—Europe, Pearl Harbor, North Africa, and Japan—as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies. Moseley’s broad and intimate history draws on newly unearthed material to offer a comprehensive account both of the war and the abundance of individual stories and overlooked experiences, including those of women and African-American journalists, which capture the drama as it was lived by reporters on the front lines of history.

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This authoritative guide to the architecture of County Cork covers all sites and buildings of merit, great and small Comprehensive and easy to use, this guide covers the architectural riches of Ireland’s largest county. The many atmospheric castles and tower houses include Carrigadrohid, Lohort, and Kanturk; among later country houses, Kilshannig and Fota represent Irish Georgian architecture at its best. Coastal towns such as Kinsale and Youghal are built on Viking and Norman foundations. Many of the architectural highlights are in the city of Cork, where the Georgian streets and quays are diversified by grand neoclassical public buildings, presided over by the Gothic Revival masterpiece of St. Fin Barre’s Cathedral. The strategic importance of Cork harbor is reflected in its diverse fortifications, especially those of the Stuart, Hanoverian, and Victorian periods.

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Fully revised, updated, and expanded, this book offers a fresh and comprehensive account of the buildings of Dorset, one of England’s best-loved and most beautiful counties. With its wonderful variety of building stones, Dorset offers visual pleasures which few English counties can match. Its country houses are exceptionally rich and varied, from medieval Woodsford and Athelhampton to the late Victorian splendors of Norman Shaw’s Bryanston. Highlights among the churches include the former abbeys of Sherborne, Wimborne, and Milton. Towns include the mid-Georgian showpiece of Blandford Forum, the seaside resort of Weymouth, and ports large and small, from busy Poole to charming Lyme Regis. Featuring all new color photography, this volume is the ideal guide to one of the most architecturally rewarding regions in England.

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An engrossing biography of one of the most influential filmmakers in cinematic history"A cool, cerebral book about a cool, cerebral talent. . . . A brisk study of [Kubrick's] films, with enough of the life tucked in to add context as well as brightness and bite.”—Dwight Garner, New York Times"An engaging and well-researched primer to the work of a cinematic legend."—Library Journal Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self‑taught filmmaker and self‑proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever‑curious polymath immersed in friends and family. Drawing on interviews and new archival material, David Mikics for the first time explores the personal side of Kubrick’s films.

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Polidoro da Caravaggio (c. 1500–1543), one of Raphael’s most influential and distinctive followers, has not been well treated by time. His significant early frescoes, which graced exterior palace facades in Rome, have perished almost without exception. A rare few are preserved but most are known only in copies. Consequently, the originality of Polidoro’s public work has been little explored, despite his once famous reputation and the association of his name with Raphael and Michelangelo. His move to Sicily later in life, a region with few surviving primary sources, further complicates the study of his work. Extant pieces by the artist from this period are unusually severe in content and technique, and their attribution has often been controversial. In this first account in English, Polidoro’s radical Sicilian paintings are considered through the lens of the religious life of the era and in relation to his early secular work. This much-needed investigation establishes Polidoro’s proper place in the canon of art history.

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A history of major financial crises—and how taxpayers have been left with the bill In the 1930s, battered and humbled by the Great Depression, the U.S. financial sector struck a grand bargain with the federal government. Bankers gained a safety net in exchange for certain curbs on their freedom: transparency rules, record-keeping and antifraud measures, and fiduciary responsibilities. Despite subsequent periodic changes in these regulations, the underlying bargain played a major role in preserving the stability of the financial markets as well as the larger economy. By the free-market era of the 1980s and 90s, however, Wall Street argued that rules embodied in New Deal–era regulations to protect consumers and ultimately taxpayers were no longer needed—and government agreed. This engaging history documents the country’s financial crises, focusing on those of the 1920s, the 1980s, and the 2000s, and reveals how the two more recent crises arose from the neglect of this fundamental bargain, and how taxpayers have been left with the bill.

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From beloved storyteller and Nobel Prize winner Patrick Modiano, a masterly and gripping crime novel set in picturesque Nice on the French Riviera Stolen jewels, black markets, hired guns, crossed lovers, unregistered addresses, people gone missing, shadowy figures disappearing in crowds, newspaper stories uncomfortably close and getting closer . . . this ominous novel is Patrick Modiano’s most noirish work to date. Set in Nice—a departure from the author’s more familiar Paris—this novel evokes the bright sun and dark shadow of the Riviera. Modiano’s trademark ability to create a haunting atmosphere is here on full display: readers descend precipitously into a world of mystery, uneasiness, inevitability. A young couple in hiding keeps close watch over a notorious diamond necklace known as the Southern Cross. Its provenance is murky, its whereabouts known only to our hero and heroine, who find themselves trapped by its potential value—and its ultimate cost. Deftly Modiano reaches further and further into the past, revealing the secret histories of the two even as the pressurized present threatens to overwhelm them.

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Hans Hofmann (1880–1966) was an acclaimed Abstract Expressionist and one of the most influential art teachers of the 20th century. While his paintings have been the subject of many exhibitions and publications, his works on paper are comparatively little known, despite how central they were to his artistic practice and to the evolution of his style and technique. This is the first full-length book devoted to Hofmann’s works on paper, presenting a valuable new perspective from which to appreciate the achievements of this giant of postwar art. More than fifty examples from across his long career and from many genres—including self-portraits, figural studies, interiors, landscapes, and abstractions—are all attractively illustrated in color. In addition, works in different stages of finish, from rough sketches to polished pieces, offer an intimate glimpse into Hofmann’s methods and creative process. Distributed for MOCA JacksonvilleExhibition Schedule:Museum of Contemporary Art, Jacksonville, FL (01/28/17–05/14/17)Portland Museum of Art, Portland, ME (06/16/17–09/10/17)

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A surprising, sweeping, and deeply researched history of empathy—from late-nineteenth-century German aesthetics to mirror neurons Empathy: A History tells the fascinating and largely unknown story of the first appearance of empathy in 1908 and tracks its shifting meanings over the following century. Despite the word’s ubiquity today, few realize that it began as a translation of Einfühlung (“in-feeling”), a term in German psychological aesthetics that described how spectators projected their own feelings and movements into objects of art and nature. Remarkably, this early conception of empathy transformed into its opposite over the ensuing decades. Social scientists and clinical psychologists refashioned empathy to require the deliberate putting aside of one’s feelings to more accurately understand another’s. By the end of World War II, interpersonal empathy entered the mainstream, appearing in advice columns, popular radio and TV, and later in public forums on civil rights. Even as neuroscientists continue to map the brain correlates of empathy, its many dimensions still elude strict scientific description. This meticulously researched book uncovers empathy’s historical layers, offering a rich portrait of the tension between the reach of one’s own imagination and the realities of others’ experiences.

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The definitive biography of a radical activist and intellectual Max Eastman (1883–1969) was a prolific writer, radical, and public intellectual who helped shape the twentieth century. While researching this masterful work, acclaimed biographer Christoph Irmscher was granted unprecedented access to the Eastman family archive, allowing him to document little-known aspects of the famously handsome and charismatic radical. Considered one of the “hottest radicals” of his time, Eastman edited two of the most important modernist magazines, The Masses and The Liberator, and campaigned for women’s suffrage and world peace. A fierce critic of Joseph Stalin, Eastman befriended and translated Leon Trotsky and remained unafraid to express unpopular views, drawing criticism from both conservatives and the Left. Set against the backdrop of several decades of political and ideological turmoil, and interweaving Eastman’s singular life with stories of the fascinating people he knew and loved, this book will have broad interdisciplinary appeal in twentieth-century history and politics, intellectual history, and literary studies.

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Through a detailed look at twelve contemporary Chinese artists, this fascinating book offers a fresh assessment of the creative forces at work in a country whose economic, political, and cultural climates are of widespread and enduring interest. Viewed together, the featured artists, Cao Fei, Hao Liang, Hu Xiangqian, Liu Chang, Liu Shiyuan, Liu Wei, Liu Xiaodong, Qiu Zhijie, Tao Hui, Xu Qu, Xu Zhen, and Yang Fudong, reveal the complexities of their society. Their works, using a wide variety of techniques and media and drawn from local tradition and culture, highlight the current state of economy and ecology in China, as well as the transformation of the relationship between the city and the countryside. The word bentu means “the native soil,” but in reference to contemporary Chinese art, the term has come to signify the concept of a reconciliation between the “local” and the “global,” yielding a rediscovery of identity; this notion has become a central preoccupation among artists, curators, and academics in China today. Distributed for Editions Hazan, ParisExhibition Schedule:Fondation Louis Vuitton, Paris (01/22/16–05/27/16)

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Gardens of Court and Country provides the first comprehensive overview of the development of the English formal garden from 1630 to 1730. Often overshadowed by the English landscape garden that became fashionable later in the 18th century, English formal gardens of the 17th century displayed important design innovations that reflected a broad rethinking of how gardens functioned within society. With insights into how the Protestant nobility planned and used their formal gardens, the domestication of the lawn, and the transformation of gardens into large rustic parks, David Jacques explores the ways forecourts, flower gardens, bowling greens, cascades, and more were created and reimagined over time. This handsome volume includes 300 illustrations – including plans, engravings, and paintings – that bring lost and forgotten gardens back to life. Published in association with the Paul Mellon Centre for Studies in British Art

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A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (10/28/16–02/05/17)

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Highlights of the extraordinary wartime diaries of Ivan Maisky, Soviet ambassador to London The terror and purges of Stalin’s Russia in the 1930s discouraged Soviet officials from leaving documentary records let alone keeping personal diaries. A remarkable exception is the unique diary assiduously kept by Ivan Maisky, the Soviet ambassador to London between 1932 and 1943. This selection from Maisky's diary, never before published in English, grippingly documents Britain’s drift to war during the 1930s, appeasement in the Munich era, negotiations leading to the signature of the Ribbentrop–Molotov Pact, Churchill’s rise to power, the German invasion of Russia, and the intense debate over the opening of the second front. Maisky was distinguished by his great sociability and access to the key players in British public life. Among his range of regular contacts were politicians (including Churchill, Chamberlain, Eden, and Halifax), press barons (Beaverbrook), ambassadors (Joseph Kennedy), intellectuals (Keynes, Sidney and Beatrice Webb), writers (George Bernard Shaw, H. G. Wells), and indeed royalty. His diary further reveals the role personal rivalries within the Kremlin played in the formulation of Soviet policy at the time. Scrupulously edited and checked against a vast range of Russian and Western archival evidence, this extraordinary narrative diary offers a fascinating revision of the events surrounding the Second World War.

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Rewriting the Supreme Court’s landmark gay rights decision Jack Balkin and an all-star cast of legal scholars, sitting as a hypothetical Supreme Court, rewrite the famous 2015 opinion in Obergefell v. Hodges, which guaranteed same-sex couples the right to marry. In eleven incisive opinions, the authors offer the best constitutional arguments for and against the right to same-sex marriage, and debate what Obergefell should mean for the future. In addition to serving as Chief Justice of this imaginary court, Balkin provides a critical introduction to the case. He recounts the story of the gay rights litigation that led to Obergefell, and he explains how courts respond to political mobilizations for new rights claims. The social movement for gay rights and marriage equality is a powerful example of how—through legal imagination and political struggle—arguments once dismissed as “off-the-wall” can later become established in American constitutional law.

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Tracing the story of anger from the Buddha to Twitter, Rosenwein provides a much-needed account of our changing and contradictory understandings of this emotion All of us think we know when we are angry, and we are sure we can recognize anger in others as well. But this is only superficially true. We see anger through lenses colored by what we know, experience, and learn. Barbara H. Rosenwein traces our many conflicting ideas about and expressions of anger, taking the story from the Buddha to our own time, from anger’s complete rejection to its warm reception. Rosenwein explores how anger has been characterized by gender and race, why it has been tied to violence and how that is often a false connection, how it has figured among the seven deadly sins and yet is considered a virtue, and how its interpretation, once largely the preserve of philosophers and theologians, has been gradually handed over to scientists—with very mixed results. Rosenwein shows that the history of anger can help us grapple with it today.

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Do the dead have rights? In a persuasive argument, Don Herzog makes the case that the deceased’s interests should be protected This is a delightfully deceptive works that start out with a simple, seemingly arcane question—can you libel or slander the dead?—and develops it outward, tackling larger and larger implications, until it ends up straddling the borders between law, culture, philosophy, and the meaning of life. A full answer to this question requires legal scholar Don Herzog to consider what tort law is actually designed to protect, what differences death makes—and what differences it doesn’t—and why we value what we value. Herzog is one of those rare scholarly writers who can make the most abstract argument compelling and entertaining.

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The first comprehensive study in English of the Soviet propaganda artist Aleksandr Zhitomirsky, who conceived and deployed his striking photomontages as a political weapon The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. His villainous menagerie included Reichsminister Joseph Goebbels as a distorted simian and an airborne scorpion outfitted with an Uncle Sam hat. In this comprehensive, image-driven account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, The Art of Political Photomontage: Advice for the Artist (1983). In an era when satirical photomontage thrives on the Internet and propaganda has reasserted itself in America and Russia alike, this study of a once-prominent yet internationally undiscovered artist is more than timely.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (09/03/16–01/10/17)

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This is the first modern scholarly biography of Blanche of Castile, whose identity has until now been subsumed in that of her son, the saintly Louis IX. A central figure in the politics of medieval Europe, Blanche was a sophisticated patron of religion and culture. Through Lindy Grant’s engaging account, based on a close analysis of Blanche’s household accounts and of the social and religious networks on which her power and agency depended, Blanche is revealed as a vibrant and intellectually questioning personality.

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A bold new interpretation of Germany’s democratic transformation in the twentieth century, focusing on the generation that shaped the post-Nazi reconstruction Not long after the horrors of World War II and the Holocaust, Germans rebuilt their shattered country and emerged as one of the leading nations of the Western liberal world. In his debut work, Noah Strote analyzes this remarkable turnaround and challenges the widely held perception that the Western Allies—particularly the United States—were responsible for Germany’s transformation. Instead, Strote draws from never-before-seen material to show how common opposition to Adolf Hitler united the fractious groups that had once vied for supremacy under the Weimar Republic, Germany’s first democracy (1918-1933). His character-driven narrative follows ten Germans of rival worldviews who experienced the breakdown of Weimar society, lived under the Nazi dictatorship, and together assumed founding roles in the democratic reconstruction. While many have imagined postwar Germany as the product of foreign-led democratization, this study highlights the crucial role of indigenous ideas and institutions that stretched back decades before Hitler. Foregrounding the resolution of key conflicts that crippled the country’s first democracy, Strote presents a new model for understanding the origins of today’s Federal Republic.

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The history of children’s literature is a growing area of study; this group of essays brings together innovative, scholarly voices to explore the fascinating tales behind many beloved books. The publication mines the Betsy Beinecke Shirley Collection of American Children’s Literature, one of the world’s richest sources for original books, manuscripts, and artwork. The essays, commissioned for this volume, examine little-known backstories of three hundred years of classic children’s literature, from Louisa May Alcott to Langston Hughes to Mo Willems.Distributed for the Beinecke Rare Book and Manuscript Library

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An exploration of British male fashion of the late eighteenth century “A brilliant account of a controversial moment in men’s self-fashioning.”—Valerie Steele, director and chief curator, Museum at the Fashion Institute of Technology The term “macaroni” was once as familiar a label as “punk” or “hipster” is today. In this handsomely illustrated book devoted to notable eighteenth-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late eighteenth century. For thirty years, “macaroni” was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius “Soubise,” and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men.

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A lively interdisciplinary study of how venereal disease was represented in eighteenth-century British literature and art In eighteenth-century Britain, venereal disease was everywhere and nowhere: while physicians and commentators believed the condition to be widespread, it remained shrouded in secrecy, and was often represented using slang, symbolism, and wordplay. In this book, literary critic Noelle Gallagher explores the cultural significance of the “clap” (gonorrhea), the “pox” (syphilis), and the “itch” (genital scabies) for the development of eighteenth-century British literature and art. As a condition both represented through metaphors and used as a metaphor, venereal disease provided a vehicle for the discussion of cultural anxieties about gender, race, commerce, and immigration. Gallagher highlights four key concepts associated with venereal disease, demonstrating how infection’s symbolic potency was enhanced by its links to elite masculinity, prostitution, foreignness, and facial deformities. Casting light where the sun rarely shines, this study will fascinate anyone interested in the history of literature, art, medicine, and sexuality.

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A sweeping and lavishly illustrated survey of nearly four thousand years of human settlement and building activity in Jerusalem, from prehistoric times through the Ottoman period In this sweeping and lavishly illustrated history, Katharina Galor and Hanswulf Bloedhorn survey nearly four thousand years of human life and material culture in Jerusalem. They have organized their book chronologically, exploring fortifications and water systems as well as key sacred, civic, and domestic architecture. Distinctive finds such as paintings, mosaics, pottery, and coins highlight each period. They provide a unique perspective on the emergence and development of Judaism, Christianity, and Islam, and the relationship among the three religions and their cultures into the modern period.

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An account of the alliance between the Catholic Church and the Italian Fascist regime in their campaign against Protestants Based on previously undisclosed archival materials, this book tells the fascinating, untold, and troubling story of an anti-Protestant campaign in Italy that lasted longer, consumed more clerical energy and cultural space, and generated far more literature than the war against Italy’s Jewish population. Because clerical leaders in Rome were seeking to build a new Catholic world in the aftermath of the Great War, Protestants embodied a special menace, and were seen as carriers of dangers like heresy, secularism, modernity, and Americanism—as potent threats to the Catholic precepts that were the true foundations of Italian civilization, values, and culture. The pope and cardinals framed the threat of evangelical Christianity as a peril not only to the Catholic Church but to the fascist government as well, recruiting some very powerful fascist officials to their cause. This important book is the first full account of this dangerous alliance.

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A vibrant history of the renowned and often controversial Iowa Writers’ Workshop and its celebrated alumni and faculty As the world’s preeminent creative writing program, the Iowa Writers’ Workshop has produced an astonishing number of distinguished writers and poets since its establishment in 1936. Its alumni and faculty include twenty-eight Pulitzer Prize winners, six U.S. poet laureates, and numerous National Book Award winners. This volume follows the program from its rise to prominence in the early 1940s under director Paul Engle, who promoted the “workshop” method of classroom peer criticism. Meant to simulate the rigors of editorial and critical scrutiny in the publishing industry, this educational style created an environment of both competition and community, cooperation and rivalry. Focusing on some of the exceptional authors who have participated in the program—such as Flannery O’Connor, Dylan Thomas, Kurt Vonnegut, Jane Smiley, Sandra Cisneros, T. C. Boyle, and Marilynne Robinson—David Dowling examines how the Iowa Writers’ Workshop has shaped professional authorship, publishing industries, and the course of American literature.

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American photographer Donald Blumberg (b. 1935) began his career making black-and-white photographs of the streets and people of New York. He first gained national attention and widespread recognition for his 1965–67 series In Front of Saint Patrick’s Cathedral, published in 1973. In these thought-provoking photographs, Blumberg innovatively captured worshippers exiting the cavernous threshold of the famed Roman Catholic cathedral on Fifth Avenue. The figures often seem to defy scale and perspective, clustered in the corners of the frame or gathered in blurry crowds. This revised and expanded edition of Blumberg’s pioneering project features a new sequence that includes previously unpublished images and select contact sheets from the project, all printed in rich duotones. Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery (08/21/15–11/22/15)

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