Search results for ""yale university press""

A timely survey of this significant British artist and the complexities surrounding his work and reputation today Famed for his depictions of sun, sea, and sailing during a late Victorian and Edwardian golden age, the British painter Henry Scott Tuke RA (1858–1929) is an intriguing artistic anomaly. Moving between Cornish-based artist colonies and the London art scene, stylistically Tuke presents a fusion of progressive plein airisme, loose impressionistic handling, and a vivid palette, and yet he was fundamentally an academic painter of exhibition nudes. Though consistently successful throughout his lifetime, in the wake of two world wars Tuke’s depictions of bathing boys came to represent a seemingly outmoded epoch. This far-reaching study features new research from leading authorities on Victorian and Edwardian art. Essays tackle questions of wide-ranging artistic influences, experimental art practice, and a varied reception history. Tuke’s repeated portrayal of adolescent male nudes provokes challenging questions about the depiction, exhibition, and reception of the body—especially the young body—both then and now.Published in association with Watts GalleryExhibition Schedule:Watts Gallery, Surrey (June 7–September 12, 2021)Falmouth Art Gallery, Cornwall (September 18–November 20, 2021)

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A revealing exploration of Edward Hopper’s inspired relationship to New York City through his paintings, drawings, prints, and never-before-published archival materials This engaging book delves into the iconic relationship between Edward Hopper (1882–1967) and New York City. This comprehensive look at an essential aspect of the revered American artist’s life reveals how Hopper’s experience of New York’s spaces, sensations, and architecture shaped his vision and served as a backdrop for his distillations of the urban experience. During sidewalk strolls and elevated train rides, Hopper sketched the city’s many windowed facades. Exterior views gave way to interior lives, forging one of Hopper’s defining preoccupations: the convergence of public and private. These permeable walls allowed Hopper to evoke the perplexing awareness of being alone in a crowd that is synonymous with modern urban life. Drawing on the vast resources of the Whitney Museum of American Art, the largest repository of Hopper’s work, and the recently acquired gift of the Sanborn Hopper Archive, this book features more than 300 illustrations and fresh insight from authoritative and emerging scholars.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (October 19, 2022–March 5, 2023)

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The hidden costs of artificial intelligence—from natural resources and labor to privacy, equality, and freedom “This study argues that [artificial intelligence] is neither artificial nor particularly intelligent. . . . A fascinating history of the data on which machine-learning systems are trained.”—New Yorker “A valuable corrective to much of the hype surrounding AI and a useful instruction manual for the future.”—John Thornhill, Financial Times “It’s a masterpiece, and I haven’t been able to stop thinking about it.”—Karen Hao, senior editor, MIT Tech Review What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? Drawing on more than a decade of research, award‑winning scholar Kate Crawford reveals how AI is a technology of extraction: from the minerals drawn from the earth to the labor pulled from low-wage information workers to the data taken from every action and expression. Crawford reveals how this planetary network is fueling a shift toward undemocratic governance and increased inequity. Rather than taking a narrow focus on code and algorithms, Crawford offers us a material and political perspective on what it takes to make AI and how it centralizes power. This is an urgent account of what is at stake as technology companies use artificial intelligence to reshape the world.

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A renowned scientist and environmental advocate looks back on a life that has straddled the worlds of science and politics “Compelling. . . . [Ehrlich’s] memoir includes remarkable stories of his research, travels, friends, colleagues, and scientific controversies that still roil today.”—Peter Gleick, Science Acclaimed as a public scientist and as a spokesperson on pressing environmental and equity issues, delivering his message from the classroom to 60 Minutes, Paul R. Ehrlich reflects on his life, including his love affair with his wife, Anne, his scientific research, his public advocacy, and his concern for global issues. Interweaving the range of his experiences—as an airplane pilot, a desegregationist, a proud parent—Ehrlich’s insights are priceless on pressing issues such as biodiversity loss, overpopulation, depletion of resources, and deterioration of the environment. A lifelong advocate for women’s reproductive rights, Ehrlich also helped to debunk scientific bias associating skin color and intelligence and warned some fifty years ago about a possible pandemic and the likely ecological consequences of a nuclear war. This book is a vital contribution to literature focused on the human predicament, including problems of governance and democracy in the twenty-first century, and insight into the ecological and evolutionary science of our day. It is a must-read for anyone interested in understanding global change, our planet’s wonders, and a scientific approach to the present existential threats to civilization.

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From Leonardo Da Vinci to Oliver Sacks: the first history of the western polymath, from the Renaissance to the present"An absorbing group portrait and intellectual history."—Kirkus Reviews"An admirable mixture of industry and erudition."—Robert Wilson, Wall Street Journal From Leonardo Da Vinci to John Dee and Comenius, from George Eliot to Oliver Sacks and Susan Sontag, polymaths have moved the frontiers of knowledge in countless ways. But history can be unkind to scholars with such encyclopedic interests. All too often these individuals are remembered for just one part of their valuable achievements. In this engaging, erudite account, renowned cultural historian Peter Burke argues for a more rounded view. Identifying 500 western polymaths, Burke explores their wide-ranging successes and shows how their rise matched a rapid growth of knowledge in the age of the invention of printing, the discovery of the New World and the Scientific Revolution. It is only more recently that the further acceleration of knowledge has led to increased specialization and to an environment that is less supportive of wide-ranging scholars and scientists. Spanning the Renaissance to the present day, Burke changes our understanding of this remarkable intellectual species.

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A definitive history of mescaline that explores its mind-altering effects across cultures, from ancient America to Western modernity Mescaline became a popular sensation in the mid-twentieth century through Aldous Huxley’s The Doors of Perception, after which the word “psychedelic” was coined to describe it. Its story, however, extends deep into prehistory: the earliest Andean cultures depicted mescaline-containing cacti in their temples. Mescaline was isolated in 1897 from the peyote cactus, first encountered by Europeans during the Spanish conquest of Mexico. During the twentieth century it was used by psychologists investigating the secrets of consciousness, spiritual seekers from Aleister Crowley to the president of the Church of Jesus Christ of Latter-day Saints, artists exploring the creative process, and psychiatrists looking to cure schizophrenia. Meanwhile peyote played a vital role in preserving and shaping Native American identity. Drawing on botany, pharmacology, ethnography, and the mind sciences and examining the mescaline experiences of figures from William James to Walter Benjamin to Hunter S. Thompson, this is an enthralling narrative of mescaline’s many lives.

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A sweeping new history that reveals how British, African, and American merchants developed the transatlantic slave trade “This is a landmark study given its clear status as easily the best researched and most comprehensive book on the British slave trade to date.”—David Eltis, coauthor of Atlas of the Transatlantic Slave Trade “A masterful account of one of the most brutal moments in the history of capitalist modernity. Radburn brilliantly details all aspects of the process of commodification of human beings in the Liverpool slave trade, vividly depicting the long journeys endured by Africans in Africa, across the Atlantic, and in the Americas.”—Leonardo Marques, Universidade Federal Fluminense During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into a transatlantic system through which fifty thousand men, women, and children were enslaved every year. In this wide-ranging history, Nicholas Radburn explains how thousands of merchants collectively transformed the slave trade by devising highly efficient but violent new business methods. African brokers developed commercial infrastructure that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade dragged millions of people into its terrible vortex and became one of the most important phenomena in world history.

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The life, dramatic reign, and enduring legacy of the pharaoh Ramesses the Great, with lessons for the present, from internationally acclaimed Egyptologist Toby Wilkinson “The author succeeds in bringing this distant age to life through telling detail and insightful analysis. . . . Whenever he can, the author takes advantage of opportunities to peer beneath the mask.”—The Economist Ramesses II ruled the Nile Valley and the wider Egyptian empire from 1279 to 1213 B.C., one of the longest reigns in pharaonic history. He was a cultural innovator, a relentless self-promoter, and an astute diplomat—the peace treaty signed after the Battle of Kadesh was the first in recorded history. He outbuilt every other Egyptian pharaoh, leaving behind the temples of Abu Simbel; the great hypostyle hall of Karnak; the tomb for his wife Nefertari; and his own memorial, the Ramesseum. His reputation eclipsed that of all other pharaohs as well: he was decried in the Bible as a despot, famed in literature as Ozymandias, and lauded by early antiquarians as the Younger Memnon. His rule coincided with the peak of ancient Egypt’s power and prosperity, the New Kingdom (1539–1069 B.C.). In this authoritative biography, Toby Wilkinson considers Ramesses’ preoccupations and preferences, uncovering the methods and motivations of a megalomaniac ruler, with lessons for our own time.

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The untold story of the crises and compromises that united a continent “A work of impressive scholarship and historical imagination, . . . unlike anything written about the EU before or since”—Perry Anderson, London Review of Books As financial turmoil in Europe preoccupies political leaders and global markets, it becomes more important than ever to understand the forces that underpin the European Union, hold it together and drive it forward. This timely book provides a gripping account of the realities of power politics among European states and between their leaders. Drawing on long experience working behind the scenes, Luuk van Middelaar captures the dynamics and tensions shaping the European Union from its origins until today. It is a story of unexpected events and twists of fate, bold vision and sheer necessity, told from the perspective of the keyplayers – from de Gaulle to Havel, Thatcher to Merkel. Van Middelaar cuts through the institutional complexity by exploring the unforeseen outcomes of decisive moments and focusing on the quest for public legitimacy. As a first-hand witness to the day-to-day actions and decisions of Europe’s leaders, the author provides a vivid narrative of the crises and compromises that united a continent. By revisiting the past, he sheds fresh light on the present state of European unification and offers insights into what the future may hold.

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From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life

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This book documents more than 20 years of performances of Drumming, a world-renowned dance piece on music by Steve Reich, through beautiful photography.​Drumming is a widely admired dance piece choreographed by Anne Teresa De Keersmaeker (b. 1960), set to music by the minimalist composer Steve Reich and featuring costumes by Dries Van Noten, that has been performed continuously around the world since its debut in 1998. It is celebrated for its synthesis of an exceptionally refined structure with an expression of the sheer joy of dancing. Over the 22 years that this piece has been performed, photographers Herman Sorgeloos and Anne Van Aerschot have documented it. This book showcases their outstanding photographic archive, offering a unique view into the aesthetics of this piece. Mathematically precise movement, sustained repetition, geometric use of performance space, and continuous variation are qualities—epitomized in Drumming—that have all become hallmarks of De Keersmaeker’s celebrated oeuvre. Distributed for Mercatorfonds

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A thrilling journey through 100,000 years of art, from the first artworks ever made to art’s central role in culture today “This lively volume is ideal for the precocious high-schooler, the lazy collegian . . . and any adult who wishes for greater mastery of the subject. . . . Mullins leav[es] readers with an expansive, no-regrets appreciation of art and the human story.”—Meghan Cox Gurdon, Wall Street Journal “A fresh take on art history as we know it.”—Katy Hessel, The Great Women Artists Podcast Charlotte Mullins brings art to life through the stories of those who created it and, importantly, reframes who is included in the narrative to create a more diverse and exciting landscape of art. She shows how art can help us see the world differently and understand our place in it, how it helps us express ourselves, fuels our creativity and contributes to our overall wellbeing and positive mental health. Why did our ancestors make art? What did art mean to them and what does their art mean for us today? Why is art even important at all? Mullins introduces readers to the Terracotta Army and Nok sculptures, Renaissance artists such as Giotto and Michelangelo, trailblazers including Käthe Kollwitz, Pablo Picasso, Frida Kahlo, and contemporary artists who create art as resistance, such as Ai Weiwei and Shirin Neshat. She also restores forgotten artists such as Sofonisba Anguissola, Guan Daosheng and Jacob Lawrence, and travels to the Niger valley, Peru, Java, Rapa Nui and Australia, to broaden our understanding of what art is and should be. This extraordinary journey through 100,000 years celebrates art’s crucial place in understanding our collective culture and history.

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A fascinating journey through Western art from the 1910s to the 1960s, charting how artists wrestled with the headlong changes of a turbulent and conflict-ridden world From the chaos of the First World War to the ravages of the Second, from the Great Depression to the rise of consumer culture, artists we call “modern” faced the challenge of responding imaginatively to utterly new circumstances of life. Original thought, startling artistic techniques, and new attitudes to experimentation were required to produce exceptional and timely work.Make It Modern guides the reader through the art of the modern world. Works of celebrated artists, from Pablo Picasso and Wassily Kandinsky to Frida Kahlo, Jackson Pollock, and Yayoi Kusama, alongside a panoply of undervalued or less-known figures, populate this decade-by-decade narrative. Make It Modern tells an unforgettable story of how art was changed forever.

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An eloquent call to draw on the lessons of the past to address current threats to international order The ancient Greeks hard‑wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great‑power peace and a quarter‑century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late.

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A SUNDAY TIMES AND TLS BOOK OF THE YEAR "Masterly and brilliant"—Simon Sebag Montefiore "A book of vast scope and stunning insight."—Anthony Sattin, Spectator “Commanding erudition and a swashbuckling style define this history of the Arabs”—Justin Marozzi, Sunday Times This kaleidoscopic book covers almost 3,000 years of Arab history and shines a light on the footloose Arab peoples and tribes who conquered lands and disseminated their language and culture over vast distances. Tracing this process to the origins of the Arabic language, rather than the advent of Islam, Tim Mackintosh-Smith begins his narrative more than a thousand years before Muhammad and focuses on how Arabic, both spoken and written, has functioned as a vital source of shared cultural identity over the millennia. Mackintosh-Smith reveals how linguistic developments—from pre-Islamic poetry to the growth of script, Muhammad’s use of writing, and the later problems of printing Arabic—have helped and hindered the progress of Arab history, and investigates how, even in today’s politically fractured post–Arab Spring environment, Arabic itself is still a source of unity and disunity.

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A life of Matilda—empress, skilled military leader, and one of the greatest figures of the English Middle Ages “[Matilda] will attract a growing audience interested in stories of women challenging the male-dominated European past.”—Alexandra Locking, Medieval Review “A lively and authoritative account.”—Katherine Harvey, Times Literary Supplement Matilda was a daughter, wife, and mother. But she was also empress, heir to the English crown—the first woman ever to hold the position—and an able military general. This new biography explores Matilda’s achievements as military and political leader, and sets her life and career in full context. Catherine Hanley provides fresh insight into Matilda's campaign to claim the title of queen, her approach to allied kingdoms and rival rulers, and her role in the succession crisis. Hanley highlights how Matilda fought for the throne, and argues that although she never sat on it herself her reward was to see her son become king. Extraordinarily, her line has continued through every single monarch of England or Britain from that time to the present day.

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An intimate look at the afterlife of lynching through the personal stories of Black victims and survivors who lived through and beyond its trauma Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. She unearths how African American victims and survivors found ways to live through and beyond the horrors of lynching, offering a theory of African American collective trauma and memory rooted in the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain. Black southerners often shielded their loved ones from the most painful memories of local lynchings with strategic silences but also told lynching stories about vengeful ghosts or a wrathful God or the deathbed confessions of a lyncher tormented by his past. They protested lynching and its legacies through art and activism, and they mourned those lost to a mob’s fury. They infused a blues element into their lynching narratives to confront traumatic memories and keep the blues at bay, even if just for a spell. Telling their stories troubles the simplistic binary of resistance or submission that has tended to dominate narratives of Black life and reminds us that amid the utter devastation of lynching were glimmers of hope and an affirmation of life.

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A rich vein of the artist’s mature work, depicting the foundations of landscape and place From the mid-1860s until shortly before his death, Paul Cézanne (1839–1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cézanne’s mature paintings of rock formations, including scenes of the terrain of the forest of Fontainebleau, the Mediterranean coastal village of L’Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cézanne’s other works; their critical interpretations; and their geological and corporeal associations. Faya Causey’s essay examines the Provençal context of Cézanne’s rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum

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An in-depth examination of the crucial role that Amsterdam played in Rembrandt’s evolution as an artist Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit, and realistically rendered canvases for which he is renowned. Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits, and printmaking.Distributed for the National Gallery of Canada, OttawaExhibition Schedule:National Gallery of Canada, Ottawa (May 14–September 6, 2021)Städel Museum, Frankfurt am Main (Fall 2021)

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An innovative exploration of the intersection of graphic design and American art of the 1960s and 1970s This fascinating study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha’s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.

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One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet“Bursting with energy and surprising locutions. . . . Even the most familiar poets seem somehow new within the context of Joy.”—David Skeel, Wall Street Journal “Wiman takes readers through the ostensible ordinariness of life and reveals the extraordinary.”—Adrianna Smith, The Atlantic Christian Wiman, a poet known for his meditations on mortality, has long been fascinated by joy and by its relative absence in modern literature. Why is joy so resistant to language? How has it become so suspect in our times? Manipulated by advertisers, religious leaders, and politicians, joy can seem disquieting, even offensive. How does one speak of joy amid such ubiquitous injustice and suffering in the world? In this revelatory anthology, Wiman takes readers on a profound and surprising journey through some of the most underexplored terrain in contemporary life. Rather than define joy for readers, he wants them to experience it. Ranging from Emily Dickinson to Mahmoud Darwish and from Sylvia Plath to Wendell Berry, he brings together diverse and provocative works as a kind of counter to the old, modernist maxim “light writes white”—no agony, no art. His rich selections awaken us to the essential role joy plays in human life.

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A controversial examination of the internal Israeli debate over the Israeli-Palestinian conflict from a best-selling Israeli author"A must for anyone who wants to understand the tectonic forces underlying Israeli politics."—Rabbi Robert Orkand, Reform Judaism"An eloquent expression of the distant hope that deeply committed human beings can stop, inhale deeply, listen, change, and compromise."—Kirkus Reviews, Starred Review Since the Six-Day War, Israelis have been entrenched in a national debate over whether to keep the land they conquered or to return some, if not all, of the territories to Palestinians. In 2017, best-selling Israeli author Micah Goodman published a balanced and insightful analysis of the situation that quickly became one of Israel’s most debated books of the year. Now available in English translation with a new preface by the author, Catch-67 deftly sheds light on the ideas that have shaped Israelis’ thinking on both sides of the debate, and among secular and religious Jews about the Israeli‑Palestinian conflict. Contrary to opinions that dominate the discussion, he shows that the paradox of Israeli political discourse is that both sides are right in what they affirm—and wrong in what they deny. Although he concludes that the conflict cannot be solved, Goodman is far from a pessimist and explores how instead it can be reduced in scope and danger through limited, practical steps. Through philosophical critique and political analysis, Goodman builds a creative, compelling case for pragmatism in a dispute where a comprehensive solution seems impossible.

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Britain in the World presents highlights from the collection of the Yale Center for British Art. Included alongside iconic works—such as George Stubbs’s Zebra, Sir Joshua Reynolds’s Miss Prue, and J. M. W. Turner’s Dort—are diverse and fascinating objects that range from the Tudor period to the present day. Featuring work by John Constable, William Henry Fox Talbot, Barbara Hepworth, Chris Ofili, and Yinka Shonibare, this beautifully illustrated book offers a valuable glimpse into the Center’s vast and varied holdings. It also reveals British art as a global phenomenon, shaped and characterized by cultural exchange, exploration, scientific discovery, and, crucially, by the long history of colonialism and empire. This book illustrates the myriad ways in which visible and invisible global connections are present in the visual and material culture of Britain.Published in association with the Yale Center for British Art

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A dynamically illustrated exploration of 70 years of automotive design in the Motor City Detroit, nicknamed Motor City, has always been a leader in car design. As the city became the center of the American automobile industry in the early 20th century, its studios became incubators for new ideas and new styles. This volume highlights the artistry and influence of Detroit designers working in the industry between 1950 and the present day, giving readers a sumptuously illustrated opportunity to discover the ingenuity of influential (and surprisingly little-known) figures in postwar American car design. Detroit Style showcases 12 coupes and sedans, representing both experimental cars created solely for display and iconic production models for the mass market. Dozens of design drawings and images of studio interiors—along with paintings and sculptures—highlight the creative process and dialogue between the American art world and car culture. These materials in addition to interviews with influential figures in car design today bring new insights and spark curiosity about the formative role Detroit designers have played in shaping the automotive world around us, and the ways their work has responded to changing tastes, culture, and technology.Distributed for the Detroit Institute of ArtsExhibition Schedule:Detroit Institute of Arts (November 15, 2020–January 9, 2022)

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"A feminist classic."—Judith Shulevitz, New York Times Book Review“A pivotal book, one of those after which we will never think the same again.”—Carolyn G. Heilbrun, Washington Post Book World A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.

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An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries’ shared border in both directions. For U.S. artists, Mexico’s monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.Published in association with the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (February 17–May 17, 2020)McNay Art Museum, San Antonio (June 25–October 4, 2020)

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A comprehensive overview of more than two decades of Huma Bhabha’s prolific and multidisciplinary output in sculpture, drawing, and photography Huma Bhabha (b. 1962 in Karachi) is known for sculptures depicting the human figure fashioned from materials ranging from clay, brick, and wood to Styrofoam, bronze, found objects, and construction materials. Such works reveal her myriad influences, including horror films, science fiction, ancient artifacts, religious reliquaries, and Neo-Expressionism. This handsome volume surveys over two decades of Bhabha’s innovative sculptures, as well as her lesser-known but essential work in drawing, photography, and printmaking, all while considering her singular engagement with the human figure. Illustrated essays investigate the artist’s prolific and multidisciplinary output, her historical and cultural reference points, and her frequent themes, such as war, colonialism, displacement, and the memory of home—in the artist’s words, these are “eternal concerns” found across all cultures. A conversation between Bhabha and American artist Sterling Ruby offers an intimate point of entry into Bhabha’s perspectives and artistic practice.Published in association with the Institute of Contemporary Art/BostonExhibition Schedule:Institute of Contemporary Art/Boston (03/23/19–05/27/19)

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An insightful biography of the most controversial and perhaps most fervent of all Zionist political figures “A beautifully written short biography of an exceedingly interesting man: a novelist, translator, poet, playwright, journalist, polemicist, and probably the most remarkable public speaker in modern Jewish life. Halkin’s account of him is credible and vivid.”—Avishai Margalit, New York Review of Books Vladimir Jabotinsky (1880–1940) was a man of huge paradoxes and contradictions and has been the most misunderstood of all Zionist politicians—a first-rate novelist, a celebrated Russian journalist, and the founder of the branch of Zionism now headed by Benjamin Netanyahu. This biography, the first in English in nearly two decades, undertakes to answer central questions about Jabotinsky as a writer, a political thinker, and a leader. Hillel Halkin sets aside the stereotypes to which Jabotinsky has been reduced by his would-be followers and detractors alike. Halkin explains the importance of Odessa, Jabotinsky’s native city, in molding his character and outlook; discusses his novels and short stories, showing the sometimes hidden connections between them and Jabotinsky’s political thought, and studies a political career that ended in tragic failure. Halkin also addresses Jabotinsky’s position, unique among the great figures of Zionist history, as both a territorial maximalist and a principled believer in democracy. The author inquires why Jabotinsky was often accused of fascist tendencies though he abhorred authoritarian and totalitarian politics, and investigates the many opposed aspects of his personality and conduct while asking whether or not they had an ultimate coherence. Few figures in twentieth-century Jewish life were quite so admired and loathed, and Halkin’s splendid, subtle book explores him with empathy and lucidity.

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A writer’s travels along the legendary yet contested Jordan River—exploring the long conflict over water supply Access to water has played a pivotal role in the Israel-Palestine dispute. Israel has diverted the River Jordan via pipes and canals to build a successful modern state. But this has been at the expense of the region’s cohabitants. Gaza is now so water-stressed that the United Nations has warned it could soon become uninhabitable; its traditional water source has been ruined by years of over-extraction and mismanagement, the effects exacerbated by years of crippling blockade. Award-winning author and journalist James Fergusson travels to every corner of Israel and Palestine telling the story of the River Jordan and the fierce competition for water. Along the way, he meets farmers, officials, soldiers, refugees, settlers, rioting youth, religious zealots, water experts, and engineers on both sides of the Green Line. Fergusson gives voice to the fears and aspirations of the region’s inhabitants and highlights the centrality of water in negotiating future peace.

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An award-winning historian presents an emotional history of Jewish refugees biding their time in Portugal as they attempt to escape Nazi Europe This riveting book describes the dramatic experiences of Jewish refugees as they fled Hitler’s regime and then lived in limbo in Portugal until they could reach safer havens abroad. Drawing attention not only to the social and physical upheavals these refugees experienced, Marion Kaplan also highlights their feelings as they fled their homes and histories, while having to beg strangers for kindness. Portugal’s dictator, António de Oliveira Salazar, admitted the largest number of Jews fleeing westward—tens of thousands of them—but then set his secret police on those who did not move along quickly enough. Yet Portugal’s people left a lasting impression on refugees for their caring and generosity. Most refugees in Portugal showed strength and stamina as they faced unimagined challenges. An emotional history of fleeing, this book probes how specific locations touched refugees’ inner lives, including the borders they nervously crossed or the overcrowded transatlantic ships that signaled their liberation.

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Winner of the 2023 National Book Award in Nonfiction • National Bestseller • A New Yorker Best Book of 2023 • A New York Times Notable Book of 2023 • A Washington Post Notable Work of Nonfiction of 2023 • An Esquire Best Book of 2023 • An NPR “Book We Love” for 2023 • A Publishers Weekly Best Book of 2023 • A Tribal College Journal Best Native Studies Book of 2023 • A Michigan Notable Book of 2024 • A Powell’s Books “Best Books of 2023: Nonfiction” • A Barnes & Noble Best Book of 2023 A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America “Eloquent and comprehensive. . . . In the book’s sweeping synthesis, standard flashpoints of U.S. history take on new meaning.”—Kathleen DuVal, Wall Street Journal “In accounts of American history, Indigenous peoples are often treated as largely incidental—either obstacles to be overcome or part of a narrative separate from the arc of nation-building. Blackhawk . . . [shows] that Native communities have, instead, been inseparable from the American story all along.”—Washington Post Book World, “Books to Read in 2023” The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, as a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America. Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that • European colonization in the 1600s was never a predetermined success; • Native nations helped shape England’s crisis of empire; • the first shots of the American Revolution were prompted by Indian affairs in the interior; • California Indians targeted by federally funded militias were among the first casualties of the Civil War; • the Union victory forever recalibrated Native communities across the West; • twentieth-century reservation activists refashioned American law and policy. Blackhawk’s retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.

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A beloved introductory physics textbook, now including exercises and an answer key, accessibly explains electromagnetism, optics, and quantum mechanics R. Shankar is a well‑known physicist and contagiously enthusiastic educator, whose popular online introductory-physics video lectures have been viewed over a million times. In this second book based on his online courses, Shankar explains electromagnetism, optics, and quantum mechanics, developing the basics and reinforcing the fundamentals. With the help of problem sets and answer keys, students learn about the most interesting findings of today’s research while gaining a firm foundation in the principles and methods of physics.

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Designed for German students of all levels, the second edition of this unique writing guide is updated with prompts for exploring contemporary culture and identities Using a unique and effective approach, Schreiben lernen offers a comprehensive means for learners of German to develop and refine their writing skills. This guide consists of model texts, vocabulary-building exercises, and guided activities to practice writing sentences, paragraphs, and entire texts. Each chapter highlights issues related to writing for specific audiences and purposes. Students learn by analyzing model texts in ten different genres and by engaging with contemporary culture as they explore various modes of communication and creative expression. The second edition has been updated to feature two entirely new chapters on writing reviews and interpreting art and provides additional focus on personal portraits, immigrant identity, climate change, and film. Schreiben lernen targets beginning, intermediate, and advanced learners, allowing instructors to support students at all levels and unify their German curricula with a foundational text for developing writing skills. This versatility means that the guide may be used as supplementary material or as a stand-alone textbook for courses focusing on German composition.

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A "learned and lively" (Wall Street Journal) history of archaeological adventure—with tales of danger, debate, audacious explorers, and astonishing discoveries around the globe—for readers of all ages What is archaeology? The word may bring to mind images of golden pharaohs and lost civilizations, or Neanderthal skulls and Ice Age cave art. Archaeology is all of these, but also far more: the only science to encompass the entire span of human history—more than three million years! This Little History tells the riveting stories of some of the great archaeologists and their amazing discoveries around the globe: ancient Egyptian tombs, Mayan ruins, the first colonial settlements at Jamestown, mysterious Stonehenge, the incredibly preserved Pompeii, and many, many more. In forty brief, exciting chapters, the book recounts archaeology’s development from its eighteenth-century origins to its twenty-first-century technological advances. Shining light on the most intriguing events in the history of the field, this absolutely up-to-date book illuminates archaeology’s controversies, discoveries, heroes and scoundrels, global sites, and newest methods for curious readers of every age.

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A lively, expansive history of the Protestant and Catholic Reformations and the momentous changes they set in motion This fast-paced survey of Western civilization’s transition from the Middle Ages to modernity brings that tumultuous period vividly to life. Carlos Eire, popular professor and gifted writer, chronicles the two-hundred-year era of the Renaissance and Reformation with particular attention to issues that persist as concerns in the present day. Eire connects the Protestant and Catholic Reformations in new and profound ways, and he demonstrates convincingly that this crucial turning point in history not only affected people long gone, but continues to shape our world and define who we are today. The book focuses on the vast changes that took place in Western civilization between 1450 and 1650, from Gutenberg’s printing press and the subsequent revolution in the spread of ideas to the close of the Thirty Years’ War. Eire devotes equal attention to the various Protestant traditions and churches as well as to Catholicism, skepticism, and secularism, and he takes into account the expansion of European culture and religion into other lands, particularly the Americas and Asia. He also underscores how changes in religion transformed the Western secular world. A book created with students and nonspecialists in mind, Reformations is an inspiring, provocative volume for any reader who is curious about the role of ideas and beliefs in history.

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An award-winning scholar and author charts four hundred years of monsters and how they reflect the culture that created them Leo Braudy, a finalist for both the National Book Award and the National Book Critics Circle Award, has won accolades for revealing the complex and constantly shifting history behind seemingly unchanging ideas of fame, war, and masculinity. Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity. From the Protestant Reformation to contemporary horror films and fiction, he explores four major types: the monster from nature (King Kong), the created monster (Frankenstein), the monster from within (Mr. Hyde), and the monster from the past (Dracula). Drawing upon deep historical and literary research, Braudy discusses the lasting presence of fearful imaginings in an age of scientific progress, viewing the detective genre as a rational riposte to the irrational world of the monstrous. Haunted is a compelling and incisive work by a writer at the height of his powers.

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The Musée du Louvre boasts an exceptional collection of 17th- and 18th-century European pastels. Due to their fragility, there have been scant opportunities to view and learn from these spectacular artworks. This in-depth examination of the collection, reproduced here for the first time in color, delves into their history and how they were created. Produced primarily during the reigns of Louis XV and Louis XVI, the works—whose beautiful delicacy has been likened to the powder covering the wings of a butterfly—offer insights into society during the period of the Enlightenment. Featured artists include Rosalba Carriera, Maurice Quentin de La Tour, Jean-Baptiste Perronneau, Jean Étienne Liotard, Jean-Marc Nattier, and Élisabeth Louise Vigee Le Brun, as well as lesser-known masters such as Marie-Suzanne Giroust, Adélaïde Labille-Guirard, Joseph Bose, and Joseph Ducreux.Distributed for Editions Hazan, ParisExhibition Schedule:Musée du Louvre, Paris (06/07/18–09/10/18)

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An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created In this comprehensive study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray’s Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city—old Paris—as modernization transformed it. Abbott acquired much of Atget’s work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York. This engaging publication discusses how, during the 1930s and 1940s, Abbott paid further tribute to Atget by publishing and exhibiting his work and by printing hundreds of images from his negatives, using the gelatin silver process. Through Abbott’s efforts, Atget became known to an audience of photographers and writers who found diverse inspiration in his photographs. Abbott herself is remembered as one of the most independent, determined, and respected photographers of the 20th century.Published in association with FotoFocus, CincinnatiExhibition Schedule:Taft Museum of Art, Cincinnati (10/04/18–01/20/19)

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A Fields medalist recounts his lifelong transnational effort to uncover the geometric shape—the Calabi-Yau manifold—that may store the hidden dimensions of our universe. “An unexpectedly intimate look into a highly accomplished man, his colleagues and friends, the development of a new field of geometric analysis, and a glimpse into a truly uncommon mind.”—Nina MacLaughlin, Boston Globe“Engaging, eminently readable . . . For those with a taste for elegant and largely jargon-free explanations of mathematics, The Shape of a Life promises hours of rewarding reading.”—Judith Goodstein, American Scientist Harvard geometer and Fields medalist Shing-Tung Yau has provided a mathematical foundation for string theory, offered new insights into black holes, and mathematically demonstrated the stability of our universe. In this autobiography, Yau reflects on his improbable journey to becoming one of the world’s most distinguished mathematicians. Beginning with an impoverished childhood in China and Hong Kong, Yau takes readers through his doctoral studies at Berkeley during the height of the Vietnam War protests, his Fields Medal–winning proof of the Calabi conjecture, his return to China, and his pioneering work in geometric analysis. This new branch of geometry, which Yau built up with his friends and colleagues, has paved the way for solutions to several important and previously intransigent problems. With complicated ideas explained for a broad audience, this book offers readers not only insights into the life of an eminent mathematician, but also an accessible way to understand advanced and highly abstract concepts in mathematics and theoretical physics.

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An insider’s perspective on the life and influence of Israel’s first native-born prime minister, his bold peace initiatives, and his tragic assassination More than two decades have passed since prime minister Yitzhak Rabin’s assassination in 1995, yet he remains an unusually intriguing and admired modern leader. A native-born Israeli, Rabin became an inextricable part of his nation’s pre-state history and subsequent evolution. This revealing account of his life, character, and contributions draws not only on original research but also on the author’s recollections as one of Rabin’s closest aides. An awkward politician who became a statesman, a soldier who became a peacemaker, Rabin is best remembered for his valiant efforts to resolve the Israeli-Palestinian conflict and for the Oslo Accords. Itamar Rabinovich provides extraordinary new insights into Rabin’s relationships with powerful leaders including Bill Clinton, Jordan’s King Hussein, and Henry Kissinger, his desire for an Israeli-Syrian peace plan, and the political developments that shaped his tenure. The author also assesses the repercussions of Rabin’s murder: Netanyahu’s ensuing election and the rise of Israel’s radical right wing.

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In this generously illustrated and lively book, Christopher Lloyd sets out and interprets the lifelong achievement of Picasso (1881–1973) as a draftsman. Although there have been many publications about his drawings that have tended to focus on particular periods of his career, this stunning volume specifically examines how drawing serves as the vital thread connecting all of Picasso’s art, just as it also links his private world with his public persona of which he was becoming increasingly aware in his later years. Picasso and the Art of Drawing ultimately showcases how the basis of the titular artist's style as painter, sculptor, printmaker, and designer was manifestly achieved through drawing. Distributed for Modern Art Press

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An eye-opening biography of a woman whose life intersected with three distinct cultures in eighteenth-century America: colonial New England, French Canadian, and Native American“Esther Wheelwright’s journey—from Puritan girl, to Wabanaki captive, to mother superior of the largest Catholic convent in French Canada—is one of the most fascinating personal stories in the annals of what we call ‘colonial history.’ Deeply researched, and wonderfully contextualized . . . [this book] opens a wide window on three major cultural venues, whose interplay defined and shaped a whole era.”—John Demos, author of The Unredeemed Captive: A Family Story from Early America Born and raised in a New England garrison town, Esther Wheelwright (1696–1780) was captured by Wabanaki Indians at age seven. Among them, she became a Catholic and lived like any other young girl in the tribe. At age twelve, she was enrolled at a French-Canadian Ursuline convent, where she would spend the rest of her life, eventually becoming the order’s only foreign-born mother superior. Among these three major cultures of colonial North America, Wheelwright’s life was exceptional: border-crossing, multilingual, and multicultural. This meticulously researched book discovers her life through the communities of girls and women around her: the free and enslaved women who raised her in Wells, Maine; the Wabanaki women who cared for her, catechized her, and taught her to work as an Indian girl; the French-Canadian and Native girls who were her classmates in the Ursuline school; and the Ursuline nuns who led her to a religious life.

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From New York Times opinion columnist Zeynep Tufekci, an firsthand account and incisive analysis of the role of social media in modern protest“[Tufekci’s] personal experience in the squares and streets, melded with her scholarly insights on technology and communication platforms, makes [this] such an unusual and illuminating work.”—Carlos Lozada, Washington Post “Twitter and Tear Gas is packed with evidence on how social media has changed social movements, based on rigorous research and placed in historical context.”—Hannah Kuchler, Financial Times To understand a thwarted Turkish coup, an anti–Wall Street encampment, and a packed Tahrir Square, we must first comprehend the power and the weaknesses of using new technologies to mobilize large numbers of people. An incisive observer, writer, and participant in today’s social movements, Zeynep Tufekci explains in this accessible and compelling book the nuanced trajectories of modern protests—how they form, how they operate differently from past protests, and why they have difficulty persisting in their long-term quests for change. Tufekci speaks from direct experience, combining on-the-ground interviews with insightful analysis. She describes how the internet helped the Zapatista uprisings in Mexico, the necessity of remote Twitter users to organize medical supplies during Arab Spring, the refusal to use bullhorns in the Occupy Movement that started in New York, and the empowering effect of tear gas in Istanbul’s Gezi Park. These details from life inside social movements complete a moving investigation of authority, technology, and culture—and offer essential insights into the future of governance.

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A landmark reinterpretation of the life of William the Conqueror—a pivotal figure in British and European history"[The] definitive biography of the man who forever changed England with his invasion of 1066.”—Tony Barber, “Best books of 2016," Financial Times In this magisterial addition to the Yale English Monarchs series, David Bates combines biography and a multidisciplinary approach to examine the life of William the Conqueror. Using a framework derived from studies of early medieval kingship, he assesses each phase of William’s life to establish why so many trusted him to invade England in 1066 and the consequences of this on the history of the so-called Norman Conquest after the Battle of Hastings and for generations to come. A leading historian of the period, Bates is notable for having worked extensively in the archives of northern France and discovered many eleventh- and twelfth-century charters largely unnoticed by English-language scholars. Taking an innovative approach, he argues for a move away from old perceptions and controversies associated with William’s life and the Norman Conquest. This deeply researched volume is the scholarly biography for our generation.

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An in-depth and current investigation of how the spiritual is manifestly present in contemporary art The spiritual is everywhere evident in contemporary art, and this publication fulfills a long-awaited need. Encountering the Spiritual in Contemporary Art addresses the subject in depth for the first time in over three decades. It significantly broadens the scope of previous studies to include new media and non-Western and Indigenous art (in addition to that of the West), presents art from diverse cultures with equal status, promotes cultural specificity, and moves beyond notions of “center and periphery,” celebrating the plurality and global nature of contemporary art today. Major essays based on cultural affinities are interspersed with brief thematic essays to provide diverse perspectives and expand the knowledge of academic and general audiences.Encountering the Spiritual provides an alternative to the main currents of presentation and interpretation prevalent in contemporary art, appealing to believers, agnostics, and inveterate skeptics alike. This essential publication demonstrates that the need to address the fundamental questions of life are both innate and ongoing.Distributed for the Nelson-Atkins Museum of Art

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Why we cannot truly implement human rights unless we also recognize human responsibilities When we debate questions in international law, politics, and justice, we often use the language of rights—and far less often the language of responsibilities. Human rights scholars and activists talk about state responsibility for rights, but they do not articulate clear norms about other actors’ obligations. In this book, Kathryn Sikkink argues that we cannot truly implement human rights unless we also recognize and practice the corresponding human responsibilities. Focusing on five areas—climate change, voting, digital privacy, freedom of speech, and sexual assault—and providing many examples of on‑the‑ground initiatives where people choose to embrace a close relationship between rights and responsibilities, Sikkink argues for the importance of responsibilities to any comprehensive understanding of political ethics and human rights.

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An unprecedented study that reveals tapestry’s role as a modernist medium and a model for the movement’s discourse on both sides of the Atlantic in the decades following World War II With a revelatory analysis of how the postwar French tapestry revival provided a medium for modern art and a model for its discourse and marketing on both sides of the Atlantic, Weaving Modernism presents a fascinating reexamination of modernism’s relationship to decoration, reproducibility, and politics. Tapestry offered artists a historically grounded medium for distributing and marketing their work, helped expand the visibility and significance of abstraction at midcentury, and facilitated modernism’s entry into the dominant paradigm of the postwar period. K. L. H. Wells situates tapestry as part of a broader “marketplace modernism” in which artists participated, conjuring a lived experience of visual culture in corporate lobbies, churches, and even airplanes, as well as in galleries and private homes. This extensively researched study features previously unpublished illustrations and little-known works by such major artists as Helen Frankenthaler, Henri Matisse, Robert Motherwell, Pablo Picasso, and Frank Stella.

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