Search results for ""yale university press""

This visually stunning survey provides an in-depth look at Eileen Hogan’s (b. 1946) working methods. Covering her entire career, it focuses particularly on two dominant themes in the artist’s oeuvre—enclosed gardens and portraiture. Her depictions of gardens range from London’s well-known Kew Gardens and Chelsea Physic Garden to Little Sparta, Ian Hamilton Finlay’s garden in the Pentland Hills near Edinburgh. Her portraits include expressive sketches and paintings of veterans of the Second World War, and of HRH The Prince of Wales and HRH The Duchess of Cornwall. The book includes images from Hogan’s sketchbooks, her studies, and finished paintings, accompanied by striking photographs of the artist at work. Essays by scholars and Hogan herself trace the artist’s career from her student days at Camberwell School of Arts and Crafts through the present. This volume provides an unprecedented, intimate look at the life and work of one of the most interesting and evocative artists working today.Published in association with the Yale Center for British ArtExhibition Schedule:Yale Center for British Art May 9 – August 11 2019Browse & Darby October 9 – November 1 2019

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An in-depth exploration into the immense popularity of William-Adolphe Bouguereau’s work in America throughout the late 19th and early 20th centuries Seeking to bring Gallic sophistication and worldly elegance into their galleries and drawing rooms, wealthy Americans of the late 19th and early 20th centuries collected the work of William-Adolphe Bouguereau (1825–1905) in record numbers. This fascinating volume offers an in-depth exploration of Bouguereau’s overwhelming popularity in turn-of-the-century America and the ways that his work—widely known from reviews, exhibitions, and inexpensive reproductions—resonated with the American public. While also lauded by the French artistic establishment and a dominant presence at the Parisian Salons, Bouguereau achieved his greatest success selling his idealized and polished paintings to a voracious American market. In this book, the authors discuss how the artist’s sensual classical maidens, Raphaelesque Madonnas, and pristine peasant children embodied the tastes of American Gilded Age patrons, and how Bouguereau’s canvases persuasively functioned as freshly painted Old Masters for collectors flush with new money.Published in association with the Milwaukee Art Museum and the Memphis Brooks Museum of ArtExhibition Schedule:Milwaukee Art Museum (02/15/19–05/12/19)Memphis Brooks Museum of Art (06/22/19–09/22/19)San Diego Museum of Art (11/09/19–03/15/20)

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Has liberalism failed because it has succeeded? "Why Liberalism Failed offers cogent insights into the loss of meaning and community that many in the West feel, issues that liberal democracies ignore at their own peril."—President Barack Obama "Deneen's book is valuable because it focuses on today's central issue. The important debates now are not about policy. They are about the basic values and structures of our social order."—David Brooks, New York Times Of the three dominant ideologies of the twentieth century—fascism, communism, and liberalism—only the last remains. This has created a peculiar situation in which liberalism’s proponents tend to forget that it is an ideology and not the natural end-state of human political evolution. As Patrick Deneen argues in this provocative book, liberalism is built on a foundation of contradictions: it trumpets equal rights while fostering incomparable material inequality; its legitimacy rests on consent, yet it discourages civic commitments in favor of privatism; and in its pursuit of individual autonomy, it has given rise to the most far-reaching, comprehensive state system in human history. Here, Deneen offers an astringent warning that the centripetal forces now at work on our political culture are not superficial flaws but inherent features of a system whose success is generating its own failure.

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A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923–2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement’s defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement’s feminist methods and values, including Miriam Schapiro’s “femmage” practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.Published in association with The Museum of Contemporary Art, Los AngelesExhibition Schedule:Museum of Contemporary Art, Los Angeles (October 27, 2019–May 11, 2020)Hessel Museum of Art, Bard College (June 26–November 28, 2021)

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Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe’s history"Traces the idea of witches far beyond the Salem witch trials to beliefs and attitudes about witches around the world throughout history.”—Los Angeles Times The witch came to prominence—and often a painful death—in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake. This book sets the notorious European witch trials in the widest and deepest possible perspective and traces the major historiographical developments of witchcraft. Hutton, a renowned expert on ancient, medieval, and modern paganism and witchcraft beliefs, combines Anglo-American and continental scholarly approaches to examine attitudes on witchcraft and the treatment of suspected witches across the world, including in Africa, the Middle East, South Asia, Australia, and North and South America, and from ancient pagan times to current interpretations. His fresh anthropological and ethnographical approach focuses on cultural inheritance and change while considering shamanism, folk religion, the range of witch trials, and how the fear of witchcraft might be eradicated.

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A groundbreaking ecocritical exploration of American art that examines the complex and evolving relationship between art and the environment Public awareness of environmental issues has never been greater, nor has the need for imagining more sustainable and ethical habits of human action and thought, including environmentally informed ways of understanding art history. This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding. Far-reaching in its interpretive approach, Nature’s Nation looks at artworks across genres and media—including painting, sculpture, prints, photography, decorative arts, and video—revealing important new discoveries about creative encounters with environmental history and politics through materials, techniques, subjects, and ideas. The book features work by more than one hundred artists, from Charles Willson Peale, Thomas Cole, and Winslow Homer to Georgia O’Keeffe, Jacob Lawrence, and Jaune Quick-to-See Smith. Providing a fascinating and timely reframing of more than three centuries of American art, this volume is a powerful example of how greater ecological consciousness can expand and enrich the discipline of art history.Distributed for the Princeton University Art MusuemExhibition Schedule:Princeton University Art Museum (10/13/18–01/06/19)Peabody Essex Museum, Salem, Massachusetts (02/02/19–05/05/19)Crystal Bridges Museum of American Art, Bentonville, Arkansas (05/25/19–09/09/19)

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An insightful and passionately written book explaining why a return to Enlightenment ideals is good for the world "Beginning with the simple but fertile idea that people should not push other people around, Deirdre McCloskey presents an elegant defense of 'true liberalism' as opposed to its well-meaning rivals on the left and the right. Erudite, but marvelously accessible and written in a style that is at once colloquial and astringent."—Stanley Fish The greatest challenges facing humankind, according to Deirdre McCloskey, are poverty and tyranny, both of which hold people back. Arguing for a return to true liberal values, this engaging and accessible book develops, defends, and demonstrates how embracing the ideas first espoused by eighteenth-century philosophers like Locke, Smith, Voltaire, and Wollstonecraft is good for everyone. With her trademark wit and deep understanding, McCloskey shows how the adoption of Enlightenment ideals of liberalism has propelled the freedom and prosperity that define the quality of a full life. In her view, liberalism leads to equality, but equality does not necessarily lead to liberalism. Liberalism is an optimistic philosophy that depends on the power of rhetoric rather than coercion, and on ethics, free speech, and facts in order to thrive.

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A lively, inviting account of the history of economics, told through events from ancient to modern times and through the ideas of great thinkers in the field“A whistle-stop introduction to the great works and thinkers of each age, this is a clear and accessible primer.”—Laura Garmeson, Financial Times What causes poverty? Are economic crises inevitable under capitalism? Is government intervention in an economy helpful, or harmful? While the answers to such basic economic questions matter to everyone, the unfamiliar language and math of economics can seem daunting. This clear, accessible, and even humorous book is ideal for young readers new to economic concepts, and for readers of all ages who want to better understand economic history and ideas. Economic historian Niall Kishtainy organizes short chapters that center on big ideas and events. He introduces us to some of the key thinkers—Adam Smith, David Ricardo, Karl Marx, John Maynard Keynes, and others—while examining topics ranging from the invention of money to the Great Depression, entrepreneurship, and behavioral economics. The result is an enjoyable book that succeeds in illuminating the economic ideas and forces that shape our world.

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A riveting account of ancient Rome’s imperial bodyguard, the select band of soldiers who wielded the power to make—or destroy—the emperors they served Founded by Augustus around 27 B.C., the elite Praetorian Guard was tasked with the protection of the emperor and his family. As the centuries unfolded, however, Praetorian soldiers served not only as protectors and enforcers but also as powerful political players. Fiercely loyal to some emperors, they vied with others and ruthlessly toppled those who displeased them, including Caligula, Nero, Pertinax, and many more. Guy de la Bédoyère provides a compelling first full narrative history of the Praetorians, whose dangerous ambitions ceased only when Constantine permanently disbanded them. de la Bédoyère introduces Praetorians of all echelons, from prefects and messengers to artillery experts and executioners. He explores the delicate position of emperors for whom prestige and guile were the only defenses against bodyguards hungry for power. Folding fascinating details into a broad assessment of the Praetorian era, the author sheds new light on the wielding of power in the greatest of the ancient world’s empires.

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This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled on science, in which precise observation could lead to discoveries about nature and humanity. In Oxford and London, Victorian scientists and Pre-Raphaelite artists worked together to design and decorate natural history museums as temples to God’s creation. At the same time, journals like Nature and the Fortnightly Review combined natural science with Pre-Raphaelite art theory and poetry to find meaning and coherence within a worldview turned upside down by Darwin’s theory of evolution. Offering reinterpretations of well-known works by John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Ford Madox Brown, and William Morris, this major revaluation of the popular Victorian movement also considers less-familiar artists who were no less central to the Pre-Raphaelite project. These include William Michael Rossetti, Walter Deverell, James Collinson, John and Rosa Brett, John Lucas Tupper, and the O’Shea brothers, along with the architects Benjamin Woodward and Alfred Waterhouse. Published in association with the Paul Mellon Centre for Studies in British Art

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Scholars and enthusiasts alike will revel in this ambitious two-volume catalogue raisonné of Thomas Gainsborough’s portraits and copies of Old Master works. The catalogue contains approximately 1,100 paintings, including nearly 200 works newly attributed to the British master, as well as updated information about his subjects and specially commissioned photography. Each portrait entry includes the biography of the sitter—including several newly identified—the painting’s provenance, and exhibitions in which each work was shown. Gainsborough’s copies after Old Masters, painted in admiration and used to assimilate their style of painting into his own work, are documented here as well. Research includes in-depth analysis of newspaper archives and other printed material to establish the date of a painting’s production, chart the development of the artist’s style, and assess the impression the work made within the context of its time.Published in association with the Paul Mellon Centre for Studies in British Art

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“Each day of my life has been dedicated in part to drawing. I have never stopped drawing and painting, seeking, where I could find them, the secrets of form.”—Le Corbusier Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process. Beautifully illustrated with more than 300 drawings that have never before been published for an English readership, this revealing book charts the evolution of Le Corbusier’s process from his youthful travels abroad to his arrival and maturation in Paris. Danièle Pauly shows how his drawings functioned within an intimate zone of private reflection and situates his work within the broader artistic and intellectual currents of Cubism, Purism, Primitivism, and Surrealism. In addition to providing a crucial new background against which to comprehend Le Corbusier’s architecture and urbanism, this important volume advocates for understanding him alongside leading modern artists including Pablo Picasso and Fernand Léger.

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An accessible history of multilateralism from its origins in the 1800s to the present Multilateralism has long been a study of contrasts. Nationalist impulses, diverging and shifting goals, and a lack of enforcement methods have plagued the international organizations that facilitate multilateralism. Yet the desire to seek peace, reduce poverty, and promote the global health of people and the planet pushes states to work together. These challenges, across time and the globe, have brought about striking, yet diverging, results. Here, Kathryn Lavelle offers a history of multilateralism from its origins in the nineteenth century to the present. Lavelle focuses on the creation and evolution of major problem-solving organizations, examines the governmental challenges they have confronted and continue to face from both domestic and transnational constituencies, and considers how nongovernmental organizations facilitate their work. Comprehensive and narrative-driven, this book should appeal to students with interests in global development, public health, the environment, trade, international finance, humanitarian law, and security studies.

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Pol Bury (1922-2005) was a painter, sculptor, jewelry designer, writer, and graphic artist, but is perhaps best known to the general public for his fountains and sculpture in public spaces throughout the world. Acclaimed as one of the first proponents of “moving” works, driven by a motor, he became one of the protagonists of kinetic art and was without doubt one of Belgium’s most important postwar artists. Accompanying a major exhibition in Belgium, this publication presents an opportunity to rediscover Bury’s multifaceted oeuvre. Distributed for MercatorfondsExhibition Schedule:BOZAR Centre for Fine Arts, Brussels (02/23/17–06/04/17)

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Winner of the 2017 Frederick Douglass Prize A groundbreaking history of abolition that recovers the largely forgotten role of African Americans in the long march toward emancipation from the American Revolution through the Civil War Received historical wisdom casts abolitionists as bourgeois, mostly white reformers burdened by racial paternalism and economic conservatism. Manisha Sinha overturns this image, broadening her scope beyond the antebellum period usually associated with abolitionism and recasting it as a radical social movement in which men and women, black and white, free and enslaved found common ground in causes ranging from feminism and utopian socialism to anti-imperialism and efforts to defend the rights of labor. Drawing on extensive archival research, including newly discovered letters and pamphlets, Sinha documents the influence of the Haitian Revolution and the centrality of slave resistance in shaping the ideology and tactics of abolition. This book is a comprehensive new history of the abolition movement in a transnational context. It illustrates how the abolitionist vision ultimately linked the slave’s cause to the struggle to redefine American democracy and human rights across the globe. Honors include: Longlist title for the 2016 National Book Awards Nonfiction category Winner of the 2017 Best Book Prize by the Society for Historians of the Early American Republic Winner of the 2016 Avery O. Craven Award given by the Organization of American Historians Honorable Mention in the U.S. History category for the 2017 American Publishers Awards for Professional & Scholarly Excellence (PROSE) Winner of the 2017 Frederick Douglass Book Prize, jointly sponsored by the Gilder Lehrman Institute of American History and the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition at the MacMillan Center at Yale University 2017 James A. Rawley Award for the Best Book on Secession and the Sectional Crisis published in the last two years, Southern Historical Association

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Thomas Cranmer, the architect of the Anglican Book of Common Prayer, was the archbishop of Canterbury who guided England through the early Reformation—and Henry VIII through the minefields of divorce. This is the first major biography of him for more than three decades, and the first for a century to exploit rich new manuscript sources in Britain and elsewhere.Diarmaid MacCulloch, one of the foremost scholars of the English Reformation, traces Cranmer from his east-Midland roots through his twenty-year career as a conventionally conservative Cambridge don. He shows how Cranmer was recruited to the coterie around Henry VIII that was trying to annul the royal marriage to Catherine, and how new connections led him to embrace the evangelical faith of the European Reformation and, ultimately, to become archbishop of Canterbury. By then a major English statesman, living the life of a medieval prince-bishop, Cranmer guided the church through the king's vacillations and finalized two successive versions of the English prayer book.MacCulloch skillfully reconstructs the crises Cranmer negotiated, from his compromising association with three of Henry's divorces, the plot by religious conservatives to oust him, and his role in the attempt to establish Lady Jane Grey as queen to the vengeance of the Catholic Mary Tudor. In jail after Mary's accession, Cranmer nearly repudiated his achievements, but he found the courage to turn the day of his death into a dramatic demonstration of his Protestant faith.From this vivid account Cranmer emerges a more sharply focused figure than before, more conservative early in his career than admirers have allowed, more evangelical than Anglicanism would later find comfortable. A hesitant hero with a tangled life story, his imperishable legacy is his contribution in the prayer book to the shape and structure of English speech and through this to the molding of an international language and the theology it expressed.

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A captivating history of a notorious neighborhood and the first book to reveal why London’s East End became synonymous with lawlessness and crime Even before Jack the Ripper haunted its streets for prey, London’s East End had earned a reputation for immorality, filth, and vice. John Bennett, a writer and tour guide who has walked and researched the area for more than thirty years, delves into four centuries of history to chronicle the crimes, their perpetrators, and the circumstances that made the East End an ideal breeding ground for illegal activity. In the eighteenth and nineteenth centuries, Britain’s industrial boom drew thousands of workers to the area, leading to overcrowding and squalor. But crime in the area flourished long past the Victorian period. Drawing on original archival history and featuring a fascinating cast of characters including the infamous Ripper, highwayman Dick Turpin, the Kray brothers, and a host of ordinary evildoers, this gripping and deliciously unsavory volume will fascinate Londonphiles and true crime lovers alike.

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Published in a new edition on the centenary of the seismic battle, this book provides the definitive account of the Somme and assigns responsibility to military and political leaders for its catastrophic outcome. “A magisterial piece of scholarship. . . . It is a model of historical research and should do much to further our understanding of the Great War and how it was fought.”—Contemporary Review “Revisionist history at its best.”—Library Journal (starred review) “A major addition to the literature on the military history of the Great War.”—Jay Winter

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A fascinating look at how Mapplethorpe and Munch, although separated by many years, shared certain affinities in their lives and artwork This revelatory catalogue delves into the many affinities shared between two widely renowned and discussed artists, Robert Mapplethorpe (1946-1989) and Edvard Munch (1863-1944), whose intensely studied work has, until now, never been considered in relation to one another. Mapplethorpe + Munch brings to light how these two monumental figures curiously relate on an existential level, in how they deal with questions concerning sexuality, and in their way of utilizing self-portraiture as a means to explore issues of personal identity. Featuring essays that examine the thematic impulses behind the accompanying exhibition, this publication establishes a previously unexplored association between two equally contentious art figures, while working to impart alternative perspectives and new insight into their respective outputs. Although distinct in their legacies, Mapplethorpe and Munch remain remarkably intertwined.Distributed for MercatorfondsExhibition Schedule:Munch Museum, Oslo (02/06/16–05/29/16)

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The definitive history of Austria’s multinational army and its immense role during three centuries of European military history Among the finest examples of deeply researched and colorfully written military history, Richard Bassett’s For God and Kaiser is a major account of the Habsburg army told for the first time in English. Bassett shows how the Imperial Austrian Army, time and again, was a decisive factor in the story of Europe, the balance of international power, and the defense of Christendom. Moreover it was the first pan-European army made up of different nationalities and faiths, counting among its soldiers not only Christians but also Muslims and Jews. Bassett tours some of the most important campaigns and battles in modern European military history, from the seventeenth century through World War I. He details technical and social developments that coincided with the army’s story and provides fascinating portraits of the great military leaders as well as noteworthy figures of lesser renown. Departing from conventional assessments of the Habsburg army as ineffective, outdated, and repeatedly inadequate, the author argues that it was a uniquely cohesive and formidable fighting force, in many respects one of the glories of the old Europe.

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An accessible synthesis of the prescient best seller exploring seventeenth-century catastrophe and the impact of climate change First published in 2013, Geoffrey Parker’s prize-winning best seller Global Crisis analyzes the unprecedented calamities—revolutions, droughts, famines, invasions, wars, and regicides—that befell the mid-seventeenth-century world and wiped out as much as one-third of the global population, and reveals climate change to be the root cause. Examining firsthand accounts of the crises and scrutinizing the prevailing weather patterns during the 1640s and 1650s—longer and harsher winters, and cooler and wetter summers—Parker reveals evidence of disrupted growing seasons causing malnutrition, disease, a higher death toll, and fewer births. This new abridged edition distills the original book’s prodigious research for a broader audience while retaining and indeed emphasizing Parker’s extraordinary historical achievement: his dazzling demonstration of the link between climate change and worldwide catastrophe 350 years ago. Yet, the contemporary implications of his study are equally important: are we prepared today for the catastrophes that climate change could bring tomorrow? At half the original length, this user-friendly abridgment is ideal for students and general readers seeking a rapid handle on the key issues.

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A comprehensive and beautifully illustrated examination of dress, clothing, fashion, and sewing in the Regency seen through the lens of Jane Austen’s life and writings This lively book reveals the clothing and fashion of the world depicted in Jane Austen’s beloved books, focusing on the long Regency between the years 1795 and 1825. During this period, accelerated change saw Britain’s turbulent entry into the modern age, and clothing reflected these transformations. Starting with the intimate perspective of clothing the self, Dress in the Age of Jane Austen moves outward through the social and cultural spheres of home, village, countryside, and cities, and into the wider national and global realms, exploring the varied ways people dressed to inhabit these environments. Jane Austen’s famously observant fictional writings, as well as her letters, provide the entry point for examining the Regency age’s rich complexity of fashion, dress, and textiles for men and women in their contemporary contexts. Lavishly illustrated with paintings, drawings, historic garments, and fashion plates—including many previously unpublished images—this authoritative yet accessible book will help readers visualize the external selves of Austen’s immortal characters as clearly as she wrote of their internal ones. The result is an enhanced understanding of Austen’s work and time, and also of the history of one of Britain’s most distinctive fashion eras.

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Every year, Johann Sebastian Bach’s major vocal works are performed to mark liturgical milestones in the Christian calendar. Written by a renowned Bach scholar, this concise and accessible book provides an introduction to the music and cultural contexts of the composer’s most beloved masterpieces, including the Magnificat, Christmas Oratorio, and St. John Passion. In addition to providing historical information, each chapter highlights significant aspects—such as the theology of love—of a particular piece. This penetrating volume is the first to treat the vocal works as a whole, showing how the compositions were embedded in their original performative context within the liturgy as well as discussing Bach’s musical style, from the detailed level of individual movements to the overarching aspects of each work. Published in the approach to Easter when many of these vocal works are performed, this outstanding volume will appeal to casual concertgoers and scholars alike.

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In this landmark commentary, Craig R. Koester offers a comprehensive look at a powerful and controversial early Christian text, the book of Revelation. Originally written for Christian communities in Asia Minor, Revelation depicts scenes of cosmic conflict in which God, the creator of the world, overcomes the forces of destruction and makes all things new. This often misunderstood portion of the New Testament repeatedly surprises readers by warning that judgment is imminent, only to interrupt the visions of terror with messages of hope and redemption. Koester provides richly textured descriptions of the book’s setting and language, making extensive use of Greek and Latin inscriptions, classical texts, and ancient Jewish writings, including the Dead Sea Scrolls. While Revelation has often been viewed as world-negating, this commentary focuses on its deep engagement with social, religious, and economic issues. It also addresses the book’s volatile history of interpretation and its cultural impact over the centuries. The result is a groundbreaking study that provides powerful insights and sets new directions for the continued appreciation of this visionary religious text.

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A vast archive of documents, unread since the sixteenth century, revises the portrait of Philip II, Spain’s best-known king"A superbly informed narrative of Philip II’s long career as Europe’s most powerful king."—Henry Kamen, Little Reviews"This authoritative, intelligently revisionist biography must stand now as the primary reference."—Iain Finlayson, The Times Philip II (1527-1598) is not only the most famous king in Spanish history, but one of the most famous monarchs in English history: the man who married Mary Tudor and later launched the Spanish Armada against her sister Elizabeth I. This compelling biography of the most powerful European monarch of his day begins with his conception (1526) and ends with his ascent to Paradise (1603), two occurrences surprisingly well documented by contemporaries. Eminent historian Geoffrey Parker draws on four decades of research on Philip as well as a recent, extraordinary archival discovery—a trove of 3,000 documents in the vaults of the Hispanic Society of America in New York City, unread since crossing Philip’s own desk more than four centuries ago. Many of them change significantly what we know about the king. The book examines Philip’s long apprenticeship; his three principal interests (work, play, and religion); and the major political, military, and personal challenges he faced during his long reign. Parker offers fresh insights into the causes of Philip’s leadership failures: was his empire simply too big to manage, or would a monarch with different talents and temperament have fared better?

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“Rather than the proverbial melting pot, Wilson asks us to recognize a West that is at least a place where, against a backdrop of aridity and expansive space, diverse lives can and do coexist.” —John Rohrbach Renowned photographer Laura Wilson has captured the majesty, as well as the tragedy, of her home region of Texas and the wider West for more than three decades. A former assistant to Richard Avedon, she has published her work to wide acclaim over the past twenty-five years. As seen in this extraordinary book, Wilson’s subjects range from legendary West Texas cattle ranches to impoverished Plains Indian reservations to lavish border-town cotillions. Also featured are compelling portraits of artists who are associated with the region, including Donald Judd, Ed Ruscha, and Sam Shepard. The unforgettable images in That Day, most of which are previously unpublished, tell sharply drawn stories of the people and places that have shaped, and continue to shape, the nation’s most dynamic and unyielding land. Text from Wilson’s journals accompanies the photographs, recalling her personal experiences behind the camera at the moment when a particular image was captured. With her incisive eye, Wilson casts a fresh light on the West—a topic of enduring fascination.Published in association with the Clements Center for Southwest Studies at Southern Methodist UniversityExhibition Schedule:Amon Carter Museum of American Art (09/05/15–02/14/16)

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The extraordinary history of news and its dissemination, from medieval pilgrim tales to the birth of the newspaper Long before the invention of printing, let alone the availability of a daily newspaper, people desired to be informed. In the pre-industrial era news was gathered and shared through conversation and gossip, civic ceremony, celebration, sermons, and proclamations. The age of print brought pamphlets, edicts, ballads, journals, and the first news-sheets, expanding the news community from local to worldwide. This groundbreaking book tracks the history of news in ten countries over the course of four centuries. It evaluates the unexpected variety of ways in which information was transmitted in the premodern world as well as the impact of expanding news media on contemporary events and the lives of an ever-more-informed public. Andrew Pettegree investigates who controlled the news and who reported it; the use of news as a tool of political protest and religious reform; issues of privacy and titillation; the persistent need for news to be current and journalists trustworthy; and people’s changed sense of themselves as they experienced newly opened windows on the world. By the close of the eighteenth century, Pettegree concludes, transmission of news had become so efficient and widespread that European citizens—now aware of wars, revolutions, crime, disasters, scandals, and other events—were poised to emerge as actors in the great events unfolding around them.

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A extraordinary work, decades in the making: the first atlas to illustrate the entire scope of the transatlantic slave trade Winner of the Association of American Publishers' 2010 R.R. Hawkins Award and PROSE Award “A monumental chronicle of this historical tragedy.”—Dwight Garner, New York Times Between 1501 and 1867, the transatlantic slave trade claimed an estimated 12.5 million Africans and involved almost every country with an Atlantic coastline. In this extraordinary book, two leading historians have created the first comprehensive, up-to-date atlas on this 350-year history of kidnapping and coercion. It features nearly 200 maps, especially created for the volume, that explore every detail of the African slave traffic to the New World. The atlas is based on an online database (www.slavevoyages.org) with records on nearly 35,000 slaving voyages—roughly 80 percent of all such voyages ever made. Using maps, David Eltis and David Richardson show which nations participated in the slave trade, where the ships involved were outfitted, where the captives boarded ship, and where they were landed in the Americas, as well as the experience of the transatlantic voyage and the geographic dimensions of the eventual abolition of the traffic. Accompanying the maps are illustrations and contemporary literary selections, including poems, letters, and diary entries, intended to enhance readers’ understanding of the human story underlying the trade from its inception to its end. This groundbreaking work provides the fullest possible picture of the extent and inhumanity of one of the largest forced migrations in history.

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A classic reference book on user interface design and graphic design for web sites, updated to reflect a rapidly changing market Consistently praised as the best volume on classic elements of web site design, Web Style Guide has sold many thousands of copies and has been published around the world. This new revised edition confirms Web Style Guide as the go-to authority in a rapidly changing market. As web designers move from building sites from scratch to using content management and aggregation tools, the book’s focus shifts away from code samples and toward best practices, especially those involving mobile experience, social media, and accessibility. An ideal reference for web site designers in corporations, government, nonprofit organizations, and academic institutions, the book explains established design principles and covers all aspects of web design—from planning to production to maintenance. The guide also shows how these principles apply in web design projects whose primary concerns are information design, interface design, and efficient search and navigation.

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A landmark retrospective that examines William Merritt Chase and his lasting contribution to the history of modern art The history of modern art owes a great debt to William Merritt Chase (1849–1916), one of America’s influential artists and educators. Chase was a leading member of the international artistic avant-garde and was best known for his mastery of a wide range of subjects in oil and pastel, including figures, landscapes, urban park scenes, interiors, and portraits. As a teacher and founder of the Shinnecock Summer School of Art and the New York School of Art, Chase mentored a new generation of modernists, including Edward Hopper, Georgia O’Keeffe, and Joseph Stella. A century after his death, the breadth and richness of Chase’s career are celebrated in this beautifully illustrated publication. Five essays by prominent scholars of American art offer new insights into Chase’s multi-faceted artistic practice and his position in the international cultural climate at the turn of the 20th century.Published in association with The Phillips CollectionExhibition Schedule:The Phillips Collection, Washington, D.C. (06/04/16–09/11/16)Museum of Fine Arts, Boston (10/09/16–01/16/17)Ca’Pesaro-Galleria Internazionale d’Arte Moderna, Venice (02/11/17–05/28/17)

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Young Jawad, born to a traditional Shi’ite family of corpse washers and shrouders in Baghdad, decides to abandon the family tradition, choosing instead to become a sculptor—to celebrate life rather than tend to death. He enters Baghdad’s Academy of Fine Arts in the late 1980s, in defiance of his father’s wishes and determined to forge his own path. But the circumstances of history dictate otherwise. Saddam Hussein’s dictatorship and the economic sanctions of the 1990s destroy the socioeconomic fabric of society. The 2003 invasion and military occupation unleash sectarian violence. Corpses pile up, and Jawad returns to the inevitable washing and shrouding. Trained as an artist to shape materials to represent life aesthetically, he now must contemplate how death shapes daily life and the bodies of Baghdad’s inhabitants. Through the struggles of a single desperate family, Sinan Antoon’s novel shows us the heart of Iraq’s complex and violent recent history. Descending into the underworld where the borders between life and death are blurred and where there is no refuge from unending nightmares, Antoon limns a world of great sorrows, a world where the winds wail.

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The author takes us on an unexpected journey up the Danube, where we encounter a remarkable and unfamiliar world The magnificent Danube both cuts across and connects central Europe, flowing through and alongside ten countries: Romania, Ukraine, Moldova, Bulgaria, Serbia, Croatia, Hungary, Slovakia, Austria, and Germany. Travelling its full length from east to west, against the river’s flow, Nick Thorpe embarks on an inspiring year-long journey that leads to a new perspective on Europe today. Thorpe’s account is personal, conversational, funny, immediate, and uniquely observant—everything a reader expects in the best travel writing. Immersing himself in the Danube’s waters during daily morning swims, Thorpe likewise becomes immersed in the histories of the lands linked by the river. He observes the river’s ecological conditions, some discouraging and others hopeful, and encounters archaeological remains that whisper of human communities sustained by the river over eight millennia. Most fascinating of all are the ordinary and extraordinary people along the way—the ferrymen and fishermen, workers in the fields, shopkeepers, beekeepers, waitresses, smugglers and border policemen, legal and illegal immigrants, and many more. For readers who anticipate their own journeys on the Danube, as well as those who only dream of seeing the great river, this book will be a unique and treasured guide.

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A landmark contribution to understanding the real man behind the heroic legend inspired by the triumph at Waterloo The Duke of Wellington was not just Britain’s greatest soldier, although his seismic struggles as leader of the Allied forces against Napoleon in the Peninsular War deservedly became the stuff of British national legend. Wellington was much more: a man of vision beyond purely military matters, a politically astute thinker, and a canny diplomat as well as lover, husband, and friend. Rory Muir’s masterful new biography, the first of a two-volume set, is the fruit of a lifetime’s research and discovery into Wellington and his times. The author brings Wellington into much sharper focus than ever before, addressing his masterstrokes and mistakes in equal measure. Muir looks at all aspects of Wellington’s career, from his unpromising youth through his remarkable successes in India and his role as junior minister in charge of Ireland, to his controversial military campaigns. With dramatic descriptions of major battles and how they might have turned out differently, the author underscores the magnitude of Wellington’s achievements. The biography is the first to address the major significance of Wellington’s political connections and shrewdness, and to set his career within the wider history of British politics and the war against Napoleon. The volume also revises Wellington’s reputation for being cold and aloof, showing instead a man of far more complex and interesting character.

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Historian John Buckley offers a radical reappraisal of Great Britain’s fighting forces during World War Two, challenging the common belief that the British Army was no match for the forces of Hitler’s Germany. Following Britain’s military commanders and troops across the battlefields of Europe, from D-Day to VE-Day, from the Normandy beaches to Arnhem and the Rhine, and, ultimately, to the Baltic, Buckley’s provocative history demonstrates that the British Army was more than a match for the vaunted Nazi war machine. This fascinating revisionist study of the campaign to liberate Northern Europe in the war’s final years features a large cast of colorful unknowns and grand historical personages alike, including Field Marshal Sir Bernard Montgomery and the prime minister, Sir Winston Churchill. By integrating detailed military history with personal accounts, it evokes the vivid reality of men at war while putting long-held misconceptions finally to rest.

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Providing the first thorough study of sculptural portraiture in 18th-century Britain, this important book challenges both the idea that portrait necessarily implies painting and the assumption that Enlightenment thought is manifest chiefly in French art. By considering the bust and the statue as genres, Malcolm Baker, a leading sculpture scholar, addresses the question of how these seemingly traditional images developed into ambitious forms of representation within a culture in which many core concepts of modernity were being formed. The leading sculptor at this time in Britain was Louis Francois Roubiliac (1702–1762), and his portraits of major figures of the day, including Alexander Pope, Isaac Newton, and George Frederic Handel, are examined here in detail. Remarkable for their technical virtuosity and visual power, these images show how sculpture was increasingly being made for close and attentive viewing. The Marble Index eloquently establishes that the heightened aesthetic ambition of the sculptural portrait was intimately linked with the way in which it could engage viewers familiar with Enlightenment notions of perception and selfhood.Published for the Paul Mellon Centre for Studies in British Art

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Acclaimed poet and translator Sarah Ruden brilliantly brings Apuleius's comic tale to life “A rollicking ride well worth the fare, . . . marvelously, sidesplittingly ridiculous. . . . It’s a story, not a homily, and Sarah Ruden has re-bestowed it with artful aplomb.”—Tracy Lee Simmons, National Review “A cause for celebration. . . . We owe Sarah Ruden a great debt of thanks for [this] English translation that is no less inventive, varied, and surprising than the original.”—G. W. Bowersock, New York Review of Books With accuracy, wit, and intelligence, this remarkable new translation of The Golden Ass breathes new life into Apuleius's classic work. Sarah Ruden, a lyric poet as well as a highly respected translator, skillfully duplicates the verbal high jinks of Apuleius's ever-popular novel. It tells the story of Lucius, a curious and silly young man, who is turned into a donkey when he meddles with witchcraft. Doomed to wander from region to region and mistreated by a series of deplorable owners, Lucius at last is restored to human form with the help of the goddess Isis.The Golden Ass, the first Latin novel to survive in its entirety, is related to the Second Sophistic, a movement of learned and inventive literature. In a translation that is both the most faithful and the most entertaining to date, Ruden reveals to modern readers the vivid, farcical ingenuity of Apuleius's style.

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A timely and illuminating history of Tibet, from the seventh century to what it means to be Tibetan today Situated north of the Himalayas, Tibet is famous for its unique culture and its controversial assimilation into modern China. Yet Tibet in the twenty-first century can only be properly understood in the context of its extraordinary history.Sam van Schaik brings the history of Tibet to life by telling the stories of the people involved, from the glory days of the Tibetan empire in the seventh century through to the present day. He explores the emergence of Tibetan Buddhism and the rise of the Dalai Lamas, Tibet's entanglement in the "Great Game" in the early twentieth century, its submission to Chinese Communist rule in the 1950s, and the troubled times of recent decades.Tibet sheds light on the country's complex relationship with China and explains often-misunderstood aspects of its culture, such as reborn lamas, monasteries and hermits, The Tibetan Book of the Dead, and the role of the Dalai Lama. Van Schaik works through the layers of history and myth to create a compelling narrative, one that offers readers a greater understanding of this important and controversial corner of the world.

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A fresh translation of The New Science, with detailed footnotes that will help both the scholar and the new reader navigate Vico’s masterpieceThe New Science is the major work of Italian philosopher Giambattista Vico. First published in 1725 and revised in 1730 and 1744, it calls for a reinterpretation of human civilization by tracing the stages of historical development shared by all societies. Almost unknown during his lifetime, the work had a profound influence on later thinkers, from Montesquieu and Marx to Joyce and Gadamer. This edition offers a fresh translation and detailed annotations which enable the reader to track Vico’s multiple allusions to other texts. The introduction situates the work firmly within a contemporary context and newly establishes Vico as a thinker of modernity.

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“Greenberg has accomplished a magnificent literary feat. He has taken a great German work, until now all but inaccessible to English readers, and made it into a sparkling English poem, full of verve and wit. Greenberg's translation lives; it is done in a modern idiom but with respect for the original text; I found it a joy to read.”—Irving Howe (on the earlier edition) A classic of world literature, Goethe’s Faust is a philosophical and poetic drama full of satire, irony, humor, and tragedy. Martin Greenberg re-creates not only the text’s varied meter and rhyme but also its diverse tones and styles—dramatic and lyrical, reflective and farcical, pathetic and coarse, colloquial and soaring. His rendition of Faust is the first faithful, readable, and elegantly written translation of Goethe’s masterpiece available in English. At last, the Greenberg Faust is available in a single volume, together with a thoroughly updated translation, preface, and notes.

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A New York Times Book Review Editor's Choice: A vivid account of the generations-long dispute over Bayes' rule, one of the greatest breakthroughs in the history of applied mathematics and statistics"An intellectual romp touching on, among other topics, military ingenuity, the origins of modern epidemiology, and the theological foundation of modern mathematics."—Michael Washburn, Boston Globe"To have crafted a page-turner out of the history of statistics is an impressive feat. If only lectures at university had been this racy."—David Robson, New Scientist Bayes' rule appears to be a straightforward, one-line theorem: by updating our initial beliefs with objective new information, we get a new and improved belief. To its adherents, it is an elegant statement about learning from experience. To its opponents, it is subjectivity run amok.In the first-ever account of Bayes' rule for general readers, Sharon Bertsch McGrayne explores this controversial theorem and the human obsessions surrounding it. She traces its discovery by an amateur mathematician in the 1740s through its development into roughly its modern form by French scientist Pierre Simon Laplace. She reveals why respected statisticians rendered it professionally taboo for 150 years—at the same time that practitioners relied on it to solve crises involving great uncertainty and scanty information (Alan Turing's role in breaking Germany's Enigma code during World War II), and explains how the advent of off-the-shelf computer technology in the 1980s proved to be a game-changer. Today, Bayes' rule is used everywhere from DNA de-coding to Homeland Security.Drawing on primary source material and interviews with statisticians and other scientists, The Theory That Would Not Die is the riveting account of how a seemingly simple theorem ignited one of the greatest controversies of all time.

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A vivid reappraisal of the legendary Captain Cook, from bestselling biographer Frank McLynn The age of discovery was at its peak in the eighteenth century, with heroic adventurers charting the furthest reaches of the globe. Foremost among these explorers was navigator and cartographer Captain James Cook of the British Royal Navy.Recent writers have viewed Cook largely through the lens of colonial exploitation, regarding him as a villain and overlooking an important aspect of his identity: his nautical skills. In this authentic, engrossing biography, Frank McLynn reveals Cook's place in history as a brave and brilliant seaman. He shows how the Captain's life was one of struggle--with himself, with institutions, with the environment, with the desire to be remembered--and also one of great success.In Captain Cook, McLynn re-creates the voyages that took the famous navigator from his native England to the outer reaches of the Pacific Ocean. Ultimately, Cook, who began his career as a deckhand, transcended his humble beginnings and triumphed through good fortune, courage, and talent. Although Cook died in a senseless, avoidable conflict with the people of Hawaii, McLynn illustrates that to the men with whom he served, Cook was master of the seas and nothing less than a titan.

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Since it was first published, French in Action: A Beginning Course in Language and Culture—The Capretz Method has been widely recognized in the field as a model for video-based foreign-language instructional materials. The third edition has been revised by Pierre Capretz and Barry Lydgate and includes new, contemporary illustrations throughout and more-relevant information for today's students in the Documents sections of each lesson. A completely new feature is a journal by the popular character Marie-Laure, who observes and humorously comments on the political, cultural, and technological changes in the world between 1985 and today. The new edition also incorporates more content about the entire Francophone world. In use by hundreds of colleges, universities, and high schools, French in Action remains a powerful educational resource, and the third edition updates the course for a new generation of learners.

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An impassioned argument for the existence of evil from one of the most respected and influential critics of our day In this witty, accessible study, the prominent Marxist thinker Terry Eagleton launches a surprising defense of the reality of evil, drawing on literary, theological, and psychoanalytic sources to suggest that evil, no mere medieval artifact, is a real phenomenon with palpable force in our contemporary world.In a book that ranges from St. Augustine to alcoholism, Thomas Aquinas to Thomas Mann, Shakespeare to the Holocaust, Eagleton investigates the frightful plight of those doomed souls who apparently destroy for no reason. In the process, he poses a set of intriguing questions. Is evil really a kind of nothingness? Why should it appear so glamorous and seductive? Why does goodness seem so boring? Is it really possible for human beings to delight in destruction for no reason at all?

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In recent years, Iran has gained attention mostly for negative reasons—its authoritarian religious government, disputed nuclear program, and controversial role in the Middle East—but there is much more to the story of this ancient land than can be gleaned from the news. This authoritative and comprehensive history of Iran, written by Homa Katouzian, an acclaimed expert, covers the entire history of the area from the ancient Persian Empire to today’s Iranian state. Writing from an Iranian rather than a European perspective, Katouzian integrates the significant cultural and literary history of Iran with its political and social history. Some of the greatest poets of human history wrote in Persian—among them Rumi, Omar Khayyam, and Saadi—and Katouzian discusses and occasionally quotes their work. In his thoughtful analysis of Iranian society, Katouzian argues that the absolute and arbitrary power traditionally enjoyed by Persian/Iranian rulers has resulted in an unstable society where fear and short-term thinking dominate. A magisterial history, this book also serves as an excellent background to the role of Iran in the contemporary world.

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The first full-length novel by Chinese author Can Xue to appear in English “There’s no other writer in China like Can Xue . . . strange, surreal, and very compelling . . . [and] this novel is probably the best place to start.”—Chad Post, Publishers Weekly Five Spice Street tells the story of a street in an unnamed city whose inhabitants speculate on the life of a mysterious Madam X. The novel interweaves their endless suppositions into a work that is at once political parable and surreal fantasia. Some think X is 50 years old, others that she is 22. Some believe she has occult powers and has thereby enslaved the young men of the street; others think she is a clever trickster playing mind games with the common people. Who is Madam X? How has she brought the good people of Five Spice Street to their knees either in worship or in exasperation? The unknown narrator takes no sides in the endless interplay of visions, arguments, and opinions. The investigation rages, as the street becomes a Walpurgisnacht of speculations, fantasies, and prejudices. Madam X is a vehicle whereby the people bare their souls, through whom they reveal themselves even as they try to penetrate the mystery of her extraordinary powers. Exploring the collective consciousness of this little street of ordinary people, Can Xue penetrates the deepest existential anxieties of the present day—whether in China or in the West—where the inevitable impermanence of identity struggles with the narrative within which identity must compose itself.

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The first authoritative account of the Hell-Fire Clubs, who joined them, and which notorious legends about them are true The Hell-Fire Clubs scandalized eighteenth-century English society. Rumors of their orgies, recruitment of prostitutes, extensive libraries of erotica, extreme rituals, and initiation ceremonies circulated widely at the time, only to become more sensational as generations passed. This thoroughly researched book sets aside the exaggerated gossip about the secret Hell-Fire Clubs and brings to light the first accurate portrait of their membership (including John Wilkes, the Chancellor of the Exchequer, and the Prince of Wales), beliefs, activities, and the reasons for their proliferation, first in the British Isles and later in America, possibly under the auspices of Benjamin Franklin.Hell-Fire Clubs operated under a variety of titles, but all attracted similar members—mainly upper-class men with abundant leisure and the desire to shock society. The book explores the social and economic context in which the clubs emerged and flourished; their various phases, which first involved violence as an assertion of masculinity, then religious blasphemy, and later sexual indulgence; and the countermovement that eventually suppressed them. Uncovering the facts behind the Hell-Fire legends, this book also opens a window on the rich contradictions of the Enlightenment period.

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“An impressive fusion of the inner histories of immigrant social and religious life.” —John W. Briggs, American Historical Review “An in-depth historical study of the Italian-American community and its religion, without sentimentalizing values and perceptions.”—Kirkus Reviews In a masterful evocation of Italian Harlem and the men and women who lived there, Robert Orsi examines how the annual festa of the Madonna of 115th Street both influenced and reflected the lives of the celebrants. His prize-winning book offers a new perspective on lived religion, the place of religion in the everyday lives of men, women, and children, the experiences of immigration and community formation, and American Catholicism. This edition includes a new introduction by the author that outlines both the changes that Italian Harlem has undergone in recent years and significant shifts in the field of religious history.

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A comprehensive look at the life and work of one of the 20th century’s most influential architects Aldo van Eyck (1918–1999) was a Dutch architect, writer, and teacher who helped redefine Modern architecture in the second half of the 20th century. As an advocate for architecture’s engagement with history, culture, climate, and the lived human experience of buildings and urban spaces, he created designs that privileged place and the daily rituals in the lives of its inhabitants over universal ideals. In this volume, enlivened by 300 illustrations from the Aldo van Eyck archive, Robert McCarter provides the first comprehensive study of van Eyck’s 50-year career since his death, guiding readers through the architect’s buildings and unrealized projects, with a focus on the interior spatial experience and on the design and construction processes. Highlighted projects include the Amsterdam Orphanage, the Roman Catholic Church in The Hague, and some of the hundreds of playgrounds he famously designed over the course of his career. McCarter also investigates how van Eyck’s writings and lectures convey the importance of architecture in the everyday lives of people around the world and throughout history. By presenting his design work together with the principles on which it was founded, McCarter illuminates van Eyck’s ethical interpretation of architecture’s place in the world.

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