Search results for ""yale university press""

A groundbreaking exhibition catalogue of Native, First Nations, Metis, and Inuit photography from the nineteenth century to the present day Photographs of and by Native people have long been exhibited in museums. All too often, however, such exhibitions have misrepresented vital cultural and historical contexts, neglecting the depth of practice, supporting scholarship, and Native perspectives relevant to the work. By developing a broadly representative curatorial council of prominent academics and artists, more than half of whom represent Native communities in the United States and Canada, this book significantly expands the traditional discourses of photographic history. With incisive contributions by individual curatorial council members, In Our Hands presents Native photography in three thematic sections that underscore the following: Native people are present in all facets of American life; their role is transformative in the larger society; and their view of, and connections to, the land and all living things is holistic and fundamental. The publication features 130 photographic works by Native photographers from the late nineteenth century to the present, ranging from documentary photographs to family snapshots to conceptual works. Illustrated in full color, the photographs in this book offer diverse perspectives spanning geographic, chronological, and artistic experience, and shed new light on the extraordinary contributions of Native, First Nations, Metis, and Inuit artists to the art of the Americas. Distributed for the Minneapolis Institute of Art Exhibition Schedule: Minneapolis Institute of Art (October 22, 2023–January 14, 2024)

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Experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation and decay. This seminal publication offers an unexpected discussion of cutting-edge fashion in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyses the work of innovative designers, the images of fashion photographers and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion’s dark side and what it signifies.Fashion at the Edge considers a range of ground- breaking fashion in unprecedented depth and detail, including the work of such designers as John Galliano, Alexander McQueen, Hussein Chalayan and Viktor & Rolf, and photographers such as Steven Meisel, Nick Knight and Juergen Teller.Drawing on diverse perspectives from Marx to Walter Benjamin, Evans shows that fashion stands at the very centre of the contemporary, and that it voices some of Western culture’s deepest concerns.

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A new collection of stories by the acclaimed Ludmila Ulitskaya, masterfully translated into English A New Yorker Best of the Week Pick • A Library Journal choice for Best World Literature of 2023 • A World Literature Today Notable Translation of 2023 “[A] magnificent collection . . . [by] a writer of boundless tenderness.”—Geneviève Brisac, Le Monde “Centrifugal, pensive, often elusive stories by one of the greatest living Russian writers (and leading anti-Putinist). . . . The stories are marvels of economy and the unexpected twist, each a memorable tour de force. . . . A welcome introduction to the short fiction of an essential writer.”—Kirkus Reviews (starred review) While we can feel, know, and study the body, the soul refuses definition. Where does it begin and end? What does the soul have to do with love? Does it exist at all, and if so, does it outlast the body? Or are the soul and body really one and the same? These are questions posed by the characters who inhabit this book of stories by the award-winning Russian writer Ludmila Ulitskaya. A woman believes that the best way to control her life is to control her death. A landscape photographer wonders if the beauty he has witnessed can triumph over decay. A coroner dedicated to science is confronted by a startling physical anomaly, a lonely divorcée experiences an extraordinary transformation, a librarian whose life is devoted to language finds words slipping away from her. In these eleven stories, artfully rendered into English by Richard Pevear and Larissa Volokhonsky, Ulitskaya maps the edges of our lives, tracing a delicate geography of the soul.

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A definitive history of ideas about land redistribution, allied political movements, and their varied consequences around the world “An epic work of breathtaking scope and moral power, The Long Land War offers the definitive account of the rise and fall of land rights around the world over the last 150 years.”—Matthew Desmond, Pulitzer Prize–winning author of Evicted: Poverty and Profit in the American City Jo Guldi tells the story of a global struggle to bring food, water, and shelter to all. Land is shown to be a central motor of politics in the twentieth century: the basis of movements for giving reparations to formerly colonized people, protests to limit the rent paid by urban tenants, intellectual battles among development analysts, and the capture of land by squatters taking matters into their own hands. The book describes the results of state-engineered “land reform” policies beginning in Ireland in 1881 until U.S.-led interests and the World Bank effectively killed them off in 1974. The Long Land War provides a definitive narrative of land redistribution alongside an unflinching critique of its failures, set against the background of the rise and fall of nationalism, communism, internationalism, information technology, and free-market economics. In considering how we could make the earth livable for all, she works out the important relationship between property ownership and justice on a changing planet.

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A pathbreaking look at Native women of the early South who defined power and defied authority “An artful, powerful book. . . . [A] substantial contribution to our knowledge of women in the so-called ‘forgotten centuries’ of European colonialism in the southeast.”—Malinda Maynor Lowery, author of The Lumbee Indians “A remarkable book. Alejandra Dubcovsky pursued relentless research to uncover the histories of women previously unseen, even unnamed. As Dubcovsky shows, they had names, they had families, they had lives that mattered. The historical landscape is transformed by their presence.”—Lisa Brooks, author of Our Beloved Kin Historian Alejandra Dubcovsky tells a story of war, slavery, loss, remembrance, and the women whose resilience and resistance transformed the colonial South. In exploring their lives she rewrites early American history, challenging the established male-centered narrative. Dubcovsky reconstructs the lives of Native women—Timucua, Apalachee, Chacato, and Guale—to show how they made claims to protect their livelihoods, bodies, and families. Through the stories of the Native cacica who demanded her authority be recognized; the elite Spanish woman who turned her dowry and household into a source of independent power; the Floridiana who slapped a leading Native man in the town square; and the Black woman who ran a successful business at the heart of a Spanish town, Dubcovsky reveals the formidable women who claimed and used their power, shaping the history of the early South.

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This volume, a companion to Hampshire: Winchester and the North, covers the county’s southern half, from the woodland and heath of the New Forest to the cities along the Solent, and from remote Saxon churches to Modernist seaside villas. The original text has been fully revised to include new research and 130 specially commissioned color photographs. The guide explores major ecclesiastical monuments at Romsey, the Bishop of Winchester’s palace at Bishops Waltham, and the remains of the great post-Dissolution houses at Beaulieu and Titchfield. At Southampton is one of England’s best preserved medieval town walls, while at Portsmouth the structures of the 18th- and 19th-century Royal Navy dockyard are among the most important of their kind. Amid all this beauty are traces of conflict, from the Roman fort at Portchester, to the coastal castles of Henry VIII’s rule, to the relics of the Normandy invasions of 1944.

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A beautifully illustrated look at how Georg Jensen pushed the boundaries of modern domestic design In 1904 Danish silversmith Georg Jensen (1866–1935) founded one of the world’s most celebrated design companies. Famous for its signature silver tableware that combines gleaming sculptural forms with lush ornament, Jensen’s eponymous firm has stood at the forefront of domestic design for over a century by combining an innovative and experimental spirit with a commitment to traditional craftsmanship. Tracing the evolution of Georg Jensen silver from its place in the company’s initial emergence through its continuing role as a touchstone for the global identity of Danish design, this book examines the creative processes and business practices behind Jensen’s stunning bowls, pitchers, coffee services, and other domestic objects. Lavishly illustrated with works ranging in style from organic to industrial, Georg Jensen is full of new insights gleaned from the company’s own archives and situates Jensen’s work in the broader context of 20th-century design. This unprecedented study includes scholarly essays by Alison Fisher, Maggie Taft, and Thomas C. Thulstrup that delve into the significant and continuing impact of Georg Jensen silver on modern domestic taste. Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago (06/22/18–09/09/18)

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How the collapse of empires helps explain the efforts of China, Iran, Russia, and Turkey to challenge the international order “This is a must read to understand the backstory of conflicts from Crimea to Xinjiang.”—Fiona Hill, author of There Is Nothing for You Here Eurasia’s major powers—China, Iran, Russia, and Turkey—increasingly intervene across their borders while seeking to pull their smaller neighbors more firmly into their respective orbits. While analysts have focused on the role of leaders such as Vladimir Putin and Recep Tayyip Erdoğan in explaining this drive to dominate neighbors and pull away from the Western-dominated international system, they have paid less attention to the role of imperial legacies. Jeffrey Mankoff argues that what unites these contemporary Eurasian powers is their status as heirs to vast terrestrial empires, whose collapse left all four states deeply entangled with the lands and peoples along their peripheries but outside their formal borders. Today, they have all found new opportunities to project power within and beyond their borders in patterns shaped by their respective imperial pasts.

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The tragic history of the cormorant’s relations with humans and the implications for today’s wildlife management policy The double-crested cormorant, found only in North America, is an iridescent black waterbird superbly adapted to catch fish. It belongs to a family of birds vilified since biblical times and persecuted around the world. Thus it was perhaps to be expected that the first European settlers in North America quickly deemed the double-crested cormorant a competitor for fishing stock and undertook a relentless drive to destroy the birds. This enormously important book explores the roots of human-cormorant conflicts, dispels myths about the birds, and offers the first comprehensive assessment of the policies that have been developed to manage the double-crested cormorant in the twenty-first century. Conservation biologist Linda Wires provides a unique synthesis of the cultural, historical, scientific, and political elements of the cormorant’s story. She discusses the amazing late-twentieth-century population recovery, aided by protection policies and environment conservation, but also the subsequent U.S. federal policies under which hundreds of thousands of the birds have been killed. In a critique of the science, management, and ethics underlying the double-crested cormorant’s treatment today, Wires exposes “management” as a euphemism for persecution and shows that the current strategies of aggressive predator control are outdated and unsupported by science.

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A probing study of the veil's recent return—from one of the world's foremost authorities on Muslim women—that reaches surprising conclusions about contemporary Islam's place in the West today In Cairo in the 1940s, Leila Ahmed was raised by a generation of women who never dressed in the veils and headscarves their mothers and grandmothers had worn. To them, these coverings seemed irrelevant to both modern life and Islamic piety. Today, however, the majority of Muslim women throughout the Islamic world again wear the veil. Why, Ahmed asks, did this change take root so swiftly, and what does this shift mean for women, Islam, and the West?When she began her study, Ahmed assumed that the veil's return indicated a backward step for Muslim women worldwide. What she discovered, however, in the stories of British colonial officials, young Muslim feminists, Arab nationalists, pious Islamic daughters, American Muslim immigrants, violent jihadists, and peaceful Islamic activists, confounded her expectations. Ahmed observed that Islamism, with its commitments to activism in the service of the poor and in pursuit of social justice, is the strain of Islam most easily and naturally merging with western democracies' own tradition of activism in the cause of justice and social change. It is often Islamists, even more than secular Muslims, who are at the forefront of such contemporary activist struggles as civil rights and women's rights. Ahmed's surprising conclusions represent a near reversal of her thinking on this topic.Richly insightful, intricately drawn, and passionately argued, this absorbing story of the veil's resurgence, from Egypt through Saudi Arabia and into the West, suggests a dramatically new portrait of contemporary Islam.

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The trials, troubles and triumphs of returning home after the end of World War Two. What happened when millions of British servicemen were “demobbed”—demobilized—after World War II? Most had been absent for years, and the joy of arrival was often clouded with ambivalence, regrets, and fears. Returning soldiers faced both practical and psychological problems, from reasserting their place in the family home to rejoining a much-altered labor force. Civilians worried that their homecoming heroes had been barbarized by their experiences and would bring crime and violence back from the battlefield. Drawing on personal letters and diaries, newspapers, reports, novels, and films, Alan Allport illuminates the darker side of the homecoming experience for ex-servicemen, their families, and society at large—a gripping story that’s in danger of being lost to national memory.

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A Polish writer’s experience of wartime France, a cosmopolitan outsider’s perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider’s perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation—in a daringly untragic mode—of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man’s pleasure in physical movement—miles clocked on country roads and Parisian streets on his trusty bike—and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.

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A century of recording has fundamentally changed our experience of music—the way we listen to it and the way it is performed. This highly engaging book is the first thorough exploration of the impact of recording technology upon the art of music. Timothy Day chronicles the developments in recording technology since its inception and describes the powerful effects it has had on artistic performance, audience participation, and listening habits. He compares the characteristics of musical life one hundred years ago—before the phonograph—to those of today and offers a fascinating analysis of how performing practices, images of performers, the work of composers, and performance choices in concert halls and opera houses have changed.The book investigates the work of such great recording engineer-impresarios as Fred Gaisberg and Walter Legge; the recording history of conductors, orchestras, and soloists throughout the century; and the development of the great classical recording labels. Day also addresses a variety of questions raised by the study of recordings: What have people expected of a recorded performance? Do recordings constitute an art form in their own right? What is historical authenticity? What is moral authenticity? Are recordings that endow incompetent artists with flawless techniques somehow fraudulent? Why do artists re-record repertoire? This book will inform and engage a wide range of readers, from those who love music and recordings to performers and scholars and all readers with an interest in the social and artistic history of the twentieth century.

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Recent articles in the press have explored a possible link between cancer and such familiar sources of electromagnetic fields as power-distribution lines or electronic appliances. In this book a distinguished physicist evaluates the properties of low-frequency electromagnetic fields and their interactions with the human body and concludes that the health risks from these interactions have been vastly overstated.William Ralph Bennett, Jr., reviews the epidemiological evidence for a link between low-frequency electromagnetic fields and cancer. He then reviews the basic properties of these fields, outlining the simplest methods for calculating and measuring them and illustrating his discussion with original data on the electromagnetic fields produced by power lines, electrified railroads, common household appliances, video display terminals, television sets, and airport metal detectors. He considers the specific ways by which electric and magnetic fields couple to the body; compares these fields with others of much greater magnitude that must exist inside the body because of thermodynamic processes; and analyzes several resonance mechanisms that have been proposed to explain unusual sensitivity of biological tissue to low-frequency oscillating fields. A glossary and numerous tables and figures accompany the text.The book is based on a study by the author for the U.S. Government's Committee on Interagency Radiation Research and Policy Coordination that was coordinated by Oak Ridge Associated Universities.

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The first book to examine the iconic depiction of evolution, the march of progress, and its role in shaping our understanding of how humans evolved

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A diverse, interdisciplinary collection of essays exploring what makes Maryse Condé a writer for our times In 2018, the New Academy selected Guadeloupean writer, scholar, and teacher of literature Maryse Condé as the recipient of the 2018 Alternative Nobel Prize in Literature. This volume of Yale French Studies examines Condé's work and legacy, exploring why a diverse group of journalists, critics, and lay readers selected her as the writer most deserving of the prize. Varied in their themes, forms, and disciplinary groundings, the essays consider how Condé’s novels, plays, essays, and memoirs have engaged with many of the urgent social, economic, and political issues of the late-twentieth and twenty-first centuries, often anticipating and catalyzing public debates. Written by scholars from Africa, the Antilles, South America, France, and the United States, the essays consider Condé’s unique voice and the ways in which her writing speaks to readers all over the world, making her “a writer for our times.”

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A revelatory alternative to the standard economic models of human behavior that proposes an exciting new way to understand decision‑making “Willful is a breakthrough in economics. Richard Robb’s tremendously insightful book shows how much of our behavior is not explained by existing theories of human action and explains in sparkling prose why understanding decisions made seemingly without reason presents a fuller picture of our world.”—Edmund S. Phelps, Nobel Laureate in Economics Why do we do the things we do? The classical view of economics is that we are rational individuals, making decisions with the intention of maximizing our preferences. Behaviorists, on the other hand, see us as relying on mental shortcuts and conforming to preexisting biases. Richard Robb argues that neither explanation accounts for those things that we do for their own sake, and without understanding these sorts of actions, our picture of decision‑making is at best incomplete. Robb explains how these choices made seemingly without reason belong to a realm of behavior he identifies as “for‑itself.” A provocative combination of philosophy and economics that offers a key to many of our quixotic choices, this groundbreaking volume provides a new way to understand everything from investing to how hard we work to how we manage daily interactions.

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The most up-to-date account of the Scottish architect and designer Charles Rennie Mackintosh's masterwork

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A celebration of beer—its science, its history, and its impact on human culture “Curatorial eminences Rob DeSalle and Ian Tattersall serve up a potent scientific brew. . . . A marvellous paean to the pint, and to the researchers probing its depths.”—Barbara Kiser, Nature “Forced to choose between this book and a pint of hazy IPA, I would be at a loss. Better to consume them at the same time—both will go down easily, and leave you in an improved condition.”—Bill McKibben What can beer teach us about biology, history, and the natural world? From ancient Mesopotamian fermentation practices to the resurgent American craft brewery, Rob DeSalle and Ian Tattersall peruse the historical record and traverse the globe for engaging and often surprising stories about beer. They explain how we came to drink beer, what ingredients combine to give beers their distinctive flavors, how beer’s chemistry works at the molecular level, and how various societies have regulated the production and consumption of beer. Drawing from such diverse subject areas as animal behavior, ecology, history, archaeology, chemistry, sociology, law, genetics, physiology, neurobiology, and more, DeSalle and Tattersall entertain and inform with their engaging stories of beer throughout human history and the science behind it all. Readers are invited to grab a beer and explore the fascinating history of its creation.

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A case for why regionalization, not globalization, has been the biggest economic trend of the past forty years The conventional wisdom about globalization is wrong. Over the past forty years as companies, money, ideas, and people went abroad, they increasingly looked regionally rather than globally. O’Neil details this transformation and the rise of three major regional hubs in Asia, Europe, and North America. Current technological, demographic, and geopolitical trends look only to deepen these regional ties. O’Neil argues that this has urgent implications for the United States. Regionalization has enhanced economic competitiveness and prosperity in Europe and Asia. It could do the same for the United States, if only it would embrace its neighbors.

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A dynamic look at the vast creative production of contemporary women artists from around the globe A celebration of the work of women artists of color, this book explores the ways in which struggles for freedom and equality are deeply intertwined with shared feminist practices, art techniques and movements, and the notion of diaspora through the extraordinary collection of social activist and patron Eileen Harris Norton. Featuring work by Sonia Boyce, Maya Lin, Julie Mehretu, Shirin Neshat, Adrian Piper, Faith Ringgold, Kara Walker, Carrie Mae Weems, and many others, All These Liberations draws out the intimate connections among artist, collector, and the social worlds that surround them. For nearly five decades, Harris Norton has championed both artists and curators of color, helping to reshape museum practice and the surrounding art market. Essays in this volume by art historians and curators address vital political, social, and personal issues, as well as topics such as spirituality, domestic life, memory and historical trauma, the body, intimacy, power dynamics, and violence toward women. The book also features an interview with Harris Norton by Thelma Golden, director and chief curator at the Studio Museum in Harlem; a foreword by artist Lorna Simpson; and a roundtable conversation among leaders in the art world discussing Harris Norton’s impact on their careers and on the careers of contemporary women artists globally. Distributed for Marquand Books

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Kraus’s iconic WWI drama, a satirical indictment of the glory of war, now in English in its entirety for the first time "[A] superb translation."—Bill Marx, Arts Fuse One hundred years after Austrian satirist Karl Kraus began writing his dramatic masterpiece, The Last Days of Mankind remains as powerfully relevant as the day it was published. Kraus’s play enacts the tragic trajectory of the First World War, when mankind raced toward self-destruction by methods of modern warfare while extolling the glory and ignoring the horror of an allegedly “defensive” war. This volume is the first to present a complete English translation of Kraus’s towering work, filling a major gap in the availability of Viennese literature from the era of the War to End All Wars. Bertolt Brecht hailed The Last Days as the masterpiece of Viennese modernism. In the apocalyptic drama Kraus constructs a textual collage, blending actual quotations from the Austrian army’s call to arms, people’s responses, political speeches, newspaper editorials, and a range of other sources. Seasoning the drama with comic invention and satirical verse, Kraus reveals how bungled diplomacy, greedy profiteers, Big Business complicity, gullible newsreaders, and, above all, the sloganizing of the press brought down the Austro-Hungarian Empire. In the dramatization of sensationalized news reports, inurement to atrocities, and openness to war as remedy, today’s readers will hear the echo of the fateful voices Kraus recorded as his homeland descended into self-destruction.

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The first publication devoted to the textile designs of one of the twentieth century’s greatest artists, showcasing a rarely discussed aspect of the Pop Art superstar’s career Andy Warhol (1928–1987), a giant of twentieth century art, is known to most people for his iconic images of soup cans, Coke bottles, and Marilyn Monroe. Before his meteoric rise to fame in the early 1960s as a Pop Art superstar, Warhol was a highly successful commercial artist in New York. The late Matt Wrbican, former chief archivist of the Warhol Museum in Pittsburgh, once said “there are very few stories left to tell about Warhol, but textiles is one of them”. This is the first book devoted to the commercial textile designs of this leading figure in the history of art. With stunning new photography throughout, including unpublished images of newly discovered textiles, the book sheds new light on a previously undocumented but important aspect of Warhol’s oeuvre. Featuring over 30 different textiles, from ice cream sundaes to acrobatic clowns, Warhol: The Textiles offers a unique record of the beginnings of one of the twentieth century’s greatest artists. Published in association with the Fashion and Textile Museum Exhibition Schedule: Fashion and Textile Museum, London (March 31–September 10, 2023)

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Mark Rothko’s classic book on artistic practice, ideals, and philosophy, now with an expanded introduction and an afterword by Makoto Fujimura Stored in a New York City warehouse for many years after the artist’s death, this extraordinary manuscript by Mark Rothko (1903–1970) was published to great acclaim in 2004. Probably written in 1940 or 1941, it contains Rothko’s ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of “American art,” and much more. In his introduction, illustrated with examples of Rothko’s work and pages from the manuscript, the artist’s son, Christopher Rothko, describes the discovery of the manuscript and the fascinating process of its initial publication. This edition includes discussion of Rothko’s “Scribble Book” (1932), his notes on teaching art to children, which has received renewed scholarly attention in recent years and provides clues to the genesis of Rothko’s thinking on pedagogy. In an afterword written for this edition, artist and author Makoto Fujimura reflects on how Rothko’s writings offer a “lifeboat” for “art world refugees” and a model for upholding artistic ideals. He considers the transcendent capacity of Rothko’s paintings to express pure ideas and the significance of the decade-long gap between The Artist’s Reality and Rothko’s mature paintings, during which the horrors of the Holocaust and the atomic bomb were unleashed upon the world.

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What happened when Jane Austen’s heroines and heroes were finally wed? Marriage is at the centre of Jane Austen’s novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England? Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all. This is a richly textured account of how love and marriage felt for people at the time—revealing their unspoken assumptions, fears, pleasures, and delights.

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Your voice provides biometric data. How are marketers using it to manipulate you?“[Dr. Turow ] is encouraging policymakers and the public to do something I wish we did more often: Be careful and considerate about how we use a powerful technology before it might be used for consequential decisions.”—Shira Ovide, New York Times Only three decades ago, it was inconceivable that virtually entire populations would be carrying around wireless phones wherever they went, or that peoples’ exact locations could be tracked by those devices. We now take both for granted. Even just a decade ago the idea that individuals’ voices could be used to identify and draw inferences about them as they shopped or interacted with retailers seemed like something out of a science fiction novel. Yet a new business sector is emerging to do exactly that. The first in-depth examination of the voice intelligence industry, The Voice Catchers exposes how artificial intelligence is enabling personalized marketing and discrimination through voice analysis. Amazon and Google have numerous patents pertaining to voice profiling, and even now their smart speakers are extracting and using voiceprints for identification and more. Customer service centers are already approaching every caller based on what they conclude a caller’s voice reveals about that person’s emotions, sentiments, and personality, often in real time. In fact, many scientists believe that a person’s weight, height, age, and race, not to mention any illnesses they may have, can also be identified from the sound of that individual’s voice. Ultimately, not just marketers, but also politicians and governments, may use voice profiling to infer personal characteristics for selfish interests and not for the benefit of a citizen or society as a whole. Leading communications scholar Joseph Turow places the voice intelligence industry in historical perspective, explores its contemporary developments, and offers a clarion call for regulating this rising surveillance regime.

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The first volume in a pioneering account of Oliver Cromwell—providing a major new interpretation of one of the greatest figures in history“Hutton’s book is intelligent, well documented, and stylish.”—Keith Thomas, New York Review of Books Oliver Cromwell (1599–1658)—the only English commoner to become the overall head of state—is one of the great figures of history, but his character was very complex. He was at once courageous and devout, devious and self-serving. As a parliamentarian, he was devoted to his cause; as a soldier, he was ruthless. Cromwell’s speeches and writings surpass in quantity those of any other ruler of England before Victoria and, for those seeking to understand him, he has usually been taken at his word. In this remarkable new work, Ronald Hutton untangles the facts from the fiction. Cromwell, pursuing his devotion to God and cementing his Puritan support base, quickly transformed from obscure provincial to military victor. At the end of the first English Civil War, he was poised to take power. Hutton reveals a man who was both genuine in his faith and deliberate in his dishonesty—and uncovers the inner workings of the man who has puzzled biographers for centuries.

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The first truly global history of work, an upbeat assessment from the age of the hunter-gatherer to the present day “Beginning in the hunting-and-gathering past, this long view of work shows how little has changed over millennia. Progressing through the rise of cities, wages and markets for labour, it traces a perennial cycle of injustice and resistance—and the age-old desire for more.”—The Economist, “Best Books of 2021” “Absolutely fascinating. . . . Lucassen’s own compassion shines through this magisterial book.”—Christina Patterson, The Guardian We work because we have to, but also because we like it: from hunting-gathering more than 700,000 years ago to the present era of zoom meetings, humans have always worked to make the world around them serve their needs. Jan Lucassen provides an inclusive history of humanity’s busy labor throughout the ages. Spanning China, India, Africa, the Americas, and Europe, Lucassen looks at the ways in which humanity organizes work: in the household, the tribe, the city, and the state. He examines how labor is split between men, women, and children; the watershed moment of the invention of money; the collective action of workers; and the impact of migration, slavery, and the idea of leisure. From peasant farmers in the first agrarian societies to the precarious existence of today’s gig workers, this surprising account of both cooperation and subordination at work throws essential light on the opportunities we face today.

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A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture’s place in the contemporary moment “Architecture begins to matter,” writes Paul Goldberger, “when it brings delight and sadness and perplexity and awe along with a roof over our heads.” In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant’Ivo in Rome as a work that “embraces the deepest complexities of human imagination.” In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson’s academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.

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The first comprehensive natural history guide to the Connecticut River and its environs, with more than 750 illustrations

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