Search results for ""author manus"

The artistic accomplishments of James Northcote (1746–1831) have tended to be overshadowed by his role as a biographer of Joshua Reynolds, first president of the Royal Academy of Arts, with whom Northcote apprenticed for five years. Here, Mark Ledbury constructs a very different image of Northcote: that of a prolific member of the Royal Academy and an active participant in the cultural and political circles of the Romantic era, as well as a portrait and history painter in his own right. This book pays particular attention to Northcote’s One Hundred Fables (1828), a masterpiece of wood engraving, and the unconventional, collaged manuscripts for the volume, now at the Yale Center for British Art. Along with another series of collages now at The Morgan Library & Museum and a second volume of fables published posthumously in 1833, these collages and printed works constitute the most ambitious project of the artist’s later years. An underappreciated and courageously eccentric masterpiece, the Fables were an early experiment in what is now a familiar multimedia practice and are extensively published here for the first time. Idiosyncratic, personal, and visionary, the Fables serve as a lens through which to examine Northcote’s long, complex, and fruitful artistic career.Distributed for the Yale Center for British ArtExhibition Schedule:Yale Center for British Art(10/02/14–12/14/14)

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This comprehensive, critical edition of Sir Gawain and the Green Knight is the fruit of William Vantuono's research on the fourteenth-century romance. In combining fantasy and realism, Sir Gawain and the Green Knight praises court life with an undercurrent of satire against a declining chivalric ideal. The poem calls up from the mythic past the shadows of archetypal figures, yet inspires modern psychoanalytic interpretations, and entertains while teaching a moral-religious lesson. The heart of this edition is the Middle English text, with a Modern English verse translation on facing pages and extensive notes at the bottom of the pages. A discussion of the manuscript, the anonymous poet and his other poems, the structure of the poem and its audience, themes, characterization, and purpose serves as a valuable introduction to the classic. With this translation, Vantuono aims to follow the original as closely as possible without sacrificing the poem's essential meaning and mood. The notes reveal the literal sense of the Middle English vocabulary where necessary changes were made for poetic effect. The reader is therefore able to compare the Middle English original, the translation, and the notes to learn about the old language, the content of the poem, the poet's artistry, and the process of translation.

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Milton Wexler was among the most unconventional, compelling, and sometimes controversial figures of the golden age of psychoanalysis in America. From Teachers College at Columbia University to the Menninger Foundation in Topeka to the galleries and gilded hills of Hollywood, he traversed the country and the century, pursuing interests ranging from the treatment of schizophrenia to group therapy with artists to advocacy for research on Huntington’s disease. At a time when psychologists and psychoanalysts tended to promote adjustment to society, Wexler increasingly championed creativity and struggle.The Analyst is an intimate and searching portrait of Milton Wexler, written by his daughter, an acclaimed historian. Alice Wexler illuminates her father’s intense private life and explores how his life and work reveal the broader reaches of Freudian ideas in the United States. She draws on decades of Milton Wexler’s unpublished family and professional correspondence and manuscripts as well as her own interviews, diaries, and memories. Through the lens of Milton Wexler’s friendships, the book offers glimpses into the lives of cultural icons such as Lillian Hellman, Eppie Lederer (Ann Landers), and Frank Gehry. The Analyst is at once a striking account of the arc of an iconoclast’s life, a daughter’s moving meditation on her complex father, and a new window onto on the wider landscape of psychoanalysis and science in the twentieth century.

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Whether chanted as devotional prayers, intoned against the dangers of the wilds, or invoked to heal the sick and bring ease to the dead, incantations were pervasive features of Buddhist practice in late medieval China (600–1000 C.E.). Material incantations, in forms such as spell-inscribed amulets and stone pillars, were also central to the spiritual lives of both monks and laypeople. In centering its analysis on the Chinese material culture of these deeply embodied forms of Buddhist ritual, The Body Incantatory reveals histories of practice—and logics of practice—that have until now remained hidden.Paul Copp examines inscribed stones, urns, and other objects unearthed from anonymous tombs; spells carved into pillars near mountain temples; and manuscripts and prints from both tombs and the Dunhuang cache. Focusing on two major Buddhist spells, or dhāraṇī, and their embodiment of the incantatory logics of adornment and unction, he makes breakthrough claims about the significance of Buddhist incantation practice not only in medieval China but also in Central Asia and India. Copp's work vividly captures the diversity of Buddhist practice among medieval monks, ritual healers, and other individuals lost to history, offering a corrective to accounts that have overemphasized elite, canonical materials.

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'When I was twenty-eight I trained as a doctor. Initially everyone was interested. Amazing! people said, when I told them. What made you do that? I couldn't find a short answer. Sometimes I said, "I had a revelation on a beach." It was partly true'The Cure for Good Intentions is about a life-changing decision. Sophie gave up her job as an editor at a prestigious literary magazine and put herself through medical school and hospital training before eventually becoming a GP. From peaceful office days spent writing tactful comments on manuscripts she entered a world that spoke an entirely different language. She was now inside scenes familiar from television and books - long corridors, busy wards, stern consultants, anxious patients - but what was her part in it all? Back in the community as a brand-new GP, the same question grew ever more pressing.This is a book about how a doctor is made: it asks what a doctor does, and what a doctor is. What signifies a doctor: a caring-yet-brisk bedside manner? A mode of dress? A stethoscope? A firm way with a prescription pad? What is empathy, and what does it achieve? How do we deal with pain, our own and other people's? The Cure is an outsider's look at the inside of a profession that has never been so scrutinised, or so misunderstood.

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'Extraordinary and thrilling ... This story should be known to every man, woman and child' - Lemn SissayIn 1868, British troops charged into the mountain empire of Ethiopia, stormed the citadel of its monarch Tewodros II and grabbed piles of his treasures and sacred manuscripts. They also took his son – six-year-old Prince Alamayu – and brought the boy back with them to the cold shores of England.For the first time, Andrew Heavens tells the whole story of Alamayu, from his early days in his father’s fortress on the roof of Africa to his new home across the seas, where he charmed Queen Victoria, chatted with Lord Tennyson and travelled with his towering red-headed guardian Captain Speedy. The orphan prince was celebrated but stereotyped and never allowed to go home.The book also follows the loot – Ethiopia’s ‘Elgin Marbles’ – and tracks it down to its current hiding places in bank vaults, museum store cupboards and a boarded-up cavity in Westminster Abbey.A story of adventure, trauma and tragedy, The Prince and the Plunder is also a tale for our times, as we re-examine Britain’s past, pull down statues of imperial grandees and look for other figures to commemorate and celebrate in their place.

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A copiously illustrated global history of magic books, from ancient papyri to pulp paperbacks “A beautiful production: a typographic and calligraphic treat as treasurable as a rare magical text itself. Almost every page is filled with wonder.”—Suzi Feay, The Spectator Grimoires, textbooks of magic and occult knowledge, have existed through the ages alongside other magic and religious texts in part because of the need to create a physical record of magical phenomena, but also to enact magic through spells and rituals. To understand the history of these texts is to understand the influence of the major religions, the development of early science, the cultural influence of print, the growth of literacy, the social impact of colonialism, and the expansion of esoteric cultures across the oceans. In more than two hundred color illustrations from ancient times to the present, renowned scholar Owen Davies examines little-studied artistic qualities of grimoires, revealing a unique world of design and imagination. The book takes a global approach, considering Egyptian and Greek papyri, ancient Chinese bamboo scripts, South American pulp prints, and Japanese demon encyclopedias, among other examples. This book will enchant readers interested in the history of magic and science, as well as in book and manuscript history.

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No writer is more charismatic than Robert Burns and no biographer has captured his energy, brilliance and radicalism as well as Robert Crawford does in The Bard. To his international admirers Burns was a genius, a hero, a warm-hearted friend; yet to the mother of one of his lovers he was a wastrel, to a fellow poet he was 'sprung...from raking of dung', and to his political enemies a 'traitor'. Drawing on a surprising variety of untapped sources - from rediscovered poetry by Burns to manuscript journals, correspondence, interviews and oratory by his contemporaries - this new biography presents the remarkable life, loves and struggles of the great poet.With a poet's insight and a shrewd sense of human drama, Robert Crawford outlines how Burns combined a childhood steeped in the peasant song-culture of rural Scotland with a consummate linguistic artistry to become not only the world's most popular love poet but also the controversial master poet of modern democracy. Written with accessible élan and nuanced attention to Burns's poems and letters, The Bard is the story of an extraordinary man fighting to maintain a sly sense of integrity in the face of overwhelming pressures. This incisive, intelligent biography startlingly demonstrates why the life and work of Scotland's greatest poet still compels the attention of the world a quarter of a millennium after his birth.

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'When I was twenty-eight I trained as a doctor. Initially everyone was interested. Amazing! people said, when I told them. What made you do that? I couldn't find a short answer. Sometimes I said, "I had a revelation on a beach." It was partly true'The Cure for Good Intentions is about a life-changing decision. Sophie gave up her job as an editor at a prestigious literary magazine and put herself through medical school and hospital training before eventually becoming a GP. From peaceful office days spent writing tactful comments on manuscripts she entered a world that spoke an entirely different language. She was now inside scenes familiar from television and books - long corridors, busy wards, stern consultants, anxious patients - but what was her part in it all? Back in the community as a brand-new GP, the same question grew ever more pressing.This is a book about how a doctor is made: it asks what a doctor does, and what a doctor is. What signifies a doctor: a caring-yet-brisk bedside manner? A mode of dress? A stethoscope? A firm way with a prescription pad? What is empathy, and what does it achieve? How do we deal with pain, our own and other people's? The Cure is an outsider's look at the inside of a profession that has never been so scrutinised, or so misunderstood.

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The classic three volumes of Hebridean Folksongs, reissued simultaneously for the first time since their original publication (1969, 1977, 1981), contain 135 songs connected with the waulking of homespun tweed cloth in the Hebridean isles. Volume 1 is based on waulking songs collected by Donald MacCormick in South Uist in 1893. Volumes 2 and 3 are based on John Lorne Campbell's recordings of songs made between 1938 and 1965 in Barra, South Uist, Eriskay and Benbecula. The translations for all the songs in Volumes 2 and 3 and many of those in Volume 1 are by John Lorne Campbell, who also wrote detailed notes discussing the songs. Multiple versions of the same song are compared with each other and with versions drawn from unpublished manuscript sources. Francis Collinson's meticulous musical transcriptions of the songs, and musicological analyses, are invaluable. The songs are from the repertoires of some well-known singers of their generation, including Miss Annie Johnson, her brother Calum and Miss Mary Morrison, all of Barra, Mrs Neil Campbell of South Uist, and Miss Nan MacKinnon of Vatersay.

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The classic three volumes of Hebridean Folksongs, reissued simultaneously for the first time since their original publication (1969, 1977, 1981), contain 135 songs connected with the waulking of homespun tweed cloth in the Hebridean isles. Volume 1 is based on waulking songs collected by Donald MacCormick in South Uist in 1893. Volumes 2 and 3 are based on John Lorne Campbell's recordings of songs made between 1938 and 1965 in Barra, South Uist, Eriskay and Benbecula. The translations for all the songs in Volumes 2 and 3 and many of those in Volume 1 are by John Lorne Campbell, who also wrote detailed notes discussing the songs. Multiple versions of the same song are compared with each other and with versions drawn from unpublished manuscript sources. Francis Collinson's meticulous musical transcriptions of the songs, and musicological analyses, are invaluable. The songs are from the repertoires of some well-known singers of their generation, including Miss Annie Johnson, her brother Calum and Miss Mary Morrison, all of Barra, Mrs Neil Campbell of South Uist, and Miss Nan MacKinnon of Vatersay.

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The classic three volumes of Hebridean Folksongs, reissued simultaneously for the first time since their original publication (1969, 1977, 1981), contain 135 songs connected with the waulking of homespun tweed cloth in the Hebridean isles. Volume 1 is based on waulking songs collected by Donald MacCormick in South Uist in 1893. Volumes 2 and 3 are based on John Lorne Campbell's recordings of songs made between 1938 and 1965 in Barra, South Uist, Eriskay and Benbecula. The translations for all the songs in Volumes 2 and 3 and many of those in Volume 1 are by John Lorne Campbell, who also wrote detailed notes discussing the songs. Multiple versions of the same song are compared with each other and with versions drawn from unpublished manuscript sources. Francis Collinson's meticulous musical transcriptions of the songs, and musicological analyses, are invaluable. The songs are from the repertoires of some well-known singers of their generation, including Miss Annie Johnson, her brother Calum and Miss Mary Morrison, all of Barra, Mrs Neil Campbell of South Uist, and Miss Nan MacKinnon of Vatersay.

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"What were the constitutive acts in the making of a bishop and what was their significance?" In answering these questions, Professor Benson provides a new perspective on a crucial chapter in the history of ecclesiastical office. Drawing upon material from unedited canonistic manuscripts, as well as from Gratian's Decretum and the Decretales of Gregory IX, he traces aspects of the Church's constitutional doctrine and administrative practice from the early Middle Ages, which stressed the sacramental character of office, to the end of the thirteenth century, when ecclesiastical office was conceived primarily in terms of jurisdictional prerogatives. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this significant contribution to Hegel scholarship, Robert Williams develops the most comprehensive account to date of Hegel's concept of recognition (Anerkennung). Fichte introduced the concept of recognition as a presupposition of both Rousseau's social contract and Kant's ethics. Williams shows that Hegel appropriated the concept of recognition as the general pattern of his concept of ethical life, breaking with natural law theory yet incorporating the Aristotelian view that rights and virtues are possible only within a certain kind of community. He explores Hegel's intersubjective concept of spirit (Geist) as the product of affirmative mutual recognition and his conception of recognition as the right to have rights. Examining Hegel's Jena manuscripts, his Philosophy of Right, the Phenomenology of Spirit, and other works, Williams shows how the concept of recognition shapes and illumines Hegel's understandings of crime and punishment, morality, the family, the state, sovereignty, international relations, and war. A concluding chapter on the reception and reworking of the concept of recognition by contemporary thinkers including Derrida, Levinas, and Deleuze demonstrates Hegel's continuing centrality to the philosophical concerns of our age.

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Treasures of the Royal Armouries is a photographic journey through Britain’s national museum of arms and armour. It reflects the diversity of the Royal Armouries’ collection, which was assembled over many centuries at the Tower of London and now spans the ancient world to the present day. At the core of this journey is the museum’s unparalleled group of Tudor armours which derive from the Greenwich Armoury of Henry VIII, but European swords, paintings and manuscripts are equally well-represented. Stunning pieces from Asia are included, as are key items from the national collection of firearms, started in 1631 by Charles I and now housed at the National Firearms Centre, as well as larger guns from the National Artillery Centre at Fort Nelson. Each of the 115 entries tell compelling stories, tracing the histories of individuals, campaigns and cultures across millennia. They also consider the place of arms in an increasingly turbulent world and the new challenges that technology presents to a modern army. Treasures of the Royal Armouries is a lavishly illustrated account of some of the most interesting pieces of arms and armour in existence.

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William Henry Davies was born in a pub and learnt early in life to rely on his wits and his fists - and to drink. Around the turn of the century, when he was twenty-two, his restless spirit of adventure led him to set off for America, and he worked around the country taking casual jobs where he could, thieving and begging where he couldn't. His experiences were richly coloured by the bullies, tricksters, and fellow-adventurers he encountered - New Haven Baldy, Wee Shorty, The Indian Kid, and English Harry, to name but a few. He was thrown into prison in Michigan, beaten up in New Orleans, witnessed a lynching in Tennessee, and got drunk pretty well everywhere. A harrowing accident forced him to return to England and the seedy world of doss-houses and down-and-outs like Boozy Bob and Irish Tim. When George Bernard Shaw first read the Autobiography in manuscript, he was stunned by the raw power of its unvarnished narrative. It was his enthusiasm, expressed in the Preface, that ensured the initial success of a book now regarded as a classic.

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In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. Robert Browning wrote Parleyings with Certain People of Importance in Their Day in his seventy-third year. The work is a capstone to the poet’s long career, encompassing autobiography as well as influences bearing on the poet’s life and career and on Victorian thought and culture in general. One of Browning’s most complex works, Parleyings is also a work essential to understanding his genius and career as a whole. The Ohio/Baylor Browning edition offers keys to the complexity and interest of Parleyings through a definitive, emended text, full annotations for allusions both explicit and implicit in the text, and variant readings for the manuscript and all editions revised by Browning during his lifetime. In form and structure, Parleyings is a series of seven poems written in Browning’s own voice and addressed to figures influential in his development. The series is framed by a prologue and an epilogue, the whole amounting to some 3,500 lines. The poems are a formal contrast and a pendant to the great series of linked dramatic monologues in The Ring and the Book. They demonstrate the zest for innovation possessed by the master of the dramatic monologue in his ripe maturity. Interested readers as well as students and scholars of Browning will find a rich field of poetry and a critical mass of resources in Volume XVI of the Ohio/Baylor Browning edition. As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

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This is the first encyclopedic guide to the history of relations between Jews and Muslims around the world from the birth of Islam to today. Richly illustrated and beautifully produced, the book features more than 150 authoritative and accessible articles by an international team of leading experts in history, politics, literature, anthropology, and philosophy. Organized thematically and chronologically, this indispensable reference provides critical facts and balanced context for greater historical understanding and a more informed dialogue between Jews and Muslims. Part I covers the medieval period; Part II, the early modern period through the nineteenth century, in the Ottoman Empire, Africa, Asia, and Europe; Part III, the twentieth century, including the exile of Jews from the Muslim world, Jews and Muslims in Israel, and Jewish-Muslim politics; and Part IV, intersections between Jewish and Muslim origins, philosophy, scholarship, art, ritual, and beliefs. The main articles address major topics such as the Jews of Arabia at the origin of Islam; special profiles cover important individuals and places; and excerpts from primary sources provide contemporary views on historical events. Contributors include Mark R. Cohen, Alain Dieckhoff, Michael Laskier, Vera Moreen, Gordon D. Newby, Marina Rustow, Daniel Schroeter, Kirsten Schulze, Mark Tessler, John Tolan, Gilles Veinstein, and many more. * Covers the history of relations between Jews and Muslims around the world from the birth of Islam to today * Written by an international team of leading scholars * Features in-depth articles on social, political, and cultural history * Includes profiles of important people (Eliyahu Capsali, Joseph Nasi, Mohammed V, Martin Buber, Anwar Sadat and Menachem Begin, Edward Said, Messali Hadj, Mahmoud Darwish) and places (Jerusalem, Alexandria, Baghdad) * Presents passages from essential documents of each historical period, such as the Cairo Geniza, Al-Sira, and Judeo-Persian illuminated manuscripts * Richly illustrated with more than 250 images, including maps and color photographs * Includes extensive cross-references, bibliographies, and an index

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This memoir details the experiences of an American family caught in Revolutionary Mexico. The book contains information about the Revolution, life as a foreign national in Mexico, the silver mining industry, and social and cultural aspects of Revolutionary Mexico. Based on personal documents written by Richard Herr's older brother, the manuscript covers a critical period in Mexican history, beginning in the Porfiriato and continuing through the 1920s, from the point of view of one family. An American Family in the Mexican Revolution illustrates the major themes in Mexican history, including the economic expansion of the United States into Mexico in the late nineteenth century; relations between foreign managers and Mexicans of all social classes; the foreign colony in Mexico; the development of a working class in Mexico; various aspects of the Mexican revolution (including its contribution to the debate about the degree to which foreigners and their enterprises stirred revolutionary discontent); the impact and changes brought about by the revolution; and Mexican-United States relations during the entire period. The book also describes the story of U.S. miners in Mexico. The mineral industry was a critical part of U.S.-Mexican economic relations and the Mexican economy, yet little is known about its financing and operations. An American Family in the Mexican Revolution is an excellent text for introducing students to primary sources.

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Yale French Studies 142 explores the contemporary relevance of an alternative strand of feminism as theorized by Monique Wittig This volume of Yale French Studies foregrounds Monique Wittig (1935–2003), a writer who left France to live and teach in the United States, in a diverse range of multidisciplinary conversations—in literary studies, history, and gender and sexuality studies—to demonstrate how Wittig’s theoretical and literary work remains an indispensable resource for thinking and creating in the twenty-first century. Editors Morgane Cadieu and Annabel L. Kim flip the “materialist lesbianism” that Wittig’s collection of essays, The Straight Mind, centers and describes as being the core of Wittig’s work to deal instead with “lesbian materialism,” thereby making "lesbian" the method and "materialism" the object and allowing Wittig’s work to realize its full range. The volume reinterrogates the official historiography of French materialist feminism; expands the intellectual framework within which Wittig’s work is usually considered; insists on the language-centric materialism that emerges from Wittig’s writing as a way of joining the political with the literary; and attends to the way this literary material inspires material responses and creations within the plastic arts. Underlying the entire volume is a keen sense of the materiality of Wittig’s archives, housed at the Beinecke Rare Book and Manuscript Library at Yale University, as a site of lesbian thought in Wittig’s radical sense of the term: a fugitive positionality.

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First translation into English of 12th-century history of Ely from its foundation, including the Danish sack, Hereward's resistance to the Normans, and the repercussions of Becket's martyrdom. This is the first ever translation from Latin into English of an important source for English and ecclesiastical history. The Liber Eliensis is an account of the history of the Isle of Ely compiled by a monk of Ely monastery in the later twelfth century. He uses evidence from the monastery's Latin and Old English archives, combined with chronicle data and biographies of saints and heroes, to tell the story of Ely in three parts. The first book, chiefly concerned with the abbesses of Ely (St Aethelthryth founded the house as a double house under female leadership), extends from the conversion of East Anglia to Christianity to the aftermath of the Danish sack; the second bookcovers 970-1109, when the Benedictine monastery was ruled by abbots, and includes an account of Hereward's resistance to William the Conqueror; the third book begins at the point when Ely first became the seat of a bishop, and extends to the compiler's own times, ending with the martyrdom of Thomas Becket. The translation does full justice to the compiler's gift for story-telling and his wide range of source material; it gives priority to the readings of the oldest manuscript of the Liber Eliensis, but covers all the material in the later but fuller recension of the Latin text presented in E.O. Blake's 1962 edition. The volume is completed with notes on the text and sources and an introductory essay. JANET FAIRWEATHER is a freelance researcher and translator, a member of the classics faculty, Cambridge University.

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In the long nineteenth century, the specter of lost manuscripts loomed in the imagination of antiquarians, historians, and writers. Whether by war, fire, neglect, or the ravages of time itself, the colonial history of the United States was perceived as a vanishing record, its archive a hoard of materially unsound, temporally fragmented, politically fraught, and endangered documents. Colonial Revivals traces the labors of a nineteenth-century cultural network of antiquarians, bibliophiles, amateur historians, and writers as they dug through the nation's attics and private libraries to assemble early American archives. The collection of colonial materials they thought themselves to be rescuing from oblivion were often reprinted to stave off future loss and shore up a sense of national permanence. Yet this archive proved as disorderly and incongruous as the collection of young states themselves. Instead of revealing a shared origin story, historical reprints testified to the inveterate regional, racial, doctrinal, and political fault lines in the American historical landscape. Even as old books embodied a receding past, historical reprints reflected the antebellum period's most pressing ideological crises, from religious schisms to sectionalism to territorial expansion. Organized around four colonial regional cultures that loomed large in nineteenth-century literary history—Puritan New England, Cavalier Virginia, Quaker Pennsylvania, and the Spanish Caribbean—Colonial Revivals examines the reprinted works that enshrined these historical narratives in American archives and minds for decades to come. Revived through reprinting, the obscure texts of colonial history became new again, deployed as harbingers, models, reminders, and warnings to a nineteenth-century readership increasingly fixated on the uncertain future of the nation and its material past.

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Was there more to medieval and Renaissance comedy than Chaucer and Shakespeare? Bien sûr. For a real taste of saucy early European humor, one must cross the Channel to France. There, in the fifteenth and early sixteenth centuries, the sophisticated met the scatological in popular performances presented by roving troupes in public squares that skewered sex, politics, and religion. For centuries, the scripts for these outrageous, anonymously written shows were available only in French editions gathered from scattered print and manuscript sources. Now prize-winning theater historian Jody Enders brings twelve of the funniest of these farces to contemporary English-speaking audiences in "The Farce of the Fart" and Other Ribaldries. Enders's translation captures the full richness of the colorful characters, irreverent humor, and over-the-top plotlines, all in a refreshingly uncensored American vernacular. Those who have never heard the one about the Cobbler, the Monk, the Wife, and the Gatekeeper should prepare to be shocked and entertained. "The Farce of the Fart" and Other Ribaldries is populated by hilarious characters high and low. For medievalists, theater practitioners, and classic comedy lovers alike, Enders provides a wealth of information about the plays and their history. Helpful details abound for each play about plot, character development, sets, staging, costumes, and props. This performance-friendly collection offers in-depth guidance to actors, directors, dramaturges, teachers, and their students. "The Farce of the Fart" and Other Ribaldries puts fifteenth-century French farce in its rightful place alongside Chaucer, Shakespeare, commedia dell'arte, and Molière—not to mention Monty Python. Vive la Farce!

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In the late-second century, Tatian the Assyrian constructed a new Gospel by intricately harmonizing Matthew, Mark, Luke, and John. Tatian's work became known as the Diatessaron, since it was derived 'out of the four' eventually canonical Gospels. Though it circulated widely for centuries, the Diatessaron disappeared in antiquity. Nevertheless, numerous ancient and medieval harmonies survive in various languages. Some texts are altogether independent of the Diatessaron, while others are definitely related. Yet even Tatian's known descendants differ in large and small ways, so attempts at reconstruction have proven confounding. In this book James W. Barker forges a new path in Diatessaron studies. Covering the widest array of manuscript evidence to date, Tatian's Diatessaron reconstructs the compositional and editorial practices by which Tatian wrote his Gospel. By sorting every extant witnesses according to its narrative sequence, the macrostructure of Tatian's Gospel becomes clear. Despite many shared agreements, there remain significant divergences between eastern and western witnesses. This book argues that the eastern ones preserve Tatian's order, whereas the western texts descend from a fourth-century recension of the Diatessaron. Victor of Capua and his scribe used the recension to produce the Latin Codex Fuldensis in the sixth century. More controversially, Barker offers new evidence that late medieval texts such as the Middle Dutch Stuttgart harmony independently preserve traces of the western recension. This study uncovers the composition and reception history behind one of early Christianity's most elusive texts.

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A major and original contribution to the debate as to Chaucer's use and knowledge of Boccaccio, finding a new source for the "Shipman's Tale". A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio's Decameron and Chaucer's Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames. And yet, although he identified many of his sources, Chaucer never mentioned Boccaccio; indeed when he retold the Decameron's final novella, his pilgrim, the Clerk, states that it was written by Petrarch. For these reasons, most scholars now believe that while Chaucer might have heard parts of the earlier collection when he was in Italy, he did not have it at hand as he wrote. This volumeaims to change our understanding of this question. It analyses the relationship between the "Shipman's Tale", originally written for the Wife of Bath, and Decameron 8.10, not seen before as a possible source. The book alsoargues that more important than the narratives that Chaucer borrowed is the literary technique that he learned from Boccaccio - to make tales from ideas. This technique, moreover, links the "Shipman's Tale" to the "Miller's Tale"and the new "Wife of Bath's Tale". Although at its core a hermeneutic argument, this book also delves into such important areas as alchemy, domestic space, economic history, folklore, Irish/English politics, manuscripts, and misogyny. FREDERICK M. BIGGS is Professor of English at the University of Connecticut.

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Eric J. Goldberg traces the long history of early medieval hunting from the late Roman Empire to the death of the last Carolingian king, Louis V, in a hunting accident in 987. He focuses chiefly on elite men and the changing role that hunting played in articulating kingship, status, and manhood in the post-Roman world. While hunting was central to elite lifestyles throughout these centuries, the Carolingians significantly altered this aristocratic activity in the later eighth and ninth centuries by making it a key symbol of Frankish kingship and political identity. This new connection emerged under Charlemagne, reached its high point under his son and heir Louis the Pious, and continued under Louis's immediate successors. Indeed, the emphasis on hunting as a badge of royal power and Frankishness would prove to be among the Carolingians' most significant and lasting legacies. Goldberg draws on written sources such as chronicles, law codes, charters, hagiography, and poetry as well as artistic and archaeological evidence to explore the changing nature of early medieval hunting and its connections to politics and society. Featuring more than sixty illustrations of hunting imagery found in mosaics, stone sculpture, metalwork, and illuminated manuscripts, In the Manner of the Franks portrays a vibrant and dynamic culture that encompassed red deer and wild boar hunting, falconry, ritualized behavior, female spectatorship, and complex forms of specialized knowledge that united kings and nobles in a shared political culture, thus locating the origins of courtly hunting in the early Middle Ages.

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Renowned for its madrassas and archives of rare Arabic manuscripts, Timbuktu is famous as a great center of Muslim learning from Islam’s Golden Age. Yet Timbuktu is not unique. It was one among many scholarly centers to exist in precolonial West Africa. Beyond Timbuktu charts the rise of Muslim learning in West Africa from the beginning of Islam to the present day, examining the shifting contexts that have influenced the production and dissemination of Islamic knowledge—and shaped the sometimes conflicting interpretations of Muslim intellectuals—over the course of centuries.Highlighting the significant breadth and versatility of the Muslim intellectual tradition in sub-Saharan Africa, Ousmane Kane corrects lingering misconceptions in both the West and the Middle East that Africa’s Muslim heritage represents a minor thread in Islam’s larger tapestry. West African Muslims have never been isolated. To the contrary, their connection with Muslims worldwide is robust and longstanding. The Sahara was not an insuperable barrier but a bridge that allowed the Arabo-Berbers of the North to sustain relations with West African Muslims through trade, diplomacy, and intellectual and spiritual exchange.The West African tradition of Islamic learning has grown in tandem with the spread of Arabic literacy, making Arabic the most widely spoken language in Africa today. In the postcolonial period, dramatic transformations in West African education, together with the rise of media technologies and the ever-evolving public roles of African Muslim intellectuals, continue to spread knowledge of Islam throughout the continent.

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Considered by many to be one of the most influential German Pietists, August Hermann Francke lived during a moment when an emphasis on conversion was beginning to produce small shifts in how the sacraments were defined—a harbinger of later, more dramatic changes to come in evangelical theology. In this book, Peter James Yoder uses Francke and his theology as a case study for the ecclesiological stirrings that led to the rise of evangelicalism and global Protestantism.Engaging extensively with Francke’s manuscript sermons and writings, Yoder approaches Francke’s life and religious thought through his theology of the sacraments. In doing so, Yoder delivers key insights into the structure of Francke's Pietist thought, providing a rich depiction of his conversion-driven theology and how it shaped his views of the sacraments and the church. The first in-depth study of Francke’s theology written for an English-speaking audience, this book supports recent scholarship in English that not only challenges long-held assumptions about Pietism but also argues for the role of Pietism’s influence on the changing religious landscape of the eighteenth century. Through his examination of Francke’s theology of the sacraments, Yoder presents a fresh view into the eighteenth-century ecclesiological developments that caused a rupture with the dogmas of the Reformation.Original and vital, this study recognizes Francke’s importance to the history of Pietism in Germany and beyond. It will become the standard reference on Francke for American audiences and will influence scholarship on Lutheranism, Pietism, early modern German studies, and eighteenth-century history and religion.

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THE SUNDAY TIMES TOP TEN BESTSELLER THE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS 'Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.' Lana Del Rey Lana’s breathtaking first book solidifies her further as 'the essential writer of her times' (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.

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What is the origin of the stories of the Round Table, of Excalibur and the Holy Grail, of Sir Launcelot and Guinevere? And where was Camelot? King Arthur’s name has echoed down the centuries, conjuring up rich images of mystery and power, chivalry and romance. But did he exist at all? There is no evidence to prove he reigned in the fifth and sixth centuries; no eye-witness accounts of his coronation and no reliable manuscripts outlining his deeds. This full-colour guide examines the facts of the legends in the tantalising puzzle of King Arthur and his knights. Learn about the origins of the Round Table, the cult of chivalry and conflict between knights, and Arthur's shape-shifting half-sister Moran le Fay. From the origins of Arthurian legend to the new phase in the Arthurian cyce in the romantic revival of the early nineteenth century, read about the tantalizing puzzle that is King Arthur. Look out for more Pitkin guides on the very best of British history, heritage and travel. This title is also available in English & French

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From cuneiform, coins, and codices to prints, drawings, photographs, and maps, departments of rare books and special collections are the premier repositories of significant printed and manuscript works and artefacts. Entrusted with the responsibility of preserving the records of history and culture, these institutions enable access to millions of source materials. Berger, a veteran of rare book and special collections, offers a landmark examination of this field. Showing readers everything they need to know about rare books and special collections, this wide-ranging book covers the following key topics:The professions history and its relevance in the face of an increasingly digital worldArchives; relationship to the special collections department and their role in the wider institutionCollection development, cataloguing, processing, physical layout, and other operational functions, with coverage of acquisition sources and methodsWhat everyone needs to know about the physical materials in their care, including preservation, conservation, and restoration, storage, handling, and securityReference and outreach services, including a look at exhibitions and toursFundraising and financial managementLegal and ethical issuesForgeries, fakes, and facsimilesBibliography and its impact on the rare book world, including a look at booksellers, donors, and auctionsThe present state of books in our digital environmentThe vocabulary of the trade.Readership: Aimed at practitioners in the library field, instructors teaching courses on the subject, booksellers, private collectors, historians, bibliophiles, and others involved in rare and unique materials, Rare Books and Special Collections presents a meticulous and systematic understanding of this growing field. From cuneiform, coins, and codices to prints, drawings, photographs, and maps, departments of rare books and special collections are the premier repositories of significant printed and manuscript works and artefacts. Entrusted with the responsibility of preserving the records of history and culture, these institutions enable access to millions of source materials. Berger, a veteran of rare book and special collections, offers a landmark examination of this field. Showing readers everything they need to know about rare books and special collections, this wide-ranging book covers the following key topics:• The profession’s history and its relevance in the face of an increasingly digital world• Archives’ relationship to the special collections department and their role in the wider institution• Collection development, cataloguing, processing, physical layout, and other operational functions, with coverage of acquisition sources and methods• What everyone needs to know about the physical materials in their care, including preservation, conservation, and restoration, storage, handling, and security• Reference and outreach services, including a look at exhibitions and tours• Fundraising and financial management• Legal and ethical issues• Forgeries, fakes, and facsimiles• Bibliography and its impact on the rare book world, including a look at booksellers, donors, and auctions• The present state of books in our digital environment• The vocabulary of the trade. Readership: Aimed at practitioners in the library field, instructors teaching courses on the subject, booksellers, private collectors, historians, bibliophiles, and others involved in rare and unique materials, Rare Books and Special Collections presents a meticulous and systematic understanding of this growing field.

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En la España de los siglos XVI y XVII, los autores y las autoridades inquisitoriales, eclesiásticas y civiles intentaron fijar la correcta interpretación de los textos impresos, manuscritos o expuestos públicamente. Pero ni el discurso censorio de la Inquisición fue unívoco ni existió una perfecta sintonía entre la teoría y la praxis. Entre la norma y la transgresión se fraguaron diversas lógicas de la razón ajenas a la supuesta intencionalidad ortodoxa de censores y autores, se difundieron nuevas y diversas formas de censuras desde la autoridad última del lector, y, constantemente, se negociaron entre los profesionales del libro y los ministros inquisitoriales los límites tolerados por el Santo Oficio. Frente a Roma, el expurgo se convirtió en el signo de identidad de la Inquisición española. Y ante la ineficacia y la imposibilidad de abarcarlo todo, el Santo Oficio utilizó los edictos y los índices de libros prohibidos como imagen del aparato censorio y de su presunto omnímodo poder

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A distinguished publication of the famous comedy of Plautus which includes a fully revised text with many new scansions; a new critical apparatus based upon a rereading of the important medieval manuscripts and involving correction and supplement of the Goetz editions; and an extensive commentary. Originally published in 1940. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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"Ancestral Leaves" follows one family through six hundred years of Chinese history and brings to life the epic narrative of the nation, from the fourteenth century through the Cultural Revolution. The lives of the Ye family- 'Ye' means 'leaf' in Chinese - reveal the human side of the large-scale events that shaped modern China: the vast and destructive rebellions of the nineteenth century, the economic growth and social transformation of the republican era, the Japanese invasion during World War II, and the Cultural Revolution under the Chinese Communists. Joseph W. Esherick draws from rare manuscripts and archival and oral history sources to provide an uncommonly personal and intimate glimpse into Chinese family history, illuminating the changing patterns of everyday life during rebellion, war, and revolution.

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Thérèse of Lisieux died on 30 September 1897. Nine months later, the now classic Story of a Soul appeared and proved an immediate success. However, when historians had access fifty years later to manuscripts written by Thérèse they were surprised to discover enormous differences between these texts and the published version of Story of a Soul. Jean-François Six has written this new book with two purposes. First, he recalls the history of how Mother Agnés, Prioress of the Carmelite convent and sister of Thérèse altered and completed Thérèse's text so that it became a travesty of the original. Secondly he re-establishes the truth of the last months of Thérèse's life, her authentic spiritual message, and her contribution to the history of mysticism. Here is a key study and a crucial work of rehabilitation.

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What is the origin of the stories of the Round Table, of Excalibur and the Holy Grail, of Sir Launcelot and Guinevere? And where was Camelot? King Arthur’s name has echoed down the centuries, conjuring up rich images of mystery and power, chivalry and romance. But did he exist at all? There is no evidence to prove he reigned in the fifth and sixth centuries; no eye-witness accounts of his coronation and no reliable manuscripts outlining his deeds. This full-colour guide examines the facts of the legends in the tantalising puzzle of King Arthur and his knights. Learn about the origins of the Round Table, the cult of chivalry and conflict between knights, and Arthur's shape-shifting half-sister Moran le Fay. From the origins of Arthurian legend to the new phase in the Arthurian cyce in the romantic revival of the early nineteenth century, read about the tantalizing puzzle that is King Arthur. Look out for more Pitkin guides on the very best of British history, heritage and travel.

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When Charles Bowden died in 2014, he left behind an archive of unpublished manuscripts. Jericho marks the fifth installment in his venerable “Unnatural History of America” sextet. In it he invokes the cycles of destruction and rebirth that have defined the ancient biblical city over millennia. From the ruins of Jericho’s walls Bowden reflects on the continuum of war and violence—the many conquests of the Americas; the US-Mexican War; the Vietnam War; and the ongoing militarization of our southern border—to argue against the false promise of security that is offered when men “build that wall.” Walls—both real and imagined—will always come tumbling down.Along the way, Bowden tells stories of loss and violence, like that of David Hartley, who mysteriously vanishes on Falcon Lake; of murdered drug runners and their cartel bosses; and of a haunted sicario, or hitman, who is running from his past and compulsively confesses his sins as he searches for an absolution that will never come. Set against these scenes of trauma and violence are Bowden’s gorgeous meditations on nature: dancing cranes, soaring eagles, winding paths that traverse mountains, lakes, and deserts. And threaded throughout are the heroic narratives of men like Martin Luther King Jr., who defied the boundaries that surrounded him and was able to reshape the arc of history. Jericho is a remarkable affirmation of our shared humanity and a timely rejection of violence and nationalism by one of our most prophetic writers working at the height of his powers.

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A harrowing yet uplifting account of Stalin's persecution of the Russian intelligentsia in the 1930s, and of one man - Osip Mandelstam (1891-1938), whose poetry, in spite of the unfolding tragedy of his life, preserved its unique creative gaiety. Nadezhda and Osip Mandelstam married in 1922. Nadezhda's memoir covers their last four years together. She begins in Moscow in May 1934 with the knock on the door at one o'clock in the morning, and her husband's arrest by the secret police for composing a satire of Stalin. She tells of his imprisonment, interrogation and exile to the Urals, where she accompanied him, and where he wrote his last great poems; his release and return to Moscow, only to be entrapped, rearrested and sentenced to hard labour in Siberia; of her own efforts to secure his release and to save his manuscripts (and to memorize all his poems in case she could not); of her discovery of the truth about his death in a transit camp near Vladivostock. For all its grim subject matter, it is a story of courage in adversity, and even humour finds a place. Nadezhda means 'hope' in Russian, and Hope against Hope is one of the greatest testaments to the value of literature and imaginative freedom ever written. It is also a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances. After years of circulating secretly in the Soviet Union it was published in the West in 1970, and has since achieved the status of a classic.

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Meticulously researched, this book examines the evidence for the post-Roman military forces of France and Britain during the 'Dark Ages', reconstructing their way of life and the battles they fought in compelling detail. The collapse of the former Western Roman Empire during the so called 'Dark Ages' c. AD 410 was gradual and piecemeal. Out of this vacuum arose regional tribes and leaders determined to take back kingdoms that were theirs and oust any Roman presence for good. However, the Roman guard was tenacious and survived in small pockets that emerged in both Gaul and Britain. These areas of Romano-Celtic resistance held out against the Saxons until at least the mid 6th century in Britain and against the Visigoths and the Merovingian Franks until the late 8th century in France. Drawing on archaeological finds, contemporary sculpture and manuscript illuminations, Dr Raffaele D’Amato presents contemporary evidence for 5th to 9th-century Gallic and British 'Dark Age' armies and reconstructs their way of life and the battles they fought. The text, accompanied by photographs and colour illustrations, paints an intricate picture of how these disparate groups of Roman soldiers survived and adapted on the fringes of the Roman Empire.

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On October 30, 1947, the House Committee on Un-American Activities concluded the first round of hearings on the allege Communist infiltration of the motion picture industry. Hollywood was ordered to "clean its own house," and ten witnesses who had refused to answer questions about their membership in the Screen Writers Guild and the Communist party eventually received contempt citations. By 1950 the Hollywood Ten, as they quickly became known, were serving prison sentences ranging from six months to a year. Since that time the group, which included writers, directors, and a producer, have been either dismissed as industry hacks or eulogized as Cold War martyrs, but never have they been discussed in terms of their profession.Radical Innocence is the first study to focus on the work of the Ten: their short stories, plays, novels, criticism, poems, memoirs, and, of course, their films. Drawing on myriad sources, including archival materials, unpublished manuscripts, black-market scripts, screenplay drafts, letters, and personal interviews, Bernard F. Dick describes the Ten's survival tactics during the blacklisting and analyzes the contribution of these ten individuals no only to film but also to the arts. Radical Innocence captures the personality of each of the Ten - the arrogant Herbert J. Biberman, the witty Ring Lardner, Jr., the patriarchal Samuel Ornitz, the compassionate Adrian Scott, and the feisty Dalton Trumbo.

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The Union army's overwhelming vote for Abraham Lincoln's reelection in 1864 has led many Civil War scholars to conclude that the soldiers supported the Republican Party and its effort to abolish slavery. In Emancipation, the Union Army, and the Reelection of Abraham Lincoln, Jonathan W. White challenges this reigning paradigm in Civil War historiography, arguing instead that the soldier vote in the presidential election of 1864 is not a reliable index of the army's ideological motivation or political sentiment. Although 78 percent of the soldiers' votes were cast for Lincoln, White contends that this was not wholly due to a political or social conversion to the Republican Party. Rather, he argues, historians have ignored mitigating factors such as voter turnout, intimidation at the polls, and how soldiers voted in nonpresidential elections in 1864.While recognizing that many soldiers changed their views on slavery and emancipation during the war, White suggests that a considerable number still rejected the Republican platform, and that many who voted for Lincoln disagreed with his views on slavery. He likewise explains that many northerners considered a vote for the Democratic ticket as treasonous and an admission of defeat.Using previously untapped court-martial records from the National Archives, as well as manuscript collections from across the country, White convincingly revises many commonly held assumptions about the Civil War era and provides a deeper understanding of the Union Army.

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The fourteenth-century Piers Plowman is one of the most influential poems from the Age of Chaucer. Following the character Will on his quest for the true Christian life, the three dream narratives that make up this work address a number of pressing political, social, moral, and educational issues of the late Middle Ages. Miceal F. Vaughan presents a fresh edition of the A version, an earlier and shorter version of this great work. Unlike the B and C versions, there is no modern, affordable edition of the A version available. For the first time in decades, students and scholars of medieval literature now have access to this important work. Vaughan's clean, uncluttered text is accompanied by ample glossing of difficult Middle English words. An expansive introduction, which includes a narrative summary of the poem, textual notes, detailed endnotes, and a select bibliography frame the text, making this edition ideal for classroom use. This is the first classroom edition of the A version since Thomas A. Knott and David C. Fowler's celebrated 1952 publication. Based on an early-fifteenth-century manuscript from the University of Oxford's Bodleian Library, Vaughan's text offers a unique rendition of the poem, and it is the first modern edition not to attribute the poem to William Langland. By conservatively editing one important witness of Piers Plowman, Vaughan takes a new generation of students to an early version of this great medieval poem.

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Extravagant, absurd, and self-aware, The Revolutionaries Try Again plays out against the lost decade of Ecuador's austerity and the stymied idealism of three childhood friends--an expat, a bureaucrat, and a playwright--who are as sure about the evils of dictatorship as they are unsure of everything else, including each other. Everyone thinks they're the chosen ones, Masha wrote on Antonio's manuscript. See About Schmidt with Jack Nicholson. Then she quoted from Hope Against Hope by Nadezhda Mandelstam, because she was sure Antonio hadn't read her yet: Can a man really be held accountable for his own actions? His behavior, even his character, is always in the merciless grip of the age, which squeezes out of him the drop of good or evil that it needs from him. In San Francisco, besides the accumulation of wealth, what does the age ask of your so called protagonist? No wonder he never returns to Ecuador. Mauro Javier Cardenas grew up in Guayaquil, Ecuador, and graduated with a degree in Economics from Stanford University. Excerpts from his first novel, The Revolutionaries Try Again, have appeared in Conjunctions, the Antioch Review, Guernica, Witness, and BOMB. His interviews and essays on/with Laszlo Krasznahorkai, Javier Marias, Horacio Castellanos Moya, Juan Villoro, and Antonio Lobo Antunes have appeared in Music & Literature, San Francisco Chronicle, BOMB, and the Quarterly Conversation.

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Winner of the Stanislas Julien PrizeWinner of the Joseph Levenson Prize for Scholarship on Pre-1900 ChinaDreaming is a near-universal human experience, but there is no consensus on why we dream or what dreams should be taken to mean. In this book, Robert Ford Campany investigates what people in late classical and early medieval China thought of dreams. He maps a common dreamscape—an array of ideas about what dreams are and what responses they should provoke—that underlies texts of diverse persuasions and genres over several centuries. These writings include manuals of dream interpretation, scriptural instructions, essays, treatises, poems, recovered manuscripts, histories, and anecdotes of successful dream-based predictions.In these many sources, we find culturally distinctive answers to questions peoples the world over have asked for millennia: What happens when we dream? Do dreams foretell future events? If so, how might their imagistic code be unlocked to yield predictions? Could dreams enable direct communication between the living and the dead, or between humans and nonhuman animals? The Chinese Dreamscape, 300 BCE–800 CE sheds light on how people in a distant age negotiated these mysteries and brings Chinese notions of dreaming into conversation with studies of dreams in other cultures, ancient and contemporary. Taking stock of how Chinese people wrestled with—and celebrated—the strangeness of dreams, Campany asks us to reflect on how we might reconsider our own notions of dreaming.

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This volume includes primary and secondary sources from documents obtained by the Center from the National Archives in India which is the largest archival repository in Southeast Asia and is complementary to the documentary collections kept in the British Archives in London. Through a multitude of public records and private papers covering the period of time from 1748, as well as a number of manuscripts and decrees issued by the sultans of the states of the Islamic East, and in addition to maps, pictures and other historical vessels, this book constitutes an important source for researchers and scholars in the history of Qatar, the Gulf, the Arabian Peninsula, the countries of the Middle East. It is an essential volume with great scientific and historical benefit to researchers, scholars, historians, and those interested in the history of Qatar and the region.

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The final volume of The Papers of Jefferson Davis follows the former president of the Confederacy through the completion of his two monumental works on the history of the Confederate States of America. In the first, The Rise and Fall of the Confederate Government (1881), Davis sought to recast the Confederacy as a just and moral nation that was constitutionally correct in standing up for its rights. Himself the subject of heated debates about why the Confederacy lost, Davis also used the book to castigate Confederate government and military officials who he believed had failed the cause. Later, A Short History of the Confederate States (1890) attempted to burnish the image of the former Confederacy and to refute accusations of intentional mistreatment of Union prisoners. While completing these books, Davis attended and spoke at numerous Confederate memorial services and monument dedications, all the while waging a bitter feud with two of his former top generals-Joseph E. Johnston and P. G. T. Beauregard-over the reasons for the fall of the Confederacy. In late 1889, having returned to New Orleans from a trip to his plantation, Brierfield, Davis succumbed to pneumonia. His funeral procession attracted an estimated 150,000 mourners, a testament to the lasting popularity of the Confederacy's only president. In volume 14 of The Papers of Jefferson Davis, the editors have drawn from over one hundred manuscript repositories and private collections, in addition to numerous published sources, to offer a compelling portrait of Davis over the last decade of his life.

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Part of the Anglo-Saxon Chronicle Collaborative Series, which now includes editions of the main texts through from A to F. This volume offers a new edition of the E-text of the Anglo-Saxon Chronicle, commonly known as the Peterborough Chronicle. The E-text is of enormous importance in Chronicle studies: in its early part it is the best representativeof the Northern Recension of the Chronicle; in continuing up to the second half of the twelfth century, its span is by far the longest of all the versions. Even more than other versions of the Chronicle, it reflects transitions ofvital interest to historians, linguists, and literary scholars. The E-text has not been edited in its entirety, except as a facsimile, for over a century. This semi-diplomatic edition offers a readable text with modern punctuation and capitalization. The interpolated material relating to Peterborough is clearly distinguished from the rest of the text. Indices of personal names, people-names, and place-names follow the text itself. The Introduction includes an account of the manuscript and a linguistic analysis of the E-text. The E-text cannot of course be studied in isolation. This volume is part of the Anglo-Saxon Chronicle Collaborative Series and with its publicationthe Series now includes editions of the main texts through from A to F. A substantial section of the Introduction to the volume is devoted to a detailed discussion of E's complex textual relationships with the other versions of the Chronicle, and also with other relevant documents such as Peterborough Charters and twelfth-century Latin chronicles. Dr SUSAN IRVINE is Senior Lecturer in the Department of English, University College, London.

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.This edition is published in large NKJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.The go-anywhere New King James Version Bible, lightweight and portable, now with the enhanced readability of Thomas Nelson’s custom NKJV font in large print. That’s the NKJV Value Thinline Large Print Bible, and it’s the Bible you’ll want to take with you throughout your day. Featuring the popular and reliable text of the New King James Version in a variety of compelling cover designs, you will enjoy the beautiful new layout, helpful reading plan, words of Christ in red, and full-color maps.Features Include: Line-matched classic 2-column format Presentation page to personalize this special gift by recording a memory or a note Words of Christ in red help you quickly identify Jesus’ teachings and statements Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Reading plan guiding you through the entire Bible in a year Full color maps show a visual representation of Israel and other biblical locations for better context Ribbon markers for you to easily navigate and keep track of where you were reading Durable and flexible Smyth-sewn binding for years of use Easy-to-read 10.5-point NKJV Comfort Print

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