Search results for ""author manus"

Pocketbook of Hand and Upper Extremity Anatomy: Primus Manus features exquisitely detailed full-color photographs of dissections and line drawings of all major anatomic entities. The written descriptions of anatomy are in bulleted format to allow quick access to the material. The book also describes clinical correlations for major diseases and includes various mnemonic devices.

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The literary jewel of Telegu civilization, translated for the first time into any language.Manucaritramu, or The Story of Manu, by the early sixteenth-century poet Allasani Peddana, is the definitive literary monument of Telugu civilization and a powerful embodiment of the imperial culture of Vijayanagara, the last of the great premodern south Indian states. It is the story of Svarochisha Manu, who ruled over the previous cosmic age and who serves here as prototype for the first human being. Peddana explores the dramatic displacements, imaginative projections, and intricate workings of desire necessary for Manu’s birth and formation. The Story of Manu is also a book about kingship and its exigencies at the time of Krishnadevaraya, the most powerful of the Vijayanagara rulers, who was a close friend and patron of the poet.The Story of Manu, presented in the Telugu script alongside the first translation into any language, is a true masterpiece of early modern south Indian literature.

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'Manu was seated, when the great seers came up to him: "Please, Lord, tell us the Laws of all the social classes, as well as of those born in between..."' The Law Code of Manu is the most authoritative and the best-known legal text of ancient India. Famous for two thousand years it still generates controversy, with Manu's verses being cited in support of the oppression of women and members of the lower castes. A seminal Hindu text, the Law Code is important for its classic description of so many social institutions that have come to be identified with Indian society. It deals with the relationships between social and ethnic groups, between men and women, the organization of the state and the judicial system, reincarnation, the workings of karma, and all aspects of the law. Patrick Olivelle's lucid translation is the first to be based on his critically edited text, and it incorporates the most recent scholarship on ancient Indian history, law, society, and religion. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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It’s no secret that authors have a love-hate relationship with Hollywood. The oft-repeated cliché that “the book was better than the movie” holds true for more reasons than the average reader will ever know. When asked about selling their book rights to Hollywood authors like to joke that they drive their manuscripts to the border of Arizona and California and toss them over the fence, driving back the way they came at breakneck speed. This is probably because Hollywood just doesn’t “get it.” Its vision for the film or TV series rarely seems to match the vision of the author. And for those rare individuals who’ve had the fortune of sitting across the desk from one of the myriad, interchangeable development execs praising the brilliance of their work while ticking off a never-ending list of notes for the rewrite, the pros of pitching their work to Hollywood rarely outweigh the cons.Stephen Jay Schwartz has sat on both sides of that desk—first as the Director of Development for film director Wolfgang Petersen, then as a screenwriter and author pitching his work to the film and television industry. He’s seen all sides of what is known in this small community as “Development Hell.” The process is both amusing and heartbreaking. Most authors whose work contains a modicum of commercial potential eventually find themselves in “the room” taking a shot at seeing their creations re-visualized by agents, producers or development executives. What they often discover is that their audience is younger and less worldly as themselves. What passes for “story notes” is often a mishmash of vaguely connected ideas intended to put the producer’s personal stamp on the project.Hollywood Versus The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand—some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen. They underscore the insanity of every crazy thing you’ve ever heard about Hollywood. For insiders and outsiders alike, Hollywood Versus The Author delivers the goods.With contributions by Michael Connelly, Lawrence Block, Max Allan Collins, Alan Jacobson, Andrew Kaplan, Tess Gerritsen, James Brown, Peter James, Rob Roberge, Lee Goldberg, Naomi Hirahara, T. Jefferson Parker, Diana Gould, Joshua Corin, and Alexandra Sokoloff

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This new translation offers a contemporary rendering of this ancient work which addresses fundamental questions of law and duty for all members of society. One cannot but be impressed by the breadth of scope conjoined with sometimes minute and informative detail. The Laws embody the genius of their originators whose minds could contemplate the full extent of human society and accommodate a code of conduct which would ensure its lawful and harmonious regulation. The modern mind will certainly take issue with many of its directions and prohibitions, yet the same mind may also find within The Laws a source of inspiration and guidance in a world of apparently increasing disorder and conflict. Societies continuously modify the conventions by which they function and these may be evolutionary or consciously directed. It is for each generation to discover how the laws expressed in this work may find contemporary relevance. The present age thirsts for new frontiers of enquiry to bring advancement to the world. Within The Laws with its wealth of principles there is rich material for such an exploration. The text is of great interest as a cultural document but will equally find validity as an object of serious consideration for those who have a practical vision for the welfare of mankind. The text used is the version which has been translated by Jones (1794), Burnell (1884), Buhler (1886), and Doniger (1991). It includes the following eight appendices: Appendix I Weights, Measurements, Denominations; Appendix II Penances, Sacrifices, Teachers; Appendix III Places and Peoples; Appendix IV Prayers, Hymns, Verses cited in The Laws of Manu; Appendix V Fauna, Flora, Foods; Appendix VI Time Durations and Seasons; Appendix VII Gods and Deities; Appendix VIII The Circle of Neighbouring Kingdoms; Extensive index (almost 100 pages)

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'Manu Buffara is … the bridge to the next generation of strong, conscious, and thoughtful chefs.’ – Dominique Crenn 'Manu Buffara is amazing … a mother, warrior, cook, chef, environmental fighter, and superwoman.’ – Alex Atala The story, inspiration, and recipes behind Latin America’s Best Female Chef (2022) and her eponymous restaurant in Curitiba In this much anticipated book, award-winning chef Manoella Buffara (known as Manu) invites readers to discover how her love for her native Brazil became her greatest motivation. Through 60 never-before-published recipes and four evocative 'menu' collections, a set of welcome drinks, and petit-fours, Manu tells the story of a culinary career founded on a commitment to indigenous ingredients and underserved communities, as showcased within her restaurant Manu. Forewords by Dominique Crenn and Manu's mentor, Alex Atala give further insight into the work of this inspiring chef. The book features specially commissioned photographs taken across a single year – of plated food, the land and sea that drive Buffara’s culinary vision, and the communities and ingredients that inspire her. This, her debut cookbook, presents an evocative reflection of the personal journey of the chef and the story of her community, life, and land, encapsulating the ambitions and values of one of the world’s most highly creative and globally respected chefs.

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A bibliography of studies of individual Middle English words and groups of words offering evidence for word meanings. Although detailed and full bibliographies exist for Old English word studies, this is the first specifically on Middle English lexicography, focussing on studies of individual Middle English words and groups of words which offer evidence for word meanings: ante- and post-datings for the Oxford English Dictionary and the Middle English Dictionary, missing entries and ghost words, possible proverbs, proposals for etymologies, wordplay, punning, new readingsin manuscripts and the reinterpretations of textual cruces. It first presents an annotated bibliography arranged alphabetically by author's name and date of publication; the annotations include notes on the contents and approach of each article, cross-references to related work, and references to reviews. Two indexes follow, the Index of Words, an alphabetical listing of words that have attracted significant discussion with references to the author(s), publication date and notes of pages on which the words are discussed; and an Index of Authors. The introductory section offers critical analyses of the word studies. Professor JANE ROBERTS and Dr LOUISE SYLVESTER teach atKing's College London.

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The works of four major fifteenth-century writers re-examined, showing their innovative reconceptualization of Middle English authorship and the manuscript book. Thomas Hoccleve, Margery Kempe, John Audelay and Charles d'Orléans present themselves as the makers not only of their texts, but also of the books that transmitted their writing. This new study argues that they elaborated a "self-publishing pose" with the aim of regaining their audiences' confidence in the face of the compromised social, physical and material conditions they inhabited. Dr Critten shows that while the strategies of self-presentation that these authors develop draw on trends in contemporary literature and book history (such as the proliferation of the "go, litel bok" motif and the increasing popularity of the single-author codex), their approach to writing differs fundamentally from that pursued by their immediate predecessors, Chaucer and Gower, and by their most prominent peer, Lydgate. Rather, in their unusual insistence on their co-identity with their manuscripts, they demonstrate a new awareness of the socially instrumental potential of Middle English writing. RORY G. CRITTEN is a Maître d'enseignement et de recherche (lecturer) in the English Department at the University of Lausanne in Switzerland.

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First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

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RICHARD AND JUDY BESTSELLING AUTHOR'Gripping, emotional, utterly engrossing' Lisa Ballantyne'Stunning writing and wonderful nuanced characterisation. I was hooked' Rosamund LuptonFor fans of Maggie O'Farrell and Celeste Ng, How It Ends is a sweeping and turbulent drama about the anxieties of post-war Britain, where one strong and inspirational young woman looks to find her place, no matter the cost... 1957: Within a year of arriving at an American airbase in Suffolk, the loving, law-abiding Delaney family is destroyed. Did they know something they weren't allowed to know? Did they find something they weren't supposed to find? Only one girl has the courage to question what really went on behind closed doors . . . Hedy's journey to the truth leads her to read a manuscript that her talented twin brother had started months before he died, a story inspired by an experience in the forest surrounding the airbase perimeter. Only through deciding to finish what her brother started does Hedy begin to piece together what happened to her family.But would she have continued if she'd known then what she knows now? Sometimes, it's safer not to finish what you've started...Praise for Saskia Sarginson:'An intense and brooding read, with a brilliantly claustrophobic sense of place' Sunday Mirror on How it Ends'An engrossing read with endearing characters thrust into traumatic circumstances. It stayed with me long after the last page' Lisa Ballantyne on How It Ends'Outstandingly good. Part thriller, part love story, I guarantee you will not be able to put it down' Sun on The Twins 'Atmospheric, readable, beautifully evoked' Sunday Mirror on Without You 'Stunning in its insight and beautifully written' Judy Finnigan on The Twins'This enthralling read will keep you up long into the night' Ruth Ware on The Other Me'Inspirational and compelling' Candis Review on How it Ends 'A stunning writer with deep insight into people, their thoughts and behaviour' NZ Women's Weekly

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'Hugely readable and profoundly important ... Perry's masterly piece of postmodern gothic is one of the great achievements of our century' The Observer SHORTLISTED FOR THE 2019 DYLAN THOMAS PRIZE OBSERVER FICTION BOOK OF THE YEAR 2018 'Beautiful, devastating, brilliant' Marian Keyes 'Astonishingly dark ... exquisitely balanced' Francis Spufford 'Packs a punch of atmosphere, creepiness, fear and melancholy' Susan Hill 'Mythic, ominous and sensitively human' Frances Hardinge 'Richly atmospheric, daring and surprising' Melissa Harrison 'Striking and brave, ... moving and terribly beautiful' Sam Guglani Oh my friend, won't you take my hand - I've been so lonely! One winter night in Prague, Helen Franklin meets her friend Karel on the street. Agitated and enthralled, he tells her he has come into possession of a mysterious old manuscript, filled with personal testimonies that take them from 17th-century England to wartime Czechoslovakia, the tropical streets of Manila, and 1920s Turkey. All of them tell of being followed by a tall, silent woman in black, bearing an unforgettable message. Helen reads its contents with intrigue, but everything in her life is about to change.

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** A GUARDIAN BEST BOOK OF 2023 ** 'Ward's most complex and brilliant book yet' - GUARDIAN 'A darkly moving and heartfelt exploration of obsession' - DAILY EXPRESS Writers are monsters. We eat everything we see... In a windswept cottage overlooking the sea, Wilder Harlow begins the last book he will ever write. It is the story of his childhood companions and the shadowy figure of the Daggerman, who stalked the New England town where they spent their summers. Of a horror that has followed Wilder through the decades. And of Sky, Wilder's one-time friend, who stole his unfinished memoir and turned it into a lurid bestselling novel, The Sound and the Dagger. This book will be Wilder's revenge on Sky, who betrayed his trust and died without ever telling him why. But as he writes, Wilder begins to find notes written in Sky's signature green ink, and events in his manuscript start to chime eerily with the present. Is Sky haunting him? And who is the dark-haired woman drowning in the cove, whom no one else can see? No longer able to trust his own eyes, Wilder feels his grip on reality slipping. And he begins to fear that this will not only be his last book, but the last thing he ever does. Discover the new dark thriller from the bestselling author of The Last House on Needless Street. 'So beautiful, so dark and so vivid' - JENNIFER SAINT 'A beautifully sinister tale of perception and identity' - JOANNE HARRIS 'Enthralling and heartbreaking' - M.R. CAREY

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'Gripping, emotional, utterly engrossing' Lisa Ballantyne'Stunning writing and wonderful nuanced characterisation. I was hooked' Rosamund LuptonA sweeping and turbulent drama about the anxieties of post-war Britain, where one strong and inspirational young woman looks to find her place, no matter the cost... Perfect for fans of Maggie O'Farrell, Celeste Ng and Anne Tyler.1957: Within a year of arriving at an American airbase in Suffolk, the loving, law-abiding Delaney family is destroyed. Did they know something they weren't allowed to know? Did they find something they weren't supposed to find? Only one girl has the courage to question what really went on behind closed doors . . . Hedy's journey to the truth leads her to read a manuscript that her talented twin brother had started months before he died, a story inspired by an experience in the forest surrounding the airbase perimeter. Only through deciding to finish what her brother started does Hedy begin to piece together what happened to her family.But would she have continued if she'd known then what she knows now? Sometimes, it's safer not to finish what you've started...Praise for Saskia Sarginson:'An engrossing read with endearing characters thrust into traumatic circumstances. It stayed with me long after the last page' Lisa Ballantyne on How It Ends'Outstandingly good. Part thriller, part love story, I guarantee you will not be able to put it down' Sun on The Twins 'Atmospheric, readable, beautifully evoked' Sunday Mirror on Without You 'Stunning in its insight and beautifully written' Judy Finnigan on The Twins'This enthralling read will keep you up long into the night' Ruth Ware on The Other Me'A stunning writer with deep insight into people, their thoughts and behaviour' NZ Women's Weekly

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** A GUARDIAN BEST BOOK OF 2023 ** 'Ward's most complex and brilliant book yet' - GUARDIAN 'A darkly moving and heartfelt exploration of obsession' - DAILY EXPRESS Writers are monsters. We eat everything we see... In a windswept cottage overlooking the sea, Wilder Harlow begins the last book he will ever write. It is the story of his childhood companions and the shadowy figure of the Daggerman, who stalked the New England town where they spent their summers. Of a horror that has followed Wilder through the decades. And of Sky, Wilder's one-time friend, who stole his unfinished memoir and turned it into a lurid bestselling novel, The Sound and the Dagger. This book will be Wilder's revenge on Sky, who betrayed his trust and died without ever telling him why. But as he writes, Wilder begins to find notes written in Sky's signature green ink, and events in his manuscript start to chime eerily with the present. Is Sky haunting him? And who is the dark-haired woman drowning in the cove, whom no one else can see? No longer able to trust his own eyes, Wilder feels his grip on reality slipping. And he begins to fear that this will not only be his last book, but the last thing he ever does. Discover the new dark thriller from the bestselling author of The Last House on Needless Street. 'So beautiful, so dark and so vivid' - JENNIFER SAINT 'A beautifully sinister tale of perception and identity' - JOANNE HARRIS 'Enthralling and heartbreaking' - M.R. CAREY

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When her questions remained unanswered by multiple how-to guides, despite how her writing career was now thriving, Linda decided to go straight to the source: her favourite storytellers across numerous genres. So, Linda co-created the Beautiful Writers Podcast, where she began interviewing authors for the secrets behind their careers - and, without realising it, began building a platform of eager listeners who wanted to learn from their shared idols. With more than two million downloads, Linda’s podcast has since become a bright beacon of inspiration for writers at all stages of their journeys. Now, in Beautiful Writers: A Journey of Big Dreams and Messy Manuscripts - with Tricks of the Trade from Bestselling Authors, Linda shares - and expands on - the best of advice and storytelling from the podcast and follow-up interviews with literary greats, including: Terry McMillan Cheryl Strayed Tom Hanks Van Jones Jenny Lawson Steven Pressfield Elizabeth Gilbert Anne Lamott Mary Karr Seth Godin Abby Wambach Martha Beck Marie Forleo Lee Child Patricia Cornwell Dean Koontz Maria Shriver Dr. Jane Goodall Sabaa Tahir Tomi Adeyemi Ann Patchett Dani Shapiro Danielle LaPorte Tosca Lee Joy Harjo Deepak Chopra Wrapped around the page-turning, magical, and wonderfully relatable account of the highs and lows of her own career writing bestselling, award-winning books for herself and others, these stories from the trenches are packed with suspense, laugh-out-loud humor, and raw honesty. Their passion and wisdom will help aspiring writers avoid common pitfalls and energize career authors with a treasure trove of writing insights from their peers. Beautiful Writers is a love letter to reading, writing, and to everyone who reads and writes. It’s the book Linda wished she had when she was starting out. Beautiful Writers will become the evergreen companion for creatives everywhere. Write on!

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The stunning novel from the million-copy Sunday Times bestseller A RICHARD & JUDY BOOKCLUB PICK The night before it all begins, Jude has the dream again . . . Can dreams be passed down through families? As a child Jude suffered a recurrent nightmare: running through a dark forest, crying for her mother. Now her six-year-old niece, Summer, is having the same dream, and Jude is frightened for her. A successful auctioneer, Jude is struggling to come to terms with the death of her husband. When she's asked to value a collection of scientific instruments and manuscripts belonging to Anthony Wickham, a lonely 18th century astronomer, she leaps at the chance to escape London for the untamed beauty of Norfolk, where she grew up. As Jude untangles Wickham's tragic story, she discovers threatening links to the present. What have Summer's nightmares to do with Starbrough folly, the eerie crumbling tower in the forest from which Wickham and his adopted daughter Esther once viewed the night sky? With the help of Euan, a local naturalist, Jude searches for answers in the wild, haunting splendour of the Norfolk woods.Dare she leave behind the sadness in her own life, and learn to love again? Praise for Rachel Hore's novels: ‘A tour de force. Rachel's Paris is rich, romantic, exotic and mysterious’ JUDY FINNIGAN ‘An elegiac tale of wartime love and secrets’ Telegraph ‘A richly emotional story, suspenseful and romantic, but unflinching in its portrayal of the dreadful reality and legacy of war’ Book of the Week, Sunday Mirror 'Pitched perfectly for a holiday read' Guardian 'Engrossing, pleasantly surprising and throughly readable' SANTA MONTEFIORE 'A beautifully written and magical novel about life, love and family' CATHY KELLY

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Graphics made easy for technical and scientific authors Gone are the days of relying on graphic artists to make your work clear and persuasive! This book arms you with all you need to know to conceptualize, create, and incorporate the type of quality graphs and graphics that will help get your scientific and technical papers published. The authors, both senior staff members at the Jet Propulsion Laboratory, provide straightforward guidance on all the steps to using graphs and graphics to make your case. Some of the useful things you'll learn include: What kind of graph to use to make what kind of case Whether or not it is appropriate to connect the dots in a graph Efficient ways to use a variety of PC software How to embed artwork in a layout-and what to do if the graphic won't fit Why file format conversions are sometimes problematic How to edit diagrams for different end-uses Tips on how to get the best results without spending excessive time Real-world examples illustrate good (and bad) uses of graphs, and problem sets are included at the end of each chapter. If you're technically adept but not trained in document design, this book is an indispensable treasure trove of knowledge for making your papers publishable, your viewgraphs enjoyable, and your patents understandable.

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The AMA Manual of Style is a must-have resource for anyone involved in medical, health, and scientific publishing. Written by an expert committee of JAMA Network editors, this latest edition addresses issues that face authors, editors, and publishers in the digital age. Extensive updates are included in the References chapter, with examples of how to cite digital publications, preprints, databases, data repositories, podcasts, apps and interactive games, and social media. Full-color examples grace the chapter on data display, with newer types of graphic presentations and updated guidance on formatting tables and figures. The manual thoroughly covers ethical and legal issues such as authorship, conflicts of interest, scientific misconduct, intellectual property, open access and public access, and corrections. The Usage chapter has been revised to bring the manual up-to-date on word choice, especially in writing about individuals with diseases or conditions and from various socioeconomic, racial/ethnic, and sexual orientation populations. Specific nomenclature entries in many disciplines are presented to guide users in issues of diction, formatting, and preferred terminology. Guidance on numbers, SI units, and math has been updated, and the section on statistics and study design has undergone a major expansion. In sum, the answer to nearly any issue facing a writer or editor in medicine, health care, and related disciplines can be found in the 11th edition of the AMA Manual of Style. Available for institutional purchase or subscription or individual subscription. Visit AMAManualofStyle.com or contact your sales rep for more details.

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Every book has a story of its own, a path leading from the initial idea that sparked it to its emergence into the world in published form. No two books follow quite the same path, but all are shaped by a similar array of market forces and writing craft concerns, as well as by a cast of characters stretching beyond the author. Behind the Book explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works. Based on extensive interviews with the authors, it covers the process of writing and publishing a book from beginning to end, including idea generation, developing a process, building a support network, revising the manuscript, finding the right approach to publication, building awareness, and ultimately moving on to the next project. It also includes insights from editors, agents, publishers, and others who helped to bring these projects to life. Unlike other books on writing craft, Behind the Book looks at the larger picture of how an author's work and choices can affect the outcome of a project. The authors profiled in each story open up about their challenges, mistakes, and successes. While their paths to publication may be unique, together they offer important lessons that authors of all types can apply to their own writing journeys.

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'Witty and geekily eclectic' The TimesAn erudite and amusing exploration' Financial Times'Full of jawdropping facts' Mail on Sunday'Remarkable . . . engrossing' Sunday Times'A pleasure' Spectator'An infectiously enthusiastic history' Times Literary SupplementThe encyclopaedia once shaped our understanding of the world. Now these huge books sell for almost nothing on eBay while we derive information from our phones. What have we lost in this transition? All the Knowledge in the World tracks the story from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. It exposes how encyclopaedias reflect our changing attitudes towards sexuality, race and technology, uncovers a fascinating part of our shared past and wonders whether the promise of complete knowledge - that most human of ambitions - will forever be beyond our grasp.

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The encyclopaedia once shaped our understanding of the world. Created by thousands of scholars and the most obsessive of editors, adults cleared their shelves in the belief that wisdom was now effortlessly accessible in their living rooms. Contributions from Albert Einstein, Sigmund Freud, Orville Wright, Alfred Hitchcock, Marie Curie and Indira Gandhi helped millions of children with their homework. But now these huge books gather dust and sell for almost nothing on eBay, and we derive our information from the internet, apparently for free. What have we lost in this transition? And how did we tell the progress of our lives in the past? All the Knowledge in the World is a history and celebration of those who created the most ground-breaking and remarkable publishing phenomenon of any age. It tracks the story from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. It looks at how Encyclopaedia Britannica came to dominate the industry and how an army of ingenious door-to-door salesmen sold their wares to guilt-ridden parents. It explains how encyclopaedias have reflected our changing attitudes towards sexuality, race and technology, and exposes how these ultimate bastions of trust were often riddled with errors and prejudice. With his characteristic ability to tackle the broadest of subjects in an illuminating and highly entertaining way, Simon Garfield uncovers a fascinating and important part of our past, and wonders whether the promise of complete knowledge - that most human of ambitions - will forever be beyond our grasp.

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The encyclopaedia once shaped our understanding of the world. Created by thousands of scholars and the most obsessive of editors, adults cleared their shelves in the belief that wisdom was now effortlessly accessible in their living rooms. Contributions from Albert Einstein, Sigmund Freud, Orville Wright, Alfred Hitchcock, Marie Curie and Indira Gandhi helped millions of children with their homework. But now these huge books gather dust and sell for almost nothing on eBay, and we derive our information from the internet, apparently for free. What have we lost in this transition? And how did we tell the progress of our lives in the past? All the Knowledge in the World is a history and celebration of those who created the most ground-breaking and remarkable publishing phenomenon of any age. It tracks the story from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. It looks at how Encyclopaedia Britannica came to dominate the industry and how an army of ingenious door-to-door salesmen sold their wares to guilt-ridden parents. It explains how encyclopaedias have reflected our changing attitudes towards sexuality, race and technology, and exposes how these ultimate bastions of trust were often riddled with errors and prejudice. With his characteristic ability to tackle the broadest of subjects in an illuminating and highly entertaining way, Simon Garfield uncovers a fascinating and important part of our past, and wonders whether the promise of complete knowledge - that most human of ambitions - will forever be beyond our grasp.

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Possible Lives uses the saints'lives written by humanists of the Italian Renaissance to explore the intertwining of classical and religious cultures on the eve of the European Reformation. The lives of saints were among the most reproduced and widely distributed literatures of medieval and early modern Europe. During the century before the Reformation, these narratives of impossible goodness fell into the hands of classicizing intellectuals known as humanists. This study examines how the humanist authors received, criticized, and rewrote the traditional stories of exemplary virtue for patrons and audiences who were surprisingly open to their textual experiments. Drawn from a newly constructed catalog of primary sources in manuscript and print, the cases in this book range from the lure of martyrdom as the West confronted Islam to the use of saints'lives in local politics and the rhetorician's classroom. Frazier discusses the writers'perceptions of historical sanctity, the commanding place of the mendicant friars, and one unique account of a contemporary holy woman. Possible Lives shows that the classical Renaissance was also a saintly Renaissance, as humanists deployed their rhetorical and philological skills to "renew the persuasive force of Christian virtue" and "save the cult of the saints." Combining quantitative and anecdotal approaches in a highly readable series of case studies, Frazier reveals the contextual richness of this little-known and unexpectedly large body of Latin hagiography.

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Groundbreaking ideas in archival description and control Archival authority control is an often ambiguous label that embraces a potentially wide scope. In this active and quickly-evolving field, new methods of clarification are essential for successful archive management. The articles in Respect for Authority: Authority Control, Context Control, and Archival Description offer an innovative approach by marking and exploring a clear distinction between conventional archival authority files and the broader concept of context control. Intended to not only answer important questions but raise worthy new ones as well, Respect for Authority: Authority Control, Context Control, and Archival Description reveals striking new perspectives in managing archival description more effectively. The engaging essays in this collection tackle key issues of archive authority control and offer sound proposals for advancing a new course. Comprehensive in its approach, this text takes an in-depth look at both the International Standard for Archival Authority Records (ISAAR) and the American standard, Describing Archives: a Content Standard (DACS) and considers the place of authority control in these two standards for archival description. In addition, contributors offer practical answers to the thorny issue of identifying the boundaries of a records-creating entity and present criteria for determining when a new entity is established. International in scope, this book presents groundbreaking case studies by archive professionals from Canada, the United States, Italy, and Australia that document the successes of different institutional applications that describe the records-creator first and then link this description to that of the records themselves. Respect for Authority: Authority Control, Context Control, and Archival Description also includes expert discussions of: the role of standards the nature of archives and their relationships with their creators resources necessary to fully document contextualized content the power of provenance possibilities available through a trinity of descriptive entitiesrecords, agents, and functions the potential of provenance rediscovery in American repositories postmodern archive theory, multiple provenance, and the reconceptualization of archive context using ISAAR to document records-creating environments challenges inherent in implementing series-based systems of arrangement and description the National Archives and Records Administration (NARA) and the Archival Resource Catalog (ARC) digitizing and publishing registers and the development of the Online Heritage Resource Manager (OHRM) and many more! Ideal for archive professionals, manuscript librarians, students, and researchers of archival administration, Respect for Authority: Authority Control, Context Control, and Archival Description not only resolves important questions revealed by these new trends but opens new discussions of a major shift in descriptive practice.

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These days, regardless of whether a book is self-published or traditionally published, there will be an expectation on the author to take an active role in marketing their book. Based on a series of interviews with successful authors from both sides of the publishing divide and both sides of the pond, Lynn lays out in detail the marketing strategies that have worked for them, alongside an explanation of how book marketing works based on her own long-standing career as a senior marketing exec. From developing social media tactics and arranging promotional events to handling press and trying to start viral campaigns, Lynn offers practical advice designed to help an author find a book marketing strategy that best works for them, based on their personal strengths and budget.

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The only guide dedicated solely to developmental editing, now revised and updated with new exercises and a chapter on fiction. Developmental editing—transforming a manuscript into a book that edifies, inspires, and sells—is a special skill, and Scott Norton is one of the best at it. With more than three decades of experience in the field, Norton offers his expert advice on how to approach the task of diagnosing and fixing structural problems with book manuscripts in consultation with authors and publishers. He illustrates these principles through a series of detailed case studies featuring before-and-after tables of contents, samples of edited text, and other materials to make an otherwise invisible process tangible. This revised edition for the first time includes exercises that allow readers to edit sample materials and compare their work with that of an experienced professional as well as a new chapter on the unique challenges of editing fiction. In addition, it features expanded coverage of freelance business arrangements, self-published authors, e-books, content marketing, and more. Whether you are an aspiring or experienced developmental editor or an author who works alongside one, you will benefit from Norton’s accessible, collaborative, and realistic approach and guidance. This handbook offers the concrete and essential tools it takes to help books to find their voice and their audience.

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For more than fifty years, authors, editors, and publishers in the scientific community have turned to Scientific Style and Format for authoritative recommendations on all matters of writing style and citation. Developed by the Council of Science Editors (CSE), the leading professional association in science publishing, this indispensable guide encompasses all areas of the sciences. Now in its eighth edition, it has been fully revised to reflect today's best practices in scientific publishing. Scientific Style and Format citation style has been comprehensively reorganized, and its style recommendations have been updated to align with the advice of authoritative international bodies. Also new to the eighth edition are guidelines and examples for citing online images and information graphics, podcasts and webcasts, online videos, blogs, social networking sites, and e-books. Style instructions for physics, chemistry, genetics, biological sciences, and astronomy have been adjusted to reflect developments in each field. The coverage of numbers, units, mathematical expressions, and statistics has been revised and now includes more information on managing tables, figures, and indexes. Additionally, a full discussion of plagiarism and other aspects of academic integrity is incorporated, along with a complete treatment of developments in copyright law, including Creative Commons. For the first time in its history, Scientific Style and Format will be available simultaneously in print and online. Online subscribers will receive access to full-text searches of the new edition and other online tools, as well as the popular Chicago Manual of Style Online forum, a community discussion board for editors and authors. Whether online or in print, the eighth edition of Scientific Style and Format remains the essential resource for those writing, editing, and publishing in the scientific community.

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James VI of Scotland and I of England participated in the burgeoning literary culture of the Renaissance, not only as a monarch and patron, but as an author in his own right, publishing extensively in a number of different genres over four decades. As the first monograph devoted to James as an author, this book offers a fresh perspective on his reigns in Scotland and England, and also on the inter-relationship of authorship and authority, literature and politics in the Renaissance.Beginning with the poetry he wrote in Scotland in the 1580s, it moves through a wide range of his writings, including scriptural exegeses, political, social and theological treatises and printed speeches, concluding with his manuscript poetry of the early 1620s. The book combines extensive primary research into the preparation, material form and circulation of these varied writings, with theoretically informed consideration of the relationship between authors, texts and readers. The discussion thus explores James’s responses to, and interventions in, a range of literary, political and religious debates, and reveals the development of his aims and concerns as an author.

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Samaritanism is an outgrowth of Early Judaism that has survived until today. Its origin as a separate religious entity can be traced back to the 2nd/1st centuries B.C.E. Samaritans were found not only in their core-area in and around Shechem-Neapolis (modern Nablus) and on neighboring Mount Gerizim, but also in other parts of Palestine as well as in various other Mediterranean countries. Oppression at the hand of Jews, Christians and Muslims decimated the Samaritan population and obliterated all Samaritan manuscripts written prior to the 10th/11th centuries C.E. For the early period of Samaritanism we must therefore rely on Christian authors. Reinhard Pummer edits Christian Greek and Latin texts about Samaritans and their beliefs and practices, dating from the second century C.E. to the Arab conquests. The passages are quoted in their original language and translated into English. In addition, they are commented on and analyzed in view of their significance for our knowledge of Samaritanism within the wider framework of early Judaism and Christianity.

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The W&A Guide to Getting Published provides the would-be published author with expert knowledge on securing a book deal – from preparing a manuscript for submission, to finding an agent, from working with an Editor, to effective self-promotion. It considers all stages in the ‘selling’ of your idea and manuscript and gives up-to-date information on how the publishing industry functions and how authors can best navigate its mysteries and complexities. Each chapter provides practical, how-to advice on what to do, where to seek additional help, what costs might be involved, cautionary dos and don’ts, and useful case studies. This guide considers all publishing formats (print, digital and audio) and markets (fiction, non-fiction, children's and books for adults) to offer all-round support for the budding writer.

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The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. Geoffrey Chaucer has long been lauded as the "Father of English Poetry." For later authors and scholars, the late medieval poet has served as a symbol of male authority and literary paternity upon whom successive centuries of the English canon may comfortably rest. Yet for Chaucer himself, the idea of paternity—whether poetic or biological—was far from stable or reassuring. Reading Chaucer's masterpiece, The Canterbury Tales, alongside its theological, poetic, and scientific contemporaries, this book argues that Chaucer was fascinated by the promise offered by metaphors of reproduction, paternity, and lineage. However, in the wake of the Black Death, Hundred Years' War, and other demographic crises, Chaucer could not help but perceive paternal authority as a transitory, uncertain ambition, one capable of devastating male authority as surely as it could enshrine it. Likewise, medieval Christian doctrine taught that the earth was but a temporary, sorrowful abode for corrupt, mortal men, who committed a form of blasphemy by longing for earthly memorializations of their lives. Chaucer knew that God had set sharp limits upon man's ability to create with certainty and to determine his own posterity. Still, what could be more human than the longing to wrest some small authority from one's own flesh? This book argues that within The Canterbury Tales, Chaucer consistently confronted the impossibility of men's desire to see their offspring—both biological and poetic—last beyond their own deaths, to claim the authority simultaneously promised and denied by the very act of creation.

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'This book had me day dreaming, crying, sobbing... all the emotions'Reader ReviewTwo sworn enemies. One unfinished manuscript. The love story of a lifetime...When Georgia Stanton discovers that her late grandmother, Scarlett, the infamous romance author, didn't get the chance to finish her last book, she is determined to share her story. But first, it needs to be written.Enter Noah Harrison, the bestselling and most charismatic romance author of his generation. When Georgia meets him, she is distraught - athough he's charming and handsome, there's nothing beneath the surface. But as they start working together, Georgia begins to see that there might be more to Noah than meets the eye.Together, they realize that Scarlett was saving the greatest love story of all until last - her own. While serving in World War Two, she fell in love with the handsome and enigmatic pilot, Jameson. But are Georgia and Noah about to discover that not all love stories have a happy ending...?Perfect for fans of Colleen Hoover and Nicholas Sparks, The Things We Leave Unfinished is an epic and sweeping romance about the sacrifices we make for love and the endings we don't want to see coming...Readers have fallen in love with The Things We Leave Unfinished, the perfect romance that will make you cry'I'm all cried out. Rebecca Yarros shook me with that twist I didn't see coming''I've never read anything like this and I don't think I ever will again. This is a love story for the ages''Scarlett and Jameson have my entire heart, I love them'

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