Search results for ""author manus"
Love Inspired Trade The Lost Manuscript
£13.65
Pindar Press Studies in Italian Manuscript Illumination
The author is Professor at the Institute of Fine Arts at New York University, and a noted authority on Italian medieval and Renaissance manuscript illumination. His numerous publications include Medieval Illuminators and Their Methods of Work, and he recently organized the exhibition The Painted Page: Italian Renaissance Book Illumination 1450-1550 at the Royal Academy of London. The present volume presents a comprehensive selection of Professor Alexander's papers on Italian manuscript illumination, from the medieval period through the Renaissance. These feature some of the most celebrated works of one of the great ages of book production. A paper on marginal illustrations in Italian manuscripts is published here for the first time, and the older studies have been extensively revised and updated. There is a comprehensive index, and a new introduction by the author.
£30.59
Pindar Press Studies in Italian Manuscript Illumination
The author is Professor at the Institute of Fine Arts at New York University, and a noted authority on Italian medieval and Renaissance manuscript illumination. His numerous publications include Medieval Illuminators and Their Methods of Work, and he recently organized the exhibition The Painted Page: Italian Renaissance Book Illumination 1450-1550 at the Royal Academy of London. The present volume presents a comprehensive selection of Professor Alexander's papers on Italian manuscript illumination, from the medieval period through the Renaissance. These feature some of the most celebrated works of one of the great ages of book production. A paper on marginal illustrations in Italian manuscripts is published here for the first time, and the older studies have been extensively revised and updated. There is a comprehensive index, and a new introduction by the author.
£120.00
Persephone Books Ltd The Hopkins Manuscript
£16.00
Cornell University Press Introduction to Manuscript Studies
Providing a comprehensive and accessible orientation to the field of medieval manuscript studies, this lavishly illustrated book by Raymond Clemens and Timothy Graham is unique among handbooks on paleography, codicology, and manuscript illumination in its scope and level of detail. It will be of immeasurable help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Introduction to Manuscript Studies features three sections: • Part 1, "Making the Medieval Manuscript," offers an in-depth examination of the process of manuscript production, from the preparation of the writing surface through the stages of copying the text, rubrication, decoration, glossing, and annotation to the binding and storage of the completed codex. • Part 2, "Reading the Medieval Manuscript," focuses on the skills necessary for the successful study of manuscripts, with chapters on transcribing and editing; reading texts damaged by fire, water, insects, and other factors; assessing evidence for origin and provenance; and describing and cataloguing manuscripts. This part ends with a survey of sixteen medieval scripts dating from the eighth to the fifteenth century. • Part 3, "Some Manuscript Genres," provides an analysis of several of the most frequently encountered types of medieval manuscripts, including Bibles and biblical concordances, liturgical service books, Books of Hours, charters and cartularies, maps, and rolls and scrolls. The book concludes with an extensive glossary, a guide to dictionaries of medieval Latin, and a bibliography subdivided and keyed to the subsections of the volume's chapters. Every chapter in this magisterial guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge.
£1,317.83
Right Book Press The Authority Guide to Writing & Implementing a Marketing Plan: A step-by-step manual to make you a smarter marketer and maximise your business profits
£9.99
British Library Publishing Astrology in Medieval Manuscripts
The art of predicting earthly events from the movements of stars and planets has always been a source of fascination. Medieval astrologers, though sometimes feared to be magicians in league with demons, were usually revered scholars whose ideas and practices were widely respected. Politics, medicine, weather forecasting, cosmology and alchemy were all influenced by astrological concepts. Astrology in Medieval Manuscripts explores the dazzling complexity of western medieval astrology and its place in society, as revealed by a wealth of illustrated manuscripts from the British Library's rich medieval collection.
£12.99
Paperblanks Wilde, The Importance of Being Earnest (Embellished Manuscripts Collection) Ultra Lined Hardcover Journal
A man as tormented as he was beloved, Oscar Wilde (1854–1900) overcame a life of extraordinary ups and downs to become a world-renowned playwright, author and poet. He stands as one of the most influential writers of the Victorian era.Wilde’s work is fraught with the insights of a man who possessed a deep understanding of both the positives and perils of society. Criticized for what was perceived as an “effeminate nature” and oppressed by a largely homophobic world, Wilde remained resilient. He used his experiences to form brilliant, if controversial, literary works.The comedy The Importance of Being Earnest, a draft of which is reproduced here, was a great success upon opening but saw its run cut short when Wilde was imprisoned for “gross indecency.” This represented one of the first famous celebrity trials but was, sadly, only one of many persecutions of a member of the LGBTQ community for a consensual act. We first released this Embellished Manuscript in 2010, and this season we bring it back in celebration of Wilde’s literary legacy and personal perseverance.
£22.49
Paperblanks Wilde, The Importance of Being Earnest (Embellished Manuscripts Collection) Midi 12-month Day-at-a-Time Dayplanner 2024
A man as tormented as he was beloved, Oscar Wilde (1854–1900) overcame a life of extraordinary ups and downs to become a world-renowned playwright, author and poet. Oppressed by a largely homophobic world, Wilde remained resilient. He used his experiences to form brilliant, if controversial, literary works, including The Importance of Being Earnest. Today, he is remembered as one of the most influential writers of the Victorian era.
£21.99
Aakar Books Mathematical Manuscript
£52.50
Manohar Publishers and Distributors Conceptualizations in the Manusmrti
£23.99
Penguin Books Ltd The Manuscript Found in Saragossa
Alphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.
£15.95
Dedalus Ltd Tales from the Saragossa Manuscript
£7.37
JCB Mohr (Paul Siebeck) Samaritan Scribes and Manuscripts
"This book aims to provide the critical tools to help scholars in their use of Samaritan manuscripts. The basic codicological tools is a series of complementary data-bases compiled from typological studies of the physical properties of manuscripts. Each typology is in effect a diachronic profile created by painstaking comparison and analysis of the physical properties of manuscripts of known provenance and/or date. Using these typologies or diachronic profiles it is possible to evaluate the chronology of the physical characteristics of any manuscript - the quire or gathering structure, ink, ruling, spacing of the text on the folio, sewing of the sections ... Naturally, the more information available about the physical properties of any manuscript the better the chance of making correlations between the typologies of different properties.The basic rule in palaeography and codicology is that the researcher works on an inductive basis from as wide a sample as possible of dated manuscripts. It is hoped that in the studies in this volume, evidence has been provided which will serve as a guide both to the appearance and the nature of Samaritan manuscripts and to the evaluative process that one would employ in examining them for codicological purposes. The reader should be able to apply the criteria provided here to the evaluation of whatever data can be retrieved from any undated Samaritan manuscripts with which he is confronted." Alan D. Crown in the preface
£151.20
British Library Publishing Dogs in Medieval Manuscripts
Throughout the Middle Ages, medieval manuscripts often featured dogs, from beautiful and loving depictions of man's best friend, to bloodthirsty illustrations of savage beasts, to more whimsical and humorous interpretations. Featuring stunning illustrations from the British Library's rich medieval collection, Dogs in Medieval Manuscripts provides - through discussion of dogs both real and imaginary - an astonishing picture of the relationship of dogs to humans in the medieval world.
£12.99
Watkins Media Limited The O Manuscript: The Scandinavian Bestseller
A testimonial of how a present-day mystic’s pursuit of self-discovery led to a revelation of the hidden secrets of Christianity – beginning with the author’s journey to a remote mountain village in southern France and his encounters with a wise man, The Seer
£22.49
£38.89
Museum Tusculanum Press Care and Conservation of Manuscripts 12
£32.39
Hal Leonard Corporation Hal Leonard Bass Guitar Manuscript Paper
£8.43
Museum Tusculanum Press Care and Conservation of Manuscripts 13
£58.49
Hal Leonard Corporation Hal Leonard Ukulele Tablature Manuscript Paper
£8.72
Oxford University Press English Renaissance Manuscript Culture: The Paper Revolution
English Renaissance Manuscript Culture: The Paper Revolution traces the development of a new type of scribal culture in England that emerged early in the fourteenth century. The main medieval writing surfaces of parchment and wax tablets were augmented by a writing medium that was both lasting and cheap enough to be expendable. Writing was transformed from a near monopoly of professional scribes employed by the upper class to a practice ordinary citizens could afford. Personal correspondence, business records, notebooks on all sorts of subjects, creative writing, and much more flourished at social levels where they had previously been excluded by the high cost of parchment. Steven W. May places literary manuscripts and in particular poetic anthologies in this larger scribal context, showing how its innovative features affected both authorship and readership. As this amateur scribal culture developed, the medieval professional culture expanded as well. Classes of documents formerly restricted to parchment often shifted over to paper, while entirely new classes of documents were added to the records of church and state as these institutions took advantage of relatively inexpensive paper. Paper stimulated original composition by making it possible to draft, revise, and rewrite works in this new, affordable medium. Amateur scribes were soon producing an enormous volume of manuscript works of all kinds--works they could afford to circulate in multiple copies. England's ever-increasing literate population developed an informal network that transmitted all kinds of texts from single sheets to book-length documents efficiently throughout the kingdom. The operation of restrictive coteries had little if any role in the mass circulation of manuscripts through this network. However, paper was cheap enough that manuscripts could also be readily disposed of (unlike expensive parchment). More than 90% of the output from this scribal tradition has been lost, a fact that tends to distort our understanding and interpretation of what has survived. May illustrates these conclusions with close analysis of representative manuscripts.
£66.64
British Library Publishing Alice's Adventures Under Ground: The Original Manuscript
One `golden afternoon' in Oxford, in July 1862, the Reverend Charles Lutwidge Dodgson, accompanied three young sisters, Lorina, Alice, and Edith, on a boating trip. To keep the children amused, Dodgson, began to tell a tale about an inquisitive youngster called Alice, and her escapades in an underground world. Two years later, on the urgings of the heroine, Alice Liddell, he wrote the tale down and gave it to her as an early Christmas gift. Dodgson's story, later revised and illustrated by John Tenniel, would go on to become one of the most famous and best-loved children's books of all time - published as Alice's Adventures in Wonderland, under the pen name Lewis Carroll. However, the original tale - Alice's Adventures Under Ground - remains less well-known. In this facsimile edition of Dodgson's manuscript - now one of the British Library's most treasured possessions - with its accompanying commentary by former British Library curator Sally Brown, modern readers can enjoy the expressive story as it was first told.
£14.99
Oxford University Press Perceptions of Medieval Manuscripts: The Phenomenal Book
Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.
£35.00
Oxford University Press Why Modern Manuscripts Matter
This is a study of the politics, the commerce, and the aesthetics of heritage culture in the shape of authors' manuscripts. Draft or working manuscripts survive in quantity from the eighteenth century when, with the rise of print, readers learnt to value 'the hand' as an index of individuality and the blotted page, criss-crossed by deletion and revision, as a sign of genius. Since then, collectors have fought over manuscripts, libraries have curated them, the rich have stashed them away in investment portfolios, students have squeezed meaning from them, and we have all stared at them behind exhibition glass. Why do we trade them, conserve them, and covet them? Most, after all, are just the stuff left over after the novel or book of poetry goes into print. Poised on the boundary where precious treasure becomes abject waste, litter, and mess, modern literary manuscripts hover between riches and rubbish. In a series of case studies, this book explores manuscript's expressive agency and its capacity to provoke passion--a capacity ever more to the fore in the twenty-first century now that books are assembled via word-processing software and authors no longer leave in such quantity those paper trails behind them. It considers manuscripts as residues of meaning that print is unable to capture: manuscript as fragment art, as property, as waste paper. It asks what it might mean to re-read print in the shadow of manuscript. Case studies of Samuel Johnson, James Boswell, Walter Scott, Frances Burney, and Jane Austen--writers from the first great period of manuscript survival--are interspersed with discussions of William Godwin's record keeping, the Cairo genizah, Katie Paterson's 'Future Library' project, Andy Warhol's and Muriel Spark's self-archiving, Cornelia Parker's reclamation art, and more.
£43.91
Penguin Books Ltd The Posthumous Papers of the Manuscripts Club
The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. But we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence.This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years. A monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America - all of them were participants in what Christopher de Hamel calls the Manuscripts Club.This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion which crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been.In 1850 (or thereabouts) John Ruskin bought his first manuscript 'at a bookseller's in a back alley'. This was his reaction: 'The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold - as many of them were - cannot be told.' The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style, and a lifetime's experience.
£36.00
Medieval Institute Publications The Complete Harley 2253 Manuscript: Volume 1
British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.
£35.00
JCB Mohr (Paul Siebeck) Studies in Jewish Manuscripts
Undoubtedly one of the most fascinating areas of Judaic research, Jewish manuscripts, has experienced a remarkable renaissance. What the field has largely lacked, however, is professional publications to bring together researchers who, albeit in different specialist areas (history, philosophy, Kabbalah, bibliography, art history, comparative manuscript studies, paleography and codicology), all deal variously with Hebrew manuscripts. This desideratum of Judaic scholarship appears all the more reasonable when we look at the situation of the classical philologies which have a long tradition of specialist publications devoted exclusively to the study of Latin and Greek manuscripts.The authors of the collected eight articles show the perspectives and the possibilities of such a discourse based on Jewish manuscripts within Judaic Studies; moreover numerous tie-ins with disciplines relating to general Medieval and early modern history and culture can be developed.
£132.20
Boydell & Brewer Ltd A Brief Discourse of Rebellion and Rebels by George North: A Newly Uncovered Manuscript Source for Shakespeare's Plays
A new source for Shakespeare's plays, only recently uncovered, is investigated here with a full edition and facsimile of the text. New sources for Shakespeare do not turn up every day... This is a truly significant one that has not heretofore been studied or published. The list of passages now traced back to this source is impressive. - David Bevington, Professor Emeritus, University of Chicago "A Brief Discourse of Rebellion and Rebels" is the only uniquely existent, unpublished manuscript that can be shown to have been a source for Shakespeare's plays. George North wrote the treatise in 1576 while at Kirtling Hall, the North family estate in Cambridgeshire. His manuscript, newly uncovered by the authors at the British Library, has many implications for our understanding of Shakespeare's plays. for example, not only does it bring clarity to the Fool's mysterious reference to Merlin in King Lear, but also upsets the prevailing opinion that Shakespeare invented the final hours of Jack Cade in 2 Henry VI. Linguistic and thematic correspondences between the North manuscript and Shakespeare's plays make it clear that the playwright borrowed from this document in other plays as well, including Richard III, 3 Henry VI, Henry V, King John, Macbeth, and Coriolanus. The opening chapters of the book investigate such connections; the volume also contains both a transcript and a facsimile of "A Brief Discourse", making this previously unknown document readily available. DENNIS MCCARTHY is an independent scholar; JUNE SCHLUETER is Charles A. Dana Professor Emerita of English at Lafayette College, Easton, Pennsylvania.
£90.00
George Braziller Inc Golden Age of English Manuscript Painting 1200-1500
Forty colour plates illustrate some of the finest achievements of medieval painting.
£12.95
Georg Olms Verlag AG Manuscript Transmission of the Anthologia Latina
£48.59
Watkins Media Limited The Magdalene: Volume II of the O Manuscript
'The heights to which this climb will take you are in direct ratio to the depths to which you have the courage to delve.'Mary Magdalene is one of Jesus' most famous disciples, yet we know very little about her. Ever since her name first appeared in the gospels her image has been reinvented and contorted to reflect and serve the prevailing cultural codes of behaviour and beliefs of the age.Returning to the holy mountain of Montsegur, The Magdalene picks up where the first volume in Lars Muhl's bestselling Grail Trilogy, The Seer, left off. In this, his next step on a mesmerizing voyage into the heart of the sacred feminine, he traverses both the physical and spiritual plains to uncover the true nature of the intimate relationship between Jesus (Yeshua) and Mary Magdalene, during which he finds himself confronted by forgotten truths and a more genuine and authentic way of being.
£9.04
Four Courts Press Ltd Manuscripts in the Anglo-Saxon kingdoms: Cultures and conncetions
£55.00
George Braziller Inc Einstein's 1912 Manuscript on the Theory of Relativity: a Facsimile
Now in paperback, this volume presents Albert Einstein's 1912 manuscript on the special theory of relativity, one of the most revolutionary and influential scientific documents of the twentieth century. It includes faithful reproductions of each of the seventy-two handwritten pages along with an English translation of the original German text. A tribute to Einstein's genius, the book opens with a brief essay by Hanoch Gutfreund, a chronology of Einstein's life, a selection of quotes by Einstein, and, to introduce the manuscript, a detailed description of the manuscript, its contents, publication history, and provenance. The manuscript pages themselves then follow, reproduced in full colour, with the English translation facing each page. Subtle variations in paper and ink are clearly visible in the excellent reproductions, indicating where and when Einstein drafted certain parts of it. Because the manuscript shows extensive reworking, it reveals Einstein's thought processes more than any other of his handwritten works. Einstein's 1912 Manuscript provides a glimpse into one of the greatest minds of the last century.
£17.95
American School of Classical Studies at Athens Exploring Greek Manuscripts in the Gennadius Library (English)
Among the collections of the Gennadius Library in Athens are over 300 Greek manuscripts, ranging in date from the 13th to the 19th century. This book presents a collection of studies of various aspects of the collection written by leading paleographers, Byzantine art historians, and theologians.
£64.00
Paperblanks Shakespeare, Sir Thomas More (Embellished Manuscripts Collection) Unlined Hardcover Journal
William Shakespeare (1564–1616), long considered the greatest of English writers, left few traces of his handwriting. The banned play Sir Thomas More (1595) was written and revised by five different playwrights, of whom scholars now believe Shakespeare to be one. The handwritten manuscript on this Paperblanks journal cover portrays his passionate defence of refugees and displaced people.
£14.99
Prospect Books John Evelyn, Cook: The Manuscript Recipe Book of John Evelyn
£24.75
Pindar Press Early Italian Painting Vol. II: Selected Studies. Volume II - Manuscripts
Edward Garrison's work on early Italian panels resulted in the publication in 1949 of the first comprehensive index of Romanesque Italian panel painting, which remains the standard work of reference on the subject. Subsequently, his four-volume Studies in the History of Medieval Italian Painting, published in Florence between 1953 and 1962, represents the most considerable body of research yet published on Italian miniature and panel painting from the eleventh to the thirteenth centuries. These two volumes collect together all the author's articles on Italian fresco and panel painting which have been published in art-historical journals since 1945. This provides both an indispensable supplement to the author's earlier Studies in the History of Medieval Italian Painting, and in including three successive Addenda to his Index of Italian Romanesque Panel Paintings, also serves the function of updating the earlier publications.
£150.00
American School of Classical Studies at Athens Exploring Greek Manuscripts in the Gennadius Library: (text in modern Greek)
Among the collections of the Gennadius Library in Athens are over 300 Greek manuscripts, ranging in date from the 13th to the 19th century. This book presents a collection of studies of various aspects of the collection written by leading paleographers, Byzantine art historians, and theologians.
£64.00
The Medieval and Modern Centre Late Medieval Irish Law Manuscripts: A Reappraisal of Methodology and Content
£24.29
£32.08
Boydell & Brewer Ltd Text and Image in René d'Anjou's Livre des Tournois [3 volume set]: Constructing Authority and Identity in Fifteenth-Century Court Culture
An illustrated manual showing how a medieval tournament was organised, here presented in three volumes with essays on various aspects of the manuscript. This 3 volume set contains the full text of René d'Anjou's Livre des tournois. This is famous as the most substantial account of the organisation of a medieval tournament that has come down to us. It survives in eight manuscripts, most of which have an almost identical layout; the best of these is a magnificent work of art in its own right. But these manuscripts have a further interest to the historian of culture, because they represent in effect the evidence for one of the first illustrated manuals, in which text and image are complementary, and form a single whole. The copyists understood this, and followed the original because the mise en page was an essential part of the whole. Justin Sturgeon's interdisciplinary study reveals the patterns and relationships which give the manual its very specific character. The study begins by exploring the relationship between the work's images and text, and brings into focus the author's identity as an authority on the subject matter. Next, the use and depiction of heraldry as essential to the construction of an embedded visual narrative within the work is explored. We then turn to the subject matter and to René's sources for the work and the form of tournament he describes, are examined and the author shows that René was drawing on specific precedents to construct his idealized version of such an event. Analysis of the visual presentation uses spatial and ritual theory to engage with a series of spectacles surrounding the punishment and review of the noble tourneyers. The last section of the book concentrates on the physical manuscripts.The codicological, textual and visual evidence from all eight known medieval manuscript copies is used to construct a new understanding of the provenance and transmission of the work, before turning to scrutinize the reception of two copies in detail. The conclusion draws together threads of identity, authority, and the importance of the Livre des tournois as a product of the culture and circumstances of its production. A series of appendices forms the second volume and directly supports the book. These appendices include the first scholarly edition of the source manuscript to make use of all eight medieval manuscripts,with full supporting data. The third volume contains 300 images of vital comparisons in high resolution close-ups using a special technique developed by the author which highlights important details within images while showing the detail in the context of the whole picture. Three Volume set.
£195.00
Medieval Institute Publications Anglo-Saxon Textual Illustration: Photographs of Sixteen Manuscripts with Descriptions and Index
Illustrations and major decoration of sixteen Anglo-Saxon manuscripts, fully described and indexed, are reproduced here in 454 photographs, many for the first time. Manuscripts included are: the Athelstan Psalter, the Harley Psalter, the Bury Psalter, the Paris Psalter, the Boulogne Gospels, the Arenberg Gospels, the Trinity Gospels, the Eadui Codex, Pembroke College MS 301, the Bury Gospels, the Judith of Flanders Gospels (Pierpont Morgan MSS 709 and 708), the Monte Casino Gospel Book, the Hereford Gospels, the Psychomachia of Prudentius, and the Junius Manuscript.
£28.31
University of Wales Press The Romance of the Rose Illuminated: Manuscripts in the National Library of Wales
This book reproduces in colour, with commentary and full contextual discussion, all the miniatures from unpublished illuminated manuscripts of Le Roman de la Rose in the National Library of Wales. A central work in medieval culture, the Rose was among the most consistently illustrated of medieval secular texts. By presenting all the illuminations from all five illuminated Aberystwyth manuscripts the present study enables absorbing comparisons to be made. This is a book that will stir controversy through its scepticism about moral readings of Rose illustrations and through its insistence on an "accidental" element in the interpretative value of miniatures in secular texts. It will interest anyone who studies art and literature, including students of Chaucer - a poet who absorbed the Roman de la Rose to the core by translating it. The reader is first introduced to the narrative and to characteristic sites of illustration within it. The introduction goes on to identify existing published sources of reproductions, and then to argue the crucial role that a grasp of the practical circumstances of production should play in interpreting medieval miniatures. A final complementary chapter formally describes all seven Aberystwyth Rose manuscripts.
£10.64
Little, Brown Book Group Michelangelo Handwriting Embellished Manuscripts Collection Midi 12month Verso Hardback Dayplanner 2025 Wrap Closure
Michelangelo Buonarroti (1475 1564) is considered one of the masters of the Italian Renaissance. The handwritten letter reproduced here demonstrates the passion of one of humanity s greatest artists. And with the Sistine Chapel s The Creation of Adam featured on the back cover, the point of creation beautifully bookends this Embellished Manuscript.
£17.99
£26.50
The University of Chicago Press The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript
Writing an academic book is a daunting task. Where to start? This workbook. So, you’ve written a dissertation. Congratulations! But how do you turn it into a book? Even if you know what to do when revising your dissertation, do you know how to do those things? This workbook by Katelyn E. Knox and Allison Van Deventer, creators of the successful online Dissertation-to-Book Boot Camp, offers a series of manageable, concrete steps with exercises to help you revise your academic manuscript into publishable book form. The Dissertation-to-Book Workbook uses targeted exercises and prompts to take the guesswork out of writing a book. You’ll clarify your book’s core priorities, pinpoint your organizing principle, polish your narrative arc, evaluate your evidence, and much more. Using what this workbook calls “book questions and chapter answers,” you’ll figure out how to thread your book’s main ideas through its chapters. Then, you’ll assemble an argument, and finally, you’ll draft any remaining material and revise the manuscript. And most important, by the time you complete the workbook, you’ll have confidence that your book works as a book—that it’s a cohesive, focused manuscript that tells the story you want to tell. Indispensible to anyone with an academic manuscript in progress, the prompts, examples, checklists, and activities will give you confidence about all aspects of your project—that it is structurally sound, coherent, free of the hallmarks of “dissertationese," and ready for submission to an academic publisher.
£25.31
JCB Mohr (Paul Siebeck) Invisible Manuscripts: Textual Scholarship and the Survival of 2 Baruch
In this critical exploration of the role of manuscripts in textual scholarship, Liv Ingeborg Lied studies the Syriac manuscript transmission of 2 Baruch. These manuscripts emerge as salient sources to the long life of 2 Baruch among Syriac speaking Christians, not merely witnesses to an early Jewish text. Inspired by the perspective of New Philology, Lied addresses manuscript materiality and paratextual features, the history of ownership, traces of active readers and liturgical use, and practices of excerption and re-identification. The author's main concerns are the methodological, epistemological and ethical challenges of exploring early Jewish writings that survive only in Christian transmission. Through engagement with the established academic narratives, she retells the story of 2 Baruch and makes a case for manuscript- and provenance-aware textual scholarship.
£99.03