Search results for ""author manus"

Great American writers—William Carlos Williams, Jonathan Edwards, Emily Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James—all in the physicality of their archival manuscripts (reproduced in beautiful facsimiles here)—are the presiding spirits of Spontaneous Particulars: Telepathy of Archives. Also woven into Susan Howe’s long essay are beautiful photographs of embroideries and textiles from anonymous craftspeople. All the archived materials are links, discoveries, chance encounters, the visual and acoustic shocks of rooting around amid physical archives. These are the telepathies the bibliomaniacal poet relishes. Rummaging in the archives she finds “a deposit of a future yet to come, gathered and guarded...a literal and mythical sense of life hereafter—you permit yourself liberties—in the first place—happiness.” Digital scholarship may offer much for scholars, but Susan Howe loves the materiality of research in real archives and Spontaneous Particulars “is a collaged swan song to the old ways.”

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In The Jewish Bible: A Material History, David Stern explores the Jewish Bible as a material object—the Bibles that Jews have actually held in their hands—from its beginnings in the Ancient Near Eastern world through to the Middle Ages to the present moment. Drawing on the most recent scholarship on the history of the book, Stern shows how the Bible has been not only a medium for transmitting its text—the word of God—but a physical object with a meaning of its own. That meaning has changed, as the material shape of the Bible has changed, from scroll to codex, and from manuscript to printed book. By tracing the material form of the Torah, Stern demonstrates how the process of these transformations echo the cultural, political, intellectual, religious, and geographic changes of the Jewish community. With tremendous historical range and breadth, this book offers a fresh approach to understanding the Bible’s place and significance in Jewish culture.

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The Gaelic Literature Awards 2020 Best Unpublished Manuscript for Adults – Linne Dhomhainn, Alistair Paul Ordinary people. Everyday situations. Extraordinary outcomes. One small twist of fate and the normal turns to the fantastic. And so, the book's characters are propelled into the world of the marvellous, the supernatural and the surreal; not to mention the ridiculous; where they wrestle with their demons, their desires and their failings. Sometimes they triumph. Sometimes life triumphs. Their stories take us from the familiar shores of the Gàidhealtachd through the smoky streets of Glasgow and the industrial heartlands of the North of England to the sun scorched African Savannah. Taking inspiration from local folklore on the Island of Arran, traditional Gaelic story telling themes and techniques are weaved into modern topics such as relationships, drug use and mental illness. Take a walk up the glen and dive into the deep pool.

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At the heart of traditional song rest the concerns of ordinary people. And folk throughout the centuries have found themselves entangled with the law: abiding by it, breaking it, and being caught and punished by it. Who Killed Cock Robin? is an anthology of just such songs compiled by one of Britain's senior judges, Stephen Sedley, and most respected and best-loved folk singers, Martin Carthy. The songs collected here are drawn from manuscripts, broadsides, old songbooks and oral tradition. They are grouped according to the various categories of crime and punishment, from Poaching to The Gallows. Each section contains a historical introduction, and every song is presented with a melody, its lyrics and an illuminating commentary that explores its origins and sources. Together, they present a unique, sometimes comic, often tragic, and always colourful insight into the past, while preserving an important body of song for future generations. 'Who Killed Cock Robin? explores the origins

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Known for the wit of her writing, in her lifetime Catherine Cookson became the UK’s most widely read novelist. When the Cookson Estate discovered the unpublished manuscript of Saint Christopher and the Gravedigger in the attic of her home, they unearthed a gem for Cookson’s many fans. Gravedigger John Gascoigne lives in Downfell Hurst with his wife, Florrie, their three children and his mother, Gran. John is a deep thinker but extremely taciturn—a man of few words and many grunts. Which is why everyone is alarmed when he’s hit on the head by a cricket ball, and it suddenly seems as if the words won’t stop. What’s more, he says he is talking to Saint Christopher—only no one else can see the saint, and they’re beginning to worry John’s not quite right in the head… Mad or not, John has some secrets he’s been keeping. But if he can’t stop talking, they won’t stay secret for long.

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A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. On his deathbed George Herbert entrusted the manuscript of The Temple to his friend Nicholas Ferrar, asking him to publish it if he thought it was worthy. Herbert died in 1633 and the collection was published the same year to great acclaim, subsequently becoming one of the best-loved collections in the English language. The Temple is an astounding collection of verse poems: an extended meditation on man's relationship to God that is characterised by Herbert's clarity and directness of style. It includes such favourites as 'The Collar', 'The Pearl' and 'Love', with its beautiful opening lines: 'Love bade me welcome; yet my soul drew back, / Guilty of dust and sin'.

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Did you know that Beethoven made every cup of coffee with exactly 60 beans?Or that Shirley Temple always had precisely 56 curls in her hair?Or that the young Frank Sinatra practised underwater swimming as a way of developing his ability to hold long breaths?In Secrets of Success, Charlie Croker brings his proven blend of gripping trivia and incisive humour to the question of how famous high achievers reached those heights. We’ll see Chopin sleeping with wedges between his fingers to increase their span, learn how P.G. Wodehouse reminded himself which pages of a manuscript still needed work, and find out why Thomas Edison chose his research assistants on the basis of their soup-eating habits.This revealing and entertaining book provides countless glimpses into the methods – and sometimes madness – of the world’s most famous figures. From ancient Egypt to the modern day, you’re about to learn the secrets of their success . . .

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Saint Augustine famously “wept for Dido, who killed herself by the sword,” and many later medieval schoolboys were taught to respond in similarly emotional ways to the pain of female characters in Virgil’s Aeneid and other classical texts. In Weeping for Dido, Marjorie Curry Woods takes readers into the medieval classroom, where boys identified with Dido, where teachers turned an unfinished classical poem into a bildungsroman about young Achilles, and where students not only studied but performed classical works.Woods opens the classroom door by examining teachers’ notes and marginal commentary in manuscripts of the Aeneid and two short verse narratives: the Achilleid of Statius and the Ilias latina, a Latin epitome of Homer’s Iliad. She focuses on interlinear glosses—individual words and short phrases written above lines of text that elucidate grammar, syntax, and vocabulary, but that also indicate how students engaged with the feelings and motivations of characters. Interlinear and marginal glosses, which were the foundation of the medieval classroom study of classical literature, reveal that in learning the Aeneid, boys studied and empathized with the feelings of female characters; that the unfinished Achilleid was restructured into a complete narrative showing young Achilles mirroring his mentors, including his mother, Thetis; and that the Ilias latina offered boys a condensed version of the Iliad focusing on the deaths of young men. Manuscript evidence even indicates how specific passages could be performed.The result is a groundbreaking study that provides a surprising new picture of medieval education and writes a new chapter in the reception history of classical literature.

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A Russian Bible ideal for outreach or personal use.This contemporary Russian Bible uses the clear and accurate New Russian Translation (NRT), which translates the original biblical manuscripts into language that connects with the target audience, helping the ancient words of Scripture speak to the hearts of readers today.This Bible also includes additional study features that are useful when introducing others to Christ and helping them to understand what it means to follow Jesus.Features include: Complete text of the clear and accurate New Russian Translation (NRT) Book introductions that explain the who, what, and where of each book of the Bible A plan of salvation article explains how to become a Christian and what it means to follow Jesus Type size: 8.5  The New Testament of the Russian Synodal Bible was completed in 1820. The General Epistles appeared after Acts and before Romans. B

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Jacob and Wilhelm Grimm were pioneers in the field of folklore, collecting stories through Germany’s rich oral tradition in order to preserve a history that might otherwise have been lost forever. In doing so, they popularized some of today’s most enduring fairy tales. “The Frog Prince; or, Iron Henry” was the first tale in the 1812 edition of Grimms’ Fairy Tales (Kinder- und Hausmärchen). It tells the story of a spoiled princess who reluctantly befriends a frog who, unbeknownst to her, is actually a prince under a sorcerer’s spell. In the original tale, the curse is lifted when the princess throws the frog against a brick wall in anger, but in later years the Brothers Grimm sanitized the story, turning it into the tale we know today. The Grimms’ impact was so profound that it is hard to imagine a world without these stories as they continue to be passed down through generations. We are honoured to reproduce this manuscript from the Bodmer

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Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies. John Skelton is a central literary figure and the leading poet during the first thirty years of Tudor rule. Nevertheless, he remains challenging and even contradictory for modern audiences. This book aims to provide an authoritative guide to this complex poet and his works, setting him in his historical, religious, and social contexts. Beginning with an exploration of his life and career, it goes on to cover all the major aspects of his poetry, from the literary traditions in which he wrote and the form of his compositions to the manuscript contexts and later reception. SEBASTIAN SOBECKI is Professor of Medieval English Literature and Culture at the University of Groningen; JOHN SCATTERGOOD is Professor (Emeritus) of Medieval and Renaissance English at Trinity College, Dublin. Contributors: Tom Betteridge, Julia Boffey, John Burrow, David Carlson, Helen Cooper, Elisabeth Dutton,A.S.G. Edwards, Jane Griffiths, Nadine Kuipers, Carol Meale, John Scattergood, Sebastian Sobecki, Greg Waite

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The letter to the Colossians offers great insight into the faith, life, and problems of an early Christian church. Understanding this letter to be one of Paul's prison epistles but aware of the differences between this and his other writings, Jerry Sumney shows how the church struggled with expressing its new faith in the diverse settings of the Greco-Roman world. Paying special attention to the ways of forgiveness and salvation through the power of Christ, this fine commentary shows Colossians' expansive Christology and expectant eschatology.The New Testament Library offers authoritative commentary on every book and major aspect of the New Testament, as well as classic volumes of scholarship. The commentaries in this series provide fresh translations based on the best available ancient manuscripts, offer critical portrayals of the historical world in which the books were created, pay careful attention to their literary design, and present a theologically perceptive exposition of the text.

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A HAUNTING COLLECTION OF STORIES THAT WEAVES HAWAIIAN MYTHOLOGY WITH A RICH SENSE OF PLACE This wrenching and sensational debut story collection follows a cast of mixed native Hawaiian and Japanese women through a contemporary landscape thick with inherited wisdom and the ghosts of colonisation. This is a Hawai'i where unruly sexuality and generational memory overflow the postcard image of paradise and the boundaries of the real, where the superstitions born of the islands take on the weight of truth. A childhood encounter with a wild pua'a (pig) on the haunted Pali highway portends one young woman's fraught relationship with her pregnant body. An elderly widow begins seeing her deceased lover in a giant flower. A kanaka writer, mid-manuscript, feels her raw pages quaking and knocking in the briefcase. Every Drop Is a Man's Nightmare is both a fierce love letter to Hawaiian identity and mythology, and a searing dispatch from an occupied territory threatening to erupt with violent secrets.

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In Her Father's Daughter, Lucy K. Pick considers a group of royal women in the early medieval kingdoms of the Asturias and of León-Castilla; their lives say a great deal about structures of power and the roles of gender and religion within the early Iberian kingdoms. Pick examines these women, all daughters of kings, as members of networks of power that work variously in parallel, in concert, and in resistance to some forms of male power, and contends that only by mapping these networks do we gain a full understanding of the nature of monarchical power. Pick's focus on the roles, possibilities, and limitations faced by these royal women forces us to reevaluate medieval gender norms and their relationship to power and to rethink the power structures of the era. Well illustrated with images of significant objects, Her Father's Daughter is marked by Pick's wide-ranging interdisciplinary approach, which encompasses liturgy, art, manuscripts, architecture, documentary texts, historical narratives, saints' lives, theological treatises, and epigraphy.

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A mathematical tour of some of the greatest unsolved ciphers of all timeIn 1953, a man was found dead from cyanide poisoning near the Philadelphia airport with a picture of a Nazi aircraft in his wallet and an enciphered message taped to his abdomen. In 1912, a book dealer named Wilfrid Voynich came into possession of an illuminated cipher manuscript once belonging to Emperor Rudolf II, who was obsessed with alchemy and the occult. Wartime codebreakers tried—and failed—to unlock the book’s secrets, and it remains an enigma to this day. In this lively and entertaining book, Craig Bauer examines these and other vexing ciphers yet to be cracked. Some may reveal the identity of a spy or serial killer, provide the location of buried treasure, or expose a secret society—while others may be elaborate hoaxes. He lays out the evidence surrounding each cipher, describes the efforts to decipher it, and invites readers to try their hand at puzzles that have stymied so many others.

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The hidden life of the greatest surviving work of Inca artThe most celebrated Andean artwork in the world is a five-hundred-year-old Inca tunic made famous through theories about the meanings of its intricate designs, including attempts to read them as a long-lost writing system. But very little is really known about it. The Royal Inca Tunic reconstructs the history of this enigmatic object, presenting significant new findings about its manufacture and symbolism in Inca visual culture.Andrew James Hamilton draws on meticulous physical examinations of the garment conducted over a decade, wide-ranging studies of colonial Peruvian manuscripts, and groundbreaking research into the tunic’s provenance. He methodically builds a case for the textile having been woven by two women who belonged to the very highest echelon of Inca artists for the last emperor of the Inca Empire on the eve of the Spanish invasion in 1532. Hamilton reveals for the first

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The conversion of Armenia is traditionally dated to 314 when Gregory the Illuminator (c. 240-332) baptized King Trdat (298-330) and the royal family. Not until the fifth century did there develop both a Christian literature for Armenians in the Armenian languages, and the beginnings of a literary tradition in several genres which provided a coherent argument against the old religion of Zoroastrianism and made for the creation of Armenia as a Christian nation. Eznik of Kolb, later bishop of Bagrewand, studied in Edessa and in Constantinople among that first generation of Armenian Christians who made available in the newly established Armenian script translations of Greek and Syriac texts, including the Bible and other early Christian writings. Eznik composed a treatise of theology and apologetic in Armenian which has survived untitled in one manuscript. Modern editors and translators have titled this treatise On God or Against the Sects. Eznik addressed perceived threats to Christianity in Armenia from heretical and non-Christian movements, among them Valentinian Gnosticism and the schools of Greek philosophy, Marcionism, Manichaeism and Zoroastrian Zurvanism. Eznik's sources include the Bible; ancient Greek, non-Christian literature; earlier Greek patristic treatises and other works; Syriac patristic texts; and Iranian works either written or oral, concerning the Zurvanite form of Zoroastrianism and Armenian paganism. The central concern of the book is to contrast the monotheistic Christian God with the dualistic or polytheistic deities and religions of his opponents. Eznik's book is unusual in several aspects. It is the first apologetic treatise composed in Armenian, and it also provides a summary of early Christian doctrine as Eznik understood it. It contains unique information on the fifth-century teachings of Zurvanism and Marcionism. It attests to an Armenian theology conversant with both Syriac and Greek sources. It also opens a window into pre-Christian Armenian mythology and folklore. The English translation is based on the critical edition of Louis Maries and Charles Mercier.

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This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW The essays here provide a series of unusual, varying and complex perspectives on late-medieval society, with a particular focus on the European context. They show how in the north of England the Cliffords and tenants of the honourof Pontefract were forced to weigh up the advantages and disadvantages of their conflicting loyalties to local lords and distant kings; how in East Anglia the growing cult of St Margaret was reinforced by dissemination of her life-story [published here from a manuscript in the British Library]; how at Westminster the court of Henry IV was enhanced by his purchase of luxury items, and how the inept rule of his grandson Henry VI led to the "de-skilling" ofhitherto competent bureaucracies in the exchequer and chancery; how in Normandy a fine line was drawn between brigandage and movements for independence; how in Burgundy the classic ideals of chivalry, as presented in the duchy's literature, contrasted with the grim reality of military and political confrontations; and how in Florence infants were nurtured. Contributors: Frederik Buylaert, Christine Carpenter, Vincent Challet, Juliana Dresvina, Jan Dumolyn, Andy King, Jessica Lutkin, Alessia Meneghin, Sarah Rose

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Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works. Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's accomplishments and brought them together in this remarkable volume. Filled with careful explanations, this book gives us completely new insights into music known and loved by people around the world. Ordinary music lovers as well as scholars will find countless new discoveries about Beethoven and his music. Listeners will hear his compositions afresh, and scholars will find new results of research and analysis and new avenues for discovery. Topics include Beethoven's cultural milieu, his personal life, his friends, his publishers, his instruments, his working methods, his own handwritten scores, and, of course, his music. Many works are carefully discussed and explained in ways that reveal fascinating and previously unknown aspects of compositions that we thought we knew well. A landmark publication for all who admire some of the greatest music of our civilization.

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Vienna, 1714: Late in life, Gottfried Wilhelm Leibniz, the universal genius of his time, puts down his pen and declares his description of the universe to be complete. In the evening, he sits in his study room among letters, books, and manuscripts as his young friend Theodor comes for a visit. Theodor is bothered by one question: Why is there evil? And why do people commit crimes? With an example from ancient Greek mythology, Leibniz develops his theory about the best of all possible worlds. With this vivid “story within a story” Jean Paul Mongin successfully imparts the complex philosophical ideas of Leibniz to young readers. At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.

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The essays in this book, first published in 1860, were developed from a series of lectures on "The Conduct of Life" delivered by Emerson during the early 1850s. Some of the original lectures were dropped and the rest were considerably revised, with new topics introduced. The published essays, on "Fate," "Power," "Wealth," "Culture," "Behavior," "Worship," "Considerations by the Way," "Beauty," and "Illusions," show Emerson's interest in many practical aspects of human life, and reflect his increasing involvement in politics--chiefly in the antislavery movement--during the decade before the Civil War.This edition is based on Emerson's holograph manuscripts and published sources. The text incorporates Emerson's later corrections and revisions, and shows us what he actually wrote (or, perhaps in some cases, intended to write).The historical introduction traces the book's development and its relation to Emerson's own personal growth and political awareness. Joseph Slater's explanatory notes help the modern reader to understand many of Emerson's references and allusions that may not be readily apparent. Historical Introduction by Barbara L. PackerNotes by Joseph SlaterText Established and Textual Introduction and Apparatus by Douglas Emory Wilson

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In 2002, an amateur Jane Austen scholar, while staying at a Hertfordshire estate, stumbled upon a hidden cache of manuscript pages and made an extraordinary literary discovery - lost scenes from Jane Austen's novels that reveal an altogether different dimension to her oeuvre.Pride and Prejudice's Bingley sisters appear as Sapphic seductresses; Mansfield Park's incest subtext becomes manifest; and Darcy gets more than his shirt wet. This incisive parody of academic study is sure to astonish and delight mischievous Austenites.

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A contemporary Bible in the Kiswahili language that is ideal for outreach or personal use.This contemporary Kiswahili Bible is available in a quality hardcover binding with a readable 8-point type size. It features the clear and accurate Kiswahili Contemporary Version, which translates the original biblical manuscripts into language that helps the ancient words of Scripture speak to the hearts of readers today.Features include: Complete text of the clear and accurate Kiswahili Contemporary Version Plan of Salvation article that explains how to become a Christian and what it means to follow Jesus Readable 8-point type size

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The oldest extant Marathi work, a medieval chronicle of Chakradhar’s divine life on earth, in a new English translation.God at Play, or Līḷācaritra, is a remarkable biography of the medieval religious figure Chakradhar Svami. His followers, called Mahanubhavs, understand him to be a divine incarnation of Parameshvar. Mhaimbhat, a Brahmin goldsmith who became one of Chakradhar’s most important followers, compiled this astonishingly down-to-earth religious text around 1278. It records not only Chakradhar’s ethical and theological teachings, but also his everyday activities, including the foods he ate and the people he met. This rich, detailed account provides insights into economic conditions, political history, and society in medieval India. Manuscripts of the work were carefully preserved within the Mahanubhav community and were not known to outsiders until the early twentieth century.The first volume of God at Play describes Chakradhar’s early life, his wanderings as a lone ascetic, and the gathering of the disciples who later accompany him on his travels.This new English translation of Līḷācaritra is accompanied by an emended Marathi text, based on Hari Narayan Nene’s edition, in the Devanagari script.

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Essays using feminist approaches to offer fresh insights into aspects of the texts and the material culture of the middle ages. Feminist discourses have called into question axiomatic world views and shown how gender and sexuality inevitably shape our perceptions, both historically and in the present moment. Founding Feminisms in Medieval Studies advances that critical endeavour with new questions and insights relating to gender and queer studies, sexualities, the subaltern, margins, and blurred boundaries. The volume's contributions, from French literary studies as well as German, English, history and art history, evince a variety of modes of feminist analysis, primarily in medieval studies but with extensions into early modernism. Several interrogate the ethics of feminist hermeneutics, the function of women characters in various literary genres, and so-called "natural" binaries - sex/gender, male/female, East/West, etc. - that undergird our vision of the world. Others investigate learned women and notions of female readership, authorship, and patronage in the production and reception of texts and manuscripts. Still others look at bodies - male male, female, neither, and both - and how clothes cover and socially encode them. Founding Feminisms in Medieval Studies is a tribute to E. Jane Burns, whose important work has proven foundational to late twentieth- and early twenty-first-century Old French feminist studies. Through her scholarship, teaching, and leadership in co-founding the Society for Medieval Feminist Scholarship, Burns has inspired a new generation of feminist scholars. Laine E. Doggett is Associate Professor of French at St. Mary's College of Maryland, St. Mary's City; Daniel E. O'Sullivan is Professor of French at the University of Mississippi. Contributors: Cynthia J. Brown, Matilda Tomaryn Bruckner, Kristin L. Burr, Madeline H. Caviness, Laine E. Doggett, Sarah-Grace Heller,Ruth Mazo Karras, Roberta L. Krueger, Sharon Kinoshita, Tom Linkinen, Daniel E. O'Sullivan, Lisa Perfetti, Ann Marie Rasmussen, Nancy Freeman Regalado, Elizabeth Robertson, Helen Solterer

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A compelling alternative account of the history of knowledge from the Renaissance to the EnlightenmentUntil now the history of knowledge has largely been about formal and documented accumulation, concentrating on systems, collections, academies, and institutions. The central narrative has been one of advancement, refinement, and expansion. Martin Mulsow tells a different story. Knowledge can be lost: manuscripts are burned, oral learning dies with its bearers, new ideas are suppressed by censors. Knowledge Lost is a history of efforts, from the Renaissance to the Enlightenment, to counter such loss. It describes how critics of ruling political and religious regimes developed tactics to preserve their views; how they buried their ideas in footnotes and allusions; how they circulated their tracts and treatises in handwritten copies; and how they commissioned younger scholars to spread their writings after death.Filled with exciting stories, Knowledge Lost follows the trail of precarious knowledge through a series of richly detailed episodes. It deals not with the major themes of metaphysics and epistemology, but rather with interpretations of the Bible, Orientalism, and such marginal zones as magic. And it focuses not on the usual major thinkers, but rather on forgotten or half-forgotten members of the “knowledge underclass,” such as Pietro della Vecchia, a libertine painter and intellectual; Charles-César Baudelot, an antiquarian and numismatist; and Johann Christoph Wolf, a pastor, Hebrew scholar, and witness to the persecution of heretics.Offering a fascinating new approach to the intellectual history of early modern Europe, Knowledge Lost is also an ambitious attempt to rethink the very concept of knowledge.

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In 2012 Dr. Marina Marin Pradel, an archivist at the Bayerische Stattsbibliotek in Munich, discovered that a thick 12th-century Byzantine manuscript, Codex Monacensis Graecus 314, contained twenty-nine of Origen’s Homilies on the Psalms, hitherto considered lost. Lorenzo Perrone of the University of Bologna, an internationally respected scholar of Origen, vouched for the identification and immediately began work on the scholarly edition that appeared in 2015 as the thirteenth volume of Origen’s works in the distinguished Griechische Christlichen Schrifsteller series. In an introductory essay Perrone provided proof that the homilies are genuine and demonstrated that they are, astonishingly, his last known work. Live transcripts, these collection homilies constitute our largest collection of actual Christian preaching from the pre-Constantinian period.In these homilies, the final expression of his mature thought, Origen displays, more fully than elsewhere, his understanding of the church and of deification as the goal of Christian life. They also give precious insights into his understanding of the incarnation and of human nature. They are the earliest example of early Christian interpretation of the Psalms, works at the heart of Christian spirituality. Historians of biblical interpretation will find in them the largest body of Old Testament interpretation surviving in his own words, not filtered through ancient translations into Latin that often failed to convey his intense philological acumen. Among other things, they give us new insights into the life of a third-century Greco-Roman metropolis, into Christian/Jewish relations, and into Christian worship.This translation, using the GCS as its basis, seeks to convey, as faithfully as possible, Origen’s own categories of thought. An introduction and notes relate the homilies to the theology and principles of interpretation in Origen’s larger work and to that work’s intellectual context and legacy.

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Ingar Sletten Kolloen se hizo famoso al encontrar, en 2002, el archivo privado de Knut Hamsun con 5.000 documentos que el escritor afirmaba haber destruido. Un verdadero tesoro se escondía debajo de unas tablas en el desván de Nørdholm, la finca de Knut y Marie Hamsun: manuscritos de novelas, cartas, notas y sus diarios... Un verdadero regalo del cielo, según la prensa internacional.Gracias a esta valiosísima documentación, el biógrafo consigue mostrarnos la verdadera personalidad de Hamsun: un escritor de raza, cuya principal obsesión es la escritura. En el libro están muy presentes las enormes contradicciones del premio Nobel noruego así como su personalidad autoritaria. Su lectura nos hace aún más conscientes de la genialidad de este escritor. También obtendremos una detallada información de su relación con el nazismo, gracias a la transcripción de sus conversaciones con Goebbels y Hitler.

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This comprehensive collection brings together every extant text known to have been penned by Elizabeth Webb, a missionary for the Society of Friends who traveled and taught in England and America during the seventeenth and eighteenth centuries. Webb’s work circulated widely in manuscript form during her lifetime, but has since become scarce. This annotated collection reintroduces her as a major contributor to women’s writing and religious thought in early America. Her autobiographical works highlight the importance of ecstatic or visionary experiences in the construction of Quaker identity and illustrate the role that women played in creating religious and social networks. Webb used the book of Revelation as a lens through which to comprehend episodes from American history, and her commentary on the book characterized the colonization of New England as a sign of the end times. Eighteenth-century readers looked to her commentary for guidance during the American War of Independence. Her unique take on Revelation was not only impactful in its own day, but puts contemporary understanding of eighteenth-century Quaker quietism into new perspective. Collecting the earliest known writings by an American Quaker, and one of the earliest by an American woman, this annotated volume rightly places Webb in the company of colonial women writers such as Anne Bradstreet, Mary Rowlandson, and Sarah Kemble Knight. It will be an invaluable resource for scholars of early America, women’s history, religious history, and American literature.

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The Mirror of the Worlde is an important addition to the canon of Elizabeth Tanfield Cary. Best known for her play The Tragedy of Mariam, Cary is revealed here as a sheltered but precocious child who translated the texts accompanying the maps in an early modern atlas when she was no more than twelve. This book identifies the source text and makes widely available for the first time the full transcription of Elizabeth Cary's manuscript translation of L'Epitome du Theatre du Monde d'Abraham Ortelius (c. 1588). Dedicated to her mother's well-connected aristocratic uncle, Sir Henry Lee, The Mirror of the Worlde - one of the first known English versions of Ortelius - is a rich source of information about her childhood and education, the writers who influenced her, and the emerging themes and preoccupations that would come to inform her later work. Peterson's critical edition illuminates the strategies by which this savvy young writer finds means to comment on the atlas' descriptions, reveals an active and original authorial presence, and suggests a much earlier interest in Catholicism than biographers have hitherto considered. An impressive work of apprenticeship, The Mirror of the Worlde shows Cary honing her poetic craft, mastering the rhetoric of polite resistance, and, above all, thinking critically about the place of women in the wide, wonderful, and often violent world that Ortelius depicted.

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How Enlightenment Europe rediscovered its identity by measuring itself against the great civilizations of AsiaDuring the long eighteenth century, Europe's travelers, scholars, and intellectuals looked to Asia in a spirit of puzzlement, irony, and openness. In this panoramic and colorful book, Jürgen Osterhammel tells the story of the European Enlightenment's nuanced encounter with the great civilizations of the East, from the Ottoman Empire and India to China and Japan.Here is the acclaimed book that challenges the notion that Europe's formative engagement with the non-European world was invariably marred by an imperial gaze and presumptions of Western superiority. Osterhammel shows how major figures such as Leibniz, Voltaire, Gibbon, and Hegel took a keen interest in Asian culture and history, and introduces lesser-known scientific travelers, colonial administrators, Jesuit missionaries, and adventurers who returned home from Asia bearing manuscripts in many exotic languages, huge collections of ethnographic data, and stories that sometimes defied belief. Osterhammel brings the sights and sounds of this tumultuous age vividly to life, from the salons of Paris and the lecture halls of Edinburgh to the deserts of Arabia, the steppes of Siberia, and the sumptuous courts of Asian princes. He demonstrates how Europe discovered its own identity anew by measuring itself against its more senior continent, and how it was only toward the end of this period that cruder forms of Eurocentrism--and condescension toward Asia—prevailed.A momentous work by one of Europe's most eminent historians, Unfabling the East takes readers on a thrilling voyage to the farthest shores, bringing back vital insights for our own multicultural age.

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One didn't dare to inhale for fear of breathing it in. It was the sound of eighteen hundred airplanes approaching Hamburg from the south at an unimaginable height. We had already experienced two hundred or even more air raids, among them some very heavy ones, but this was something completely new. And yet there was an immediate recognition: this was what everyone had been waiting for, what had hung for months like a shadow over everything we did, making us weary. It was the end.Novelist Hans Erich Nossack was forty-two when the Allied bombardments of German cities began, and he watched the destruction of Hamburg—the city where he was born and where he would later die—from across its Elbe River. He heard the whistle of the bombs and the singing of shrapnel; he watched his neighbors flee; he wondered if his home—and his manuscripts—would survive the devastation. The End is his terse, remarkable memoir of the annihilation of the city, written only three months after the bombing. A searing firsthand account of one of the most notorious events of World War II, The End is also a meditation on war and hope, history and its devastation. And it is the rare book, as W. G. Sebald noted, that describes the Allied bombing campaign from the German perspective.In the first English-language edition of The End, Nossack's text has been crisply translated by Joel Agee and is accompanied by the photographs of Erich Andres. Poetic, evocative, and yet highly descriptive, The End will prove to be, as Sebald claimed, one of the most important German books on the firebombing of that country. "A small but critical book, something to read in those quiet moments when we wonder what will happen next."—Susan Salter Reynolds, Los Angeles Times

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La pharmacopee syriaque demeure encore aujourd'hui peu connue, malgre l'edition datant de 1913 d'un gros volume que nous evons a E.A. Wallis Budge mais qui est loin d'etre parfaite, et un manuscrit inedit de la BnF auquel est apparente un autre de la collection Mingana. L'auteur s'est donne pour tache dans ce petit lexique de rassembler tous les termes, avec les references exactes qui manquaient chez Budge, comprenant les noms de plantes, joliment illustres par cliches fournis par Mme S. Amigues, ainsi que les termes mineraux et animaliers qui entraient dans la composition des recettes pharmacologiques. Le principal but de cet ouvrage est de determiner l'origine linguistique des mots syriaques, une grande partie venant du grec. Cependant un nombre non negligeable de mots issus du moyen-perse ou de persan / arabo-persan est a remarquer. Cela montre combien la pharmacopee en syriaque, comme d'autre sciences (medecine, philosophie, etc.) a herite du grec, attestant par la que les Syriens furent les transmetteurs aux Arabes de ces sciences, comme les specialistes l'oublient trop souvent et comme l'auteur l'a deja montre dans des articles precedents.

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The more you put into it, the more you get out of it. The Bible is meant to be savored, not skimmed. The NET Bible Journal Edition equips you to put more into your time with the Bible. With its extra-wide margins and thick paper, this Bible is perfect for journaling your reactions and insights, writing your prayers, listing your questions, and more.Featuring the New English Translation—the newest translation of the biblical languages into English, based on the most up-to-date manuscript discoveries and research—the NET Bible Journal Edition is the perfect choice for anyone who puts pen to paper to engage more deeply with the Word.Features include: Lined, wide margins for notes and reflections Premium paper for enduring note-taking Durable Smyth-sewn binding lays flat in your hand or on your desk Abbreviated set of NET translators’ notes Two satin ribbon markers Single-column Scripture text 8.75-point print size designed with the exclusive Thomas Nelson NET Comfort Print® typeface

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Following Levita’s statement, the Masorah transmitted by medieval illuminated manuscripts was generally considered as less significant for the study of the biblical and masoretical knowledge in the Jewish world. The biblical codices produced in Ashkenaz were considerably disregarded compared to Spanish codices. Challenging this assertion, this work engages in a reflection on the link between the standard Eastern tradition and the Ashkenazic biblical text-culture of the 13th century. Élodie Attia provides an edition of thirteen cases taken from MS Vat. Ebr. 14, offering the oldest series of Masoretic notes written inside figurative and ornamental designs. Its critical apparatus offers an unprecedented comparison with the oldest Eastern and Ashkenazic sources to evaluate if the scribe paid more attention to aesthetic details than to the textual contents. In an unexpected way, the Masoretic notes of Elijah ha-Naqdan, even written in figurative forms, show a close philological link with the Masorah of the eastern Tiberian sources and prove that the presence of figurative elements neither represents a loss nor a distortion of Masoretic knowledge, but rather illustrates a development in the Masoretic tradition.

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The Geoffrey Chaucer of this book is not the Father of English Literature that you think you know. In this wide-ranging collection of essays you will find wartime Chaucer, postcolonial Chaucer, feminist Chaucer, misogynist Chaucer, radical Chaucer and conservative Chaucer, among many other interpretations. Featuring beautiful illustrations of early manuscripts and rare editions, Chaucer Here and Now gives a picture of how varied adaptations of and responses to his work have been, from fifteenth- century scribes who finished off incomplete tales, through early printers who constructed Chaucer as the Father of the Nation, to contemporary postcolonial writers such as Zadie Smith. The book moves through years of censorship, the creation of children’s Chaucer, Protestant Chaucer and imperial Chaucer – and the travels of Chaucer all around the world. It also explores Chaucer on film and Chaucer in the present moment. Today’s creative responses follow in a line of irreverent, partial responses that we can trace back to Chaucer’s very first readers and editors, showing that Chaucer is available for every here and now to remake, rework and reinvent.

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Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tomás Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabordón played a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his Masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources. Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike.

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Obscure Locks, Simple Keys is a comprehensive study of this most enigmatic of all of SmauelBeckett's texts. Chris Ackerley's approach, which has some similarities to genetic editing, is based on an extensive study of the manuscripts and different editions (including the French translation, overseen by Beckett himself) of the novel, and the long introduction covers the complex history of the book's composition and publication. The book includes a thematic Index and extensive Bibliography, as well as two appendices: one deals with 'Textual changes and errata in the major editions of Watt'; the other with the tangled question of 'The evolution of Watt'. Most of the work, however, concerns the detailed annotation of the text, and examines the range of literary, religious and philosophical matters that have informed and shaped the text. The primary aim of the volume is to offer a complete exposition of the novel's disconcerting difficulties, but another major objective, given the parlous state of previous editions, was to identify and correct the long history of textual error, with a view to the future publication of a better text.

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Shortly after the third edition of "Leaves of Grass" was published in 1860, Walt Whitman seemed to drop off the literary map, not to emerge again until his brother George was wounded at Fredericksburg, two and a half years later. Past critics have tended to read this silence as evidence of Whitman's indifference to the Civil War during its critical early months. In this penetrating, original, and beautifully written book, Ted Genoways reconstructs those forgotten years - locating Whitman directly through unpublished letters and never-before-seen manuscripts, as well as mapping his associations through rare period newspapers and magazines in which he published.Genoways' account fills a major gap in Whitman's biography and debunks the myth that Whitman was unaffected by the country's march to war. Instead, "Walt Whitman and the Civil War" reveals the poet's active participation in the early Civil War period and elucidates his shock at the horrors of war months before his legendary journey to Fredericksburg, correcting in part the poet's famous assertion that the 'real war will never get in the books'.

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At the turn of the century, Colorado's Cripple Creek District captured the national imagination with the extraordinary wealth of its gold mines and the unquestionable strength of the militant Western Federation of Miners. Elizabeth Jameson tells the entertaining story of Cripple Creek, the scene in 1894 of one of radical labor's most stunning victories and, in 1903 and 1904, of one of its most crushing defeats. Jameson draws on working-class oral histories, the Victor and Cripple Creek Daily Press published by 34 of the local labor unions, and the 1900 manuscript census. She connects unions with lodges and fraternal associations, ethnic identity, families, households, and partisan politics. Through these ties, she probes the differences in age, skill, gender, marital status, and ethnicity that strained working-class unity and contributed to the fall of labor in Cripple Creek. Jameson's book will be required reading for western, ethnic, and working-class historians seeking an alternative interpretation of western mining struggles that emphasizes class, gender, and multiple sources of social identity.

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The political and civil criticism found in the poetry of Robert Burns has influenced readers for over two centuries. The emotional impact reached high levels when the poems were read by people who have lost their liberty, prisoners in HMP Kilmarnock. From the city which gave birth to Burns’ first poetry volume, a workshop within prison led to new inspired creations according to different personal backgrounds. Independence in these new poems is desired not only for Scotland, but also for contemporary slaves, war victims and immigrants. On a personal level, independence from substances and mental illness is also at stake; because the worst enemy often fought against, is our own self. This collection includes the original sources of inspiration, beloved poems by Burns. Among them, To a Mouse, A Man’s A Man for A’ That, and Tree of Liberty. The poems are accompanied by images of Burns’ manuscripts and paintings from the Robert Burns Birthplace Museum. A moving and impressive collection from independent minds being nostalgic about the carefree past or wondering whether liberty was ever acquired.

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Monstrous births, rains of blood, apparitions of battles in the sky – people in early modern England found all of these events to carry important religious and political meanings. In An age of wonders, available in paperback for the first time, William E. Burns explores the process by which these events became religiously and politically insignificant in the Restoration period. The story involves the establishment of early modern science, the shift from ‘enthusiastic’ to reasonable religion, and the fierce political combat between the Whigs and the Tories.This historical study is based on close readings of a variety of primary sources, both print and manuscript. Burns claims that prodigies lost their religious meaning and became subjects of scientific enquiry as a result of political struggles, first by the supporters of the restored monarchy and the Church of England against Protestant dissenters, and then by the Whig defenders of the Revolution of 1688 against the Tories and the Jacobites.By integrating religious and political history with the history of science, An age of wonders will be of great use to those working in the field of early modern history.

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C. S. Lewis and J. R. R. Tolkien, the creators of Narnia and Middle-earth, were close friends, colleagues, and members of the Inklings, a writers group that met in Oxford in the 1930s and 1940s, sharing and discussing their works-in-progress. This important study challenges the standard interpretation that Lewis, Tolkien, Charles Williams, Owen Barfield, and the other Inklings had little influence on one another's work, drawing on the latest research in composition studies and the sociology of the creative process.Diana Glyer invites readers into the heart of the group, examining diary entries and personal letters and carefully comparing the rough drafts of their manuscripts with their final, published work. Her analysis not only demonstrates the high level of mutual influence that characterized this writers group but also provides a lively and compelling picture of how writers and other creative artists challenge, correct, and encourage one another as they work together in community.

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An investigation into a variety of texts providing guidance for teachers, parents, and children themselves. The question and procedures of integrating children into wider society during the medieval and early modern period are debated across a wide range of contemporary texts, in both print and manuscript form. This study takes as its focus the ways in which vernacular literature (including English courtesy poems, incunabula and sixteenth-century printed household books, grammar school statutes, and pedagogic books) provided a guide to socialising children. Theauthor examines how the transmission and reception of this literature, showing how patterns of thought changed during the period for parents, teachers, and young people alike; and places children and family reading networks into the context of debates on the history of childhood, and the history of the book. MERRIDEE L, BAILEY Is a social and cultural historian of late medieval and early modern England. She is an Associate Member of the Facultyof History, University of Oxford.

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Highlighting an enduring interest in natural history from the 16th century to the present, this gorgeous book explores depictions of the natural world, from centuries-old manuscripts to contemporary artists’ books. It examines the scientific pursuits in the 18th and 19th centuries that resulted in the collecting and cataloguing of the natural world. It also investigates the aesthetically oriented activities of self-taught naturalists in the 19th century, who gathered flowers, ferns, seaweed, feathers, and other naturalia into albums. Examples of 20th- and 21st-century artists’ books, including those of Eileen Hogan, Mandy Bonnell, and Tracey Bush, broaden the vision of the natural world to incorporate its interaction with consumer culture and with modern technologies. Featuring dazzling illustrations, the book itself is designed to evoke a fieldwork notebook, and features a collection pocket and ribbon markers.Published in association with the Yale Center for British ArtExhibition Schedule:Yale Center for British Art (05/15/14–08/10/14)

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During his years as executioner between 1901 and 1924, John Ellis hanged over 200 men andwomen. Among them were some of the most infamous killers of the 20th century including DrCrippen, John Dickman ''The Railway Murderer'', George Smith ''The Brides in the Bath'' murderer,Henry Jacoby, poisoners Frederick Seddon and Major Herbert Rowse Armstrong. Ellis also hangedSir Roger Casement for treachery and carried out the execution of Edith Thompson, one of themost controversial hangings in the history of capital punishment.British executioners kept their own legers recording brief details of those they hanged, John Ellismaintained just such a leger too but he is believed to be the only British executioner to have kept anadditional scrapbook of his personal accounts of those he executed and their crimes and as such it isa unique volume in the annals of British crime and punishment.Rediscovered after being lost for decades, John Ellis'' scrapbook - its cuttings, manuscript texts, andannotati

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The culmination of 25 years of research, Alex Bennett's groundbreaking English translation of Miyamoto Musashi's The Book of Five Rings reveals the true meaning of the original work. Plus, definitive translations of five more known works of Musashi! This piece of writing by famed samurai Musashi (1584-1645) is the single-most influential work on samurai swordsmanship, offering insights into samurai history, the Zen Buddhist state of "no-mind" that enables warriors to triumph and the philosophical meaning of Bushido—"the way of the warrior."Until now, English translations of The Book of Five Rings have been based on inaccurate copies of Musashi's long-lost original manuscript. Bennett's translation is the first to be based on a careful reconstruction of the original text by Japan's foremost Musashi scholar. By identifying discrepancies among the existing copies, adding missing texts and correcting over 150 incorrect characters, this source is the closest representation of Musashi's original work possible. Utilizing this new source, Bennett captures the subtle nuance of the classic Japanese text, resulting in the most accurate English translation of The Book of Five Rings availableEnjoy complete, richly annotated translations of Musashi's most-known works: The Book of Five Rings Mirror on the Way of Combat Notes on Combat Strategy Combat Strategy in 35 Articles The Five-Direction Sword Pathways The Path Walked Alone The texts are richly annotated by Bennett, who includes an extensive introduction on Musashi's life and legacy. This paperback edition also includes a new introduction by Kendo Kyoshi 7th Dan Graham Sayer, who talks about the influence Musashi's writings have had on him as a person and martial artist.The Complete Musashi: The Book of Five Rings and Other Works will be widely read by those interested in Japanese culture, Samurai history and martial arts—setting a new standard against which all other translations will be measured.

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This is the first work available in any language to extensively document and critically discuss traditions of 'Alid piety and their modern contestations in the region. The concept of 'Alid piety allows for a reframing of our views on the widespread reverence for 'Ali, Fatima and their progeny that emphasises how such sentiments and associated practices are seen as part of broad traditions shared by many Muslims, which might or might not have their origins in a specifically Shi'a identity. In doing so, it facilitates the movement of academic discussions out from under the shadow of polemical sectarian discourses on 'Shi'ism' in Southeast Asia. The chapters include presentations of new material from previously unpublished early manuscript sources from Muslim vernacular literatures in the Malay, Javanese, Sundanese, Acehnese and Bugis languages, as well as rich new ethnography from across the region. These studies engage with cultural, intellectual, and performative traditions, as well as the ways in which 'Alid piety has been transformed in relation to more strictly sectarian identifications since the Iranian Revolution in 1979.

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