Search results for ""author manus"

Tracing the global history of the Sassoon family, entrepreneurs and patrons of remarkable art and architecture, from Baghdad to Mumbai, Shanghai, Hong Kong, and London The Sassoons were prosperous as bankers and treasurers to the Ottoman sultans in nineteenth-century Baghdad, until they were driven out by religious persecution and economic pressures. Assuming the precarious status of stateless Jews, the family dispersed, establishing businesses in Mumbai, Hong Kong, Shanghai, and London. Their wealth enabled them to collect splendid works of art from the various cultures that welcomed them. This volume tells the sweeping global story of the Sassoon family through the works of art they collected. Lavishly illustrated with paintings, porcelain, manuscripts, Judaica, and architecture, it foregrounds family members who were patrons of art and sponsors of remarkable buildings, highlighting the role of the family’s accomplished women. Rachel Sassoon was editor of both the Times and the Observer newspapers in London at the turn of the twentieth century. The renowned war poet Siegfried Sassoon was a cousin. Victor Sassoon hosted the glitterati of the 1920s and 1930s at his Cathay Hotel in Shanghai. This fascinating and elegant book—with gilt edges and a ribbon bookmark—features a family tree and explores generations of Sassoons for whom art was not only a mark of their arrival in the rarefied world of the upper class but a pleasure in itself. Published in association with the Jewish Museum, New York Exhibition Schedule:Jewish Museum, New York (March 3–August 13, 2023)

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Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work.

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When David Gascoyne celebrated his seventeenth birthday in Paris in 1933, he already had a poetry collection and a novel to his name. He spent much of the next few years in the French capital associating with Eluard, Dali, Ernst, Breton, Peret and other surrealists. By the age of 20 he had firmly established himself within the movement with the publication of his groundbreaking A Short Survey of Surrealism and the poems of Man's Life Is This Meat. In 1938 Holderlin's Madness marked his move away from surrealism in 'a renewal of vision', followed by his milestone collection, Poems 1937-1942 (1943). After the war Gascoyne revisited Paris, publishing A Vagrant and other poems in 1950 and Night Thoughts, the acclaimed BBC radiophonic poem for voices and orchestra, in 1956. Despite several breakdowns he continued to write, particularly during the latter years of his long life, producing few poems, but many translations, reviews and literary criticism, memoirs and obituaries. Even so it was his contention that he was 'a poet who wrote himself out when young and then went mad'. This self-deprecating judgement could not be further from the opinion of those who knew him and valued his achievement. As his fellow poet and lifelong friend, Kathleen Raine, wrote on Gascoyne's 80th birthday: You are the chosen one To speak the words of blessing In this time. This New Collected Poems, compiled by Gascoyne's friend and editor Roger Scott, comprises work that the poet chose to preserve, together with uncollected and unpublished material; all meticulously researched from notebooks and manuscripts held in the British Library and internationally in academic institutions. It falls to present-day readers of Gascoyne's poems to experience the impact of his work, to recognize its significance in twentieth-century literature, and its continuing relevance.

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This book is a comprehensive, cutting-edge guide designed to educate readers on the essentials of artificial intelligence (AI) and machine learning (ML), while emphasizing the crucial aspects of security, ethics, and privacy. The book aims to equip AI practitioners, IT professionals, data scientists, security experts, policy-makers, and students with the knowledge and tools needed to develop, deploy, and manage AI and ML systems securely and responsibly. The book is divided into several sections, each focusing on a specific aspect of AI. It begins by introducing the fundamentals of AI technolgies, providing an overview of their history, development, and various types. This is followed by a deep dive into popular AI algorithms and large language models (LLMs), including GPT-4, that are at the forefront of AI innovation. Next, the book explores the critical security aspects of AI systems, examining the importance of security and the key challenges faced in this domain. It also delves into the common threats, vulnerabilities, and attack vectors, as well as risk assessment and management strategies. This manuscript covers data security, model security, system and infrastructure security, secure development practices, monitoring and auditing, supply chain security, and secure deployment and maintenance. Another key focus of the book is privacy and ethical considerations in AI systems. Topics covered include bias and fairness, transparency and accountability, and privacy and data protection. The book also addresses legal and regulatory compliance, providing an overview of relevant regulations and guidelines, and discussing how to ensure compliance in AI systems through case studies and best practices.This book is a comprehensive, cutting-edge guide designed to educate readers on the essentials of artificial intelligence (AI) and machine learning (ML), while emphasizing the crucial aspects of security, ethics, and privacy. The book aims to equip AI practitioners, IT professionals, data scientists, security experts, policy-makers, and students with the knowledge and tools needed to develop, deploy, and manage AI and ML systems securely and responsibly.

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Quan, amb L'home manuscrit, Manuel Baixauli va irrompre amb força inusitada en el panorama literari català, els únics que no es van sorprendre foren els qui, anys enrere, havien llegit Espiral, un conjunt de relats brevíssims que Baixauli ha reescrit fins a convertir-lo en una obra nova, la primera i l'última de l'autor. Espiral és un experiment fascinant que conté les dèries i les obsessions d'un home d'avui, recreades amb una imaginació desbordant.

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Established in 1987, Tocharian and Indo-European Studies (TIES) is an international scholarly journal with contributions in English, German and French. The journal's central topic is formed by the two closely related languages Tocharian A and B, attested in Central Asian Buddhist manuscripts dating from the second half of the first millennium AD. It focuses on philological and linguistic aspects of Tocharian, and its relation with the other Indo-European languages.

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This comprehensive collection brings together every extant text known to have been penned by Elizabeth Webb, a missionary for the Society of Friends who traveled and taught in England and America during the seventeenth and eighteenth centuries. Webb’s work circulated widely in manuscript form during her lifetime, but has since become scarce. This annotated collection reintroduces her as a major contributor to women’s writing and religious thought in early America. Her autobiographical works highlight the importance of ecstatic or visionary experiences in the construction of Quaker identity and illustrate the role that women played in creating religious and social networks. Webb used the book of Revelation as a lens through which to comprehend episodes from American history, and her commentary on the book characterized the colonization of New England as a sign of the end times. Eighteenth-century readers looked to her commentary for guidance during the American War of Independence. Her unique take on Revelation was not only impactful in its own day, but puts contemporary understanding of eighteenth-century Quaker quietism into new perspective. Collecting the earliest known writings by an American Quaker, and one of the earliest by an American woman, this annotated volume rightly places Webb in the company of colonial women writers such as Anne Bradstreet, Mary Rowlandson, and Sarah Kemble Knight. It will be an invaluable resource for scholars of early America, women’s history, religious history, and American literature.

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The Mirror of the Worlde is an important addition to the canon of Elizabeth Tanfield Cary. Best known for her play The Tragedy of Mariam, Cary is revealed here as a sheltered but precocious child who translated the texts accompanying the maps in an early modern atlas when she was no more than twelve. This book identifies the source text and makes widely available for the first time the full transcription of Elizabeth Cary's manuscript translation of L'Epitome du Theatre du Monde d'Abraham Ortelius (c. 1588). Dedicated to her mother's well-connected aristocratic uncle, Sir Henry Lee, The Mirror of the Worlde - one of the first known English versions of Ortelius - is a rich source of information about her childhood and education, the writers who influenced her, and the emerging themes and preoccupations that would come to inform her later work. Peterson's critical edition illuminates the strategies by which this savvy young writer finds means to comment on the atlas' descriptions, reveals an active and original authorial presence, and suggests a much earlier interest in Catholicism than biographers have hitherto considered. An impressive work of apprenticeship, The Mirror of the Worlde shows Cary honing her poetic craft, mastering the rhetoric of polite resistance, and, above all, thinking critically about the place of women in the wide, wonderful, and often violent world that Ortelius depicted.

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Medieval Lyric is a colourful collection of lyrical poems, carols, and traditional British ballads written between the thirteenth and fifteenth centuries, together with some twentieth-century American versions of them. A lively and engaging collection of lyrical poems, carols, and traditional British ballads written in between the thirteenth and fifteenth centuries, together with some twentieth-century American versions of them. Introduces readers to the rich variety of Middle English poetry. Presents poems of mourning and of celebration, poems dedicated to the Blessed Virgin and to Christ, poems inviting or disparaging love, poems about sex, and more. Reader-friendly - uses modernized letter forms, punctuation and capitalization, and side glosses explaining difficult words. Opens with a substantial introduction by the editor to the medieval lyric as a genre, and features short introductions to each section and poem. Also includes an annotated bibliography, glossary, index of first lines, and list of manuscripts cited.

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The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.

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In this reassessment of one of the figures of early modern science, Rose-Mary Sargent explores Robert Boyle's philosophy of experiment, a central aspect of his life and work that became a model for mid to late 17th century natural philosophers and for those who followed them. Sargent examines the philosophical, legal, experimental, and religious traditions - among them English common law, alchemy, medicine, and Christianity - that played a part in shaping Boyle's experimental thought and practice. The roots of his philosophy in his early life and education, in his religious ideals and in the work of his predecessors - particularly Bacon, Descartes and Galileo - are explored, as are the possible influences of his social and intellectual circle. Drawing on a range of Boyle's published works, as well as on his unpublished notebooks and manuscripts, Sargent shows how these diverse influences were transformed and incorporated into Boyle's views on, and practice of, experiment.

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To say that we are embodied subjects is to affirm that we are both extended and conscious: both a part of the material world and a place where that world comes to presence. The ambiguity inherent in our being both can be put in terms of a double being in. Thus, while it is true that the world is in consciousness taken as a place of appearing, it is equally true that, taken as embodied, consciousness is in the world. How can our selfhood support both descriptions? Starting with Husserls late manuscripts on birth and death, James Mensch traces out the effects of this paradox on phenomenology. What does it mean to consider the self as determined by its embodiment? How does this affect our social and political relations, including those marked by violence? How does our embodiment affect our sense of transcendence, including that of the divine? In the course of these inquiries, such questions are shown to transform the very sense of phenomenology.

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Watch Craig Bauer discuss the Zodiac Killer's cipher on HISTORY's miniseries The Hunt for the Zodiac KillerIn 1953, a man was found dead from cyanide poisoning near the Philadelphia airport with a picture of a Nazi aircraft in his wallet. Taped to his abdomen was an enciphered message. In 1912, a book dealer named Wilfrid Voynich came into possession of an illuminated cipher manuscript once belonging to Emperor Rudolf II, who was obsessed with alchemy and the occult. Wartime codebreakers triedand failedto unlock the book''s secrets, and it remains an enigma to this day. In this lively and entertaining book, Craig Bauer examines these and other vexing ciphers yet to be cracked. Some may reveal the identity of a spy or serial killer, provide the location of buried treasure, or expose a secret societywhile others may be elaborate hoaxes.Unsolved! begins by explaining the basics of cryptology, and then explores the history behind an array of unsolved

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A young, mixed-race composer, raised without meaningful connections to his Chinese heritage and struggling with identity issues, travels to China in search of his long-missing uncle, an uncle who vanished in the aftermath of Tiananmen Square. An Idea About My Dead Uncle--winner of the inaugural Guernica Prize for the best unpublished novel manuscript--is about the identities we choose and the ones that are imposed on us. It is about being on the outside looking in. It is about dealing with pain through the artistic process. It is about delusion and healing. It is about the power of narrative. According to Gabriella Goliger, winner of the 2011 City of Ottawa Literary Award for Fiction for her novel Girl Unwrapped and a juror for the Guernica Literary Prize: A witty, sharp-edged, finely-crafted story about a young man struggling with identity issues, which causes relationship disasters and a quest for his long lost uncle in China. The introspective but straightforward narrative eventually plunges into the surreal, mirroring the madness that can result from an uncompromising search for self.

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Biography of Humphrey Newton offers a unique view of gentry life at the time. The public and political lives of the fifteenth- and early sixteenth-century gentry have been extensively studied, but comparatively little is known of their private lives and beliefs. Humphrey Newton of Pownall, Cheshire, offers a rare and fascinating opportunity to redress the balance, thanks to the fortunate survival of a commonplace book he compiled c.1498-1524. Drawing upon this unique manuscript, this interdisciplinary and multi-dimensional study of Newton explores his family life, landed estate, legal work, piety, and his literary skills [he composed nearly twenty courtly love lyrics]. It charts his social advancement and the self-fashioning of his gentle image, while placing him in the context of current discussions of gentry culture. What makes Newton even more noteworthy is that he was among the unsung and little known stratum of English society historians have labelled the 'lesser' gentry. As such, this book provides the first comprehensive biography of an early Tudor gentleman. Dr DEBORAH YOUNGS is lecturer in medieval history at Swansea University.

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An irresistible romp through the history of magic, from alchemy to unicorns, ancient witchcraft to Harry’s Hogwarts – packed with unseen sketches and manuscript pages from J.K. Rowling, magical illustrations from Jim Kay and weird, wonderful and inspiring artefacts that have been magically released from the archives at the British Library. This spellbinding book takes readers on a journey through the Hogwarts curriculum, including Herbology, Defence Against the Dark Arts, Astronomy, Divination and more. Discover the truth behind making the Philosopher’s Stone, create your very own potion and uncover the secret of invisible ink. Learn all about the history of mandrake roots and dragons, discover what witches really used their brooms for, pore over incredible images of actual mermaids and read about real-life potions, astronomers and alchemists. The perfect gift for aspiring witches and wizards and any Harry Potter fan. Celebrating twenty years of Harry Potter magic, and produced in association with the British Library to support their major exhibition, Harry Potter: A History of Magic.

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The 'end of history' has not taken place. Ideological and economic crisis and the status quo of neoliberal capitalism since 2008 demand a renewed engagement with Marx. But if we are to effectively resist capitalism we must truly understand Marx: Marxism today must theorise how communication technologies, media representation and digitalisation have come to define contemporary capitalism. There is an urgent need for critical, Marxian-inspired knowledge as a foundation for changing the world and the way we communicate from digital capitalism towards communicative socialism and digital communism. Rereading Marx in the Age of Digital Capitalism does exactly this. Delving into Marx's most influential works, such as Capital, The Grundrisse, Economic and Philosophic Manuscripts, The German Ideology and The Communist Manifesto, Christian Fuchs draws out Marx's concepts of machinery, technology, communication and ideology, all of which anticipate major themes of the digital age. A concise and coherent work of Marxist media and communication theory, the book ultimately demonstrates the relevance of Marx to an age of digital and communicative capitalism.

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Kathy Eden reveals the unexplored classical rhetorical theory at the heart of iconic Renaissance literary works. Kathy Eden explores the intersection of early modern literary theory and practice. She considers the rebirth of the rhetorical art—resulting from the rediscovery of complete manuscripts of high-profile ancient texts about rhetoric by Plato, Aristotle, Cicero, Quintilian, and Tacitus, all unavailable before the early fifteenth century—and the impact of this art on early modern European literary production. This profound influence of key principles and practices on the most widely taught early modern literary texts remains largely and surprisingly unexplored. Devoting four chapters to these practices—on status, refutation, similitude, and style—Eden connects the architecture of the most widely read classical rhetorical manuals to the structures of such major Renaissance works as Petrarch’s Secret, Castiglione’s Book of the Courtier, Erasmus’s Antibarbarians and Ciceronianus, and Montaigne’s Essays. Eden concludes by showing how these rhetorical practices were understood to work together to form a literary masterwork, with important implications for how we read these texts today.

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Kathy Eden reveals the unexplored classical rhetorical theory at the heart of iconic Renaissance literary works. Kathy Eden explores the intersection of early modern literary theory and practice. She considers the rebirth of the rhetorical art—resulting from the rediscovery of complete manuscripts of high-profile ancient texts about rhetoric by Plato, Aristotle, Cicero, Quintilian, and Tacitus, all unavailable before the early fifteenth century—and the impact of this art on early modern European literary production. This profound influence of key principles and practices on the most widely taught early modern literary texts remains largely and surprisingly unexplored. Devoting four chapters to these practices—on status, refutation, similitude, and style—Eden connects the architecture of the most widely read classical rhetorical manuals to the structures of such major Renaissance works as Petrarch’s Secret, Castiglione’s Book of the Courtier, Erasmus’s Antibarbarians and Ciceronianus, and Montaigne’s Essays. Eden concludes by showing how these rhetorical practices were understood to work together to form a literary masterwork, with important implications for how we read these texts today.

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Dogs Who Changed the World is a beautifully illustrated, heart-warming book that celebrates all dogs and proves that every single one of them is absolute magic. Dogs have trotted at our collective side for tens of thousands of years, bound up in the story of humanity. They have inspired great works of art, caught spies, reconnected lost lovers, dragged the drowning to safety... or have just haplessly and happily ruined everything.These 50 tales acknowledge our unbreakable relationship with the dog, the first-ever domesticated animal, and their dedication, heroism and unending sense of fun. Along the way we'll meet big-boned Barry, the hefty St Bernard credited with saving the lives of more than 40 lost souls in the Swiss Alps in the 1800s. We'll discover Sigmund Freud's calm-inducing chow chow, Jofi, who would sit in on his psychotherapy sessions (and never spilled a secret), and feel the frustration of Sir Isaac Newton, whose little terror Diamond apparently knocked over a candle and destroyed the physicist's most important manuscripts.

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Nach Lieutenant Gustl (2011) erscheint mit Anatol der zweite Band der historisch-kritischen Ausgabe von Arthur Schnitzlers Frühwerk. Er enthält die Faksimiles der Manuskripte zu den sieben Einaktern in der Reihenfolge ihres Entstehens. Diese frühen Fassungen unterscheiden sich zum Teil noch beträchtlich von der späteren Textgestalt im Zyklus. Das Gegenüber von Original und präziser Transkription macht die Entzifferung von Schnitzlers berüchtigt schwer lesbarer Handschrift nachprüfbar. Der Lesetext folgt der Erstausgabe des Zyklus. Darüber hinaus enthält der Band zum Teil erstmals publizierte Texte ‑ Einakter, Prosatexte und Gedichte ‑ aus dem Umfeld des Entstehungsprozesses, die über die Anatol-Figur oder durch thematische Bezüge mit dem Zyklus verbunden sind. Der Band wird erschlossen durch editorische Apparate, einen literaturwissenschaftlichen Kommentar sowie einen ausführlichen Editionsbericht. Die Ausgabe erlaubt damit erstmals Einblicke in die komplexe Werkgenese dieses Einakterzyklus, der Arthur Schnitzlers Ruhm begründete.

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One didn't dare to inhale for fear of breathing it in. It was the sound of eighteen hundred airplanes approaching Hamburg from the south at an unimaginable height. We had already experienced two hundred or even more air raids, among them some very heavy ones, but this was something completely new. And yet there was an immediate recognition: this was what everyone had been waiting for, what had hung for months like a shadow over everything we did, making us weary. It was the end.Novelist Hans Erich Nossack was forty-two when the Allied bombardments of German cities began, and he watched the destruction of Hamburg—the city where he was born and where he would later die—from across its Elbe River. He heard the whistle of the bombs and the singing of shrapnel; he watched his neighbors flee; he wondered if his home—and his manuscripts—would survive the devastation. The End is his terse, remarkable memoir of the annihilation of the city, written only three months after the bombing. A searing firsthand account of one of the most notorious events of World War II, The End is also a meditation on war and hope, history and its devastation. And it is the rare book, as W. G. Sebald noted, that describes the Allied bombing campaign from the German perspective.In the first English-language edition of The End, Nossack's text has been crisply translated by Joel Agee and is accompanied by the photographs of Erich Andres. Poetic, evocative, and yet highly descriptive, The End will prove to be, as Sebald claimed, one of the most important German books on the firebombing of that country. "A small but critical book, something to read in those quiet moments when we wonder what will happen next."—Susan Salter Reynolds, Los Angeles Times

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The homily "On the Succession of the Kings and the End of Times" attributed to bishop Methodius of Patara (died ca. 311) is one of the most influential non-biblical apocalyptic texts both in Eastern and in Western Christianity. Written about 692 in Iraq by a Syriac-speaking Christian, it was soon translated into Greek and Latin, and subsequently into many other languages in East and West. The present edition offers the first critical text based on all extant Syriac textual witnesses, including references to the forthcoming new edition of the oldest Greek and Latin recensions by W.J. Aerts and G.A.A. Kortekaas in the Subsidia of CSCO. The present volume also includes the facsimile edition of the text (difficult of access) in the Oriental manuscripts Mardin Orth. 368 and Mardin Orth. 891. The German translation is provided with a comprehensive apparatus of explanatory notes and preceded by and introductory essay discussing the historical, religious and literary aspects of this important text, which may be considered as one of the earliest Christian responses to the rise of Islam.

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Including brand-new paintings, this is a fully illustrated new edition of the forerunner to The Lord of the Rings, telling the earlier history of Middle-earth, recounting the events of the First and Second Ages, and introducing some of the key characters, such as Galadriel, Elrond, Elendil and the Dark Lord, Sauron. The Silmarillion is the core of J.R.R. Tolkien’s imaginative writing, a collection of narratives ranging in time from the Elder Days of Middle-earth, through the Second Age and the rise of Sauron, to the end of the War of the Ring. They are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the Elves made war upon him in his impenetrable fortress in Angband for the recovery of the Silmarils, three jewels containing the last remaining pure light of Valinor, seized by Morgoth and set in his iron crown. Accompanying these tales are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as told in The Lord of the Rings. Tolkien could not publish The Silmarillion in his lifetime, as it grew with him, so he would leave it to his son, Christopher, to edit the work from many manuscripts and bring his father’s great vision to publishable form, so completing the literary achievement of a lifetime. This special edition presents anew this seminal first step towards mapping out the posthumous publishing of Middle-earth, and the beginning of an illustrious forty years and more than twenty books celebrating his father’s legacy. Also included is a letter by J.R.R. Tolkien written in 1951 which provides a brilliant exposition of the earlier Ages, and almost 50 full-colour paintings by Ted Nasmith, including some which appear here for the first time.

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Sir Torrent of Portingale is a romance written to entertain fifteenth-century audiences with action-packed tales of love and adventure. It is a story about the lovers Torrent, a young knight from Portugal, and Desonell, the feisty and resourceful daughter of a tyrannical king. Adventures include fights with dragons, giants, and savage beasts; perilous sea journeys; magic horses and swords; sieges and wars in the Holy Land. This new edition collates the surviving manuscript and print fragments with commentary and notes.

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Karl Rossman has been banished by his parents to America, following a family scandal. There, with unquenchable optimism, he throws himself into the strange experiences that lie before him as he slowly makes his way into the interior of the great continent. Although Kafka's first novel (begun in 1911 and never finished), can be read as a menacing allegory of modern life, it is also infused with a quite un-Kafkaesque blitheness and sunniness, brought to life in this lyrical translation that returns to the original manuscript of the book.

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The Syriac version of the Hexaemeron by St. Basil of Caesarea survives in Ms no. 9 of the Syriac collection in the Monastery of St. Catherine on Mount Sinai (written before 734 AD), and in fragments, of which the earliest dates from the fifthe century. It predates the surviving Greek manuscripts by four centuries. It is not a literal translation, but expands the text in a discursive manner - as is not uncommon in Syriac. The Armenian version was made from this Syriac text by the seventh century. The Syriac version of the Hexaemeron is thus valuable as a witness to the original, as a text of importance for Syriac literature, and as the intermediary for the wide diffusion of the Hexaemeron in Armenia.

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The Syriac version of the Hexaemeron by St. Basil of Caesarea survives in Ms no. 9 of the Syriac collection in the Monastery of St. Catherine on Mount Sinai (written before 734 AD), and in fragments, of which the earliest dates from the fifthe century. It predates the surviving Greek manuscripts by four centuries. It is not a literal translation, but expands the text in a discursive manner - as is not uncommon in Syriac. The Armenian version was made from this Syriac text by the seventh century. The Syriac version of the Hexaemeron is thus valuable as a witness to the original, as a text of importance for Syriac literature, and as the intermediary for the wide diffusion of the Hexaemeron in Armenia.

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Across Eurasia and North Africa in the First Millennium AD, empires rose and fell, each adopting a universalizing faith which distinguished it broadly from its neighbours. In Egypt, our sources are particularly rich, owing to the land’s arid climate and the unparalleled survival not only of stone, ceramic and metalwork, but also of organic material such as textiles, wood and manuscripts found on papyrus, parchment and paper. This volume brings together over a dozen of the world’s leading specialists to explore the dialectical interplay between empire and religious identity through a series of case studies from Egypt. Evidence from Egypt suggests that it was precisely in the context of empire that ‘religious identity’ emerged as a distinctive marker. Using the unrivalled abundance and variety of surviving material culture, this volume explores the formation, renegotiation and reconstitution of religious identities from the Roman period forward. Whereas Egypt’s ‘pharaonic’ millennia (c. 3000-30 BC) have been studied as a coherent whole, later eras are often studied as fragments. Egypt and Empire offers a different approach by covering together periods that are usually treated separately in different academic disciplines.

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Le règne du souverain Khusro Ier (531-579) fut une période-phare de l’histoire de la Perse sassanide, marquée aussi par des persécutions sporadiques à l’encontre des chrétiens d’origine zoroastrienne. Parmi ces martyrs figurent de grands personnages de la société civile tels Grigor Pirian-Gusnasp, général en chef des armées du roi, un haut-fonctionnaire et juge du nom de Yazd-panah ainsi qu’un notable de la cour, `Awira. Le plus illustre fut sans doute le catholicos Mar Abba (540-552), réunificateur de l’Église d’Orient après un schisme de près de vingt-cinq ans, canoniste, exégète, restaurateur de la discipline ecclésiastique qui avait été affaiblie depuis l’action entreprise par Barsauma en 484, controversiste réputé avec les zoroastriens et les chrétiens syro-orthodoxes, médiateur de paix pour les communautés chrétiennes. Ces textes, mis par écrit par des contemporains des événements, sont les seules hagiographies syro-orientales de cette époque à nous être parvenues en syriaque et présentent une remarquable qualité d’informations sur le paysage socio-religieux et politique de l’Orient au VIe siècle. Une édition critique commentée, accompagnée d’une traduction en français, est pour la première fois proposée à partir des uniques manuscrits existants de Londres, Berlin et du Vatican.

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The Old English Genesis is the sole illustrated Anglo-Saxon poem. In full appreciation of this unique concurrent execution of visualization and versification in a single manuscript, this multidisciplinary work explores the pictorial (Vol. 1) and the metrical (Vol. 2) organization from both synchronic–structural and diachronic–comparative perspectives. Among the most significant findings of each volume are: The first twenty-two images in the Old English Genesis originated on the whole from the Touronian Bibles; and the underlying classical Old English and Old Saxon meters were interactively reshaped through mutual adaptation and recomposition aimed at their firm integration into a synthesized Old English Genesis. While each part is solidly embedded in the respective scholarly tradition and pursues its own disciplinary concerns and problematics, vigorous formal and cognitive reasoning and theorizing run commonly through both. By way of mutual corroboration and integration, the twin volumes eventually converge on the hypothesis that the earliest portion of the extant Old English Genesis (lines 1–966) derived from the corresponding episodes of an illustrated Touronian Old Saxon Genesis in both pictorial and metrical terms.

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Greetings from the dead," Maxwell Broadbent declared from the videotape he left behind after his mysterious disappearance. A notorious treasure hunter and tomb robber, Maxwell accumulated a priceless collection of rare art, gems, and artefacts before vanishing completely - along with all his riches. At first, robbery is suspected, but the truth proves far stranger: as a final challenge to his three sons, Maxwell has buried himself and his treasures somewhere in the world, hidden away like an ancient Egyptian pharaoh. If his sons wish to claim their inheritance, they must find their father's concealed tomb. Furthermore, Maxwell's priceless possessions include a codex-an ancient Mayan manuscript that contains all the lost arts of Mayan herbal medicine, secrets that have the capacity to revolutionize pharmacology. The codex is worth billions, and one pharmaceutical company CEO has sent mercenaries after it with orders to kill anyone in their way, including the beautifully enigmatic woman accompanying one of them. Now the race is on, with more and more people competing for the treasure - including some who will stop at nothing to succeed.

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The Mandaeans of Iraq and Iran are adherents of the last surviving Gnostic tradition from the period of Late Antiquity, and the Book of Kings is the capstone to one of their most sacred scriptures. A universal history in four parts, it concisely outlines the entire 480,000 year span of the material world, from its creation to its destruction in the maw of the great Leviathan, with details including a succession of antediluvian cataclysms that have previously wiped out all human life, the reigns of the kings who have reigned over humanity and are still yet to reign, a lament on the end of pagan antiquity under the reign of the Arabs, and the apocalyptic drama attending those who have the misfortune to live at the end of the world era. For the first time ever, this work appears in English in its entirety, complete and unabridged, and directly translated from original Mandaic manuscripts, with the events mentioned within it coordinated with our calendar. It also includes an extensive commentary illustrating its relationship to contemporary historical writing and with the sacred literature of Zoroastrians, Jews, Christians, Muslims, and other neighbouring religious communities living under Sasanian rule.

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In 1948 Robert Graves published The White Goddess. His study of poetic mysticism and goddess worship has since become a founding text of Western paganism. As Wicca emerged from what Graves called, a few hopeful young people in California, to over two million strong, The White Goddess has achieved near liturgical status. This rising appreciation brings all the problems of liturgical texts. Many pagans consider Graves' work like the goddess herself; awe inspiring but impenetrable. Stalking The Goddess is the first extensive examination of this enigmatic text to come from the pagan community and guides readers through bewildering forests of historical sources, poems, and Graves' biography to reveal his unorthodox claims and entrancing creative process. Relentlessly perusing each path it explores the uncharted woods and reveals the hidden signposts Graves has posted. The hunt for the goddess spans battlefields, ancient manuscripts, the British museum, and Stonehenge. En route we encounter not only the goddess herself but her three sacred animals; dog, roebuck, and lapwing. Perhaps the muse cannot be captured on her own grounds, but now at least there is a map.

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The Hopeful Hat is Carole Satyamurti's last collection. She was preparing these poems for publication at the time of her death, and left the manuscript in an advanced state of readiness. The sequencing of the poems, and the sections they are grouped in, had already been decided by her. These late poems are informed by Satyamurti's keen eye for social injustice and, equally, by the breadth of her compassion. Poignantly, they are also her nuanced poetic response to having her voice box removed following a diagnosis of laryngeal cancer. The poems' formal accomplishment is carried lightly; characteristically, it is this light touch that enables Satyamurti to move so deeply. Clear-eyed in the face of her own mortality, she produced a series of courageous poems that are, as Carol Ann Duffy said of her work, 'laced with the hard stuff'. They are also graced with Satyamurti's unique and subtle wit. The preface by the poet's daughter, Emma Satyamurti, places this collection in the larger context of four decades of published work, and provides an illuminating insight into the poems gathered together here. Poetry Book Society Recommendation.

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Despite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France’s nineteenth-century literature has gained praise for its memorable evocation of odours. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman’s scent as something alluring, but also something to be controlled. Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the distinctiveness of a text, its unique relationship to language, its style, and its ways of engaging the reader: its signature scent. Shedding light on the French perfume culture that we know today, Perfume on the Page in Nineteenth-Century France follows the scent trails that ultimately challenge us to read perfume and literature in new ways.

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A revised and updated version of the artist’s collected lyrics An American original, Patti Smith is a multi-disciplined artist and performer. Her work is rooted in poetry, which infused her 1975 landmark album, Horses. A declaration of existence, Horses was described as ‘three chords merged with the power of the word’; it was graced with the now iconic portrait by Robert Mapplethorpe, the subject of her award-winning memoir Just Kids. Initially published in 1998, Patti Smith’s Complete Lyrics was a testimony to her uncompromising poetic power. Now, on the fortieth anniversary of the release of Smith’s groundbreaking album, Collected Lyrics has been revised and expanded with more than thirty-five additional songs, including her first, 'Work Song', written for Janis Joplin in 1970, and her most current, 'Writer’s Song', to be recorded in 2015. The collection is liberally illustrated with original manuscripts of lyrics from Smith’s extensive archive. Patti Smith’s work continues to retain its relevance, whether controversial, political, romantic or spiritual. Collected Lyrics offers forty-five years of song, an enduring commemoration of Smith’s unique contribution to the canon of rock and roll.

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A delightful and often witty description of the Oxford colleges in the eighteenth century. Shepilinda's Memoirs of the City and University of Oxford is a light-hearted but valuable manuscript account of the Oxford colleges in 1738, written by a lively and engaging young woman who had a measure of social access to many of them. Elizabeth Sheppard (pen-name "Shepilinda") was accompanied on her visits by a friend and confidante with the nickname "Scrippy", for whom the resulting memoir and appended collection of poems are intended as a gift. Elizabeth clearly had a facility for getting people to talk to her quite freely, together with a quick grasp of the information she received; she also had a lively, sometimes mischievous, sense of humour. The work, frequently unflattering to the dons (the wife of one is described as "ever a Moving Dumpling"), is entertaining, informative, and also unusual, in that women's voices are rarely heard at that date. The Memoirs are presented here with anintroduction and notes, providing information on the people involved and setting them into context. Until his retirement GEOFFREY NEATE worked at the Bodleian Library, Oxford, with particular responsibility for computerising the catalogue entries for books published before 1920.

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Edmund Husserl, founder of the phenomenological movement, is usually read as an idealist in his metaphysics and an instrumentalist in his philosophy of science. In Nature’s Suit, Lee Hardy argues that both views represent a serious misreading of Husserl’s texts. Drawing upon the full range of Husserl’s major published works together with material from Husserl’s unpublished manuscripts, Hardy develops a consistent interpretation of Husserl’s conception of logic as a theory of science, his phenomenological account of truth and rationality, his ontology of the physical thing and mathematical objectivity, his account of the process of idealization in the physical sciences, and his approach to the phenomenological clarification and critique of scientific knowledge. Offering a jargon-free explanation of the basic principles of Husserl’s phenomenology, Nature’s Suit provides an excellent introduction to the philosophy of Edmund Husserl as well as a focused examination of his potential contributions to the philosophy of science. While the majority of research on Husserl’s philosophy of the sciences focuses on the critique of science in his late work, The Crisis of European Sciences, Lee Hardy covers the entire breadth of Husserl’s reflections on science in a systematic fashion, contextualizing Husserl’s phenomenological critique to demonstrate that it is entirely compatible with the theoretical dimensions of contemporary science.

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The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet’s travels and experiences in Africa, the Caribbean, England, and the American South. Marked equally by a lushness of imagery, an urgency of tone, and a muscular rhythm, Midland, in the words of the final judge, Eavan Boland, is “a powerful testament of the complexity, pain, and enrichment of inheritance…It is a compelling meditation on what is given and taken away in the acts of generation and influence. Of a father’s example and his oppression. There are different places throughout the book. They come willfully in and out of the poems: Jamaica. London. Africa. America. But all the places become one place in the central theme and undersong here: which is displacement…The achievement of this book is a beautifully crafted voice which follows the painful and vivid theme of homelessness in and out of the mysteries of loss and belonging.” Midland is the work of a keen and transcendent intellect, a collection of poems that speaks to the landscape from inside, from an emotional and experiential place of risk and commitment.

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Jordan Stump had often contemplated the relationship between a translation and “the book itself,” ruminating on the intriguing inherent sameness and difference between the two. In The Other Book, Stump examines the “other” forms of a book and the ways in which they both mirror and depart from the original. Grounding his witty and original study in an exploration of four forms of Raymond Queneau’s Le chiendent—a copy, the manuscript, a translation, and a critical edition—Stump poses questions designed to help readers reconsider the nature of fiction and reading. Each form of Le chiendent both is and is not what we mean when we say "Le chiendent," yet the friction between their ways of being and that of “the book itself” proves unexpectedly productive, raising troublesome questions about the nature of textuality, reading, language, and knowledge. It also positions us to assess several answers proposed in response to such questions and to wonder about their usefulness. And as we consider those questions, we will have Queneau’s novel beside us, further confounding our attempts to answer—for our inability to answer those questions is precisely the point of The Other Book, as it is of Le chiendent.

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In this timely book, edited from a manuscript left unfinished at his death, one of Canada's leading constitutional scholars presents his prescription for constitutional change. The book diagnoses the failure of Canada's present constitution, both in dealing with the country's distinctive characteristics-regional identity and regional disparity-and in providing for effective national economic management. Drawing upon comparisons with other federal constitutions and with the European Economic Community, it proposes a new constitutional charter which would shift important responsibilities to the provinces while strengthening the economic powers of the central government. Specific recommendations are set out for a provincial residuary power, restructured taxing and spending powers, and a Canadian Equalization Council-the last a unique redistributive mechanism designed to ensure that residents of every province have access to adequate government services. Throughout, the plan pays close attention to the need to formulate constitutional provisions in a way which protects them against distortion by subsequent interpretation. At a time when the need for solutions to Canada's constitutional problems has never been more pressing, Albert Abel's is a particularly valuable individual contribution to the Canadian constitutional debate.

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The Pardoner's Tale is unique among the Canterbury Tales in that it showcases a character who also makes several other appearances throughout the Tales. One of only three pilgrims to be given a full-length prologue by Chaucer, the Pardoner takes on a dramatic force unequaled among the pilgrims. A research tool for specialist and graduate student alike, this volume on Chaucer's Pardoner's Prologue and Tale offers an exhaustive collection of material from the period 1900 to 1995, abstracting and cross-referencing book-length and chapter-length studies, sections of books and chapters, articles, portions of articles, notes, extensive commentary in editions, and representative study guides. There are separate sections for editions and translations; bibliographies, indexes, studies of the manuscript, and textual studies; sources, analogues, and influences for the Pardoner's Prologue and Tale; the Pardoner portrait in the General Prologue; studies of the Pardoner's interruption of the Wife of Bath, the wordes of the Hoost to the Phisicien and the Pardoner; the Pardoner's Prologue; and The Pardoner's Tale. The Chaucer Bibliographies are designed to encompass a complete listing and assessment of scholarship and criticism on the writings of Geoffrey Chaucer, his life, times, and historical context.

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What are the limits of cultural critique? What are the horizons? What are the political implications? John Pemberton explores these questions in this far-reaching ethnographic and historical interpretation of cultural discourse in Indonesia since 1965. Pemberton considers in particular how the appearance of order under Soeharto's repressive New Order regime is an effect of an enigmatic politics founded upon routine appeals to cultural values. Through a richly textured ethnographic account of events ranging from national elections to weddings, Pemberton simultaneously elucidates and disturbs the contours of the New Order cultural imaginary. He pursues the fugitive signs of circumstances that might resist the powers of New Order rule through unexpected village practices, among graveyard spirits, and within ascetic refuges. Key to this study is a reexamination of the historical conditions under which a discourse of culture emerges. Providing a close reading of a number of Central Javanese manuscripts from the late eighteenth century on, Pemberton outlines the conditions of knowledge formation in Indonesia since the beginning of Dutch colonial control. As he overturns common assumptions concerning colonial encounters, he discloses the gradual emergence in these texts of a discursive figure inscribed in contrast to the increasingly invasive presence of the Dutch: a figuration of difference that came to be called "Java."

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The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.

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Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. "Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

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Franz Schubert's song cycles, "Die Schone Mullerin" and "Winterreise" are cornerstones of the genre. But, as Richard Kramer argues in this book, Schubert envisioned many other songs as components of cyclical arrangements that were never published as such. By studying Schubert's original manuscripts, Kramer recovers some of these "distant cycles" and accounts for idiosyncrasies in the songs which other analyses have failed to explain. Returning the songs to their original keys, Kramer reveals linkages among songs which were often obscured as Schubert readied his compositions for publication. His analysis thus conveys even familiar songs in fresh contexts that will affect performance, interpretation and criticism. After addressing problems of multiple settings and revisions, Kramer presents a series of briefs for the reconfiguring of sets of songs to poems by Goethe, Rellstab and Heine. He deconstructs "Winterreise", using its convoluted origins to illuminate its textual contradictions. Finally, Kramer scrutinizes settings from the Abendrote cycle (on poems by Friedrich Schlegel) for signs of cyclic process. Probing the farthest reaches of Schubert's engagement with the poetics of lieder, "Distant Cycles" exposes tensions between Schubert the composer and Schubert the merchant-entrepreneur.

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The development of Judaism from ancient times to the modern day, shown in over 190 pictures. It traces the history of Judaism across the centuries, from ancient, rabbinic and medieval times to the present day. It discusses the creation of a Temple in Jerusalem, the Samaritans, Sadducees, Pharisees and Essenes, the emergence of rabbinic Judaism, the Jewish faith in the modern world, and untraditional Judaism. It is meticulously researched, with over 190 photographs of paintings, manuscripts, statues, important historical sites and archaeological revelations. It is a concise and readable account for both students and general readers. Judaism is one of the world's oldest monotheistic religions. This book covers the history of the Jews from the biblical period to the fall of the Temple, as well as life in the medieval and modern world. It explores many different forms of Jewish existence from the period of the twelve tribes through to the medieval mystics, and continues to modern kabbalism and Jewish renewal. The abundance of the Jewish heritage and its influence on other religions and modes of thought are also covered, including gender issues, the environment and vegetarianism.With its magnificent illustrations and expert text, the book is a fascinating guide to a rich and complex religion.

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