Search results for ""author manus"

Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons.

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Each of these diverse essays confronts important issues in the study of medieval art, literature, and drama. The topics covered include the symbolism of scatological illustration in Gothic manuscripts (Karl Wentersdorf), connections between word and picture in religious art (Roger Ellis), and the relationship perceived between divine and human creativity (R. W. Hanning), while Clifford Davidson provides an exploration in the phenomenology of space and time in medieval theater.

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Anantadas is the first 'biographer' who, around 1600, wrote about the most popular bhakti poets of the 15th and 16th centuries in Northern India. This critical study of these manuscripts yields a broad spectrum of the linguistic and morphological variants. It also reveals the processes of oral and scribal transmission during this time when sectarian interests appropriated certain poets and changed their 'biographies' accordingly.

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The culmination of 25 years of research, Alex Bennett's groundbreaking English translation of Miyamoto Musashi's The Book of Five Rings reveals the true meaning of the original work. Plus, definitive translations of five more known works of Musashi! This piece of writing by famed samurai Musashi (1584-1645) is the single-most influential work on samurai swordsmanship, offering insights into samurai history, the Zen Buddhist state of "no-mind" that enables warriors to triumph and the philosophical meaning of Bushido—"the way of the warrior."Until now, English translations of The Book of Five Rings have been based on inaccurate copies of Musashi's long-lost original manuscript. Bennett's translation is the first to be based on a careful reconstruction of the original text by Japan's foremost Musashi scholar. By identifying discrepancies among the existing copies, adding missing texts and correcting over 150 incorrect characters, this source is the closest representation of Musashi's original work possible. Utilizing this new source, Bennett captures the subtle nuance of the classic Japanese text, resulting in the most accurate English translation of The Book of Five Rings availableEnjoy complete, richly annotated translations of Musashi's most-known works: The Book of Five Rings Mirror on the Way of Combat Notes on Combat Strategy Combat Strategy in 35 Articles The Five-Direction Sword Pathways The Path Walked Alone The texts are richly annotated by Bennett, who includes an extensive introduction on Musashi's life and legacy. This paperback edition also includes a new introduction by Kendo Kyoshi 7th Dan Graham Sayer, who talks about the influence Musashi's writings have had on him as a person and martial artist.The Complete Musashi: The Book of Five Rings and Other Works will be widely read by those interested in Japanese culture, Samurai history and martial arts—setting a new standard against which all other translations will be measured.

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Comprend, pour les quarante livraisons parues entre 1980 et 1999, des tables par annees, des tables des auteurs, les theses routenues recemment, des auteurs dont les livres ont ete recenses, un index thematique, un index des manuscrits, ainsi que des tables et un index des illustrations. Une breve introduction en facilite le maniement et dresse un historique rapide de ces vingt ans de la Revue, dont les point forts sont demeures dans le periode l'Antiquite tardive, le moyen age et les temps modernes consideres du point de vue de l'histoire des litteratures juives comme de celui de l'histoire materielle et sociale des juifs, avec de tres riches rubriques bibliographiques qui couvrent aussi la periode contemporaine.

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El arqueólogo Fabio Ottaviani y su equipo parecen haber encontrado el Paladión, la más sagrada imagen de la diosa Atenea.El arqueólogo Fabio Ottaviani y su equipo parecen haber encontrado el Paladión, la más sagrada imagen de la diosa Atenea. Sin embargo, como no tardarán en comprobar, el Paladión es mucho más que una pieza de incalculable valor, y son muchos los que quieren apoderarse de ella a cualquier precio. Fascinado por su misteriosa leyenda, Ottaviani no dudará en rastrear en antiguos manuscritos y poner en peligro su propia vida para descubrir qué secreto esconde la mítica escultura. El éxito de Manfredi estriba en hacer pisar al lector la misma nieve, el mismo polvo y los mismos charcos que los protagonistas de sus historias. Historia National Geographic

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C artagena, 31 de Mayo de 1942. Su obra poética está traducida - y algunas de sus novelas - a más de veinte idiomas. Formó parte de la antología NUEVE NOVISIMOS. Finalista del premio PLANETA con El manuscirito de Palermo y de LA SONRISA VERTICAL con La caza del zorro, fue premio de esta última con La esclava instruida. También fue premio BARCAROLA. Su obra poética ha ido construyendo por más de 35 años un libro, Museo de cera (publicado en esta misma colección), en el que se integran títulos como La edad de oro, Nocturnos, Tosigo ardento, El escudo de Aquiles, Signifying nothing, El botín del mundo y La serpiente de bronce. Como traductor se le debe la obra de Konstantino Kavafis, los Poemas de la locura de Hólderlin, la poesía de Robert Louis Stevenson (del que también ha traducido La isla

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Esta obra es el gran desafío de editar en formato libro las clases magistrales y conferencias impartidas por Boaventura de Sousa Santos a lo largo de los últimos cinco años.El soporte de las siguientes lecciones que aquí se presentan es el resultado de archivos de audio y vídeo, así como notas manuscritas del profesor De Sousa Santos antes y durante sus intervenciones. Contiene pues toda la riqueza del trabajo pedagógico puesto en práctica por el profesor Boaventura en su diálogo fructífero con una amplia y variadísima asistencia: estudiantes de varios grupos de edad en distintas etapas de formación académica (graduación, máster, doctorado y posdoctorado), profesores de educación primaria y educación superior, militantes de varios movimientos sociales, hombres y mujeres de diferentes nacionalidades pertenecientes a distintos grupos étnicos y clases sociales.Es probable que los lectores y lectoras acostumbrados a la escritura de Boaventura de Sousa Santos se sorprendan al encont

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C. S. Lewis and J. R. R. Tolkien, the creators of Narnia and Middle-earth, were close friends, colleagues, and members of the Inklings, a writers group that met in Oxford in the 1930s and 1940s, sharing and discussing their works-in-progress. This important study challenges the standard interpretation that Lewis, Tolkien, Charles Williams, Owen Barfield, and the other Inklings had little influence on one another's work, drawing on the latest research in composition studies and the sociology of the creative process.Diana Glyer invites readers into the heart of the group, examining diary entries and personal letters and carefully comparing the rough drafts of their manuscripts with their final, published work. Her analysis not only demonstrates the high level of mutual influence that characterized this writers group but also provides a lively and compelling picture of how writers and other creative artists challenge, correct, and encourage one another as they work together in community.

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An investigation into a variety of texts providing guidance for teachers, parents, and children themselves. The question and procedures of integrating children into wider society during the medieval and early modern period are debated across a wide range of contemporary texts, in both print and manuscript form. This study takes as its focus the ways in which vernacular literature (including English courtesy poems, incunabula and sixteenth-century printed household books, grammar school statutes, and pedagogic books) provided a guide to socialising children. Theauthor examines how the transmission and reception of this literature, showing how patterns of thought changed during the period for parents, teachers, and young people alike; and places children and family reading networks into the context of debates on the history of childhood, and the history of the book. MERRIDEE L, BAILEY Is a social and cultural historian of late medieval and early modern England. She is an Associate Member of the Facultyof History, University of Oxford.

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Highlighting an enduring interest in natural history from the 16th century to the present, this gorgeous book explores depictions of the natural world, from centuries-old manuscripts to contemporary artists’ books. It examines the scientific pursuits in the 18th and 19th centuries that resulted in the collecting and cataloguing of the natural world. It also investigates the aesthetically oriented activities of self-taught naturalists in the 19th century, who gathered flowers, ferns, seaweed, feathers, and other naturalia into albums. Examples of 20th- and 21st-century artists’ books, including those of Eileen Hogan, Mandy Bonnell, and Tracey Bush, broaden the vision of the natural world to incorporate its interaction with consumer culture and with modern technologies. Featuring dazzling illustrations, the book itself is designed to evoke a fieldwork notebook, and features a collection pocket and ribbon markers.Published in association with the Yale Center for British ArtExhibition Schedule:Yale Center for British Art (05/15/14–08/10/14)

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During his years as executioner between 1901 and 1924, John Ellis hanged over 200 men andwomen. Among them were some of the most infamous killers of the 20th century including DrCrippen, John Dickman ''The Railway Murderer'', George Smith ''The Brides in the Bath'' murderer,Henry Jacoby, poisoners Frederick Seddon and Major Herbert Rowse Armstrong. Ellis also hangedSir Roger Casement for treachery and carried out the execution of Edith Thompson, one of themost controversial hangings in the history of capital punishment.British executioners kept their own legers recording brief details of those they hanged, John Ellismaintained just such a leger too but he is believed to be the only British executioner to have kept anadditional scrapbook of his personal accounts of those he executed and their crimes and as such it isa unique volume in the annals of British crime and punishment.Rediscovered after being lost for decades, John Ellis'' scrapbook - its cuttings, manuscript texts, andannotati

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Tracing the global history of the Sassoon family, entrepreneurs and patrons of remarkable art and architecture, from Baghdad to Mumbai, Shanghai, Hong Kong, and London The Sassoons were prosperous as bankers and treasurers to the Ottoman sultans in nineteenth-century Baghdad, until they were driven out by religious persecution and economic pressures. Assuming the precarious status of stateless Jews, the family dispersed, establishing businesses in Mumbai, Hong Kong, Shanghai, and London. Their wealth enabled them to collect splendid works of art from the various cultures that welcomed them. This volume tells the sweeping global story of the Sassoon family through the works of art they collected. Lavishly illustrated with paintings, porcelain, manuscripts, Judaica, and architecture, it foregrounds family members who were patrons of art and sponsors of remarkable buildings, highlighting the role of the family’s accomplished women. Rachel Sassoon was editor of both the Times and the Observer newspapers in London at the turn of the twentieth century. The renowned war poet Siegfried Sassoon was a cousin. Victor Sassoon hosted the glitterati of the 1920s and 1930s at his Cathay Hotel in Shanghai. This fascinating and elegant book—with gilt edges and a ribbon bookmark—features a family tree and explores generations of Sassoons for whom art was not only a mark of their arrival in the rarefied world of the upper class but a pleasure in itself. Published in association with the Jewish Museum, New York Exhibition Schedule:Jewish Museum, New York (March 3–August 13, 2023)

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New edition, with facing English translation, of one of the most important Arthurian works from the middle ages. Erec is the earliest extant German Arthurian romance, freely adapted and translated into Middle High German by the Swabian knight, Hartmann von Aue, from the first Old French Arthurian romance, Chrétien de Troyes' Erec et Enide. Hartmann's work dates from c. 1180, but the only (almost) complete manuscript dates from the early sixteenth century, copied into the huge two-volume Ambraser Heldenbuch, now housed in Vienna - the most comprehensive extant compilation of medieval German romances and epics, commissioned by Emperor Maximilian I. Otherwise, only a few earlier medieval fragments survive. Erec tells the story of a young knight at King Arthur's court, whose early prowess wins him high repute, and a beautiful wife, Enite. He falls into disrepute because of his excessively zealous devotion of his time to her. Alerted to his notoriety, he embarks on a series of symbolic adventures, which eventually lead to his achieving a new balance between the claims of love and those of society. Far more than a simple translation, Hartmann's first attempt at an Arthurian romance is notable for its zest and gusto. This is the first edition with a parallel text translation into English; it is presented with explanatory notes and variant readings. Cyril Edwards is a Senior Research Fellow of Oxford University's Faculty of Medieval and Modern Languages, and an Honorary Research Fellow of University College London.

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Including brand-new paintings, this is a fully illustrated new edition of the forerunner to The Lord of the Rings, telling the earlier history of Middle-earth, recounting the events of the First and Second Ages, and introducing some of the key characters, such as Galadriel, Elrond, Elendil and the Dark Lord, Sauron. The Silmarillion is the core of J.R.R. Tolkien’s imaginative writing, a collection of narratives ranging in time from the Elder Days of Middle-earth, through the Second Age and the rise of Sauron, to the end of the War of the Ring. They are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the Elves made war upon him in his impenetrable fortress in Angband for the recovery of the Silmarils, three jewels containing the last remaining pure light of Valinor, seized by Morgoth and set in his iron crown. Accompanying these tales are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as told in The Lord of the Rings. Tolkien could not publish The Silmarillion in his lifetime, as it grew with him, so he would leave it to his son, Christopher, to edit the work from many manuscripts and bring his father’s great vision to publishable form, so completing the literary achievement of a lifetime. This special edition presents anew this seminal first step towards mapping out the posthumous publishing of Middle-earth, and the beginning of an illustrious forty years and more than twenty books celebrating his father’s legacy. Also included is a letter by J.R.R. Tolkien written in 1951 which provides a brilliant exposition of the earlier Ages, and almost 50 full-colour paintings by Ted Nasmith, including some which appear here for the first time.

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William Hunter and the Anatomy of the Modern Museum accompanies a groundbreaking exhibition organized by the Hunterian at the University of Glasgow, in collaboration with the Yale Center for British Art, to celebrate the 2018 tercentenary of The Hunterian’s founder, Dr. William Hunter (1718–1783). This publication is the first in 150 years to assess the contribution made by Hunter, the Scottish-born obstetrician, anatomist, and collector, to the development of the modern museum as a public institution. Essays examine how Hunter gathered his collection to be used as a source of knowledge and instruction, encompassing outstanding paintings and works on paper, coins and medals, and anatomical and zoological specimens. Hunter also possessed ethnographic artifacts from Spain, the Middle East, China, and the South Pacific, and was an avid collector of medieval manuscripts and incunabula; these were all located within one of the most important “working” libraries of eighteenth-century London.Published by the Yale Center for British Art in association with The HunterianExhibition Schedule:The Hunterian, Glasgow (09/28/18–01/06/19)Yale Center for British Art (02/14/19–05/20/19)

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One of the earliest chronicles of the Inca empire was written in the 1550s by Juan de Betanzos. Although scholars have long known of this work, only eighteen chapters were actually available until the 1980s when the remaining sixty-four chapters were discovered in the collection of the Fundación Bartolomé March in Palma de Mallorca, Spain.Narrative of the Incas presents the first complete English translation of the original manuscript of this key document. Although written by a Spaniard, it presents an authentic Inca worldview, drawn from the personal experiences and oral traditions told to Betanzos by his Inca wife, Doña Angelina, and other members of her aristocratic family who lived during the reigns of the last Inca rulers, Huayna Capac Huascar and Atahualpa. Betanzos wrote a history of the Inca empire that focuses on the major rulers and the contributions each one made to the growth of the empire and of Inca culture.Filled with new insights into Inca politics, marriage, laws, the calendar, warfare, and other matters, Narrative of the Incas is essential reading for everyone interested in this ancient civilization.

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The statesman on the history and practice of Roman oratory.Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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An influential medieval allegorical interpretation of the Metamorphoses that uncovers the hidden moral truths of Ovid’s stories, translated into English for the first time.Written in about 1340 in Avignon by the Benedictine preacher Pierre Bersuire, The Moralized Ovid—commonly referred to by its Latin title, Ovidius moralizatus, to distinguish it from the anonymous French vernacular Ovide moralisé—was arguably the most influential interpretation of Ovid’s Metamorphoses in the High Middle Ages. It circulated widely in manuscript form and was frequently printed during the Renaissance. Originally intended as a sourcebook of exempla for preachers’ sermons, The Moralized Ovid provides not only a window into the reception of classical literature in the fourteenth century but also amazingly vivid details of daily life in the Middle Ages across all strata of society.The work begins with a detailed description of the Greco-Roman gods, inspired in part by Bersuire’s friend and fellow proponent of classical poetry, Francesco Petrarch. It then retells selected major myths from Ovid’s Metamorphoses, each followed by numerous allegorical interpretations that draw from biblical stories, contemporary events, and the natural world.This edition presents the first full English translation alongside an authoritative Latin text.

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La edición del Método de la geometría y su estudio lingüístico son resultado del proyecto de investigación conducente al estudio de la lengua española matemática del siglo XVII. Este manuscrito redactado por el jesuita Juan Carlos della Faille, el único que se conserva en la biblioteca de la Real Academia de la Historia, testimonia la actividad científica producida en esta centuria en los Reales Estudios del Colegio Imperial madrileño, al tiempo que refleja la difusión académica de los conocimientos matemáticos, cuyo aprendizaje está motivado durante esta etapa por una finalidad eminentemente práctica.La edición de esta obra constituye una fuente para los estudios sobre la diacronía del español científico, particularmente referidos a un ámbito temático y a un periodo cronológico que cada vez suscitan mayor interés. De igual modo, se contribuye a valorar la aportación de este matemático, cuya figura puede situarse al nivel de otros matemáticos coetáneos.

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'Jones’ Icones' is a stunning six-volume manuscript containing paintings of some of the most important butterfly and moth collections at the end of the eighteenth century. It is the work of William Jones (1745-1818), a wealthy wine merchant from Chelsea who, on retirement, devoted the rest of his life to studying and painting butterflies and moths. Held in the archives of the Oxford University Museum of Natural History, the volumes contain over 1,500 ink and gouache paintings representing 760 species from around the world. Work continues to this day to determine whether all the original specimens depicted still survive. This set of three A5, softback notebooks with high quality ruled paper makes an exquisite gift for nature-lovers and writers alike.

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Reconsideration of the nature of the Greek attested in both the Septuagint and the New Testament has focussed in the past century on its place within the history of Greek. A central facet of the work of John Lee has been to demonstrate that biblical Greek is contemporary Koine, comparable to that found in inscriptions and papyri, and that it can be positioned within the history of the language. These essays honour him in considering various aspects of biblical Greek within its context. Lexicography is discussed in the light of particular 'Jewish Greek' features, the role of context for semantics, and the use of Modern Greek in lexicons. Septuagint translation techniques involving transliterations, loan-words, and ethnic terminology, and the grammatical topics of deponency and verbal aspect, are all analysed. The importance of papyri and numismatic evidence is highlighted, while the material witnessess of doublets in the manuscript tradition and of later Jewish versions represented in the Cairo Genizah and in marginal glosses are also examined.

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Archery in Medieval England is an account of how archery developed amongst ordinary people in England and Wales after the Norman Conquest. In the 300 years after that traumatic event, Englishmen became such skilled archers that they could defeat the most heavily armoured noble knights in battle after battle feats of arms unequalled by the combatants of any other European country. Here Richard Wadge describes how men used bows and arrows in their everyday lives in the centuries between the arrival of the Normans and the start of the 100 Years War in Edward III's reign.Many contemporary records provide accounts of the illegal use of bows and arrows: unlawful hunting is shown to have been particularly important as a school for the development of battle- winning archery skills. In the process of investigating these accounts, light is shed on the background to the stories of Robin Hood and other outlaws. Evidence from archaeology, manuscript illustration

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This book studies attitudes toward secular literature during the later Middle Ages. Exploring two related medieval justifications of literary pleasure—one finding hygienic or therapeutic value in entertainment, and another stressing the psychological and ethical rewards of taking time out from work in order to refresh oneself—Glending Olson reveals that, contrary to much recent opinion, many medieval writers and thinkers accepted delight and enjoyment as valid goals of literature without always demanding moral profit as well. Drawing on a vast amount of primary material, including contemporary medical manuscripts and printed texts, Olson discusses theatrics, humanist literary criticism, prologues to romances and fabliaux, and Chaucer's Canterbury Tales. He offers an extended examination of the framing story of Boccaccio's Decameron. Although intended principally as a contribution to the history of medieval literary theory and criticism, Literature as Recreation in the Later Middle Ages makes use of medical, psychological, and sociological insights that lead to a fuller understanding of late medieval secular culture.

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?ik?yat Abu al-Q?sim, probably written in the 11th century by the otherwise unknown al-Azd?, tells the story of a gate-crasher from Baghdad named Ab? al-Q?sim, who shows up uninvited at a party in Isfahan. Dressed as a holy man and reciting religious poetry, he soon relaxes his demeanour, and, growing intoxicated on wine, insults the other dinner guests and their Iranian hometown. Widely hailed as a narrative unique in the history of Arabic literature, ?ik?yah also reflects a much larger tradition of banquet texts. Painting a picture of a party-crasher who is at once a holy man and a rogue, he is a figure familiar to those who have studied the ancient cynic tradition or other portrayals of wise fools, tricksters and saints in literatures from the Mediterranean and beyond. This study therefore compares ?ik?yah, a mysterious text surviving in a single manuscript, to other comical banquet texts and party-crashing characters, both from contemporary Arabic literature and from Ancient Greece and Rome.

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Husserl and Transcendental Intersubjectivity analyzes the transcendental relevance of intersubjectivity and argues that an intersubjective transformation of transcendental philosophy can already be found in phenomenology, especially in Husserl. Husserl eventually came to believe that an analysis of transcendental intersubjectivity was a conditio sine qua non for a phenomenological philosophy. Drawing on both published and unpublished manuscripts, Dan Zahavi examines Husserl’s reasons for this conviction and delivers a detailed analysis of his radical and complex concept of intersubjectivity, showing that precisely his reflections on transcendental intersubjectivity are capable of clarifying the core-concepts of phenomenology, thus making possible a new understanding of Husserl’s philosophy. Against this background the book compares his view with the approaches to intersubjectivity found in Heidegger, Sartre, and Merleau-Ponty, and it then attempts to establish to what extent the phenomenological approach can contribute to the current discussion of intersubjectivity. This is achieved through a systematic confrontation with the language-pragmatical positions of Apel and Habermas.

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Great American writers—William Carlos Williams, Jonathan Edwards, Emily Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James—all in the physicality of their archival manuscripts (reproduced in beautiful facsimiles here)—are the presiding spirits of Spontaneous Particulars: Telepathy of Archives. Also woven into Susan Howe’s long essay are beautiful photographs of embroideries and textiles from anonymous craftspeople. All the archived materials are links, discoveries, chance encounters, the visual and acoustic shocks of rooting around amid physical archives. These are the telepathies the bibliomaniacal poet relishes. Rummaging in the archives she finds “a deposit of a future yet to come, gathered and guarded...a literal and mythical sense of life hereafter—you permit yourself liberties—in the first place—happiness.” Digital scholarship may offer much for scholars, but Susan Howe loves the materiality of research in real archives and Spontaneous Particulars “is a collaged swan song to the old ways.”

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In The Jewish Bible: A Material History, David Stern explores the Jewish Bible as a material object—the Bibles that Jews have actually held in their hands—from its beginnings in the Ancient Near Eastern world through to the Middle Ages to the present moment. Drawing on the most recent scholarship on the history of the book, Stern shows how the Bible has been not only a medium for transmitting its text—the word of God—but a physical object with a meaning of its own. That meaning has changed, as the material shape of the Bible has changed, from scroll to codex, and from manuscript to printed book. By tracing the material form of the Torah, Stern demonstrates how the process of these transformations echo the cultural, political, intellectual, religious, and geographic changes of the Jewish community. With tremendous historical range and breadth, this book offers a fresh approach to understanding the Bible’s place and significance in Jewish culture.

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The Gaelic Literature Awards 2020 Best Unpublished Manuscript for Adults – Linne Dhomhainn, Alistair Paul Ordinary people. Everyday situations. Extraordinary outcomes. One small twist of fate and the normal turns to the fantastic. And so, the book's characters are propelled into the world of the marvellous, the supernatural and the surreal; not to mention the ridiculous; where they wrestle with their demons, their desires and their failings. Sometimes they triumph. Sometimes life triumphs. Their stories take us from the familiar shores of the Gàidhealtachd through the smoky streets of Glasgow and the industrial heartlands of the North of England to the sun scorched African Savannah. Taking inspiration from local folklore on the Island of Arran, traditional Gaelic story telling themes and techniques are weaved into modern topics such as relationships, drug use and mental illness. Take a walk up the glen and dive into the deep pool.

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At the heart of traditional song rest the concerns of ordinary people. And folk throughout the centuries have found themselves entangled with the law: abiding by it, breaking it, and being caught and punished by it. Who Killed Cock Robin? is an anthology of just such songs compiled by one of Britain's senior judges, Stephen Sedley, and most respected and best-loved folk singers, Martin Carthy. The songs collected here are drawn from manuscripts, broadsides, old songbooks and oral tradition. They are grouped according to the various categories of crime and punishment, from Poaching to The Gallows. Each section contains a historical introduction, and every song is presented with a melody, its lyrics and an illuminating commentary that explores its origins and sources. Together, they present a unique, sometimes comic, often tragic, and always colourful insight into the past, while preserving an important body of song for future generations. 'Who Killed Cock Robin? explores the origins

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Known for the wit of her writing, in her lifetime Catherine Cookson became the UK’s most widely read novelist. When the Cookson Estate discovered the unpublished manuscript of Saint Christopher and the Gravedigger in the attic of her home, they unearthed a gem for Cookson’s many fans. Gravedigger John Gascoigne lives in Downfell Hurst with his wife, Florrie, their three children and his mother, Gran. John is a deep thinker but extremely taciturn—a man of few words and many grunts. Which is why everyone is alarmed when he’s hit on the head by a cricket ball, and it suddenly seems as if the words won’t stop. What’s more, he says he is talking to Saint Christopher—only no one else can see the saint, and they’re beginning to worry John’s not quite right in the head… Mad or not, John has some secrets he’s been keeping. But if he can’t stop talking, they won’t stay secret for long.

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A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. On his deathbed George Herbert entrusted the manuscript of The Temple to his friend Nicholas Ferrar, asking him to publish it if he thought it was worthy. Herbert died in 1633 and the collection was published the same year to great acclaim, subsequently becoming one of the best-loved collections in the English language. The Temple is an astounding collection of verse poems: an extended meditation on man's relationship to God that is characterised by Herbert's clarity and directness of style. It includes such favourites as 'The Collar', 'The Pearl' and 'Love', with its beautiful opening lines: 'Love bade me welcome; yet my soul drew back, / Guilty of dust and sin'.

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Did you know that Beethoven made every cup of coffee with exactly 60 beans?Or that Shirley Temple always had precisely 56 curls in her hair?Or that the young Frank Sinatra practised underwater swimming as a way of developing his ability to hold long breaths?In Secrets of Success, Charlie Croker brings his proven blend of gripping trivia and incisive humour to the question of how famous high achievers reached those heights. We’ll see Chopin sleeping with wedges between his fingers to increase their span, learn how P.G. Wodehouse reminded himself which pages of a manuscript still needed work, and find out why Thomas Edison chose his research assistants on the basis of their soup-eating habits.This revealing and entertaining book provides countless glimpses into the methods – and sometimes madness – of the world’s most famous figures. From ancient Egypt to the modern day, you’re about to learn the secrets of their success . . .

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A young, mixed-race composer, raised without meaningful connections to his Chinese heritage and struggling with identity issues, travels to China in search of his long-missing uncle, an uncle who vanished in the aftermath of Tiananmen Square. An Idea About My Dead Uncle--winner of the inaugural Guernica Prize for the best unpublished novel manuscript--is about the identities we choose and the ones that are imposed on us. It is about being on the outside looking in. It is about dealing with pain through the artistic process. It is about delusion and healing. It is about the power of narrative. According to Gabriella Goliger, winner of the 2011 City of Ottawa Literary Award for Fiction for her novel Girl Unwrapped and a juror for the Guernica Literary Prize: A witty, sharp-edged, finely-crafted story about a young man struggling with identity issues, which causes relationship disasters and a quest for his long lost uncle in China. The introspective but straightforward narrative eventually plunges into the surreal, mirroring the madness that can result from an uncompromising search for self.

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Biography of Humphrey Newton offers a unique view of gentry life at the time. The public and political lives of the fifteenth- and early sixteenth-century gentry have been extensively studied, but comparatively little is known of their private lives and beliefs. Humphrey Newton of Pownall, Cheshire, offers a rare and fascinating opportunity to redress the balance, thanks to the fortunate survival of a commonplace book he compiled c.1498-1524. Drawing upon this unique manuscript, this interdisciplinary and multi-dimensional study of Newton explores his family life, landed estate, legal work, piety, and his literary skills [he composed nearly twenty courtly love lyrics]. It charts his social advancement and the self-fashioning of his gentle image, while placing him in the context of current discussions of gentry culture. What makes Newton even more noteworthy is that he was among the unsung and little known stratum of English society historians have labelled the 'lesser' gentry. As such, this book provides the first comprehensive biography of an early Tudor gentleman. Dr DEBORAH YOUNGS is lecturer in medieval history at Swansea University.

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An irresistible romp through the history of magic, from alchemy to unicorns, ancient witchcraft to Harry’s Hogwarts – packed with unseen sketches and manuscript pages from J.K. Rowling, magical illustrations from Jim Kay and weird, wonderful and inspiring artefacts that have been magically released from the archives at the British Library. This spellbinding book takes readers on a journey through the Hogwarts curriculum, including Herbology, Defence Against the Dark Arts, Astronomy, Divination and more. Discover the truth behind making the Philosopher’s Stone, create your very own potion and uncover the secret of invisible ink. Learn all about the history of mandrake roots and dragons, discover what witches really used their brooms for, pore over incredible images of actual mermaids and read about real-life potions, astronomers and alchemists. The perfect gift for aspiring witches and wizards and any Harry Potter fan. Celebrating twenty years of Harry Potter magic, and produced in association with the British Library to support their major exhibition, Harry Potter: A History of Magic.

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The 'end of history' has not taken place. Ideological and economic crisis and the status quo of neoliberal capitalism since 2008 demand a renewed engagement with Marx. But if we are to effectively resist capitalism we must truly understand Marx: Marxism today must theorise how communication technologies, media representation and digitalisation have come to define contemporary capitalism. There is an urgent need for critical, Marxian-inspired knowledge as a foundation for changing the world and the way we communicate from digital capitalism towards communicative socialism and digital communism. Rereading Marx in the Age of Digital Capitalism does exactly this. Delving into Marx's most influential works, such as Capital, The Grundrisse, Economic and Philosophic Manuscripts, The German Ideology and The Communist Manifesto, Christian Fuchs draws out Marx's concepts of machinery, technology, communication and ideology, all of which anticipate major themes of the digital age. A concise and coherent work of Marxist media and communication theory, the book ultimately demonstrates the relevance of Marx to an age of digital and communicative capitalism.

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Kathy Eden reveals the unexplored classical rhetorical theory at the heart of iconic Renaissance literary works. Kathy Eden explores the intersection of early modern literary theory and practice. She considers the rebirth of the rhetorical art—resulting from the rediscovery of complete manuscripts of high-profile ancient texts about rhetoric by Plato, Aristotle, Cicero, Quintilian, and Tacitus, all unavailable before the early fifteenth century—and the impact of this art on early modern European literary production. This profound influence of key principles and practices on the most widely taught early modern literary texts remains largely and surprisingly unexplored. Devoting four chapters to these practices—on status, refutation, similitude, and style—Eden connects the architecture of the most widely read classical rhetorical manuals to the structures of such major Renaissance works as Petrarch’s Secret, Castiglione’s Book of the Courtier, Erasmus’s Antibarbarians and Ciceronianus, and Montaigne’s Essays. Eden concludes by showing how these rhetorical practices were understood to work together to form a literary masterwork, with important implications for how we read these texts today.

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Kathy Eden reveals the unexplored classical rhetorical theory at the heart of iconic Renaissance literary works. Kathy Eden explores the intersection of early modern literary theory and practice. She considers the rebirth of the rhetorical art—resulting from the rediscovery of complete manuscripts of high-profile ancient texts about rhetoric by Plato, Aristotle, Cicero, Quintilian, and Tacitus, all unavailable before the early fifteenth century—and the impact of this art on early modern European literary production. This profound influence of key principles and practices on the most widely taught early modern literary texts remains largely and surprisingly unexplored. Devoting four chapters to these practices—on status, refutation, similitude, and style—Eden connects the architecture of the most widely read classical rhetorical manuals to the structures of such major Renaissance works as Petrarch’s Secret, Castiglione’s Book of the Courtier, Erasmus’s Antibarbarians and Ciceronianus, and Montaigne’s Essays. Eden concludes by showing how these rhetorical practices were understood to work together to form a literary masterwork, with important implications for how we read these texts today.

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Dogs Who Changed the World is a beautifully illustrated, heart-warming book that celebrates all dogs and proves that every single one of them is absolute magic. Dogs have trotted at our collective side for tens of thousands of years, bound up in the story of humanity. They have inspired great works of art, caught spies, reconnected lost lovers, dragged the drowning to safety... or have just haplessly and happily ruined everything.These 50 tales acknowledge our unbreakable relationship with the dog, the first-ever domesticated animal, and their dedication, heroism and unending sense of fun. Along the way we'll meet big-boned Barry, the hefty St Bernard credited with saving the lives of more than 40 lost souls in the Swiss Alps in the 1800s. We'll discover Sigmund Freud's calm-inducing chow chow, Jofi, who would sit in on his psychotherapy sessions (and never spilled a secret), and feel the frustration of Sir Isaac Newton, whose little terror Diamond apparently knocked over a candle and destroyed the physicist's most important manuscripts.

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Contained herein are 25 articles (20 in English, 5 in Hebrew) that, like the academic oeuvre of volume's honoree, span a broad array of topics within the fields of Hebraica, Judaica, and Biblica. The specific categories represented and the contributions they contain are: biography (Joel L. Kraemer presents a portrait of the honoree; Walter E. Kaegi shares personal reminiscences of Carl Herman Kraeling); text editions and translations, with analysis (Haggai Ben-Shammai analyzes and publishes a partial editio princeps of one of the early Judeao-Arabic endeavors to achieve a rapprochement between biblical and Graeco-Arab philosophy; Paul B. Fenton analyzes and publishes the editio princeps of a newly identified esoteric epistle from the hand of David II Maimondies; Mordechai A. Friedman analyzes and offers some new insights on four Geniza letters concerning the transfer of money to the well-known litterateur Judah ha-Levi; Israel M. Sandman analyzes and presents a critical edition of four fragments from Abraham Bar Hayya's Book of Intercalation that represent his harmonization of science and biblical exegesis; Michael G. Wechsler presents an editio princeps of 10 newly identified fragments of Saadia Gaon's commentary on the book of Esther as well an analysis and translation of those fragments, accompanied by an inventory of all known fragments of Saadia's commentary on that book); grammar/lexicography (Joshua Blau surveys certain vocables in Classical Arabic that sometimes have a different meaning in Judaeo-Arabic), exegesis, philosophy, theology, and polemics (Elinoar Bareket surveys the factors underlying the tendency of medieval Jewish writers to identify the names of biblical people and places with contemporary equivalents; Rachel Elior examines the Jewish realm of memory surrounding the Day of Atonement; Nahem Ilan analyzes Saadia Gaon's interpretation of Proverbs 30:10-17 with a view to his anti-Karaite polemical tendency, providing as well a structural outline of Saadia's introduction to Proverbs; Eve Krakowski considers the Karaite view of the history of the biblical text and the relevance of this view to their own collective self-conception, including a critical reassessment of the view that the Karaites were influenced by certain Dead Sea Scroll texts; Abraham Lipshitz critically assesses the notion that Abraham ibn Ezra held to a Philonic view of an infinitely durative rather than completed act of creation; Meira Polliack analyzes the relationship between Yefet b. Eli and Daniel al-Q?mis? in their exegetical approaches to biblical prophecy); history of modern scholarship (María Angeles Gallego presents an overview of the stages of modern European research -- beginning in the 18th century -- on medieval Judaeo-Arabic, with specific emphasis on Iberian Spanish scholarship), Jewish socio-cultural history (Moshe Gil provides a glimpse into the state of food commerce in the Geniza community from the evidence of merchants' letters; Joshua Holo considers the evidence for Gershom b. Judah's Italian extraction and its relevance for understanding the origin of Ashkenazic Jewish culture; Benjamin Z. Kedar evaluates the evidence for the timing of the relocation of the Tiberian Yeshiva first to Ramla and then to Jerusalem; Norman A. Stillman provides a comparative survey of the Islamic and Jewish perspectives on corporal modesty); textual criticism (Daniel J. Lasker surveys and assesses the history of a specific textual variation in Judah ha-Levi's Book of the Kuzari); codicological-textual history (Paul Saenger analyzes the relationship between chapter divisions of the Pentateuch in Christian -- especially Latin -- Bibles and those in Jewish tradition); Dead Sea Scrolls (Anthony J. Tomasino critically evaluates the formation and support data for the current consensus regarding the messianic nature of 4Q246; Michael O. Wise analyzes the content and dating of the manuscripts from Murabba'at and considers their contribution to our knowledge of various personalities both living during and involved in the First and Second Jewish Revolts); and historiography (Isaac Kalimi assesses the historiographical method of the writer of the book of Chronicles in light of both inner-canonical and extra-biblical considerations). Also included is a comprehensive bibliography of the honoree's works as well as discrete indexes of manuscripts, biblical references, classical and medieval works, and general items.

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Cet ouvrage présente l’editio princeps, d’après les manuscrits IB 11.128-136 de la Biblioteca Nazionale Vittorio Emanuele III de Naples, et M 578 du Morgan Library and Museum de New York, de la version copte d’un grec transmis sous le titre de Discours sur le très beau Joseph. Ce Discours appartient au corpus de l’«Éphrem grec», qui regroupe un grand nombre de textes attribués à Éphrem le Syrien, dont la plupart sont considérés comme inauthentiques. Par son contenu, le Discours s’inscrit dans le cadre de la littérature juive et chrétienne relative au patriarche Joseph, qui développe les chapitres 37 et 39 à 50 du livre de la Genèse. Il ne peut toutefois être identifié à aucune autre production littéraire connue consacrée au patriarche. Par le nombre et la diversité des témoins qui l’attestent, le Discours sur le très beau Joseph est parfaitement représentatif des problèmes critiques posés par la transmission et l’édition de l’Éphrem grec.

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«Philokappadox» rassemble dix-sept contributions en hommage posthume au Professeur Justin Mossay, helléniste émérite surtout connu pour ses travaux relatifs aux Discours de Grégoire de Nazianze. Les articles de ses élèves et amis sont répartis dans quatre parties, dont cet illustre Cappadocien constitue le thème central: la tradition grecque des Discours grégoriens, les versions orientales (essentiellement géorgiennes et syriaques), la postérité du Théologien sous des formes variées, et divers éléments en rapport avec la Cappadoce. Différentes disciplines sont mises à l'honneur: la philologie traditionnelle est illustrée par des éditions de textes et l'examen des traditions manuscrites, grecque et orientales; des points de contact sont établis avec le monde occidental; l'onomastique capadocienne antérieure au monde gréco-romain y trouve également place; enfin, les méthodes modernes d'analyse statistique et de lemmatisation complètent de façon originale cet éventail d'approches variées.

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Preface par Francois Bovon, cet ouvrage defend la these que Lc 22,43-44 a ete omis d'une partie de la tradition manuscrite egyptienne, au deuxieme siecle. La premiere partie propose de considerer le genre litteraire de Luc-Actes comme une categorie evolutive de la reception, et souligne les connivences entre histoire et poetique. La seconde partie demontre que le Jesus lucanien n'est pas sans emotion, apporte des elements nouveaux quant aux attestations externes, et prouve l'existence au debut de notre ere de la polysemie d'agonia, comprise comme angoisse ou lutte. En Egypte, des chretiens minoritaires ont appele Jesus "le grand combattant", s'inspirant de la memoire de Jacob et de l'ange et de la sueur de sang. A substantial English summary at the end of the volume allows a wider readership to see the main line of argument. Claire Clivaz is assistant professor of New Testament and Early Christian Literature at the University of Lausanne (CH).

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Register of capable ecclesiastical administrator shows him imposing order on impoverished war-ton Carlisle diocese. Gilbert Welton was an eminent ecclesiastical administrator who won papal favour when visiting the Curia at Avignon. He recruited qualified staff before settling in the impoverished, war-torn diocese of Carlisle, which had not beenaccustomed to a resident bishop or to a high standard of episcopal government. His professionalism is reflected in the professional quality of his register. Among its contents are a dozen records of matrimonial causes (one Carlisle woman was divorced twice in six weeks); of further social interest are the 59 wills of laymen and beneficed clergy, many of them victims of the second visitation of the Black Death in 1362. This volume offers a calendarof the whole manuscript, with an appendix of full Latin texts of entries of special interest.

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'Faces of Power and Piety' is the second in the Medieval Imagination series of small, affordable books that draw on manuscript illuminations in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme to provide an accessible and delightful introduction to the imagination of the medieval world. The vivid and charming faces featured in this volume include portraits of both illustrious historical figures and celebrated contemporaries. They reveal that medieval artists often disregarded physical appearance in favour of emphasising qualities such as power and piety, capturing how their subjects wished to be remembered for the ages. 'Faces of Power and Piety' also looks at the development of portraiture in the modern sense during the Renaissance, when likeness became an important component of portrait painting.

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The publication of James Joyce's Ulysses crowned years of writing and constant rewriting at almost every stage, so that as many as ten versions exist for some pages. To understand how Joyce worked, Michael Groden traces the book's history in detail, synthesizing evidence from notebooks, drafts, manuscripts, typescripts, and proofs. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Journal of the International Qur'anic Studies Association (JIQSA) is a peer reviewed annual journal published on behalf of the International Qur'anic Studies Association, a non-profit learned society for scholars of the Qur'an. JIQSA welcomes article submissions that explore the Qur'an's origins in the religious, cultural, social, and political contexts of Late Antiquity; its connections to various literary precursors, especially the scriptural and parascriptural traditions of older religious communities; the historical reception of the Qur'an in the West; the hermeneutics and methodology of qur'anic exegesis and translation (both traditional and modern); the transmission an evolution of the textus receptus; Qur'an manuscripts and material culture; and the application of various literary and philological modes of investigation into qur'anic style, compositional structure, and rhetoric.

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