Search results for ""author manus"

Barbara Hepworth's work and ideas are illuminated in her own lucid and eloquent words in this first collection of her writings and conversations. The book makes available much that is out of print and inaccessible, and includes a significant number of unpublished texts. A surprisingly large body of work, it spans almost the whole of Hepworth's artistic life, showing her innate gift for language and desire to communicate to the public. Alongside the writings are Hepworth's lectures and speeches, a selection of interviews and conversations with writers as well as radio and television broadcasts. The collection sheds new light on Hepworth's life, her working practices, the sources of her inspiration, the breadth of her intellectual interests and her deep engagement with contemporary politics and society. The illustrations include manuscripts and archive photographs from Hepworth's own collection.

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Basándose en documentos recién desclasificados, El caso Zhivago narra la dramática historia, nunca contada hasta ahora, de cómo un libro prohibido se convirtió en arma secreta de la CIA dentro de la batalla ideológica entre el bloque del Este y Occidente.Mayo de 1956. Un italiano que busca obras nuevas para una editorial de su país va a un pueblo de las afueras de Moscú a ver al poeta más importante de Rusia, Borís Pasternak. Al marcharse, lleva el manuscrito de la única novela de Pasternak, que las autoridades soviéticas no le permiten publicar. A partir de ahí la peripecia de este libro extraordinario entra en el ámbito de la novela de espías. La CIA publicó una edición en ruso de El Doctor Zhivago y la metió de tapadillo en la Unión Soviética. Los ejemplares se devoraban en Moscú y Leningrado, se vendían en el mercado negro y pasaban de un amigo a otro. En 1960 millares de personas desafiaron al gobierno para asistir al entierro de Pasternak y darle el último adiós a un autor cu

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Long established as a major poet and critic of the Romantic era, Samuel Taylor Coleridge is now becoming recognized as one of the first and most original modern religious thinkers. In 1815 he wrote the Biographia Literaria, and from that time on there was in his writings a noticeable shift to nonliterary subjects, especially religion. Using all available sources in the U.S., Canada, and England, J. Robert Barth, S.J., has found Coleridge’s religious speculations in his notebooks, in such works as Aids to Reflection and Confessions of an Inquiring Spirit, in letters, in the unpublished manuscript of his “Opus Maximum,” in marginalia, and in conversations recorded by his nephew in Table Talk. Father Barth has synthesized these theological ideas and shaped Coleridge’s scattered and constantly developing religious thoughts into a coherent pattern.

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The Samaveda contains the earliest tradition of music from India. It presents largely Rigvedic textual material in a form arranged for singing in the solemn Srauta ritual. Since the first editions by Theodor Benfey (1848) and Satyavrata Samasrami (1874–1899), there has been no complete, accented edition that also included all its important commentaries. The present edition is based on manuscripts collected from all over India and Europe. B. R. Sharma, Dean of Samaveda Studies, presents the accented text, its Padapatha, and the commentaries of Madhava, Bharata-Svamin, and Sayana in three volumes totaling 2,500 pages. These contain the Purvarcika and Uttaracika portions of the text, and a third volume the indexes and a detailed introduction to the whole work. Vols. 2 and 3 to appear soon.

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Following his account of Irish origins as evidenced by archaeology, genetics and linguistics, J. P. Mallory returns to the subject to interrogate what he calls the ‘Irish Dreamtime’: the native Irish retelling of their own origins, as related by medieval manuscripts. He attempts to explore the reality of this version of the earliest history of Ireland, which places apparently ‘mythological’ events on a concrete timeline of invasions, colonizations and royal reigns that extends even further back in time than the history of Classical Greece. Can the accounts of this ‘Dreamtime’ really inform us of the way of life in Iron Age Ireland? By comparing the world depicted in the earliest Irish literary tradition with the archaeological evidence available on the ground, Mallory explores Ireland’s rich mythological tradition and tests its claims to represent reality.

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Stephen C. Carlson investigates the text of Paul's Epistle to the Galatians and analyses how that text changed over the course of its transmission in manuscript copies over several centuries. For this study, he collated ninety-two textual witnesses of Galatians and arranged them into a genealogical family tree called a stemma codicum, with assistance from a computer-implemented method used in computational biology known as cladistics. Using this global stemma, he establishes a critical text for the epistle and assesses the nature of the textual variations that occurred throughout the text's history of transmission in over 250 significant variant readings, paying particular attention to possible theological motivations. This is the first study to produce a global stemma of any kind for a New Testament book, an accomplishment that was previously thought to be unfeasible.

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This short text with beautiful watercolour illustrations dates from 1595, and details fencing with the single sword, rapier and dagger, rapier and buckler, halberd, and full pike. Schermkunst is one of the oldest known martial arts treatises from the Low Countries and provides a glimpse into the `Art of Defence’ as it was practiced during a particularly volatile time in Netherlands history. Rebellion against Philip II of Spain led to independence of the Calvinist Northern provinces from Catholic Spain. In the same year, the spice trade expedition set into motion events culminating in the formation of the Dutch East India Company, and a golden age of Dutch history that spanned the 17th century. The original anonymous manuscript is held in the special collections of the Newberry Library of Chicago

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This edited manuscript includes six chapters, each describing recent advancements in medicine and biology. Chapter One investigates the impact on psychopathology of adding lurasidone to clozapine for people with treatment-resistant schizophrenia. Chapter Two reviews some intestinal protozoa and their diseases in immunodeficient patients. Chapter Three addresses the general role of inflammasomes and reviews current knowledge of potential therapeutic application of inflammasomes in neurological disorders. Chapter Four looks at the role of ion channel activation and downstream signal transduction in modulating Sertoli cell behaviour to a final physiological response and its potential impact on spermatogenesis. Chapter Five includes a comprehensive view on sulphur-containing saponins and their mode of actions. Lastly, Chapter Six assesses the pathophysiological impacts of Spironucleus salmonis infection on the seawater adaptability of juvenile chum salmon.

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Graeme D. Bird examines a small group of early papyrus manuscripts of Homer’s Iliad, known as the Ptolemaic papyri, which, although fragmentary, are the oldest surviving physical evidence of the text of the Iliad, dating from the third to the first centuries BCE.These papyri have been described as “eccentric” or even “wild” by some scholars. They differ significantly from the usual text of the Iliad, sometimes showing lines with different wording, at other times including so-called “interpolated” lines that are completely absent from our more familiar version.Whereas some scholars denigrate these papyri because of their “eccentricity,” this book analyzes their unusual readings and shows that in fact they present authentic variations on the Homeric text, based on the variability characteristic of oral performance.

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This is the first book-length study of Forster’s posthumously-published novel. Nine essays focus exclusively on Maurice and its dynamic afterlives in literature, film and new media during the twentieth and twenty-first centuries. Begun in 1913 and revised over almost fifty years, Maurice became a defining text in Forster’s work and a canonical example of queer fiction. Yet the critical tendency to read Maurice primarily as a ‘revelation’ of Forster’s homosexuality has obscured important biographical, political and aesthetic contexts for this novel. This collection places Maurice among early twentieth-century debates about politics, philosophy, religion, gender, Aestheticism and allegory. Essays explore how the novel interacts with literary predecessors and contemporaries including John Bunyan, Oscar Wilde, Havelock Ellis and Edward Carpenter, and how it was shaped by personal relationships such as Forster’s friendship with Florence Barger. They close-read the textual variants of Forster’s manuscripts and examine the novel’s genesis and revisions. They consider the volatility of its reception, analysing how it galvanizes subsequent generations of writers and artists including Christopher Isherwood, Alan Hollinghurst, Damon Galgut, James Ivory and twenty-first-century online fanfiction writers. What emerges from the volume is the complexity of the novel, as a text and as a cultural phenomenon.

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This comprehensive sourcebook is destined to become a lasting and definitive resource on the art and aesthetic philosophy of the American artist David Smith (1906-1965). A pioneer of twentieth-century modernism, Smith was renowned for the expansive formal and conceptual ambitions of his broadly diverse and inventive welded-steel abstractions. His groundbreaking achievements drew freely on cubism, surrealism, and constructivism, profoundly influencing later movements such as minimalism and environmental art. By radically challenging older conventions of monolithic figuration and refuting arbitrary distinctions between painters and sculptors, Smith asserted sculpture's equal role in advancing modern art. A compilation of Smith's poems, sketchbook notes, essays, lectures, letters to the editor, reviews, and interviews, these previously unpublished texts underscore the varied ways in which his writing functioned as a means to examine and articulate his private identity and to promote the social ideals that made him a key participant in contemporary discourses surrounding modernism, art and politics, and sculptural aesthetics. All the documents in David Smith: Collected Writings, Lectures, and Interviews have been newly corrected against the original manuscripts, typescripts, and audiotapes. Each text in this collection is annotated with historical and contextual information that reflects Smith's own process of continually reviewing and revising his writings in response to his evolving aspirations as a visual artist.

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This entirely new edition brings together all of Philip Larkin's poems. In addition to those in Collected Poems (1988), and in the Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse (by turns scurrilous, satirical, affectionate, and sentimental) tucked away in his letters. The manuscript and printed sources have been scrutinized afresh; more detailed accounts than hitherto available of the sources of the text and of dates of composition are provided; and previous accounts of composition dates have been corrected. Variant wordings from Larkin's typescripts and the early printings are recorded.For the first time, the poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Due prominence is given to the poet's comments on his poems, which often outline the circumstances that gave rise to a poem, or state what he was trying to achieve. Larkin played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others; Archie Burnett's commentary establishes him as a more complex and more literary poet than many readers have suspected.

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Excerpts from texts (with translation) from the French of medieval England offer a guide to medieval literary theory. From the twelfth to the fifteenth centuries, French was one of England's main languages of literature, record, diplomacy and commerce and also its only supra-national vernacular. As is now recognised, the large corpus of England'sFrench texts and records is indispensable to understanding England's literary and cultural history, the multilingualism of early England, and European medieval French-language culture in general. This volume presents a full, representative collection of texts and facing translations from England's medieval French. Through its selection of prologues and other excerpts from works composed or circulating in England, the volume presents a body of vernacular literary theory, in which some fifty-five highly various texts, from a range of genres, discuss their own origins, circumstances, strategies, source materials, purposes and audiences. Each entry, newly edited from a single manuscript, is accompanied by a headnote, annotation, and narrative bibliography, while a general introduction and section introductions provide further context and information. Also included are essays on French in England and onthe prosody and prose of insular French; Middle English versions of some of the edited French texts; and a glossary of literary terms. By giving access to a literate culture hitherto available primarily only to Anglo-Norman specialists, this book opens up new possibilities for taking English francophony into account in research and teaching. JOCELYN WOGAN-BROWNE is Thomas F.X. and Theresa Mullarkey Chair in Literature, English Department, Fordham University, New York, and formerly Professor of Medieval Literature, University of York; THELMA FENSTER is Professor Emerita of French and Medieval Studies, Fordham University; DELBERT RUSSELL is Distinguished Professor Emeritus of French, University of Waterloo.

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Notes of Conversations, 1848-1875 is a volume of transcripts of conversations conducted by the nineteenth-century American philosopher and educator A. Bronson Alcott at various locations in New England and the Midwest. The transcripts have been copied from unpublished manuscripts in the Alcott collection at Harvard University and Concord Free Library, as well as published contemporary articles in The Radical, New York Tribune, and Chicago Tribune. Gathered in this volume, Alcotts transcripts vividly reflect American intellectual concerns from the years preceding the Civil War through the beginning of the Gilded Age. In this set of remarkable documents, Alcott holds conversations on broad aspects of human culture, on literature, on philosophical idealism, on women's roles and accomplishments, on abolition a whole range of social, literary, and religious reforms. Because women made up a significant portion of Alcotts enthusiastic participants, the transcripts allow us to witness their commitment to self-culture through a popular social phenomenon at a time when most middle- and upper-class women were not able to pursue college educations. The transcripts make us privy to the oral performances of some of the most important reformers of the nineteenth century, men and women such as Ralph Waldo Emerson, Thomas Wentworth Higginson, William Lloyd Garrison, Elizabeth Peabody, and Caroline Healey Dall. Further, lists of attendees at these public conversations show that this talking phenomenal extended beyond the well-known writers, thinkers, and reformers of the age to hundreds of men and women in nineteenth-century New England and Midwestern societies.

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Forming Sleep asks how biocultural and literary dynamics act together to shape conceptions of sleep states in the early modern period. Engaging with poetry, drama, and prose largely written in English between 1580 and 1670, the essays in this collection highlight period discussions about how seemingly insentient states might actually enable self-formation.Looking at literary representations of sleep through formalism, biopolitics, Marxist theory, trauma theory, and affect theory, this volume envisions sleep states as a means of defining the human condition, both literally and metaphorically. The contributors examine a range of archival sources—including texts in early modern faculty psychology, printed and manuscript medical treatises and physicians’ notes, and printed ephemera on pathological sleep—through the lenses of both classical and contemporary philosophy. Essays apply these frameworks to genres such as drama, secular lyric, prose treatise, epic, and religious verse. Taken together, these essays demonstrate how early modern depictions of sleep shape, and are shaped by, the philosophical, medical, political, and, above all, formal discourses through which they are articulated. With this in mind, the question of form merges considerations of the physical and the poetic with the spiritual and the secular, highlighting the pervasiveness of sleep states as a means by which to reflect on the human condition. In addition to the editors, the contributors to this volume include Brian Chalk, Jennifer Lewin, Cassie Miura, Benjamin Parris, Giulio Pertile, N. Amos Rothschild, Garret A. Sullivan Jr., and Timothy A. Turner.

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A range of approaches (literary, historical, art-historical, codicological) to this mysterious but hugely significant manuscript. Extravagantly heterogeneous in its contents, Oxford, Bodleian Library, MS Digby 86 is an utterly singular production. On its last folio, the scribe signs off with a self-portrait - a cartoonishly-drawn male head wearing a close-fitted hood - and an inscription: "scripsi librum in anno et iii mensibus" (I wrote the book in a year and three months). His fifteen months' labour resulted in one of the most important miscellanies to survive from medieval England: a trilingual marvel of a compilation, with quirky combinations of content that range from religion, to science, to literature of a decidedly secular cast. It holds medical recipes, charms, prayers, prognostications, magic tricks, pious doctrine, a liturgical calendar, religious songs, lively debates, poetry on love and death, proverbs, fables, fabliaux, scurrilous games, and gender-based diatribes. That Digby is from the thirteenth century adds to its appeal, for English literary remnants from before 1300 are all too rare. Scholars on both sides of the vernacular divide, French and English, are deeply intrigued by it. Many of its texts are found nowhere else: for example, the French Arthurian Lay of the Horn, the English fabliau Dame Sirith and the beast fable Fox and Wolf, and the French Strife between Two Ladies (a candid debate on feminine politics). The interpretationsoffered in this volume of its contents, presentation, and ownership, show that there is much to discover in Digby's lively record of the social and spiritual pastimes of a book-owning gentry family. SUSANNA FEIN is Professor of English at Kent State University. CONTRIBUTORS: Maureen Boulton, Neil Cartlidge, Marilyn Corrie, Susanna Fein, Marjorie Harrington, John Hines, Jennifer Jahner, Melissa Julian-Jones, Jenni Nuttall, David Raybin, Delbert Russell, J.D. Sargan, Sheri Smith

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SUMMARY IN SPANISH: Pascual el dragó n viaja a Asia. Descubrirá có mo juegan los niñ os, las tradiciones populares y las fiestas de estos paí ses y, como siempre, lo hará ayudando allí donde se Un libro infantil interactivo en españ ol, en el que el propio dragoncito cuenta la historia y, de vez en cuando, hace preguntas al niñ o.Este es el segundo tí tulo de la colecció n Pascual el dragó n descubre el mundo, en letra ligada o manuscrita.Se recomienda para explicar a niñ os a partir de 3 añ os o bien para leerlo ellos mismos a partir de 5 añ os.Tí tulos de la colecció n: 1- Pascual el dragó n descubre Antá rtida2- Pascual el dragó n descubre Asia3- Pascual el dragó n descubre á frica4- Pascual el dragó n descubre Amé rica5- Pascual el dragó n descubre Europa6- Pascual el dragó n descubre Oceaní a LIBRO ESCRITO ORIGINALMENTE EN ESPAñ OL._________________________________________SUMMARY IN ENGLISH: Pascual the dragon travels to Asia. He will find out how children play, popular traditions and festivals of these countries and, as always, he will do it while helping wherever it is needed.An interactive children's book in Spanish, in which the little dragon himself tells the story and, from time to time, asks the child questions.It is a good book to instill the value of saving water and that we should help others.This is the second title in the collection Pascual el dragó n descubre el mundo, in handwriting.It’ s recommended to explain to children from 3 years old or to read it themselves from 5 years old.Titles in the collection: 1- Pascual el dragó n descubre Antá rtida2- Pascual el dragó n descubre Asia3- Pascual el dragó n descubre á frica4- Pascual el dragó n descubre Amé rica5- Pascual el dragó n descubre Europa6- Pascual el dragó n descubre Oceaní aORIGINALLY WRITTEN IN SPANISH.

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Over more than four decades J.R.R. Tolkien’s son and literary executor, Christopher Tolkien, published some twenty-four volumes of his father’s work, much more than his father had succeeded in publishing during his own lifetime. Standing on the mountain of his son’s colossal publishing effort and extraordinary scholarship, readers today are therefore able to survey and understand the vastness of the landscape of Tolkien’s legendarium. This collection of essays by world-renowned scholars, together with family reminiscences, sheds new light on J.R.R. Tolkien’s work, his son Christopher’s unique gifts in communicating and interpreting that work and the debt owed to Christopher by the many Tolkien scholars who were privileged to work with him. What was Tolkien’s intended ending for 'The Lord of the Rings'? Did it leave echoes in the stripped-down version that was actually published? What was the audience’s response to the first ever adaptation of 'The Lord of the Rings' – a radio dramatization that has now been deleted forever from the BBC’s archives? What was the significance of the extraordinary array of doorways which confronted the hobbits as they journeyed through Middle-earth? The book is illustrated with colour reproductions of J.R.R. Tolkien’s manuscripts, maps, drawings and letters and, with the kind permission of his estate, photographs of Christopher Tolkien and extracts from his works, some of which have never been seen before, making this volume essential reading for Tolkien scholars, readers and fans.

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The eighteenth-century text Work on Women by Louise Dupin (also known as Madame Dupin, 1706-1799) is the French Enlightenment's most in-depth feminist analysis of inequality--and its most neglected one. Angela Hunter and Rebecca Wilkin here offer the first-ever edition of selected translations of Dupin's massive project, developed from manuscript drafts. Hunter and Wilkin provide helpful introductions to the four sections of Work on Women (Science, History and Religion, Law, and Education and Mores) which contextualize Dupin's arguments and explain the work's construction--including the role of her secretary, Jean-Jacques Rousseau. Dupin's central claim in Work on Women is that French jurists have gradually disenfranchised women through reductive interpretations of Roman law. As a result, modern marriage is founded on an abusive, illegitimate contract that enriches one party and impoverishes the other. This manifest injustice is enabled by the "masculine vanity" that aggrandizes men, diminishes women, and distorts all realms of knowledge. Dupin shows how the most reputable scientists incorporate old notions of women's weakness into new understandings of the body, while historians denigrate female rulers or erase them altogether. Even in everyday conversation, men assert their entitlement to social dominance through casual misogyny. Thus, although Dupin advocates for meaningful education for girls, she insists that the upbringing of boys must also be reformed. This volume fills an important gap in the history of feminist thought and will appeal to readers eager to hear new voices that challenge established narratives of intellectual history.

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A collection attesting to the richness and lasting appeal of these short forms of Middle English verse. The body of short Middle English poems conventionally known as lyrics is characterized by wonderful variety. Taking many different forms, and covering an enormous number of subjects, these poems have proved at once attractive andchallenging for modern readers and scholars. This collection of essays explores a range of Middle English lyrics from the thirteenth to the early sixteenth century, both religious and secular in flavour. It directs attention to the intrinsic qualities of these short poems and at the same time explores their capacity to illuminate important aspects of medieval cultural practice and production: forms of piety, contemporary conditions and events, the historyof feelings and emotions, and the relationships of image, song, performance and speech to the written word. The issues covered in the essays include editing lyrics; lyric manuscripts; affect; visuality; mouvance and transformation; and the relationships between words, music and speech. A particularly distinctive feature of the collection is that most of the essays take as a point of departure a specific lyric whose particularities are explored within wider-ranging critical argument. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London; CHRISTIANIA WHITEHEAD is Professor of Middle English Literature at the University of Warwick. Contributors: Anne Baden-Daintree, Julia Boffey, Anne Marie D'Arcy, Thomas G. Duncan, Susanna Fein, Mary C. Flannery, Jane Griffiths, Joel Grossman, John C. Hirsh, Hetta Elizabeth Howes, Natalie Jones, Michael P. Kuczynski, A.S. Lazikani, Daniel McCann, Denis Renevey, Elizabeth Robertson, Annie Sutherland, Mary Wellesley, Christiania Whitehead, Katherine Zieman.

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The Armenians’ perspectives on and perceptions of Islam are some of the earliest and integral parts of Near Eastern interactive history, yet the subject remains in virtual obscurity. A novel and extensive study, Islam in Armenian Literary Culture. Texts, Context, Dynamics is a maiden voyage into this unchartered territory and an overdue task in regional, Armenian and Interfaith studies. In view of the broad temporal and thematic peripheries, multiple aspects and complicated problematics, primarily Armenian texts – such as hitherto unknown manuscripts and/or indirectly familiar literature – are given high priority and cited. They are analyzed in their social, cultural and political contexts in dynamic processes. For greater clarity and ease of navigation, the book is organized around three main themes: the “Armenian Mahmet”, the “Armenian Ghurans”, and the “Armenian Pax Islamica”, from the seventh to the twenty-first centuries. These are also arguments, tools of analysis and major chapters in the book.

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This book presents a contextual study of the life and work of the Cambridge Platonist Ralph Cudworth (1617-1688). Focusing on the theological basis of Cudworth's ethical philosophy, this book unlocks the hitherto ignored political aspect to Cudworth's ethical philosophy. Through a detailed examination of Cudworth's published works - particularly his voluminous True Intellectual System of the Universe -, his posthumously published writings, and his 'freewill' manuscripts Benjamin Carter argues that the ethical and political arguments in Cudworth's philosophy develop out of Cudworth's Trinitarian theology. Carter traces the link between Cudworth's Trinitarianism and his ethical and political ideas by placing Cudworth's work in the turbulent religious and intellectual context of seventeenth-century England, and the University of Cambridge in particular. He links Cudworth's theology and philosophy to developments in English Puritan theology, to contemporary philosophical figures such as Thomas Hobbes, and draws out Cudworth's often overlooked influence on the developping patterns of liberal and latitudinarian theology of late seventeenth-century England.

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The great fine art doodler returnsCanadian treasure Marc Bell returns with another gorgeous, confounding comic that redefines how an art book can tell a story and how a graphic novel can be an object first and story second. His internal monologue leaks out like static from a radio and informs the external; he's tying up loose ends; he's finishing long-paused sentences.Raw Sewage Science Fiction is about making art and understanding the results as autobiography. The process is a series of indignities, bubble wrapped frames, unpaid invoices, art lost through neglect or in the mail. Bell uses autofiction, collage, straight comix, tight cross hatching, loose doodling, repurposed in-flight magazines, envelopes, grocery lists, and snatches of late night CBC radio to examine a lost decade as he wanders from coast to coast.In a century, these will be our illuminated manuscripts, our sacred texts, our guides to life for now they are simply the truththe i

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Imaginary Distance' is the first book to undertake a survey of the literature produced by nineteenth-century settler emigration. It argues that the demographic shift in the nineteenth century to settler colonies in Canada, Australia, New Zealand was also a textual one: a vast literature supported and underpinned this movement of people. The monograph brings printed emigrants' letters, manuscript shipboard newspapers and settler fiction into conversation with each other across the first three chapters to explore the generic features of 'emigration literature': textual mobility, a sense of place, and home-making. The last two chapters demonstrate how pervasive the textual cultures of settler emigration were in shaping the nineteenth-century cultural imagination: concerns raised in emigration literature were pervasive and seeped through representations of space and place: the works of Charles Dickens, Elizabeth Gaskell and Ford Madox Brown, amongst others, draw upon emigration to explore the networks of people and texts extending across the settler world.

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Originally published between 1981 and 2003, the thirteen essays collected here cover topics in medieval rhetoric from its origins in late antiquity through the end of the Middle Ages. Most of the essays are concerned with the teaching of prose composition, especially the art of letter writing known as the ars dictaminis, and many of them focus on specific textbooks that were used for such instruction, in particular those composed in England from the twelfth through the fifteenth centuries. Individual essays are devoted to works by major figures such as Saint Augustine, Peter of Blois, and Geoffrey of Vinsauf; to teaching programmes at important academic centres such as Oxford and Bologna; and to such topics as the relationship between the art of letter writing and the art of poetry, the oral dimension of medieval epistolography, the manuscript traditions of influential textbooks, medieval genre terminology, and the position of medieval rhetoric within a continuous disciplinary history rooted in classical rhetoric.

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For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.

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Drawing on the work of British sculptor Antony Gormley, alongside more traditional literary scholarship, this book argues for new relationships between Chaucer’s poetry and works by others. Chaucer’s playfulness with textual history and chronology anticipates how his own work is figured in later – and earlier – texts. Responding to this, the book presents innovative readings of the relationships between medieval texts and early modern drama, literary texts and material culture. It re-energises conventional models of source and analogue study to reveal unexpected – and sometimes unsettling – literary cohabitations. At the same time, it exposes how associations between architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer’s oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.

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Another 87th precinct novel from 'the undisputed master - and there's nobody who does it better' DAILY MIRRORIrritating though he was, Lester Henderson had it all when he strode up to rehearse his keynote address in the darkness of a downtown theatre. Widely tipped to be the next mayor and possessing a nice line in catalogue-casual daywear, Henderson stood four-square facing his glorious future. But five shots later and his lifeblood was seeping away - gunned down by person or persons unknown from stage-right... At that point he became Ollie Weeks' problem. But this savage crime is suddenly overshadowed by a deed even more repugnant. Ollie's life's work is his novel. Honed by countless rejection letters, it is finally ready to be released to the general populace. But then the one and only manuscript disappears, leaving Ollie to head off in pursuit of the thief. A thief who is convinced that Ollie's work contains the secret location of a hoard of hidden diamonds...

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A medieval A to Z with letters from the collections of the British Library to colour in. Before the invention of the printing press, books were written out by hand, and were priceless objects. The most precious books were illuminated with gold or with bright colours. Initial letters were often highlighted either as decoration or to mark an important passage. This new colouring book is packed with a series of intricate letters carefully selected from the extensive collection of the British Library. The letters are sourced from medieval charters and seals, historical and literary manuscripts, from Virgil to Chaucer and Royal Statutes to the Book of Psalms. Each of the original letters is reproduced in colour, so that you can decide whether you prefer to choose your own colours, or to use the colours that the artist intended. With key facts about each of the letters and their source, this is the perfect book for history buffs and colouring-in fans alike.

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In The Jewish Bible: A Material History, David Stern explores the Jewish Bible as a material object—the Bibles that Jews have actually held in their hands—from its beginnings in the Ancient Near Eastern world through to the Middle Ages to the present moment. Drawing on the most recent scholarship on the history of the book, Stern shows how the Bible has been not only a medium for transmitting its text—the word of God—but a physical object with a meaning of its own. That meaning has changed, as the material shape of the Bible has changed, from scroll to codex, and from manuscript to printed book. By tracing the material form of the Torah, Stern demonstrates how the process of these transformations echo the cultural, political, intellectual, religious, and geographic changes of the Jewish community. With tremendous historical range and breadth, this book offers a fresh approach to understanding the Bible’s place and significance in Jewish culture.

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From the winner of the National Book Critics Circle Award, who's been shortlisted for the Pulitzer Prize, the Man Booker International Prize and the Orange Prize for Fiction comes the brilliant novel The Messiah of Stockholm.Lars Andeming, perhaps overly intellectual and certainly eccentric, is the Monday book reviewer for a Stockholm daily. He is also the self-proclaimed son of Bruno Schulz, a Polish writer who was executed by the Nazis before his last novel, The Messiah, could be published. When a manuscript of The Messiah mysteriously appears in Stockholm, in the possession of Schulz's 'daughter', Lars's circumscribed world of paper, apartment, and favorite bookstore turns upside down, catapulting him into a whirlwind of dream, magic, and illusion.A Brilliant novel... The Messiah of Stockholm is a worthy companion to Philip Roth's superb Prague Orgy... A complex and fascinating meditation on the nature of writing and the responsibilities of those who choose to create - or judge - tales. - Harold Bloom, New York Times

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" Viaje al centro de la Tierra " es la segunda aventura imaginada por Julio Verne de una larga serie que, con más de cincuenta entregas, estaría escribiendo durante toda su vida. Sin duda Verne tenía un espíritu aventurero que necesitaba salir de vez en cuando a darse una vuelta. En esta ocasión, el escritor francés, se encarna por partida doble en la persona del profesor Lidenbrock, un excéntrico científico alemán, y su sobrino Axel, joven aún y huérfano, aprendiz de geólogo, que vive bajo su protección. El objetivo de la aventura que les une a los dos es demostrar que se puede llegar hasta el mismísimo centro de la Tierra siguiendo las huellas de Arne Saknussemm, un antiguo escritor del siglo XVI, investigador y viajero, que dejó un manuscrito secreto con las claves para realizar la expedición.Con este argumento, Verne nos arrastra a una historia descabellada de aventuras y continuas sorpresas que ponen a prueba hasta el límite a sus protagonistas. La historia es narrada por Axel,

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José María Fonollosa no es tanto un poeta marginado por la época como un poeta que decide marginarse de una época con la que no comulga. Cantó a las ciudades que lo conocieron, como si el enjambre de calles fuera el silencioso testigo de su paso por el mundo: Barcelona, La Habana, Nueva York. Y su canto no habla de la agustiniana ciudad de dios, sino del ser humano: del hombre que no encuentra su lugar en el mundo y menos entre otros hombres. Es, en definitiva, la suya una voz libre y cercana, un poeta que dice lo que piensa y que ofrece en sus versos un retrato acerado y valiente de las fobias, las ilusiones y los fracasos del hombre contemporáneo. Su poesía es nuestra y, a la vez, universal y, sin embargo, el manuscrito de Ciudad del hombre, después de mucho tiempo en el olvido, se había publicado solo de manera incompleta. hasta hoy. Con esta edición, a cargo de José Ángel Cilleruelo, al fin se puede disfrutar de la obra original e íntegra que el autor escribió: 236 poemas con su or

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A captivating blend of true adventure and natural history by one of today’s leading penguin experts and Antarctic explorers.George Murray Levick was the physician on Robert Falcon Scott’s tragic Antarctic expedition of 1910. Marooned for an Antarctic winter, Levick passed the time by becoming the first man to study penguins up close. His findings were so shocking to Victorian morals that they were quickly suppressed and seemingly lost to history. A century later, Lloyd Spencer Davis rediscovers Levick and his findings during the course of his own scientific adventures in Antarctica. Levick’s long-suppressed manuscript reveals not only an incredible survival story, but one that will change our understanding of an entire species. A Polar Affair reveals the last untold tale from the Heroic Age of Antarctic Exploration. It is perhaps the greatest of all of those stories—but why was it hidden to begin with? The ever-fascinating a

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This classic study by the eminent Dutch historian of science E. J. Dijksterhuis (1892-1965) presents the work of the Greek mathematician and mechanical engineer to the modern reader. With meticulous scholarship, Dijksterhuis surveys the whole range of evidence on Archimedes' life and the 2000-year history of the manuscripts and editions of the text, and then undertakes a comprehensive examination of all the extant writings. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The struggle to remove the stigma of sickness surrounding same-sex love has a long history. In 1973, the American Psychiatric Association removed homosexuality from its diagnostic classification of mental illness, but the groundwork for this decision was laid centuries earlier. In this study Henry L. Minton looks back at the struggle of the American gay and lesbian activists who chose scientific research as a path for advocating homosexual rights. He traces the history of gay and lesbian emancipatory research from its early beginnings in the late 19th century to its role in challenging the illness model in the 1970s. By examining archival sources and unpublished manuscripts, Minton reveals the substantial accomplishments made by key researchers and relates their life stories. He also considers the contributions of mainstream sexologists such as Alfred C. Kinsey and Evelyn Hooker who supported the cause through the advancement of scientific knowledge.

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The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.

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Hailed as 'the father of black literature in the twentieth century', Richard Wright was an iconoclast, an intellectual of towering stature, whose multidisciplinary erudition rivals only that of W. E. B. Du Bois. This collection captures Wright's immense power, which has made him a beacon for writers across decades, from the civil rights era to today. Individual essays examine Wright's art as central to his intellectual life and shed new light on his classic texts - Native Son and Black Boy. Other essays turn to his short fiction, and non-fiction as well as his lesser-known work in journalism and poetry, paying particular attention to manuscripts in Wright's archive - unpublished letters and novels, plans for multivolume works - that allow us to see the depth and expansiveness of his aesthetic and political vision. Exploring how Wright's expatriation to France facilitated a broadening of this vision, contributors challenge the idea that expatriation led to Wright's artistic decline.

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Elija, east-Syrian (nestorian) bishop of al-Anbar west of Baghdad flourished in the first half of the Xth century. His voluminous Ktaba d-Durrasa (Book of Instruction) is composed of metrical stanzas and consists of thirty centuries (therefore known as Ktaba d-Ma'wata), arranged in ten Memre. It is a work of didactic poetry, deeply influenced by Dionysius the Areopagite and his theory of symbolism. We meet a manual of theoria based on Scripture, nature and tradition addressed to monks (and clergy?) and reflecting their hierarchical order of illumination. Of special interest are the large portions with mainly typological explanations of the AT and the NT. From 19 manuscripts of western and eastern libraries a solid text (the common archetype of ca. the 12th/13th century) is established. The second part (Memre IV-VI) is in preparation.

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Ce livre propose une nouvelle édition critique, accompagnée d'une introduction et d'une traduction, du Libellus de duodecim Herculis laboribus du savant byzantin Jean Pédiasimos (ca. 1250-1310/1314). Cet essai sur les douze travaux d'Héraclès est d'une grande valeur parce qu'il semble être un des seuls exemples byzantins de ce qu'on entend par mythographie. Cette nouvelle édition implique un progrès considérable vis-à-vis la dernière édition de la main de Richard Wagner (datant de 1894) vu qu'elle rend compte de pas moins de 37 témoins. En plus, elle est précédée d'une introduction traitant la biographie complexe de Pédiasimos, le genre du texte et son rapport avec d'autres textes mythographiques, et les manuscrits et leur relation. Le texte grec est accompagné d'une traduction en français afin de faciliter la lecture.

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"En muy pocas ocasiones se ha dejado que fuera el mismo Gaudí quien expusiera, llana y brevemente, sus ideas sobre arquitectura, construcción y ornamentación o sobre sus tipologías arquitectónicas preferidas: el templo y la casa." A partir de este planteamiento, Laura Mercader nos ofrece, por primera vez, una edición crítica global del legado escrito?con algunos textos todavía inéditos?de uno de los mayores arquitectos del siglo XX, una lectura fiable y genuina de los originales manuscritos o mecanografiados y un trabajo tan exhaustivo como necesario de documentación. El resultado es un documento histórico de primera magnitud?que descubre a un Gaudí interesado en la escritura como medio de divulgación de sus ideas?, imprescindible para revisar la obra arquitectónica de una de las personalidades de nuestra cultura con mayor proyección internacional.

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La serie A de las Obras completas de Leonardo Polo incluye todas las obras publicadas en vida por el maestro. En la serie B, que iniciamos con este volumen, se van a ir publicando los textos que quedaron inéditos en el desgraciado momento de su fallecimiento el 9 de febrero de 2013, y que se conservan en Pamplona: en el archivo general de la universidad de Navarra, sito en su biblioteca de humanidades.Esos inéditos están formados, principalmente, por bastantes textos escritos (algunos manuscritos, pero la mayor parte mecanografiados) y un gran número de grabaciones, tanto de audio como de vídeo. El propósito fundamental de esta serie B va a ser, por el momento, publicar los textos escritos que se conservan. Porque esas grabaciones (que culminarían las Obras completas) están siendo a día de hoy sometidas a un proceso de digitalización, a fin de conservarlas evitando su degradación.

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El libro que ha abierto un nuevo capítulo en la vida de más de seis millones de personas En 1992 solo fue un pequeño libro que su autor, James Redfield, publicaba por su cuenta y riesgo.   Pero muy pronto se convirtió en la gran aventura espiritual que ha cambiado la visión de varias generaciones sobre el destino humano.   Este inolvidable clásico de la espiritualidad narra la historia de un antiguo manuscrito, escondido en la selva peruana, que guarda en sus páginas nueve revelaciones esenciales para comprender el presente y enfrentarnos al futuro. Si bien la búsqueda de ese texto perdido supone un gran esfuerzo lleno de riesgos, la tenacidad de un pequeño grupo de sabios aventureros nos dará las claves de un mensaje sencillo y directo que apunta a nuestra más profunda espiritualidad.   «Las nueve revelaciones arraiga en la más urgente búsq

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The Divine Liturgy of Saint James is the eucharistic rite of the ancient Church of Jerusalem and the most ancient extant liturgy of the Eastern Church. In recent decades, the frequency of its use has increased throughout the Orthodox Church. This service book offers for the first time a parallel Church Slavonic-English text, suitable for use by clergy and servers. It also contains the Divine Liturgy of the Presanctified Gifts of the Holy Apostle James, which is rarely served today but has been preserved in part in a few Greek manuscripts and in full in several Georgian sources. An introduction by Dr Vitaly Permiakov, a specialist in the Jerusalem liturgy, presents the provenance and integrity of both ancient Liturgical services.

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One autumn evening, not long after ending a stint as a pop music critic, Eric Siblin attended a recital of Johann Sebastian Bach's Cello Suites - and fell deeply in love. So began a quest that would unravel three centuries of mystery, intrigue, history, politics, and passion. The Cello Suites weaves together three dramatic narratives: the first features Bach and the missing manuscript of the suites; the next, the legendary Spanish Catalan cellist Pablo Casals and his historic discovery of the music; and finally, Eric Siblin's own infatuation. From the back streets of Barcelona to archives, festivals, and conferences, and even to cello lessons, Siblin attempts to unravel the enigmas that continue to haunt this mesmerisingly beautiful music.

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In Absinth, you’ll meet three main characters trying to figure out their life on the backdrop of the upcoming Apocalypse: Iris, a fortune-teller who cannot see not the future but weirdly anachronistic versions of the past; Sid Saperstein, a shameless huckster chosen to publish a sacred manuscript whose message will shake heaven and earth alike; Hermes, the Greek messenger god, dispatched by Zeus to sound out his fellow deities, still smarting from the licking they took two thousand years ago, on how best to take advantage of the coming changes, whatever they may be. And also God Himself, whose enigmatic voice addresses us throughout the novel in the contemporary koans of advertising lingo.

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The original version of this memoir was entitled The Lighter Side of a Tunneller s Life; he has hoped to get it published in the late thirties, but this was a period when many publishers considered that there was memoir fatigue as regards the Great War and a new war was looming. With a background in mining and tunneling (the internal evidence suggests that some of this was done in South Africa), he served with a Tunnelling Company and was then transferred to GHQ in Montreuil to handle mining plans and records. The British organized their mining at Army and GHQ level, with a close control on operational activity being reserved to GHQ. In due course he was appointed as one of the Assistant Inspectors of Mines, a small group of Royal engineers officers who operated as the eyes and ears of the Inspector of Mines, who exercised overall control on mining operations. His activity in this role is particularly important for the period after the June 1917 Messines Offensive, when the use of mining for blows against the enemy substantially diminished indeed, all but disappeared and the tunneling companies were reallocated to a new range of tasks. His manuscript, produced in 1933, was intended for publication, but remained no more than a draft, rescued some time ago by one of the editors from the Royal Engineers archives at Chatham. Dixon remarks that the carnage and horrors of war have been deliberately omitted, for enough and to spare has been written about these aspects by countless others. His manuscript, alternatively, provides a valuable insight into the overall conduct of mining operations and the tactical and strategic considerations that rarely feature in other accounts. He was at the centre of staff activity that set about countering the effects of the German Kaiserslacht offensives in March, April and May 1918, and the preparations for a possible German breakthrough to the channel ports. Subsequently, with the allied advances of the Last Hundred Days , he became considerably occupied by the hazards of dealing with delayed action mines and booby traps. Aside from these tactical and strategic considerations, he recounts, by means of numerous humorous anecdotes, the personalities and work of the staff at GHQ, ranging from humble clerks and the misdemeanors of his batman to senior officers. He brings to life the exceptional endeavours of the often maligned senior staff and the individual characteristics of many senior staff officers who are otherwise but shadows in accounts of the Great War. The editors have added extensive notes explaining and, on occasions correcting, Dixon s accounts; these are illustrated with explanatory plans and diagrams along with photographs of many of the personalities he describes. The combination provides a very personal perspective of the conduct of the war at GHQ.

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The Art of the Footnote reacquaints students and writers with the footnote as the most effective method for presenting all of the information that is necessary to make every manuscript lucid for every reader. This book shows why footnotes are valuable, even essential, as a part of writing in the context of the scientific and historical methods of research; how easy it is to become thoroughly familiar with the various types of notes and when to employ them; and how to create footnotes which are both clear and helpful to the reader. This book will be helpful in writing undergraduate term papers to large monographs because it describes specific cases in which footnoting is appropriate and it illustrates those with examples drawn from a variety of writings.

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